Tony Bennett dies: ‘The best singer in the business’ – how words from his idol Frank Sinatra changed his career
“For my money, Tony Bennett is the best singer in the business.”
Coming from Frank Sinatra himself, in an interview in 1965, there could be no higher compliment.
Sinatra was a huge influence on Bennett, who has died aged 96.
The pair had become firm friends and went on to perform together several times over the years.
Bennett was the younger singer – Sinatra died in May 1998 at the age of 82.
But as they both matured, Sinatra always continued to call Bennett “kid” – even into old age.
Bennett said his idol’s words in that 1965 article changed his career.
Two years earlier, a then 36-year-old Bennett had picked up his first Grammy for his signature song I Left My Heart In San Francisco.
In 2022, almost 60 years later, the pop and jazz singer was awarded his 20th, sharing the honour with his superstar collaborator Lady Gaga – at the tender age of 95.
Bennett performs with Lady Gaga
During a career in entertainment spanning eight decades, Bennett was one of the last of America’s great crooners – one who achieved the rare feat of only seeming to grow in popularity in later life.
With more than 70 albums to his name, he is perhaps the only artist ever to have had new albums charting in the US in the 1950s, ’60s, ’70s, ’80s, ’90s, 2000s, 2010s and 2020s – and in 2014, he broke his own record as the oldest living artist to hit the top of the weekly Billboard 200 album chart.
Performing well into his 90s, even after being diagnosed with Alzheimer’s disease in 2016, Bennett was an entertainer beloved by all generations; Gaga was just one of the modern-day artists he collaborated with in later years.
Paul McCartney, John Legend, Christina Aguilera and Michael Buble, as well as Sinatra, all feature on the long list of others, and his 2011 duet with Amy Winehouse, Body And Soul, was the last song she recorded before her death.
“To me, life is a gift, and it’s a blessing to just be alive,” the singer once said.
It was a quote he became known for, the title of one of his memoirs, and one he used again when he went public about his illness in 2021.
“Life is a gift – even with Alzheimer’s,” was the message shared on his social media accounts in February 2021.
Later that year, he performed his final farewell shows.
Grief, war and discovery
Born Anthony Dominick Benedetto on 3 August 1926, in Queens in New York City, to parents John and Anna, the young Tony and his older brother and sister, John and Mary, were raised by their mother following his father’s death when he was aged just 10.
As a child, he loved to sing and paint, and his passions were nurtured at the High School of Industrial Arts in Manhattan.
As he grew older, he developed a love of music listening to artists such as Bing Crosby, Louis Armstrong and James ‘Jimmy’ Durante on the radio.
During his teenage years, Bennett sang while waiting tables, before enlisting in the army during the Second World War.
He served in the Battle of the Bulge – the last major German offensive campaign on the Western Front, launched in 1944 through the forested Ardennes region between Belgium and Luxembourg – and participated in the liberation of a concentration camp, according to his official website’s biography.
During his time in Europe, he performed with military bands and, following his return to America, he went on to have vocal studies at the American Theatre Wing School in New York.
The singer’s first nightclub performance came in 1946, alongside trombonist Tyree Glenn at the Shangri-La in Queens’ Astoria neighbourhood.
Three years later came his big break, when comedian Bob Hope noticed him working with actress and singer Pearl Bailey in Greenwich Village.
At the time, he was performing under the stage name of Joe Bari.
‘We’ll call you Tony Bennett’
Hope liked Bennett’s singing so much that he met him in his dressing room afterwards to ask him to perform with him at the city’s famed Paramount Theatre.
There was just one condition.
“But first he told me he didn’t care for my stage name and asked me what my real name was,” Bennett recalled. “I told him, ‘My name is Anthony Dominick Benedetto’. And he said, ‘We’ll call you Tony Bennett’.
“And that’s how it happened. A new Americanised name – the start of a wonderful career and a glorious adventure.”
Bennett’s first singles came in the 1950s, including chart-toppers Because Of You, Rags To Riches, and a remake of Hank Williams’ Cold, Cold Heart.
Dozens more singles followed and his voice took him around the world, selling millions of records and performing to sold-out venues – as well as to numerous stars and presidents.
He went on to release dozens of albums throughout the ’50s, ’60s and ’70s, but began to struggle with drug use as his style of music fell out of style.
Following a 10-year absence from the US album charts, he returned with The Art Of Excellence in 1986 and continued releasing music at pace in the 1990s, becoming an unlikely favourite of MTV.
Pic: AP
Legendary duets add to his longevity
In 2001, well into his 70s, the singer was awarded a lifetime achievement award at the Grammys – but there was no sign of him slowing down.
He became known for his collaborations and his first modern-day duets album, Duets: An American Classic, was released in 2006, featuring performances with artists including McCartney, Elton John, Barbra Streisand and Bono.
After more than 50 years in the business, it was one of the bestselling records of his career.
Pic: AP
Duets II came in 2011, featuring artists including Aretha Franklin and John Mayer, as well as Gaga and Winehouse.
Debuting at the top of the Billboard charts, it went on to win two Grammys, and his friendship with Gaga led to the release of their first collaborative album, Cheek To Cheek, in 2014.
Their second, Love For Sale, Bennett’s final album, came in 2021.
As well as his music, Bennett was also known for his painting, and had his work exhibited at galleries around the world.
He was even commissioned by the United Nations, painting one piece for the organisation’s 50th anniversary.
He was also the author of five books, including the New York Times bestseller Life Is A Gift: The Zen Of Bennett, published in 2012, and Just Getting Started, released in 2016.
Pic: AP
Family and charitable legacy
A father of four, Bennett was married three times.
At his wedding to first wife Patricia Beech in 1952, some 2,000 female fans reportedly gathered outside the ceremony – dressed in black in mock mourning. The couple went on to have two sons, Danny and Dae, before they separated.
Bennett went on to marry actress Sandra Grant, with whom he had daughters Joanna and Antonia, and in 2007 married long-term partner Susan Crow, now Susan Benedetto.
In 1999, he founded Exploring the Arts with Susan, to help strengthen the role of the arts in public high school education in the US.
One of the organisation’s first projects was the establishment of the Frank Sinatra School of the Arts, a public high school set up in 2001 in Bennett’s hometown of Astoria, Queens.
The singer’s other charitable endeavours included helping to raise millions of dollars for the Juvenile Diabetes Foundation, which established a research fund in his name, and lending his artwork to the American Cancer Society’s annual holiday greeting cards to raise funds.
Along with his many gongs for his music, Bennett was also honoured with the Martin Luther King Center’s “salute to greatness” award for his efforts in fighting racial discrimination, after joining the activist in the Selma-to-Montgomery civil rights march in 1965.
The singer’s retirement from performing was announced in 2021, with his son Danny, also his manager, saying it was down to doctor’s orders due to the strain of travelling.
Performing a medley tribute to the man she described as “an incredible mentor, and friend, and father figure” at the Grammys in 2022, Gaga appeared emotional as she finished on stage. “I love you, Tony. We miss you.”
Following the singer’s death, the music industry mourns one of the last great performers of his generation.
For Bennett, life was a gift – and for millions of fans over the decades, it was a gift he gave right back.
Entertainment
Glastonbury organiser Emily Eavis says anti-IDF chants ‘crossed a line’ and no place at festival for ‘hate speech’
Glastonbury organiser Emily Eavis has said chants of “death to the IDF” on its West Holts stage on Saturday “very much crossed a line”.
Eavis, whose father Michael co-founded the festival, posted on Instagram on Sunday morning responding to rap duo Bob Vylan’s set the day before.
“Their chants very much crossed a line and we are urgently reminding everyone involved in the production of the Festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence,” she wrote.
She said that while “as a festival, we stand against all forms of war and terrorism – we will always believe in – and actively campaign for – hope, unity, peace and love”, adding a performer’s comments “should never be seen as a tacit endorsement of their opinions and beliefs”.
Eavis added: “With almost 4,000 performances at Glastonbury 2025, there will inevitably be artists and speakers appearing on our stages whose views we do not share.”
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The rappers’ set was streamed live on the BBC on Saturday, showing one of them shouting the slogan into the mic, with some of the crowd joining in.
They also performed in front of a screen that claimed Israel’s actions in Gaza amount to “genocide”.
The Israeli embassy posted on X in the hours after the set saying it was “deeply disturbed by the inflammatory and hateful rhetoric”.
It said the slogan used “advocates for the dismantling of the State of Israel”.
The post on X added: “When such messages are delivered before tens of thousands of festivalgoers and met with applause, it raises serious concerns about the normalisation of extremist language and the glorification of violence.”
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What’s the Glastonbury controversy?
The Campaign Against Antisemitism (CAA) said it will be formally complaining to the BBC over its “outrageous decision” to broadcast the performance.
Avon and Somerset Police said they are looking at whether a criminal offence was committed.
“Video evidence will be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation,” the force said in a post on social media.
Bob Vylan’s set may have pushed things too far
Bob Vylan, a punk-rap duo known for their politically charged lyrics taking on racism, fascism, police brutality, toxic masculinity, inequality and more, performed on the festival’s third biggest stage, West Holts, with a capacity of about 30,000.
They played to their own fans but no doubt thousands who had turned out to secure their place for the controversial Irish-language rappers Kneecap who followed.
After the Bob Vylan performance was aired live, clips quickly flooded social media – shared by those supporting the band and condemning them.
“The BBC didn’t cover Kneecap’s set at Glastonbury Festival over Free Palestine chants, so Bob Vylan, who BBC covered, stepped in,” posted the Celebrities4Palestine account alongside a clip on Instagram, also shared by Bob Vylan.
The IDF comments on stage may well have been made regardless. Or did Kneecap’s “cancelling” by the BBC, as some people saw it, encourage other acts to speak out even more?
Police are investigating both performances. Kneecap’s Naoise O Caireallain, who performs under the name Moglai Bap, at one point mentioned “a riot outside the courts” over his bandmate Liam Og O hAnnaidh’s (Mo Chara) upcoming second appearance on a terror charge, before clarifying: “No riots, just love and support, and support for Palestine.”
With its history of activism, Glastonbury has always championed free speech. But it seems Bob Vylan’s set may have pushed things too far.
It’s fair to say that here at Glastonbury, for most of the 200,000 people on site this weekend, it is still all about the music. The majority did not see these sets and many are not even aware of the criticism outside Worthy Farm.
Today is the final day of artist performances, with acts including Olivia Rodrigo, Rod Stewart and the Prodigy on the bill. But instead of the magic of the most famous festival in the world, both organisers and the broadcaster are now facing more questions about Bob Vylan and, to a lesser extent, Kneecap, as criticism mounts.
Bob Vylan went on stage just ahead of a performance by Kneecap, the Irish rap band that the prime minister and others called to be removed from the Glastonbury and other festival line-ups over alleged on-stage endorsements of terrorist groups Hamas and Hezbollah.
Ultimately, the BBC decided not to broadcast Kneecap’s set live, but have since made it available to watch on catch-up on iPlayer.
One of its members, Liam Og O hAnnaidh, was charged with a terror offence in May after being accused of displaying a flag in support of Hezbollah at a gig.
His bandmate Naoise O Caireallain told Glastonbury crowds on Saturday they should “start a riot outside the courts”, before clarifying: “No riots just love and support, and support for Palestine.”
O hAnnaidh – also known as Mo Chara – wore a Palestinian keffiyeh scarf for their set and told fans he was a “free man”.
Moglai Bap and Mo Chara of Kneecap on stage on Saturday. Pic: Reuters
Questions over why BBC broadcast chants
The government’s culture Secretary Lisa Nandy has spoken to BBC boss Tim Davie for an “urgent explanation” about what steps were taken around the Bob Vylan set.
Speaking to Sunday Morning With Trevor Phillips on behalf of the government, Health Secretary Wes Streeting described the chant as “appalling” and a “shameless publicity stunt”.
“The fact that we saw that chant at a music festival – when there were Israelis at a similar music festival who were kidnapped, murdered, raped, and in some cases still held captive,” he said in reference to the 7 October 2023 Hamas attack at the Nova music festival.
He added that while “there’s no justification for inciting violence against Israelis… the way in which Israel’s conducting this war has made it extremely difficult for Israel’s allies around the world to stand by and justify”.
“I’d also say to the Israeli embassy, get your own house in order, in terms of the conduct of your own citizens and the settlers in the West Bank,” he told Phillips.
Palestinian flags at Glastonbury. Pic: Reuters
Meanwhile, Conservative leader Kemi Badenoch reposted a clip of the Bob Vylan set describing it as “grotesque”.
“Violence against Jews isn’t edgy. The West is playing with fire if we allow this sort of behaviour to go unchecked,” she said on X.
Lucy McMullin, who was in the crowd for Bob Vylan, told Sky News: “When there’s children and civilians being murdered and starved, then I think it’s important that people are speaking out on these issues.
“However, inciting more death and violence is not the way to do it.”
A BBC spokesperson confirmed the Bob Vylan stream will not be made available to watch on its iPlayer.
“Some of the comments made during Bob Vylan’s set were deeply offensive,” their statement said.
“During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.”
Entertainment
Israeli embassy ‘deeply disturbed’ by Bob Vylan’s ‘death to the IDF’ Glastonbury chant
The Israeli embassy has said it’s “deeply disturbed” by chants of “death to the IDF” at Glastonbury – as police also investigate the incident.
Video shows one of the members of Bob Vylan shouting the slogan into the mic and some of the crowd joining in.
The duo were performing ahead of a performance by Kneecap, the Irish act who the prime minister said should be ditched from the line-up.
“The Embassy of Israel in the United Kingdom is deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival,” a statement said.
It said slogans like Saturday’s chant “advocate for the dismantling of the State of Israel”.
The BBC said some of the comments by Bob Vylan were ‘deeply offensive’. Pic: PA
The post on X added: “When such messages are delivered before tens of thousands of festivalgoers and met with applause, it raises serious concerns about the normalisation of extremist language and the glorification of violence.”
Avon and Somerset Police said they are looking at whether a criminal offence was committed.
Bob Vylan also performed in front of a screen quoting a claim that Israel’s actions in Gaza amount to genocide.
Culture Secretary Lisa Nandy has spoken to BBC boss Tim Davie for an “urgent explanation” about what due diligence it carried out into Bob Vylan.
Thousands watched the set on the West Holts stage. Pic: PA
A spokesman said the government strongly condemned the “threatening comments” by the group, whose X bio describes them as a “punk/rap/alt thing”.
A BBC statement said: “Some of the comments made during Bob Vylan’s set were deeply offensive.
“During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language.
“We have no plans to make the performance available on demand.”
Tory leader Kemi Badenoch re-posted a clip of the incident and called it “grotesque”.
“Violence against Jews isn’t edgy. The West is playing with fire if we allow this sort of behaviour to go unchecked,” she said on X.
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A statement from Glastonbury Festival said it “does not condone hate speech or incitement to violence of any kind from its performers”.
Kneecap also performed – with the BBC not showing them live. Pic: Reuters
Irish group Kneecap followed Bob Vylan – with the broadcaster not carrying their performance live amid concern over what they might do or say.
However, it’s understood their show will be made available on demand after a review.
One of its members, Liam Og O hAnnaidh, was charged with a terror offence in May after being accused of displaying a flag in support of proscribed terror group Hezbollah at a gig.
Pic: Reuters
There were Palestinian flags among the crowd for Kneecap’s show. Pic: Reuters
Bandmate Naoise O Caireallain told the packed Glastonbury crowd they should “start a riot outside the courts”, before clarifying: “No riots just love and support, and support for Palestine.”
O hAnnaidh – also known as Mo Chara – wore a Palestinian keffiyeh scarf for Saturday’s set and told fans he was a “free man”.
Entertainment
Calum Scott: Britain’s Got Talent star on fame, mental health and dealing with body dysmorphia
There was a moment in Calum Scott’s life when he found himself contemplating taking his own life.
The 36-year-old singer-songwriter tells Sky News: “I did get to a point where I had a very low self-esteem, very low self-worth… I thought, ‘I can’t see how my life will get any better from this moment’.”
He says it was only the thought of the “shattering” impact his death would have on his mum Debbie that pulled him back from the edge and gave him the momentum to reach out for help.
“What I thought was my lowest moment was probably my most defining moment in terms of being able to pick myself up… and to walk away, albeit with lots of tears and a lot of emotion.
“That was the moment that I needed to pursue better mental health.”
Calum Scott has achieved a billion streams of his music. Pic: Tom Cockram
He’s since racked up a billion streams of his music, joining the likes of The Rolling Stones, Whitney Houston and ABBA in his achievement.
His biggest UK chart hit – a cover of Robyn’s Dancing On My Own – reached number two in the singles chart, with the video having been viewed more than half a billion times on YouTube.
It’s a future he would have found hard to comprehend just a decade ago.
Scott was working in the HR department of Hull City Council when Britain’s Got Talent made him an overnight star after receiving a “golden buzzer” (an automatic pass into the semi-finals) from judge Simon Cowell.
Scott reached the final – which was won by Jules O’Dwyer and her dog Matisse – and the singer’s success was the things dreams are made of. But he admits, it wasn’t all roses.
Calum performing with Take That at the King’s coronation. Pic: PA
“That was when I first started having panic attacks,” he says. “For me to suddenly start down that road was scary.
“There’s no handbook on how to deal with fame. That doesn’t exist, as far as I know.”
A notoriously tough business, Scott says the music scene is one where “people constantly want something from you”.
The death of One Direction star Liam Payne – who rose to fame on talent show X Factor – last year was a stark reminder of the pressure on those in the public eye.
Liam Payne died last year. Pic: Reuters
Scott says Payne’s death could be the “wake-up call that the industry needs” to highlight “the pressure, the expectation (and) the workload” on young artists.
“You need that balance to be able to be creative, and the industry is where art meets consumerism,” he says.
“I think you’ve got to be careful that that line doesn’t start to impose on your soul and in your heart.”
‘A prisoner in your own body’
For Scott, his desire to perform in front of thousands has lived alongside his battle with the debilitating mental health condition, body dysmorphia.
“It’s an industry where people are not only listening to the music, but they’re looking at you and scrutinising you, and it’s difficult to put yourself out there – to be enjoyed and to entertain people – but also to be criticised,” he says.
Estimated to affect up to 2% of the adult population in the UK, according to the Body Dysmorphic Disorder Foundation, sufferers spend hours worrying about perceived flaws in their appearance, which can severely impact work, social life and relationships.
Scott says: “For me, growing up, I had a few issues with my sexuality and my dad leaving when I was young and losing all my friends. A lot of reasons compounded down as to why I ended up with body dysmorphia.”
Pic: Tom Cockram
At his worst, obsessively documenting his perceived flaws, Scott says: “For anybody who’s suffering with body dysmorphia, you feel a prisoner in your own body, and it’s awful.
“With social media, it’s difficult because every facet of every part of our life is documented on Instagram in the perfect way. And that’s just not how life works.
“People aren’t putting their worst parts on social media. Somebody wakes up at six in the morning, they’re beautiful and their hair’s done, but somebody set that camera up to record that moment. It’s not real.”
‘The favourite part of my job’
One thing that is real is Scott’s connection to his fans.
Calum at this year’s Brit Awards. Pic: Reuters
“My favourite part of my job is going to a gig and performing the songs that have resonated with people in such different, vast ways, and watching it happen in real time,” he says.
“It’s like magic, you know? Like the stuff you used to watch – Paul Daniels on the TV, and my god, it just used to buzz you. It’s the same thing.”
With a new album and a 48-city world tour ahead of him, Scott’s story is an inspiring one.
A mental health advocate, his message of hope is one he hopes to share with his fans and beyond: “I wouldn’t be here if I didn’t give myself the opportunity to. It’s important to just stay headstrong, believe in yourself. Anything’s possible.”
Calum Scott’s third studio album, Avenoir, is out on 12 September, followed by his world tour, which kicks off on 12 October in Porto, Portugal.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK
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