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“My world exploded,” Kevin Spacey told jurors as he gave evidence during his sexual assault trial. “There was a rush to judgement and before the first question was asked or answered I lost my job, I lost my reputation – I lost everything, in a matter of days.”

The Hollywood star fought back tears as he sat in the witness box at Southwark Crown Court in London, describing how initial allegations in the US in October 2017 – which were followed by those here in the UK, leading to the London court case – created a domino effect of claims, ruining his Oscar-winning career.

Jurors had to decide whether he was telling the truth, or if this was simply another performance.

Kevin Spacey trial – Hollywood star cleared on all counts

Kevin Spacey in House of Cards
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Kevin Spacey was dropped from Netflix series House Of Cards

As the initial allegations emerged, Spacey was largely shunned in Hollywood; quickly erased from Ridley Scott’s All The Money In The World, released in December 2017 – with Christopher Plummer reshooting his scenes as billionaire John Paul Getty – and axed from his Golden Globe-winning role as scheming politician Frank Underwood in the Netflix political drama series House Of Cards.

Last year, the star and his production companies were ordered to pay $31m (about £24m) to make up for losses incurred due to his sacking, following “explosive” allegations of sexual misconduct against crew members.

But separate criminal charges in LA and Massachusetts had been dropped in 2018 and 2019 respectively. In 2022, Spacey was found not liable in a civil trial in New York.

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Now, jurors here in the UK have cleared him of any criminal charges in relation to allegations by four men, who claimed the star sexually assaulted them in incidents that allegedly happened between 2001 and 2013.

The court was told that allegations by one man were “madness”, and that Spacey had consensual sexual encounters with two others. He conceded to making a “clumsy pass” at a fourth man, but said the incident was no more than this.

‘Easy for accusers to lie’ about ‘promiscuous’ Spacey, court told

Kevin Spacey speaking at the London launch of Old Vic Productions in 2000

Jurors were told by the star of his determination to prove his innocence, doggedly digging through old records, boxes of photos and any evidence that could disprove the claims. And his barrister, Patrick Gibbs KC, told them the star had been “cancelled” and “tried by social media”.

It was “easy” to lie about Spacey, Mr Gibbs said: “A man who is promiscuous, not publicly out, although everyone in the businesses knows he’s gay, who wants to be just a normal guy, or at least some of the time he does – to drink beer and laugh and smoke weed and sit in the front and spend time with younger people who he’s attracted to…

“It’s not my life, it’s not your life, perhaps it’s a bit of an odd life, but it’s a life that makes you an easy target when the internet turns against you and you’re tried by social media.”

‘Does this verdict allow Kevin Spacey to be Kevin Spacey?’

Now, Spacey has been found not guilty. Does this mean he can revive his career?

“The verdict is a major victory for Spacey in clearing his name,” said US celebrity lawyer Christopher Melcher. “Although he faced four accusers who told similar accounts of sexually aggressive behaviour, Spacey steadfastly maintained his innocence.

“The verdict supports Spacey’s denials of the accusations and provides a clear path for him to return to work as an actor. Producers are able to work with Spacey because he has been acquitted, which lessens their exposure if he is hired.”

However, celebrity PR and brand expert Mark Borkowski is not so sure.

“Certainly the result has put a lot of the sort of noise that’s surrounded this case behind him,” he said. “The question is, does this verdict allow Kevin Spacey to be Kevin Spacey? To be that iconic actor who has oodles of talent to regain his position as one of the A-listers of Hollywood?

“Sadly not. We live in a corporate world now and raising money, getting insurance, all those other factors exist on social media, where mainstream media has not got the same power.”

Before the court case, in an interview, Spacey said there were directors and producers “ready to hire me the moment I am cleared of these charges in London”.

Despite that happening, many filmmakers might still be wary of working with Spacey knowing any project could still be “dogged by negativity”, Mr Borkowski said.

The star of actor Kevin Spacey is pictured on the Hollywood Walk of Fame on Wednesday, Nov. 22, 2017, in Los Angeles. (AP Photo/Chris Pizzello)
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Pic: AP/Chris Pizzello

“Kevin Spacey, if he wants to move forward, will be clinging to the hope that there is a radical independent filmmaker who is fearless, who has a wonderful script and a remarkable project with a number of actors who are willing to work on the project.

“And if it gets picked up on the independent movie circuit, you know where there are, how shall we say, countries like Italy, France, around the world that don’t have the same perceptions as an American or a British audience or a German audience might have on this, there could be people who think, oh, that’s been a commercial success, let’s think about the next project.

“But it won’t be a franchise movie, it will not be Disney or Marvel coming forward to take that on. It just is something that they would feel that is too dangerous in terms of negative publicity for their brand and some of the values that they project.”

The stories about Sir Elton John and Dame Judi Dench

Sir Elton John and Kevin Spacey in 2002

During the trial, Sir Elton John – who was chairman of The Old Vic when Spacey was appointed – was called to give evidence, and the court also heard tales of Spacey teaching Dame Judi Dench to play ping pong; there was no avoiding the strange and surreal world of celebrity at the centre of the case.

The timings of the UK claims mostly coincided with the actor’s time working at the theatre. He was involved from 2001, and began his tenure as artistic director from 2003 to 2015. Signing him had been quite the coup, a chance to turn the venue’s fortunes around.

Alistair Smith, editor of entertainment newspaper The Stage, interviewed Spacey towards the beginning of his tenure at the theatre, after he arrived as “a sort of Old Vic saviour figure” after a period in which it struggled financially.

“Previously, there was a real threat to its future,” says Smith. “There was talk of it turning into a bingo hall or even a lap dancing club… [Spacey] coming in brought a lot more attention to it, it brought funding, it brought sponsors, and attention in the media. And so there was, when he joined, quite a lot of excitement about it.”

Spacey’s arrival was seen as a chance to revive an important theatrical institution, and people in the industry were excited to have a Hollywood star committing to London theatre.

Things didn’t start well, but improved as Spacey performed more himself. By the time he left, the Old Vic “was financially secure and had rebuilt its artistic reputation”. For a period, he had re-established the venue as one of London’s leading theatres.

Whatever the verdict, there were accounts of ‘inappropriate conduct in the workplace’

Exterior general view of The Old Vic theatre in London

But in November 2017, shortly after the allegations came out in the US, the Old Vic said it had received 20 allegations of inappropriate behaviour made against Spacey. Only one of the claims was reported, an investigation found, but staff were “unclear about how to respond”.

In the wake of the scandal, the theatre implemented a “Guardians” programme, designed to allow employees a confidential means of sharing concerns about behaviour at work.

Despite the star now being cleared of criminal charges in the UK, the fallout from the accusations against him has still had a “massively damaging effect” on the venue’s reputation, Smith says.

“Even before this court case, this trial, the 20 allegations against Kevin Spacey that came out of the Old Vic’s own investigation in 2017, I think had raised some very serious questions about the Old Vic and how it handled having a star at its helm over that period.”

Paul Fleming, general secretary of actors’ union Equity, says that despite the verdict, “nobody who is poorly treated in a workplace should ever be put in the position of having to bring something to a criminal trial”.

He told Sky News: “There should be processes in a workplace to keep them healthy and safe. And that duty rests with the employer. I’m not convinced, six years on, that theatre producers, TV producers, film producers, have put in place robust enough systems to prevent allegations like this arising significantly after the event.”

Mr Fleming said that there has been movement since the rise of #MeToo, but not enough. “There is no doubt that there are a series of accounts of inappropriate conduct in the workplace,” he said. “Whether they’re criminal or not has been a matter for the courts. The fact of the matter is there’s a lot of behaviour that is inappropriate, that is unsafe in the workplace, that there should be processes in place to allow people to resolve them.”

For Spacey, these claims have overshadowed his once glittering acting career for six years – but all criminal charges are now behind him. After telling the court how he lost his work and his fortune, it’s likely the star will be hoping this verdict can finally signal his Hollywood return.

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Budget 2025: The town where voters placed trust in Labour – and some now feel betrayed

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Budget 2025: The town where voters placed trust in Labour - and some now feel betrayed

Hitchin in Hertfordshire does well in the polls.

On the edge of the Chilterns and 30 minutes from central London by train, it’s Britain’s most expensive market town for first-time buyers. It’s also been voted one of the top 10 best, and top 20 happiest, places to live in the country.

Last summer Labour did well in the polls here too. Hitchin’s 35,000 inhabitants, with above average earnings, levels of employment, and higher education, ejected the Conservatives for the first time in more than 50 years.

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Having swept into affluent southern constituencies, Rachel Reeves is now asking them to help pay for her plans via a combination of increased taxes on earnings and savings.

While her first budget made business bear the brunt of tax rises, the higher earners of Hitchin, and those aspiring to join them, are unapologetically in the sights of the second.

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How will the budget impact your money?

Kai Walker, 27, runs Vantage Plumbing & Heating, a growing business employing seven engineers, all earning north of £45,000, with ambition to expand further.

He’s disappointed that the VAT threshold was not reduced – “it makes us 20% less competitive than smaller players” – and does not love the prospect of his fiancee paying per-mile to use her EV.

But it’s the freeze on income tax thresholds that will hit him and his employees hardest, inevitably dragging some into the 40% bracket, and taking more from those already there.

“It seems like the same thing year on end,” he says. “Work harder, pay more tax, the thresholds have been frozen again until 2031, so it’s just a case where we see less of our money. Tax the rich has been a thing for a while or, you know, but I still don’t think that it’s fair.

“I think with a lot of us working class, it’s just a case of dealing with the cost. Obviously, we hope for change and lower taxes and stuff, but ultimately it’s a case of we do what we’re told.”

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‘We are asking people to contribute’

Reeves’s central pitch is that taxes need to rise to reset the public finances, support the NHS, and fund welfare increases she had promised to cut.

In Hitchin’s Market Square it has been heard, but it is strikingly hard to find people who think this budget was for them.

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OBR gives budget verdict

Jamie and Adele Hughes both work, had their first child three weeks ago, and are unconvinced.

“We’re going to be paying more, while other people are going to be getting more money and they’re not going to be working. I don’t think it’s fair,” says Adele.

Jamie adds: “If you’re from a generation where you’re trying to do well for yourself, trying to do things which were once possible for everybody, which are not possible for everybody now, like buying a house, starting a family like we just have, it’s extremely difficult,” says Jamie.

Hitchen ditched the Conservatives for Labour at the 2024 election
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Hitchen ditched the Conservatives for Labour at the 2024 election

Liz Felstead, managing director of recruitment company Essential Results, fears the increase in the minimum wage will hit young people’s prospects hard.

“It’s disincentivising employers to hire younger people. If you have a choice between someone with five years experience or someone with none, and it’s only £2,000 difference, you are going to choose the experience.”

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After five years, the cost of living crisis has not entirely passed Hitchin by. In the market Kim’s World of Toys sells immaculately reconditioned and repackaged toys at a fraction of the price.

Demand belies Hitchin’s reputation. “The way that it was received was a surprise to us I think, particularly because it’s a predominantly affluent area,” says Kim. “We weren’t sure whether that would work but actually the opposite was true. Some of the affluent people are struggling as well as those on lower incomes.”

Customer Joanne Levy, shopping for grandchildren, urges more compassion for those who will benefit from Reeves’s spending plans: “The elderly, they’re struggling, bless them, the sick, people with young children, they are all struggling, even if they’re working they are struggling.”

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Girl, 5, who was ‘magical little princess’ died four days after tonsils were removed, inquest hears

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Girl, 5, who was 'magical little princess' died four days after tonsils were removed, inquest hears

A five-year-old girl who died in hospital four days after having her tonsils removed was her family’s “magical little princess”, an inquest has heard.

Amber Milnes, from St Just in Roseland, Cornwall, underwent the procedure at the Royal Cornwall Hospital in Truro on 5 April 2023 due to sleep apnoea.

An inquest heard Amber’s parents believed she would stay in hospital overnight after the operation as she had a rare condition called cyclical vomiting syndrome.

But Amber was discharged home hours after the procedure and started vomiting in the early morning of 6 April. She was admitted back to the hospital that evening.

Amber Milnes. Pic. PA
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Amber Milnes. Pic. PA

Cornwall Coroner’s Court heard on Wednesday that Amber had a fatal haemorrhage, likely to have been caused by an infection in the part of her throat where her tonsils had been removed, at around 3am on 9 April.

In a pen portrait read to the two-day hearing, Amber’s parents, Lewis and Sereta Milnes, said their daughter was the “happiest little girl” who bravely dealt with medical treatment.

They said: “Amber was and always will be our magical little princess. She lit up our home with her singing, her dancing, her laughter and her heart of gold.”

The inquest heard Amber was referred to the hospital to have her tonsils and adenoids taken out as she had been suffering with sleep apnoea.

In a statement read to the inquest, Mrs Milnes said she had repeatedly stated that Amber would need to remain in hospital after the operation because of her cyclical vomiting syndrome.

She said the rare condition caused Amber to violently vomit and retch for hours at a time.

Amber Milnes. Pic: Family Handout/PA
Image:
Amber Milnes. Pic: Family Handout/PA

Amber arrived at the hospital at 12pm on 5 April and underwent the operation before she was discharged home at around 9pm, to the “surprise” of her parents, Mrs Milnes said.

In the early hours of 6 April, Amber started vomiting. Her parents rang the hospital and were advised to “wait and see” how Amber did and to call back if she did not stop being sick, they told the inquest.

Amber vomited about 20 times the following day, with her parents bringing her back to the hospital at 10pm.

She was given intravenous medication to prevent her from being sick and was found to have a chest infection at around 2am on 7 April.

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But at around midnight that day, the intravenous line failed and she was instead administered medication orally – which she could not take because of being sick, Mrs Milnes said.

Intravenous medication was started at 2.45pm on 8 April, meaning Amber had not had fluids, pain relief, antibiotics or anti-sickness drugs for 14 hours, her mother added.

Amber fell asleep, but awoke at 3am and suffered a haemorrhage, with doctors unable to resuscitate her.

She was pronounced dead at 4.37am on 9 April.

Amber Milnes. Pic: Family Handout/PA
Image:
Amber Milnes. Pic: Family Handout/PA

Dr Andrew Bamber, a consultant in paediatric and perinatal pathology, gave Amber’s cause of death as a massive haemorrhage with aspiration of blood, surgical site infection and enlarged tonsils.

He said damage to a blood vessel in her throat, where the operation took place, was likely to have been caused by a later infection rather than during the procedure.

Kel Anyanwu, the surgeon who carried out the operation, said he had not previously seen a death from a tonsillectomy.

He said the consent form Amber’s parents signed did not mention risk of death and described her case as “unique”.

When asked about the decision to discharge Amber after the operation, he said: “The assumption was that if she was fine, she will probably be ok. The decision was made later when we saw her, that she is fine, she can go.”

Mr Anyanwu described the operation, lasting 38 minutes, as “quiet in terms of blood loss” and said he had not seen any active signs of infection at the time.

The inquest continues.

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Military chiefs in ‘difficult meeting’ as tensions mount over money

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Military chiefs in 'difficult meeting' as tensions mount over money

Britain’s top military chiefs held a “very difficult” meeting this week over how to fund plans to rebuild the armed forces amid fears of further cuts, defence sources have said.

The Ministry of Defence (MoD) played down a report in the Spectator magazine that the top brass, led by Air Chief Marshal Sir Rich Knighton, the chief of the defence staff, planned to write an extraordinary joint letter to John Healey, the defence secretary, to explain that his defence review published in June cannot be delivered without more cash.

“There is not a letter,” an MoD source said, adding that such a communication was not expected to be received either.

However, other sources from within the army, navy and air force confirmed to Sky News there is growing concern among the chiefs about a gap between the promises being made by Sir Keir Starmer’s government to fix the UK’s hollowed-out armed forces and the reality of the size of the defence budget, which is currently not seen as growing fast enough.

That means either billions of additional pounds must be found more quickly, or ambitions to modernise the armed forces might need to be curbed despite warnings of mounting threats from Russia and China and pressure from Donald Trump on the UK and the rest of Europe to spend more on their own defences.

“The facts remain that the SDR (Strategic Defence Review) shot for the stars, but we only have fuel for the moon,” one source said.

A second source agreed.

Pic: Ministry of Defence
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Pic: Ministry of Defence

By way of example, they said General Sir Roly Walker, the head of the army, was all too aware of the financial challenges his service in particular was facing, especially given plans to regrow the force to 76,000 soldiers from 72,500 in the next parliament.

The defence review set out the requirement for more troops, but such a move would need sufficient money to recruit, train and equip them.

There is also a goal to expand reserve forces, which similarly costs money.

Air Chief Marshal Knighton and General Walker were joined in the meeting on Tuesday at the Ministry of Defence by the other service heads, General Sir Gwyn Jenkins, the First Sea Lord, and Air Chief Marshal Harv Smyth, the Chief of the Air Staff.

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Pic: Ministry of Defence
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Pic: Ministry of Defence

General Sir Jim Hockenhull, the commander of Cyber and Special Operations Command, was also likely to have been present.

It is a regular fortnightly gathering of chiefs.

This week they discussed the content of an upcoming plan on defence investment that is expected to be published next month – a timeline that is understood to have been delayed because of friction over how to make the money match the ambition.

“I know there was a very difficult meeting,” a third source said.

“Shoehorning the SDR into the DIP (Defence Investment Plan) as inflation, foreign exchange movement, re-costing, in-year delivery drama and unforeseen additional costs arise was always going to be hard,” the source said.

“The amount of money needed to make the thing balance is both small compared to other parts of the public sector, but also not available from this government. It’s still a matter of choices, not overall affordability.”

The source pointed to what Germany and Poland are doing on defence, with both countries significantly and rapidly ramping up defence spending and expanding their militaries.

By contrast, the UK will only inch up its core defence budget to 2.5% of GDP from around 2.3% by 2027, with plans to hit a new NATO target of 3.5% not expected to be reached until 2035.

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Responding to the Spectator claim, an MOD spokesperson said: “All of defence is firmly behind delivery of our transformative Strategic Defence Review (SDR), which set out a deliverable and affordable plan to meet the challenges, threats, and opportunities of the 21st century.

“The plan is backed by the largest sustained increase in defence spending since the end of the Cold War – hitting 2.6% of GDP by 2027.”

The 2.6% figure cited by the spokesperson also includes intelligence spending on top of core defence spending.

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