Backstage With… David Tennant and Michael Sheen on nerve curves, Good Omens, and Doctor Who
David Tennant has admitted he didn’t really know what he was getting into when he signed up to play the demon Crowley in Good Omens, a series based on the cult favourite book by Terry Pratchett and Neil Gaiman.
As it’s a novel beloved by its fans, there was a certain amount of pressure that came with the part, though Tennant told Sky News’ Backstage podcast he hadn’t quite realised that when he got the gig.
The Doctor Who actor stars in the series alongside Michael Sheen, Jon Hamm and Miranda Richardson.
Miranda Richardson and Tennant in Good Omens. Pic: Amazon Studios/ Prime Video
“My nerve curve was pretty exponential because I wasn’t – unlike Michael – I didn’t really know the world of, the fandom of the book, somehow it had passed me by,” he said, in an interview alongside Sheen before the actors’ strike was announced.
“Then I was doing the show and it was thrilling and then I would keep meeting people, some of whom were in the cast, who would go: ‘This book I’ve read every year of my life, it’s the most important story to me’.
“And then of course, you start realising this precious thing that you carry and the responsibility and so yes, then it was alarmingly scary that you might break some dreams.”
Sheen interjects, asking his co-star: “And how’s your nerve curve now?”
“I’m pretty chill,” says Tennant.
“I saw it the other day, it looks marvellous,” Sheen replies.
This kind of light teasing is typical of the pair, who also worked together on the comedy Staged, in which they play fictionalised versions of themselves, and share a genuine friendship.
This is replicated in Good Omens, with Tennant’s demon Crowley the unlikely best pal of Sheen’s angel Aziraphale.
Tennant and Sheen. Pic: Amazon Studios/ Prime Video
Sheen says their relationship is at the heart of what he loves about being on the show.
“You can have a character that you enjoy playing and that you really love, but it’s kind of rare that you have a dynamic between two characters that just is the thing that works so well,” he said.
“That then makes the whole process very enjoyable because you don’t feel like you’re having to generate stuff yourself all the time, it just happens… as we’re in scenes together it just happens – because it’s written so brilliantly as well, obviously, that’s the main thing.”
“They only really exist as a unit,” Tennant adds. “That’s when they come to life, and that’s really fun to play.”
Pic: Amazon Studios/ Prime Video
While an angel and a demon might sound like opposites, Good Omens looks at the grey areas – the fact that Crowley is more well-intentioned than you might expect from a demon, and vice versa for Aziraphale.
Human behaviour is also up for inspection – in the first episode of the second series, Crowley admits he doesn’t have to work too hard to cause trouble as humanity messes things up well enough.
“There’s a lot of great things to celebrate in humankind aren’t there, but we don’t get it all right, and Crowley likes to take credit for a lot of the things that we get wrong,” says Tennant.
“But I think that’s one of the things about this story. It’s sort of celebrating – I mean, these are two supernatural beings, but they’re more human than the humans – and it’s celebrating the kind of diversity of that, it’s looking for common ground between us.”
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Tennant on Good Omens ‘nerve curve’
Sheen agrees: “Our greatest frustration as a species is also our saving grace, which is that we are flawed. And it’s only when we like to pretend that we’re not that we get into trouble, I think it’s when we deal in absolutes and black-and-white that we get into trouble.
“When we are able to accept our flaws and our messiness, then that always leads to reaching out and being inclusive and connecting.”
Good Omens isn’t the only fan-favourite property Tennant is involved with at the moment. He’s the first actor to return to the role of Doctor Who, playing the time traveller for three episodes and a festive special later this year before Sex Education star Ncuti Gatwa takes over.
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Tennant returns along with writer and executive producer Russell T Davies, with expectations high for the new era of the long-standing sci-fi.
“Oh, it’s lovely, lovely,” Tennant says of his return. “And very exciting for where that show’s going, Russell T Davies back in and Ncuti Gatwa who is just a sort of force of nature.
“And it’s very nice to have a little revisit for myself in amongst all that excitement and great future that that show’s got – it just keeps reinventing itself.”
Good Omens series 2 is out on Prime Video – hear our review in the latest episode of Backstage, the film and TV podcast from Sky News
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Eline Van der Velden said she wanted the character to ‘have her own creative path’
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How AI music is fooling most of us
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Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Entertainment
Sally Rooney tells court new books may not be published in UK due to Palestine Action ban
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.
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