Speaking to NBC News, Ron Zambrano said his firm is now looking at fresh allegations from six people who say they toured with Lizzo, as well as others who worked on her TV show Lizzo’s Watch Out For The Big Grrrls.
Mr Zambrano said the allegations are of a “sexually charged environment”, and failure to pay staff, adding some of the claims are potentially actionable.
After news of the lawsuit emerged, Lizzoissued a statement on social media saying she was “not the villain”. The singer, who is known for championing body positivity, described the allegations as “unbelievable” and “too outrageous to not be addressed”.
In response, Ms Williams told Sky News: “Her statement is just confirming the pattern of every time somebody speaks up or advocates for themselves, like we’re doing now, we get victim-blamed, we get gaslighted. And she likes to point the finger instead of addressing the issues that are being brought up.”
This is something that happens on an “everyday basis” when working with stars, she said. “Sadly, we’ve already experienced not only dancers that have worked with her directly, but dancers that are just in the entertainment industry in general, they’ve already come out and they’ve shared their stories.
“They feel brave enough to share their experiences… before people were just silent about it, they didn’t feel comfortable enough. They didn’t feel protected enough to call these artists out, to call these management teams out, and let them know, ‘hey, what you’re doing is wrong’.”
Lizzo is a four-time Grammy winner who was named Time’s entertainer of the year in 2019. She is best known for hits including Truth Hurts, Juice, Good As Hell and About Damn Time.
Ms Davis and Ms Williams began dancing with the star after competing on her Amazon reality show Watch Out For The Big Grrrls in 2021, but were both later fired. Ms Rodriguez was hired in the same year after performing in the video for the song Rumours, but resigned earlier this year over the “appalling behaviour”.
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Ms Rodriguez compared working for Lizzo to dancing for the likes of Beyoncé and Lady Gaga, saying elsewhere this week: “I mean, working with Beyoncé, you have to be on your P’s and Q’s. Same thing with someone like Janet [Jackson] or Lady Gaga.
“But what they did differently and what Lizzo’s not understanding as a businesswoman, is that you can still have this expectation, this level of talent and energy that you want around you, but still show appreciation to your workers.
“There’s a really good balance of that, and I just don’t understand, the more you show that appreciation to your workers and that you care for them and everything that they’re doing for you as they are for you as well, the harder they want to work for you.
“I think that’s the biggest difference that she doesn’t quite understand yet.”
In her statement responding to the women’s lawsuit, Lizzo said: “Usually I choose not to respond to false allegations, but these are as unbelievable as they sound and too outrageous to not be addressed.”
She added: “I am not here to be looked at as a victim, but I also know that I am not the villain that people and the media have portrayed me to be these last few days.”
Sky News has contacted Lizzo’s representatives for comment.
A painting that helped save the life of its Jewish subject during the Holocaust has become the most expensive piece of modern art and the second most expensive painting ever sold at auction.
The Portrait of Elisabeth Lederer, by Austrian artist Gustav Klimt, was bought for $236.4m (£180m) by an unnamed buyer after a 20-minute bidding war at Sotheby’s in New York on Tuesday.
Its sale price beat the previous record for 20th-century art set by Andy Warhol’s Shot Sage Blue Marilyn, a portrait of Marilyn Monroe bought for $195m (£148m) in 2022.
Image: Shot Sage Blue Marilyn by Andy Warhol. Pic: Associated Press
The most expensive painting ever sold at auction was Leonardo da Vinci’s Salvator Mundi, which fetched $450m (£342m) in 2017, Christie’s said on its website.
Sotheby’s said on X the price for the Klimt was “astonishing”, making the piece “the most valuable work of modern art ever sold at auction”.
The portrait, which Klimt worked on between 1914 and 1916, depicts the daughter of one of Vienna’s wealthiest families wearing an East Asian emperor’s cloak.
Evaded fire and Nazi looters
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Measuring 1.8m (6ft), the colourful piece, which was completed in 1916, illustrates the Lederer family’s life of luxury before Nazi Germany annexed Austria in 1938.
It was kept separate from other Klimt paintings that burned in a fire at an Austrian castle.
It also escaped being looted by the Nazis, who plundered the Lederer art collection.
They left only the family portraits, which they held to be “too Jewish” to be worth stealing, according to the National Gallery of Canada, where the painting was previously on loan.
Father lie saved her life
To save her own life, Elisabeth Lederer made up a story that Klimt, who was not Jewish and died in 1918, was her father.
It helped that the artist spent years working meticulously on her portrait.
She convinced the Nazis to give her a document stating that she descended from Klimt, which allowed her to live safely in Vienna until her death from illness in 1944.
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The painting, which is one of two full-length portraits by the Austrian artist that remain privately owned, was part of the collection of billionaire Leonard A Lauder, heir to the Estée Lauder cosmetics empire, who died this year.
Five Klimt pieces from Lauder’s collection sold at the auction for a total of $392m (£298m), which also included pieces by Vincent van Gogh, Henri Matisse and Edvard Munch, Sotheby’s said.
An 18-carat-gold toilet by Maurizio Cattelan – the provocative Italian artist known for taping a banana to a wall – sold for a reported $12.1m (£9.2m).
The fully-functioning toilet, one of two he created in 2016 satirising superwealth, was stolen while on display at Blenheim Palace, the country manor where Winston Churchill was born, in 2019.
A man has been arrested over the alleged murder of a missing British woman in Florida, investigators in the US have said.
The unnamed woman’s body was found in the town of Marion Oaks in central Florida last month.
Analysis of the remains confirmed her identity and that she had been murdered.
Dwain Hall, 53, of nearby Ocala, was arrested on charges of first-degree murder and kidnapping on Monday, the Florida Department of Law Enforcement (FDLE) said in a statement.
The woman, who had been due to return home on 13 October, missed her scheduled flight, FDLE said.
Its officers had been asked to check on her by authorities in the UK, who approached them through the international investigative agency, Interpol.
Hall was held by FDLE agents and Marion County Sheriff’s Office detectives.
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FDLE commissioner Mark Glass said its agents “worked with extraordinary speed and unwavering determination to ensure justice was served and closure was brought to the victim’s family.
“This type of violent crime and disregard for human life will not be tolerated in our state – those who commit such heinous crimes will be held fully accountable.”
Multiple agencies have helped in the investigation, including the FBI and the Hampshire & Isle of Wight Constabulary, FDLE said.
A single loose wire on the container ship that crashed into and partially destroyed a US road bridge, led to the vessel losing of power just before the fatal collision, investigators have concluded.
The US National Transportation Safety Board (NTSB) has found that the unconnected electric cable meant the Dali experienced a loss of propulsion and steering less than a mile from Francis Scott Key Bridgein Baltimore.
The collision on 26 March 2024 that followed collapsed a span of the bridge and killed six construction workers who were unable to escape in time.
Investigators found that an improperly placed label on the wire prevented it from being fully inserted, causing an inadequate connection.
The NTSB’s chair said locating the loose wire was like trying to find a single loose rivet on the Eiffel Tower.
The board has praised the ship’s crew. “The crew’s actions were as timely as they could be, and they were appropriate and also impressive considering the circumstance,” board member Michael Graham said.
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But he called on the maritime shipping industry to strengthen its safety systems and better manage risks to bring it into line with the rigorous approach taken in aviation.
“Many of these issues we have discussed today as part of this accident could have been identified, addressed, and either mitigated or eliminated,” Mr Graham said.
The far reaching consequences of the accident are continuing. State officials have more than doubled the projected cost of the bridge rebuild from an upper estimate of $1.9bn (£1.4bn) to $5.2bn (£3.9bn) – with the reopening date pushed back to late 2030.
Image: The Baltimore bridge collapse. Pic: Reuters
How to prevent future tragedies
In March, the board called for urgent safety assessments of 68 bridges in 19 US states including famous crossings like the Golden Gate Bridge in San Francisco and New York’s Brooklyn Bridge.
The organisation found that countermeasures to reduce the vulnerability of the bridge from ships could have been implemented if a vulnerability assessment had been conducted by the Maryland Transportation Authority
The board has now issued numerous recommendations to try to prevent future catastrophic collisions.
Image: Francis Scott Key Bridge in Baltimore after its collapse in 2024
Major bridges should consider adopting motorist warning systems that can immediately stop motorists from entering bridges in an emergency.
The Baltimore bridge, like many others, was not equipped with a warning system to prevent vehicles entering.
But police managed to clear and halt traffic on the bridge before the collapse, despite only having about 90 seconds to do so.
Image: Drone view of the Dali after it crashed into the Francis Scott Key Bridge. Pic: Reuters/NTSB
If traffic had not been stopped, it is likely that the death toll would have been much higher.
Police officers were discussing how to best evacuate the six workers who were on the bridge moments before the entire structure collapsed.
Other recommendations include the periodic inspections of high-voltage switchboards and proposed changes that would allow ships to recover faster from a loss of power.
In a joint statement, Grace Ocean (the Dali’s manager) and Synergy Marine Group (the Dali’s operator) thanked the NTSB for its investigation and stressed that they had fully cooperated with the board.
It said: “Grace Ocean and Synergy Marine Group continue to extend their deepest sympathy to all those affected by the Francis Scott Key Bridge incident of 26 March 2024.
“Since the outset, Grace Ocean and Synergy Marine have fully cooperated with the Board, making personnel, records and technical information available as requested.
“We note the Board’s findings, including its observations regarding the vulnerability of the Key Bridge’s main support pier, as well as the comments relating to aspects of the vessel’s electrical arrangements. These matters will be reviewed in detail with our technical teams, the vessel owner and counsel.”
The NTSB also called on Hyundai Heavy – the company that built the Dali – to incorporate “proper wire-label banding installation methods”.
In response the company said that when it delivered the ship “there was no indication that any wire was loose”.
It added that if any wire were to come loose “over the course of a decade, through vibrations or otherwise, the owner and operator should have detected that in a routine inspection and through normal maintenance”.
Synergy Marine Group has been approached for a response to Hyundai Heavy’s comments.
The NTSB has not specified that the power outage caused the crash. A probable cause for the crash will be decided at a later date.
The FBI is conducting a criminal probe into the collapse.