No stranger to the subject of fat shaming, the singer – whose real name is real name Melissa Viviane Jefferson – has been credited with changing the narrative around plus-size women, calling out sizeist behaviour and refusing to conform to industry stereotypes as she cranks out the hits in a rainbow array of skin-tight leotards and bodysuits.
She’s won four Grammys, and in 2019 was named Time’s entertainer of the year. Her 2023 Glastonbury set on the festival’s main stage was met with critical acclaim. And she’s been credited with single-handedly raising the profile of woodwind, making it officially cool to play the flute.
Three of Lizzo’s former dancers have filed a civil lawsuit against her and her production company Big Grrrl Big Touring Inc (BGBT) – including accusations she pressured one to touch a nude performer at an Amsterdam strip club, and made comments about one performer putting on weight before firing her.
Two of the dancers had won their roles on Lizzo’s Emmy-winning reality show Watch Out For The Big Grrrls, which offers plus-sized dancers the chance to compete to be part of her team.
Two days after the lawsuit was publicly announced, Lizzo posted a statement on Instagram, calling the allegations against her false – and labelling them “unbelievable,” “outrageous,” and “sensationalised”.
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She said she was passionate about her art, and that “with passion comes hard work and high standards,” adding “sometimes I have to make hard decisions”.
She then touched on the very reason there’s been such a showbiz stir over the claims, telling her fans: “I know what it feels like to be body shamed on a daily basis and would absolutely never criticise or terminate an employee because of their weight.”
For a long time in the shiny and glamourous world of showbiz, thinness and fame have been so firmly intertwined as to be virtually inseparable. Lizzo exploded that myth – bursting onto the scene and refusing to be told she needed to be a size zero in order to make it.
The accusations against her must sting particularly hard due to the fact she’s previously spoken so openly about her struggles with body issues from an early age and experiencing body shaming herself due to her weight.
Advocating body confidence, and a role model to many, she gave a long overdue boost to the visibility of plus-sized women in entertainment.
But when Beyonce skipped a reference to Lizzo in a live performance of Break My Soul (The Queens Remix) on Tuesday night, many saw it as an early snub, signalling the star’s potential cancellation.
And Lizzo’s product is more than just herself or her music – there’s also the bandwagon of merchandise that comes with any bona fide US star. You can buy Lizzo T-shirts, trackies and hoodies – and even a Lizzo thong with Juice (the title of her 2019 hit) plastered across the front.
It seems likely that sales of the merch may now slow – at least until the lawsuit is concluded – as fans try to work out if hers is a label they want to be associated with.
Further accusations against Lizzo have followed news of the lawsuit, with Oscar-nominated filmmaker Sophia Nahli Allison posting statements on social media, supporting the claims of the three backing dancers, and calling Lizzo “arrogant, self-centred, and unkind”.
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Lizzo dancer: ‘I was terrified for my job’
Nahli Allison had been due to direct a documentary about the star, travelling with her in 2019, but said she dropped out of the project after two weeks after being treated with “such disrespect by her”.
She accused Lizzo of creating “an extremely toxic and hostile working environment” – calling her “a narcissistic bully,” claiming the singer has “built her brand off lies”, and saying “her image and ‘message’ was a curated facade”.
Following Lizzo’s response to the accusations, the law firm representing the three former dancers says the singer has “failed her own brand and let down her fans” – adding that her words were an attempt to “minimise the trauma” she’s alleged to have caused. They also say more people have been in touch with them since the women came forward.
It’s not the first time Lizzo – who as a songwriter makes her living from words – has been in the firing line over perceived insensitivity to others.
The lyric was eventually changed, with Lizzo saying at the time: “As a fat black woman in America, I’ve had many hurtful words used against me so I understand the power words can have (whether intentionally or in my case, unintentionally).”
The singer now finds herself on the defensive again – with many who previously felt empowered and emboldened by her body positive messages now likely to be questioning the value of words and actions some claim are counterfeit and empty.
With her reality show commissioned for a second season, there will now also be eyes on the reaction of Amazon Studios (who produce the show along with the singer’s production company Lizzo Bangers). They have previously hailed the singer as “one of the most exciting, creative, joyful artists in the industry”.
When launching auditions in April, Lizzo herself said: “I’ve witnessed lives change through this show and I’m grateful for the opportunity to continue making space for even more Big Grrrls around the world to shine and break down barriers across this industry.”
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Known for leading chants of “I love you, you are beautiful and you can do anything” during her gigs, the authenticity needed to make those kind of affirmations feel inspiring rather than icky is now under scrutiny.
Lizzo now risks seeing her triple-charged brand – with all the colour, vibrancy and pizzazz associated with her work – turn from positive to negative in the blink of an eye.
She plays a superhero in her latest glossy music video, but in reality, Lizzo’s superpower – her all-embracing body positivity – could turn out to be her kryptonite if it’s proved she didn’t live by the standards she set for others. The forthcoming lawsuit will decide if she’s cast as the hero or “villain” of that story.
Sam Moore, who sang Soul Man and other 1960s hits in the legendary Sam & Dave duo, has died aged 89.
Moore, who influenced musicians including Michael Jackson, Al Green and Bruce Springsteen, died on Friday in Coral Gables, Florida, due to complications while recovering from surgery, his publicist Jeremy Westby said.
No additional details were immediately available.
Moore was inducted with Dave Prater, who had died in a 1988 car crash, into the Rock and Roll Hall of Fame in 1992.
The duo, at the Memphis, Tennessee-based Stax Records, transformed the “call and response” of gospel music into a frenzied stage show and recorded some of soul music’s most enduring hits, including Hold On, I’m Comin’.
Many of their records were written and produced by the team of Isaac Hayes and David Porter and featured the record label’s house band Booker T & the MGs.
Sam & Dave faded after their 1960s heyday but Soul Man hit the charts again in the late 1970s when the Blues Brothers, John Belushi and Dan Aykroyd, recorded it with many of the same musicians.
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Moore had mixed feelings about the hit becoming associated with the Saturday Night Live stars, remembering how young people believed it originated with the Blues Brothers.
Sam & Dave broke up in 1970 and neither had another major hit.
Moore later said his drug habit played a part in the band’s troubles and made record executives wary of giving him a fresh start.
He married his wife Joyce in 1982, and she helped him get treatment for his addiction that he credited with saving his life.
Moore spent years suing Prater after his former partner hired a substitute and toured as the New Sam & Dave.
He also lost a lawsuit claiming the pair of aging, estranged singers in the 2008 movie Soul Men was too close to the duo.
In another legal case, he and other artists sued multiple record companies and the American Federation of Television and Radio Artists in 1993, claiming he had been cheated out of retirement benefits.
Despite his million-selling records, he said in 1994 his pension amounted to just 2,285 US dollars (£1,872), which he could take as a lump sum or in monthly payments of 73 US dollars (£60).
“Two thousand dollars for my lifetime?” Moore said at the time. “If you’re making a profit off of me, give me some too. Don’t give me cornbread and tell me it’s biscuits.”
Moore wrote Dole Man, based on Soul Man, for Republican Bob Dole’s 1996 presidential campaign and was one of the few entertainers who performed at President Donald Trump’s inaugural festivities in 2017.
Eight years earlier, he objected to Democratic presidential candidate Barack Obama’s use of the song Hold On, I’m Comin’ during his campaign.
The fires that have been raging in Los Angeles County this week may be the “most destructive” in modern US history.
In just three days, the blazes have covered tens of thousands of acres of land and could potentially have an economic impact of up to $150bn (£123bn), according to private forecaster Accuweather.
Sky News has used a combination of open-source techniques, data analysis, satellite imagery and social media footage to analyse how and why the fires started, and work out the estimated economic and environmental cost.
More than 1,000 structures have been damaged so far, local officials have estimated. The real figure is likely to be much higher.
“In fact, it’s likely that perhaps 15,000 or even more structures have been destroyed,” said Jonathan Porter, chief meteorologist at Accuweather.
These include some of the country’s most expensive real estate, as well as critical infrastructure.
Accuweather has estimated the fires could have a total damage and economic loss of between $135bn and $150bn.
“It’s clear this is going to be the most destructive wildfire in California history, and likely the most destructive wildfire in modern US history,” said Mr Porter.
“That is our estimate based upon what has occurred thus far, plus some considerations for the near-term impacts of the fires,” he added.
The calculations were made using a wide variety of data inputs, from property damage and evacuation efforts, to the longer-term negative impacts from job and wage losses as well as a decline in tourism to the area.
The Palisades fire, which has burned at least 20,000 acres of land, has been the biggest so far.
Satellite imagery and social media videos indicate the fire was first visible in the area around Skull Rock, part of a 4.5 mile hiking trail, northeast of the upscale Pacific Palisades neighbourhood.
These videos were taken by hikers on the route at around 10.30am on Tuesday 7 January, when the fire began spreading.
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At about the same time, this footage of a plane landing at Los Angeles International Airport was captured. A growing cloud of smoke is visible in the hills in the background – the same area where the hikers filmed their videos.
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The area’s high winds and dry weather accelerated the speed that the fire has spread. By Tuesday night, Eaton fire sparked in a forested area north of downtown LA, and Hurst fire broke out in Sylmar, a suburban neighbourhood north of San Fernando, after a brush fire.
These images from NASA’s Black Marble tool that detects light sources on the ground show how much the Palisades and Eaton fires grew in less than 24 hours.
On Tuesday, the Palisades fire had covered 772 acres. At the time of publication of Friday, the fire had grown to cover nearly 20,500 acres, some 26.5 times its initial size.
The Palisades fire was the first to spark, but others erupted over the following days.
At around 1pm on Wednesday afternoon, the Lidia fire was first reported in Acton, next to the Angeles National Forest north of LA. Smaller than the others, firefighters managed to contain the blaze by 75% on Friday.
On Thursday, the Kenneth fire was reported at 2.40pm local time, according to Ventura County Fire Department, near a place called Victory Trailhead at the border of Ventura and Los Angeles counties.
This footage from a fire-monitoring camera in Simi Valley shows plumes of smoke billowing from the Kenneth fire.
Sky News analysed infrared satellite imagery to show how these fires grew all across LA.
The largest fires are still far from being contained, and have prompted thousands of residents to flee their homes as officials continued to keep large areas under evacuation orders. It’s unclear when they’ll be able to return.
“This is a tremendous loss that is going to result in many people and businesses needing a lot of help, as they begin the very slow process of putting their lives back together and rebuilding,” said Mr Porter.
“This is going to be an event that is going to likely take some people and businesses, perhaps a decade to recover from this fully.”
The Data and Forensics team is a multi-skilled unit dedicated to providing transparent journalism from Sky News. We gather, analyse and visualise data to tell data-driven stories. We combine traditional reporting skills with advanced analysis of satellite images, social media and other open source information. Through multimedia storytelling we aim to better explain the world while also showing how our journalism is done.