Video footage has shown the moment singer and actress Ariana Grande was accosted by a fan at a film premiere.

Ms Grande was in Singapore for the debut of Wicked: For Good when the incident unfolded on Thursday.

The video captured the moment the fan scaled the barricade and pushed past photographers towards Ms Grande.

He then threw his arms around her, before co-star Cynthia Erivo intervened and security swoops in to stop him.

The man, now identified as Johnson Wen, 26, is reportedly a notorious red carpet crasher.

Wen, who has since been charged with being a public nuisance, goes by the nickname Pyjama Man, and gloated as he shared footage of the intrusion online.

“Dear Ariana Grande, Thank You for letting me Jump on the Yellow Carpet with You,” he wrote on Instagram.

In video stories posted to the site beforehand, he was seen at the Universal Studios venue, revealing his intentions.

In one, he said: “I feel like I’m in a dream, that’s my best friend, Ariana Grande, and I’m gonna meet her. I’ve been dreaming about that.”

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The Australian has ambushed several performers on stage, according to reports, including Katy Perry and The Chainsmokers at concerts in Sydney, and The Weeknd in Melbourne.

It has been reported that Wen intends to plead guilty and that he could face a fine of more than £1,000.

Ms Grande took a moment to gather herself in the aftermath of the intrusion, visibly shocked by the incident.

She didn’t address the incident on her own Instagram, but shared some photos with the caption “thank you, Singapore”, adding “we love you”.

The singer battled post-traumatic stress disorder after her 2017 concert in Manchester was bombed, leaving 22 people dead.

She told Vogue in 2018: “It’s hard to talk about because so many people have suffered such severe, tremendous loss. But, yeah, it’s a real thing.

“I know those families and my fans, and everyone there experienced a tremendous amount of it as well. Time is the biggest thing.

“I feel like I shouldn’t even be talking about my own experience – like I shouldn’t even say anything. I don’t think I’ll ever know how to talk about it and not cry.”

In the same interview she also addressed her own anxiety, saying she has “always” had it.

Ms Grande plays Galinda Upland in Wicked: For Good, the character who becomes Glinda the Good Witch. Ms Erivo plays Elphaba, the character who becomes the Wicked Witch of the West.

The film is released in UK cinemas on 21 November.

Do you care if the music you’re listening to is artificially generated?

That question – once the realm of science fiction – is becoming increasingly urgent.

An AI-generated country track, Walk My Walk, is currently sitting at number one on the US Billboard chart of digital sales and a new report by streaming platform Deezer has revealed the sheer scale of AI production in the music industry.

Deezer’s AI-detection system found that around 50,000 fully AI-generated tracks are now uploaded every day, accounting for 34% of all daily uploads.

The true number is most likely higher, as Deezer’s AI-detection system does not catch every AI-generated track. Nor does this figure include partially AI-generated tracks.

In January 2025, Deezer’s system identified 10% of uploaded tracks as fully AI-generated.

Since then, the proportion of AI tracks – made using written prompts such as “country, 1990s style, male singer” – has more than tripled, leading the platform’s chief executive, Alexis Lanternier, to say that AI music is “flooding music streaming”.

‘Siphoning money from royalty pool’

What’s more, when Deezer surveyed 9,000 people in eight countries – the US, Canada, Brazil, UK, France, Netherlands, Germany and Japan – and asked them to detect whether three tracks were real or AI, 97% could not tell the difference.

That’s despite the fact that the motivation behind the surge of AI music is not in the least bit creative, according to Deezer. The company says that roughly 70% of fully AI-generated tracks are what it calls “fraudulent” – that is, designed purely to make money.

“The common denominator is the ambition to boost streams on specific tracks in order to siphon money from the royalty pool,” a Deezer spokesperson told Sky News.

“With AI-generated content, you can easily create massive amounts of tracks that can be used for this purpose.”

The tracks themselves are not actually fraudulent, Deezer says, but the behaviour around them is. Someone will upload an AI track then use an automated system – a bot – to listen to a song over and over again to make royalties from it.

Even though the total number of streams for each individual track is very low – Deezer estimates that together they account for 0.5% of all streams – the work needed to make an AI track is so tiny that the rewards justify the effort.

Are fully-AI tracks being removed?

Deezer is investing in AI-detection software and has filed two patents for systems that spot AI music. But it is not taking down the tracks it marks as fully-AI.

Instead it removes them from algorithmic recommendations and editorial playlists, a measure designed to stop the tracks getting streams and therefore generating royalties, and marks the tracks as “AI-generated content”.

“If people want to listen to an AI-generated track however, they can and we are not stopping them from doing so – we just want to make sure they are making a conscious decision,” the Deezer spokesperson says.

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Concerns about artists’ livelihoods

Deezer’s survey found that more than half (52%) of respondents felt uncomfortable with not being able to tell the difference between AI and human-made music.

“The survey results clearly show that people care about music and want to know if they’re listening to AI or human-made tracks or not,” said the company’s boss Alexis Lanternier.

“There’s also no doubt that there are concerns about how AI-generated music will affect the livelihood of artists.”

Earlier this year, more than 1,000 musicians – including Annie Lennox, Damon Albarn and Kate Bush – released a silent album to protest plans by the UK government to let artificial intelligence companies use copyright-protected work without permission.

A recent study commissioned by the International Confederation of Societies of Authors and Composers suggested that generative AI music could be worth £146bn a year in 2028 and account for around 60% of music libraries’ revenues.

By this metric, the authors concluded, 25% of creators’ revenues are at risk by 2028, a sum of £3.5bn.

The BBC has apologised to Donald Trump over the editing of a speech in a Panorama programme in 2024.

The corporation said it was an “error of judgement” and the programme will “not be broadcast again in this form on any BBC platforms”.

But it added that it “strongly” disagrees that there is “a basis for a defamation claim”.

It emerged earlier, Donald Trump’s legal team said the US president had not yet filed a lawsuit against the BBC over the
broadcaster’s editing of a speech he made in 2021 on the day his supporters overran the Capitol building.

The legal team sent a letter over the weekend threatening to sue the media giant for $1bn and issuing three demands:

• Issue a “full and fair retraction” of the Panorama programme
• Apologise immediately
• “Appropriately compensate” the US president

On Sunday evening, two of the BBC’s top figures, including the director-general, resigned amid the edit and concerns about impartiality.

In a statement, the corporation said: “Lawyers for the BBC have written to President Trump’s legal team in response to a letter received on Sunday.

“BBC Chair Samir Shah has separately sent a personal letter to the White House making clear to President Trump that he and the Corporation are sorry for the edit of the President’s speech on 6 January 2021, which featured in the programme.

“The BBC has no plans to rebroadcast the documentary ‘Trump: A Second Chance?’ on any BBC platforms.

“While the BBC sincerely regrets the manner in which the video clip was edited, we strongly disagree there is a basis for a defamation claim.”

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