Kevin Spacey argued he was ‘cancelled’ – can he now revive his Hollywood career?

Published

2 years ago

July 26, 2023

admin

“My world exploded,” Kevin Spacey told jurors as he gave evidence during his sexual assault trial. “There was a rush to judgement and before the first question was asked or answered I lost my job, I lost my reputation – I lost everything, in a matter of days.”

The Hollywood star fought back tears as he sat in the witness box at Southwark Crown Court in London, describing how initial allegations in the US in October 2017 – which were followed by those here in the UK, leading to the London court case – created a domino effect of claims, ruining his Oscar-winning career.

Jurors had to decide whether he was telling the truth, or if this was simply another performance.

Kevin Spacey trial – Hollywood star cleared on all counts

As the initial allegations emerged, Spacey was largely shunned in Hollywood; quickly erased from Ridley Scott’s All The Money In The World, released in December 2017 – with Christopher Plummer reshooting his scenes as billionaire John Paul Getty – and axed from his Golden Globe-winning role as scheming politician Frank Underwood in the Netflix political drama series House Of Cards.

Last year, the star and his production companies were ordered to pay $31m (about £24m) to make up for losses incurred due to his sacking, following “explosive” allegations of sexual misconduct against crew members.

But separate criminal charges in LA and Massachusetts had been dropped in 2018 and 2019 respectively. In 2022, Spacey was found not liable in a civil trial in New York.

Now, jurors here in the UK have cleared him of any criminal charges in relation to allegations by four men, who claimed the star sexually assaulted them in incidents that allegedly happened between 2001 and 2013.

The court was told that allegations by one man were “madness”, and that Spacey had consensual sexual encounters with two others. He conceded to making a “clumsy pass” at a fourth man, but said the incident was no more than this.

‘Easy for accusers to lie’ about ‘promiscuous’ Spacey, court told

Jurors were told by the star of his determination to prove his innocence, doggedly digging through old records, boxes of photos and any evidence that could disprove the claims. And his barrister, Patrick Gibbs KC, told them the star had been “cancelled” and “tried by social media”.

It was “easy” to lie about Spacey, Mr Gibbs said: “A man who is promiscuous, not publicly out, although everyone in the businesses knows he’s gay, who wants to be just a normal guy, or at least some of the time he does – to drink beer and laugh and smoke weed and sit in the front and spend time with younger people who he’s attracted to…

“It’s not my life, it’s not your life, perhaps it’s a bit of an odd life, but it’s a life that makes you an easy target when the internet turns against you and you’re tried by social media.”

‘Does this verdict allow Kevin Spacey to be Kevin Spacey?’

Now, Spacey has been found not guilty. Does this mean he can revive his career?

“The verdict is a major victory for Spacey in clearing his name,” said US celebrity lawyer Christopher Melcher. “Although he faced four accusers who told similar accounts of sexually aggressive behaviour, Spacey steadfastly maintained his innocence.

“The verdict supports Spacey’s denials of the accusations and provides a clear path for him to return to work as an actor. Producers are able to work with Spacey because he has been acquitted, which lessens their exposure if he is hired.”

However, celebrity PR and brand expert Mark Borkowski is not so sure.

“Certainly the result has put a lot of the sort of noise that’s surrounded this case behind him,” he said. “The question is, does this verdict allow Kevin Spacey to be Kevin Spacey? To be that iconic actor who has oodles of talent to regain his position as one of the A-listers of Hollywood?

“Sadly not. We live in a corporate world now and raising money, getting insurance, all those other factors exist on social media, where mainstream media has not got the same power.”

Before the court case, in an interview, Spacey said there were directors and producers “ready to hire me the moment I am cleared of these charges in London”.

Despite that happening, many filmmakers might still be wary of working with Spacey knowing any project could still be “dogged by negativity”, Mr Borkowski said.

“Kevin Spacey, if he wants to move forward, will be clinging to the hope that there is a radical independent filmmaker who is fearless, who has a wonderful script and a remarkable project with a number of actors who are willing to work on the project.

“And if it gets picked up on the independent movie circuit, you know where there are, how shall we say, countries like Italy, France, around the world that don’t have the same perceptions as an American or a British audience or a German audience might have on this, there could be people who think, oh, that’s been a commercial success, let’s think about the next project.

“But it won’t be a franchise movie, it will not be Disney or Marvel coming forward to take that on. It just is something that they would feel that is too dangerous in terms of negative publicity for their brand and some of the values that they project.”

The stories about Sir Elton John and Dame Judi Dench

During the trial, Sir Elton John – who was chairman of The Old Vic when Spacey was appointed – was called to give evidence, and the court also heard tales of Spacey teaching Dame Judi Dench to play ping pong; there was no avoiding the strange and surreal world of celebrity at the centre of the case.

The timings of the UK claims mostly coincided with the actor’s time working at the theatre. He was involved from 2001, and began his tenure as artistic director from 2003 to 2015. Signing him had been quite the coup, a chance to turn the venue’s fortunes around.

Alistair Smith, editor of entertainment newspaper The Stage, interviewed Spacey towards the beginning of his tenure at the theatre, after he arrived as “a sort of Old Vic saviour figure” after a period in which it struggled financially.

“Previously, there was a real threat to its future,” says Smith. “There was talk of it turning into a bingo hall or even a lap dancing club… [Spacey] coming in brought a lot more attention to it, it brought funding, it brought sponsors, and attention in the media. And so there was, when he joined, quite a lot of excitement about it.”

Spacey’s arrival was seen as a chance to revive an important theatrical institution, and people in the industry were excited to have a Hollywood star committing to London theatre.

Things didn’t start well, but improved as Spacey performed more himself. By the time he left, the Old Vic “was financially secure and had rebuilt its artistic reputation”. For a period, he had re-established the venue as one of London’s leading theatres.

Whatever the verdict, there were accounts of ‘inappropriate conduct in the workplace’

But in November 2017, shortly after the allegations came out in the US, the Old Vic said it had received 20 allegations of inappropriate behaviour made against Spacey. Only one of the claims was reported, an investigation found, but staff were “unclear about how to respond”.

In the wake of the scandal, the theatre implemented a “Guardians” programme, designed to allow employees a confidential means of sharing concerns about behaviour at work.

Despite the star now being cleared of criminal charges in the UK, the fallout from the accusations against him has still had a “massively damaging effect” on the venue’s reputation, Smith says.

“Even before this court case, this trial, the 20 allegations against Kevin Spacey that came out of the Old Vic’s own investigation in 2017, I think had raised some very serious questions about the Old Vic and how it handled having a star at its helm over that period.”

Paul Fleming, general secretary of actors’ union Equity, says that despite the verdict, “nobody who is poorly treated in a workplace should ever be put in the position of having to bring something to a criminal trial”.

He told Sky News: “There should be processes in a workplace to keep them healthy and safe. And that duty rests with the employer. I’m not convinced, six years on, that theatre producers, TV producers, film producers, have put in place robust enough systems to prevent allegations like this arising significantly after the event.”

Mr Fleming said that there has been movement since the rise of #MeToo, but not enough. “There is no doubt that there are a series of accounts of inappropriate conduct in the workplace,” he said. “Whether they’re criminal or not has been a matter for the courts. The fact of the matter is there’s a lot of behaviour that is inappropriate, that is unsafe in the workplace, that there should be processes in place to allow people to resolve them.”

For Spacey, these claims have overshadowed his once glittering acting career for six years – but all criminal charges are now behind him. After telling the court how he lost his work and his fortune, it’s likely the star will be hoping this verdict can finally signal his Hollywood return.

Entertainment

Fawlty Towers actress Prunella Scales has died

Published

1 hour ago

October 28, 2025

admin

Fawlty Towers actress Prunella Scales has died

Prunella Scales, best known for her role as Sybil in Fawlty Towers, has died aged 93, her family has said.

Prunella Scales was watching the sitcom the day before she died, her sons Samuel and Joseph West said.

They said in a statement to the PA news agency: “Our darling mother Prunella Scales died peacefully at home in London yesterday.”

Her seven-decade acting career saw her in multiple roles from the 1950s, including in 1960s sitcom Marriage Lines, before featuring as the wife of John Cleese’s character Basil Fawlty, in two series of Fawlty Towers in 1975 and 1979.

The family statement added: “She was 93. Although dementia forced her retirement from a remarkable acting career of nearly 70 years, she continued to live at home. She was watching Fawlty Towers the day before she died.

“Pru was married to Timothy West for 61 years. He died in November 2024.

“She is survived by two sons and one stepdaughter, seven grandchildren and four great-grandchildren.

“We would like to thank all those who gave Pru such wonderful care at the end of her life: her last days were comfortable, contented and surrounded by love.”

Prunella Scales was one of the most successful and popular comedy actresses of her generation – achieving worldwide fame and recognition as Sybil, the long-suffering wife of Basil Fawlty in the sitcom Fawlty Towers.

Her performances, alongside John Cleese, are often regarded as arguably some of TV’s funniest comedy moments ever.

The sitcom, set in a hotel in the seaside resort of Torquay, continues to be broadcast. It was developed into a theatre production that moved to London’s West End in 2024.

But although she was regularly cast in comic roles, alongside comedy giants like Richard Briers and Ronnie Barker, her abilities ranged far more widely than that.

‘National treasure’ and ‘British icon’

Jon Petrie, director of comedy at the BBC which broadcast Fawlty Towers, described her as a “national treasure whose brilliance as Sybil Fawlty lit up screens and still makes us laugh today”.

Meanwhile, Corinne Mills, for Alzheimer’s Society, called her a “a true British icon” and praised her for “shining an important light on the UK’s biggest killer”.

Seven-decade acting career

Prunella Margaret Rumney Illingworth, who was born on 22 June 1932, had a seven-decade acting career.

Her career break came with the early 1960s sitcom Marriage Lines, starring opposite Richard Briers. Scales also played Queen Elizabeth II in the British film A Question Of Attribution, and in 1973, Scales teamed up with Ronnie Barker in the series called Seven Of One.

In 2006, she appeared alongside Academy Award winners Vanessa Redgrave and Maximilian Schell in the mini-series The Shell Seekers.

Scales married West in 1963, and had two sons; the elder being the actor and director Samuel West, and a stepdaughter, Juliet.

Dementia caused her ‘gradual disappearance’

In January 2013, she revealed her short-term memory was fading and a year later her husband confirmed that Scales was living with dementia.

West told Piers Morgan’s Life Stories: “The sad thing is that you just watch the gradual disappearance of the person that you knew and loved and were very close to.

“When we’ve been to a concert, or a play, or a film, there’s nothing very much we can say about it afterwards because Pru will have a fairly hazy memory.”

The couple appeared together in 10 series of the TV series Great Canal Journeys until Scales’ dementia reportedly progressed to the point where they had to stop in 2020.

The pair appeared in several more specials, where they looked back at their travels.

This breaking news story is being updated and more details will be published shortly.

Please refresh the page for the latest version.

You can receive breaking news alerts on a smartphone or tablet via the Sky News app. You can also follow us on WhatsApp and subscribe to our YouTube channel to keep up with the latest news.

Entertainment

Steve Coogan ‘proud’ of Richard III film as he agrees to pay ‘substantial damages’ in libel case

Published

16 hours ago

October 27, 2025

admin

Steve Coogan 'proud' of Richard III film as he agrees to pay 'substantial damages' in libel case

Steve Coogan says he is “proud” of his film about the discovery of Richard III’s remains after he and two production companies agreed to pay “substantial damages” to a university academic.

The Alan Partridge star, his firm Baby Cow, and Pathe Productions have settled a libel claim over how Richard Taylor was portrayed in the 2022 movie The Lost King after he sued them.

Coogan, who co-wrote the screenplay and also starred in the film, said The Lost King was “the story I wanted to tell, and I am happy I did” following the settlement in the High Court on Monday.

The movie tells of how Philippa Langley led the search for the king’s skeleton.

The lost remains of the Plantagenet monarch, who ruled England between June 1483 and August 1485, were discovered in a Leicester car park in August 2012, more than 500 years after his death.

In June last year, Judge Jaron Lewis ruled that the film portrayed Mr Taylor, who was deputy registrar at the University of Leicester at the time of the discovery, as “knowingly misrepresented facts [about the find] to the media and the public”.

Mr Taylor was also shown to be “smug, unduly dismissive and patronising”, which had a defamatory meaning, the judge said.

The case was due to proceed to trial, but lawyers for Mr Taylor, who is now chief operating officer at Loughborough University, told a hearing at the High Court on Monday that the parties had settled the claim.

Depiction caused serious harm – lawyer

His barrister, William Bennett KC, said Mr Taylor felt “the depiction of him in this untrue way in the film caused serious harm to his professional and personal reputations and caused enormous distress and embarrassment to him”.

“The defendants have now settled Mr Taylor’s claim in the libel against them for the publication of the film by paying him substantial damages.

“Furthermore, they have agreed to make changes to the film in order to withdraw the allegations complained of and to pay him his legal costs.”

The University of Leicester played a “crucial role in providing funds and academic expertise” for the project to find the remains, with Mr Taylor the “key co-ordinator of the university’s involvement”, Mr Bennett said.

On-screen clarification to be added to start of film

Coogan, and the production companies were not represented and did not attend but in a joint statement following the hearing, they said they were “incredibly proud of this film and are pleased this matter has now been settled”.

An on-screen clarification will be added to the start of the film, saying the portrayal of Mr Taylor in the film is “fictional and does not represent the actions of the real Mr Taylor”, who “acted with integrity during the events portrayed”.

In a separate statement, Coogan said Philippa Langley “instigated the search for Richard III. Philippa Langley insisted on the dig in the northern area of the social services car park where the remains were found. Philippa Langley raised the majority of the money for his exhumation”.

“If it wasn’t for Philippa Langley, Richard III would still be lying under a car park in Leicester. It is her name that will be remembered in relation to the discovery of the lost king, long after Richard Taylor has faded into obscurity.

“The only changes to the film will be a front card, which will follow the existing card, which says that this film is a true story, Philippa Langley’s story. That is the story I wanted to tell, and I am happy I did.”

Mr Taylor said that he felt “cross” and “completely helpless” when the film was released, but the outcome represented “success and vindication” after “a long and gruelling battle”.

He said: “There have been moments over the last three years when I thought, when Philippa Langley approached me for the university’s support, I perhaps should have put the request in the bin, but I didn’t, and I think I was right not to do that.”

Entertainment

June Lockhart: Lassie and Lost In Space actress dies aged 100

Published

2 days ago

October 26, 2025

admin

June Lockhart: Lassie and Lost In Space actress dies aged 100

June Lockhart, who starred in television shows such as Lassie and Lost In Space, has died at the age of 100.

The US actress died of natural causes at her home in Santa Monica, California, on Thursday, according to family spokesman Lyle Gregory.

He said: “She was very happy up until the very end, reading the New York Times and LA Times every day.

“It was very important to her to stay focused on the news of the day.”

For more than 200 episodes between 1958 and 1964, she played the role of Ruth Martin, who raised the orphaned Timmy (Jon Provost) in Lassie – a show about the adventures of a brave and intelligent Rough Collie dog.

And from 1965 to 1968 spanning over 80 episodes, Lockhart was Maureen Robinson, a mother who was part of a marooned family that travelled on the spaceship Jupiter II in Lost In Space.

She was nominated for two Emmys, including best actress in a leading role in a dramatic series for her performance in Lassie in 1959.

She also received two stars on the Hollywood Walk of Fame, one for motion picture and one for television.

Born in New York City in 1925, she was the daughter of actor Gene Lockhart and actress Kathleen Lockhart.

Feature film debut

She made her feature film debut aged 13, starring alongside both of her parents in the 1938 production A Christmas Carol, where she played Belinda Cratchit, the daughter of Bob Cratchit.

After her breakout role, she appeared in films such as All This, and Heaven Too, Meet Me in St. Louis, The Yearling, and Sergeant York.

She was also in Son Of Lassie, the 1945 sequel to Lassie, Come Home, playing the grown-up version of the role created by Elizabeth Taylor.

Over almost eight decades on screen, Lockhart appeared in dozens of TV series and movies, including when she was well in her 80s.

Other roles

She had recurring roles on Petticoat Junction, General Hospital, and Beverly Hills 90210, and guest appearances on shows including The Beverly Hillbillies, The Colbys, Knots Landing and Happy Days, as well as Full House, Roseanne and Grey’s Anatomy.

Of her time on Lassie, Lockhart spoke frankly about her canine co-star.

She said: “I worked with four Lassies. There was only one main Lassie at a time. Then there was a dog that did the running, a dog that did the fighting, and a dog that was a stand-in, because only humans can work 14 hours a day without needing a nap.

“Lassie was not especially friendly with anybody. Lassie was wholly concentrated on the trainers.”

Even though she sometimes mocked the show, she conceded: “How wonderful that in a career there is one role for which you are known. Many actors work all their lives and never have one part that is really theirs.”

In Lost In Space, Lockhart was part of a family that left Earth on a five-year flight to a faraway planet.

After their mission was sabotaged by fellow passenger Dr Zachary Smith, the group went from planet to planet, encountering strange creatures and near-disasters where viewers needed to watch the following week to learn of the escape.

Speaking fondly about working on Lost in Space, Lockhart said: “It was like going to work at Disneyland every day.”

She was married and divorced twice: to John Maloney, a physician, father of her daughters Anne Kathleen and June Elizabeth; and architect John C Lindsay.