The Manhattan Project, set up during the Second World War in 1942, was guided by fear that if the US and its allies didn’t make them first, Hitler’s Nazi scientists would.
A left-wing theoretical physicist not known for his leadership qualities or laboratory acumen, the American was an unconventional pick but proved a devastatingly effective one.
As blockbuster biopic Oppenheimer hits cinemas, Sky News looks at how the father of the atomic bomb still shapes the world decades after his creation was deployed.
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Oppenheimer film ‘puts audience in bunker’
An unusual recruitment
Oppenheimer was appointed by General Leslie Groves, the project’s military leader, to head up Site Y – a secret weapons research facility at Los Alamos, New Mexico.
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But there were, as Oppenheimer biographer Professor Ray Monk puts it, “all sorts of reasons” not to appoint him, notably perceived association with communist organisations that had made him a suspect of the FBI.
Born to a Jewish family in New York in 1906, his student years had seen him drawn to the left as Germany’s fascist regime saw friends and relatives oppressed and forced to flee.
During studies at Harvard, Cambridge, and Germany‘s Gottingen university in the 1920s, he was known for being a “disaster in the laboratory”. Of his time studying physics at Harvard, Oppenheimer himself said: “My feeling about myself was always one of extreme discontent.”
He may have been unconvincing in the lab, but found his calling as a university lecturer in California. His ability to explain complex science in a relatively straightforward and compelling way proved key to impressing Groves, who interviewed countless scientists before a chance meeting with Oppenheimer.
Crucially, he also recognised the need for urgency.
Prof Monk says: “Oppenheimer knew Heisenberg, one of the greatest scientists in the world, who he worked with at Gottingen, was leading the Nazi bomb project and was worried they would get one before the Allies.
“He was in no doubt at all – the duty of all scientists in the US, and the allied countries, was building a bomb first.”
Building the bomb
Los Alamos was one of three sites critical to the development of the atomic bomb.
The others were a factory in Hanford, Washington, where plutonium was made; and a hidden base in Oak Ridge, Tennessee, for enriching uranium.
The basis of atomic bomb is the process of nuclear fission – when the nucleus of an atom is split into two smaller nuclei, releasing a large amount of energy in the process.
This was discovered in 1938 by two German scientists, and Oppenheimer realised its destructive potential when word reached him in 1939.
The prospect of weaponising nuclear fission focused the minds of scientists across Europe, with plutonium and uranium identified as elements that could undergo the process.
With the process understood, the race was on to weaponise it.
Cynthia C Kelly is founder and president of the Atomic Heritage Foundation, dedicated to the preservation of the Manhattan Project and crucial to having the three sites gain national park status in the US.
“It was a first-of-a-kind effort across the board,” she says of the Manhattan Project, named after the New York City district where it was founded.
With the city that never sleeps deemed too busy for such a secretive initiative, the three laboratories were set up in isolated places far away from urban centres and the coast. They brought together geniuses from across America and overseas – including Britain and some who fled Nazi Germany – into one single-minded pursuit.
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“It required creative minds from the machinists to the craftsmen – everything had to be perfect,” Kelly adds, with a “classic absent-minded professor” at the heart of it.
“They had to take this energy, which had been uncontrolled up to now, figure out how to control it, and package it tightly enough to fit in the bomb bay of an aeroplane that could transport it and drop it.
“They had little confidence in harnessing this technology in time for the end of the war.”
Becoming Death
But harness it they did – and the world would change forever.
The first atomic bomb test in New Mexico happened on 16 July 1945, after which Oppenheimer uttered a line that, along with his trademark fedora and pipe, has become quintessential to his public image.
“Now I am become Death, the destroyer of worlds,” he observed after the so-called Trinity Test, quoting a sacred Hindu text in a reminder of his acumen as a philosopher as well as a scientist.
A few weeks after, death followed on an unimaginable scale. On 6 August, a uranium-based bomb named Little Boy was detonated over Hiroshima; and another, Fat Man, was dropped on Nagasaki three days later.
Both cities were left unrecognisable, 200,000 people died, and Japan surrendered. Oppenheimer was shaken.
“Right up until the dropping of the bomb on Hiroshima, he had no moral qualms whatsoever,” says Prof Monk.
“Even when the Germans surrendered (on 7 May 1945), and it was obvious the Americans were still going to use the bomb against the Japanese, he had no qualms.
“But he thought one demonstration of the awesome power of this weapon was enough.”
A new world
Despite its undoubted role in ending the Second World War, which cost the lives of some 90 million people, Oppenheimer was changed by the atomic bomb, believing it made the prospect of future conflict “unendurable”.
“It has led us up those last few steps to the mountain pass; and beyond there is a different country,” he said in 1946, later signalling his opposition to his government’s plan to develop even bigger nuclear weapons.
Oppenheimer was ignored and held in deep suspicion, and his security clearance at the Atomic Energy Commission eventually rescinded. He died of lung cancer in 1967 with none of the power he once yielded.
Nuclear weapons have not been used again, but the threat lingers. America and Russia’s arsenals are far smaller than their Cold War peak, but they hold 90% of an estimated global stockpile of 13,000 weapons.
Ever since Oppenheimer witnessed the Trinity Test in the New Mexico desert, Cynthia C Kelly says there’s been “no way to put the genie back in the bottle”.
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Two cities devastated beyond recognition have seemingly served as the ultimate deterrence.
“Oppenheimer was invited to say he regretted developing the atomic bomb many times, most prominently when he visited Japan, and his answer was always no,” says Prof Monk.
“It can be argued the fact the weapons have never been used again shows deterrence works.”
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2:39
Will Russia use nuclear weapons?
Beyond deterrence, the Manhattan Project also unleashed an era of science and innovation still being felt today, including nuclear energy vital to weaning ourselves off greenhouse gases.
Angelina Jolie says although she appreciates being an artist, she would prefer for her legacy to be “a good mother” and to be known for her “belief in equality and human rights”.
The Oscar-winning actress stars as Maria Callas in the new Pablo Larrain film about the opera singer’s life.
She has called Maria “the hardest” and “most challenging” role she has had in her career and put months of preparation into immersing herself into the world of opera.
Jolie, who recently reached a divorce settlement with actor Brad Pitt, told Sky News: “To be very candid, it was the therapy I didn’t realise I needed. I had no idea how much I was holding in and not letting out.
“So, the challenge wasn’t the technical [side of opera], it was an emotional experience to find my voice, to be in my body, to express. You have to give every single part of yourself.”
The biopic combines the voice of the Maleficent actress with recordings of Maria Callas.
Jolie believes it “would be a crime to not have [Callas’] voice through this because, in many ways, she is very present in this film”.
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Who was Maria Callas?
Born in New York in 1923, Maria Callas was the daughter of Greek immigrants who moved back to Athens at the age of 13 with her mother and sister.
After enrolling at the Athens Conservatory, she made her professional debut at 17 and went on to become one of the most famous faces of opera, travelling around the world and performing at Covent Garden in London, The Met in New York and La Scala in Milan.
Callas’s final operatic performance took place at Covent Garden in 1965 when she was 41 but she continued to work conducting master classes at Juilliard School, doing concert tours and starring in the 1969 film Medea.
Written by Peaky Blinders creator Steven Knight, Maria focuses on the artist’s final years in the 1970s when she moved to Paris and disappeared from public view.
She died on 16 September 1977 at the age of 53.
Jolie on changing motivations as an actor
Maria follows the life of an artist fully consumed by the art she creates and even remarks that “happiness never developed a beautiful melody”.
Reflecting on her own life in the spotlight, Jolie said she noticed her own career motivations change over the years.
“There’s this kind of study of being human that we do when we create, and we communicate with an audience because our work is not in isolation – it’s a connection.
“I think when I was younger, I had different questions about being human and different feelings and now as I’ve gotten older, I understand some things and now I have different questions.
“It’s a matter of life, right? And so maybe that’s interesting that this now is a character really contemplating death and really contemplating the toll of certain things in life that I, of course, couldn’t have understood in my 20s”.
A family affair
Two of Jolie’s children, Maddox and Pax, took on production assistant roles during the filming of Maria and witnessed their mother perform opera for the first time in public.
She says the film allowed them to create new experiences together and for her children to see her approach to playing a difficult role.
“Everyone in my home, we all give each other space to be who we are and we’re all different.
“I’m the mom, but I’m also an artist and a person and so my family has been very kind and gives me their understanding. They make fun of me, and they support me and just as you’d hope it would be.”
She adds: “When you play somebody who is dealing with so much pain, it’s very important to come home to some kindness.”
Sam Moore, who sang Soul Man and other 1960s hits in the legendary Sam & Dave duo, has died aged 89.
Moore, who influenced musicians including Michael Jackson, Al Green and Bruce Springsteen, died on Friday in Coral Gables, Florida, due to complications while recovering from surgery, his publicist Jeremy Westby said.
No additional details were immediately available.
Moore was inducted with Dave Prater into the Rock and Roll Hall of Fame in 1992.
This breaking news story is being updated and more details will be published shortly.
Neither star has publicly addressed the rumours but Tom’s comedian father, Dominic Holland, has now confirmed the pair are set to wed.
He wrote in a post on his Patreon account: “Tom, as you know by now was very incredibly well prepared. He had purchased a ring.
“He had spoken with her father and gained permission to propose to his daughter.”
“Tom had everything planned out… When, where, how, what to say, what to wear,” he added.
Dominic also noted that while most men worry about being able to afford an engagement ring, he suspects his actor son was “more concerned with the stone, its size and clarity, its housing, which jeweller”.
Tom and Zendaya met on the set of Spider-Man: Homecoming in 2016, when they played the titular hero and his love interest MJ, respectively. Their romance was confirmed in 2021.
In his post, Tom’s father admitted fears over whether being in the spotlight could put a strain on the couple’s relationship.
He wrote: “I do fret that their combined stardom will amplify their spotlight and the commensurate demands on them and yet they continually confound me by handling everything with aplomb.”
“And even though show business is a messy place for relationships and particularly so for famous couples as they crash and burn in public and are too numerous to mention […] yet somehow right at the same time, I am completely confident they will make a successful union.”