Irish singer Sinead O’Connor dies aged 56
Irish singer Sinead O’Connor has died aged 56, her family has confirmed.
She was best known for her 1990 song Nothing Compares 2 U – the track made her a global star, partly due to its iconic video.
A family statement said: “It is with great sadness that we announce the passing of our beloved Sinead.
“Her family and friends are devastated and have requested privacy at this very difficult time.”
No cause of death was given.
Live – Tributes to an ‘unmatched talent’
Irish Prime Minister Leo Varadkar tweeted: “Her music was loved around the world and her talent was unmatched and beyond compare.”
Singer Alison Moyet tweeted she had a “voice that cracked stone”, while ex-Stone Roses star Ian Brown said working with her was “a highlight of my musical life”.
Bryan Adams posted a picture of O’Connor and said he “loved” working with her.
Irish UFC star Conor McGregor also shared images and said Ireland had “lost an iconic voice and one of our absolute finest”.
The singer was known for her outspoken views on subjects such as religion, war and feminism.
She infamously tore up a photo of the Pope on Saturday Night Live in 1992 to protest against abuse in the Catholic Church.
O’Connor converted to Islam in 2018 and changed her name to Shuhada Sadaqat, but still performed under her old name.
The singer cancelled gigs in 2021 after announcing she was entering a one-year programme for trauma and addiction.
The following year her 17-year-old son Shane died by suicide.
O’Connor referenced his death in an emotional tweet last week in which she said she was “lost” without him.
She posted a row of crying emojis alongside a photo of the pair and said she had been “living as undead night creature since [his death]”
“He was the love of my life, the lamp of my soul. We were one soul in two halves,” she wrote.
O’Connor on stage in Vancouver in 2020
The singer recorded 10 studio albums and was nominated for eight Grammys, but never topped the huge success of Nothing Compares 2 U – originally written by Prince.
The intense close-up of the singer – and her tear during the video – is instantly recognisable to a generation of fans.
She once said she had shaved her head in response to music bosses pressuring her to be conventionally glamorous.
Sinead O’Connor was ridiculed – but time proved her right
Sinead O’Connor was speaking truth to power long before speaking truth to power was a thing.
In 1990, when she shot to global stardom with her mesmerising version of Nothing Compares 2 U, the Catholic Church still held sway in Ireland.
“Catholic Ireland” was a place where contraception, divorce, homosexual activity and abortion had all been illegal.
For a woman to shave her head and raise it above the parapet to challenge the powerful institutions of church and state was unthinkable.
Who could forget her tearing a picture of Pope John Paul II in half during an appearance on Saturday Night Live in America?
She was ridiculed in the wake of it and faced calls for her music to be banned but her decision to stage a protest against clerical abuse proved prophetic.
Struggling with her own mental health, it was easy for the powerful to write her off as a loose cannon, but time proved her right and justified her brave stance.
In a statement expressing his condolences, Ireland’s president Michael D Higgins spoke of the “authenticity” of her music and that brutal honesty sums up her life.
She spent most of it openly searching for peace and her legion of fans across the world will hope she has now found it.
O’Connor began playing on the streets of Dublin using a guitar given to her by a nun and released debut album The Lion and the Cobra in 1987.
Her last record, I’m Not Bossy, I’m The Boss, came out in 2014.
“Everyone wants a pop star, see?” she wrote in her memoir two years ago. “But I am a protest singer. I just had stuff to get off my chest. I had no desire for fame.”
She was married four times – the final one ending after 16 days in 2011 – and had four children.
Entertainment
New Universal theme park set to open in UK – with promise of ‘billions’ of pounds for the economy
A deal for a new Universal theme park in Bedfordshire has been confirmed, which Rachel Reeves says will bring “billions” to the economy and create thousands of jobs.
It will be the first Universal-branded theme park and resort in Europe and is set to open in 2031, when it is expected to become the UK’s most popular visitor attraction.
The government said it will bring an estimated £50bn into the British economy and will create about 28,000 jobs – nearly 20,000 during the construction phase, and 8,000 more in hospitality and the creative industries when it opens.
A 500-room hotel and a retail and entertainment complex is planned alongside the theme park, which will be built on a former brickworks.
Universal, which is owned by Sky News’ US parent company Comcast, expects the 476-acre site just south of Bedford to generate nearly £50bn for the economy by 2055, with 8.5m visitors in its first year.
The plan remains subject to a formal planning decision process from the Ministry of Housing, Communities and Local Government.
Universal has committed to working with local colleges and universities to train students for hospitality jobs.
There are Universal theme parks in Florida (pictured), California, Japan, Beijing and Singapore. Pic: AP
Among some of the famous Universal films are Wicked, Minions, Oppenheimer, Bridget Jones, Fast and the Furious, and Jurassic World.
There are five Universal theme parks already: Orlando in Florida, Hollywood, Japan, Beijing, and Singapore.
The new Universal theme park will be just south of Bedford
Speaking to Wilfred Frost on Sky News Breakfast, Culture Secretary Lisa Nandy said the deal was “huge”.
“This is not just about numbers on the spreadsheet,” she said.
“This is about good jobs. It’s about growth. It’s about raising people’s living standards and putting money in people’s pockets. And it’s a massive vote of confidence in the United Kingdom.”
Welcoming the timing of the announcement, Ms Nandy added: “This deal comes off the back of one of the most tumultuous few weeks in global markets that I think anyone can remember within living memory.”
She said the fact that the government had been able to show it kept a “cool head” and “we don’t take knee-jerk decisions in response to global events” was one of the reasons it was able to announce the deal.
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The proposals to transform the site, a former brickworks, remain subject to a formal planning decision process
The government has said about 80% of employees at the theme park are expected to come from local areas, and it will support the “Oxford-Cambridge corridor” revived by the chancellor in January after the Conservatives scrapped plans for an Abingdon-Milton Keynes train link in 2021.
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It will also commit to a “major investment” in infrastructure around the Universal site to ensure it is well-connected and easily accessible.
The announcement comes days after the government approved an expansion of nearby Luton Airport.
Mike Cavanagh, President of Comcast Corporation, said: “We could not be more excited to take this very important step in our plan to create and deliver an incredible Universal theme park and resort in the heart of the United Kingdom, which complements our growing US-based parks business by expanding our global footprint to Europe.
“We appreciate the leadership and support of Prime Minister Keir Starmer, Chancellor Rachel Reeves, Minister for Investment Poppy Gustafsson, Culture Secretary Lisa Nandy and their teams, as we work together to create and deliver a fantastic new landmark destination.”
Entertainment
BAFTA Games Awards: Astro Bot tops leaderboard – with psychological horror close behind
Astro Bot was the big winner at this year’s BAFTA Games Awards, taking home five prizes, including the coveted best game.
The 3D platformer, which was launched to critical acclaim in September to mark PlayStation’s 30th anniversary, was nominated for eight gongs, while Senua’s Saga: Hellblade II, led with 11 nods.
But in the end, the critics – some of whom had dubbed Astro Bot a “perfect game” – were right as it dominated the awards at London’s Queen Elizabeth Hall, hosted by comedian Phil Wang for the second year running.
Astro Bot. Pic: Team Asobi
Nicolas Doucet with his five awards for Astro Bot. Pic: PA
BAFTAs for audio achievement, game design, animation, and best family game completed the set for developers Team Asobi, who designed multiple galaxies and dozens of levels for the titular Astro to journey through, retrieving spaceship parts and rescuing lost robots.
“We’re a team based in Japan, but we have over 12 nationalities. We really mix it up and get ideas from everyone,” Nicolas Doucet, president of Team Asobi, told Sky News.
“We do a lot of jokes in the game, but the joke has a different meaning depending on where you are in the world. So it’s really, really nice to go around and ask everyone ‘is that joke fine in your country?’ And then together we come to a kind of universal playfulness.”
Among the gongs for Astro Bot was the best game award. Pic: BAFTA
It’s a very different atmosphere than that generated by British psychological horror Still Wakes The Deep, which won three awards for best new intellectual property and best supporting and leading roles.
Compared to John Carpenter’s 1980 sci-fi horror The Thing but on a Scottish oil rig, the game sees players take on the role of an electrician trapped on a damaged facility while being pursued by monsters.
Still Wakes The Deep. Pic: Sumo Digital Limited
Developer The Chinese Room has been praised for using home-grown talent to voice the characters, including comedian and actress Karen Dunbar, who picked up best performer in a supporting role for voicing Finlay.
“I’ve been nominated for quite a few BAFTAs in my time in Scotland, and I’ve never won one,” said Dunbar.
“It was such a great category, so many great performances. When they shouted my name, I think I started clapping for someone else!”
Read more: See full list of winners
Still Wakes The Deep star Karen Dunbar won best performer in a supporting role. Pic: BAFTA
Meanwhile, best multiplayer game went to Helldivers II – a satirical, sci-fi shooter that sees players fight bugs, aliens and robots with the gumption and gullibility of the characters in Paul Verhoeven’s Starship Troopers.
It has gained a cult following since launching in February 2024 with so much initial interest it created server problems.
“Games for me are about connecting people and forging those bonds of friendship and the multiplayer award is exactly what it stands for,” said Johan Pilestedt, chief executive of Arrowhead Game Studios.
Helldivers II. Pic: Arrowhead/Sony
From outer space to a fictional Yorkshire town called Barnsworth. Thank Goodness You’re Here! – a cartoonish, comedy platformer – won Best British Game. Like Still Wakes The Deep, it has won praise for the authenticity of its actors and setting.
“I think it’s been a real privilege to be able to represent Barnsley on the silver screen,” said Will Todd, who is from the town and one of two game designers behind the project.
Thank Goodness You’re Here! Pic: Coal Supper/Panic Inc
Co-creator James Carbutt added: “Me and Will wrote everything in our tone of voice, quite literally. The further along development we got, the more we lent into it. I think the voices from different parts of the UK and different voices in gaming are super important, and hopefully we’re one of them.”
By the time the BAFTAs wrapped up, Senua’s Saga: Hellblade II was only handed one of the 11 BAFTAs it was nominated for, technical achievement.
Senua’s Saga: Hellblade II. Pic: Ninja Theory
But developers Ninja Theory are already adding this year’s win to a tally of five BAFTAs they were awarded for the first game in the series, which created a protagonist with psychosis by drawing on clinical neuroscience and the experiences of people living with the condition.
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