Seth Rogen says the film studios and streaming giants are unable to get on the same page because they “hate each other” as the Hollywood writers’ strike enters its 100th day with no hint of an agreement.
Both actors and writers are on strike for the first time since 1960, bringing the film and TV industry to a standstill and wreaking financial havoc in Los Angeles.
Traditional film studios like Disney, Universal and Warner Brothers and streaming giants, like Amazonand Netflix, are represented in negotiations by the same body, the Alliance of Motion Picture and Television Producers (AMPTP).
But Rogen, who is an actor, writer and executive producer, says they have hugely different priorities.
“The studios haven’t even spoken to each other, is what I’ve heard,” Rogen told Sky News.
“So not only does it seem as though the writers and actors have a great distance to go when it comes to the studios, I think the studios have a great distance to go, probably a greater one, when it goes to them getting on the same page.
Image: A person holds a sign on the picket line of the writers’ strike in Hollywood
“These are people who hate each other. To think that Universal has the same priorities as Netflix is insane.
“What concerns me is that they will be completely unable to bring forth a coherent and unified proposal because of their own infighting and divergent priorities.”
Actors and writers are striking for a number of reasons, but dwindling pay and controls around Artificial Intelligence are the main sticking points.
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‘If you need me, pay me’
Sheryl Lee Ralph, an Emmy nominated actress, says AI threatens creativity in filmmaking.
“If we can all be artificially generated, that’s frightening,” she tells Sky News.
Image: Sheryl Lee Ralph, an Emmy nominated actress, says AI threatens creativity in filmmaking
“We need something that’s far more important. We need the art of human beings. I want to know, would William Shakespeare stand for this? I think not.”
But Ralph says she would consider selling her digital likeness for use after her death, provided she had given her consent and received compensation.
“If I die and somebody wants to scan my body before I die, they can scan it for a price to make sure that generations after me are not left out of whatever money somebody else makes on my image.
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Zoe Saldana backs actors’ strike
“I don’t want somebody to take my image, repurpose it, put another face on it and I get nothing from it.
“Just be fair. Compensate me. What did Diana Ross say? ‘If you need me, pay me.'”
‘Technology not the problem – it’s how it is used’
Flawless AI is one of the biggest AI companies in film.
They designed a system, called TrueSync, to provide a better dubbing solution for films translated into other languages.
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Actors’ strike: ‘We will not allow you to take away our dignity’
TrueSync creates deepfake-style effects altering the mouth movements of actors to match the alternate dialogue being spoken.
Chief executive Nick Lynes recognises that AI in film faces a PR battle.
“I can understand why people are scared,” he says.
Image: Chief Executive of Flawless AI, Nick Lynes
“Generative AI is legitimately as powerful as people talk about, but we work very much in cooperation with all the stakeholders and we have done for a long time.
“Our view is that if any new creation has come from data born from other people’s existing creation, then the relevant consent and the relevant compensation needs to be arranged.
“I’m not sure technology is ever the bad guy, it’s how it’s being used.”
Strike may last well into the autumn
Justine Bateman, a writer and director, has been on the picket line most days of the strike.
Image: The Hollywood writers’ strike has entered its 100th day, with no hint of an agreement around the corner.
She views the debate in binary terms.
“I think it’s a zero-sum game,” she says.
“It’s using generative AI to make films or using people. When you’re talking about the greed that motivates people to use generative AI instead of humans, that’s what’s going to ruin this business.
“These generative AI models make little Frankenstein performances in which you can order up a character to look like Brad Pitt combined with Mickey Mantle and have them dance like Fred Astaire with a Spanish accent.”
This strike is already one of the longest – and hottest – in Hollywood history and many expect it to last well into the autumn, disrupting TV broadcast schedules and wrecking film promotion tours and the early part of the awards season.
Actor Michael Madsen, who starred in Reservoir Dogs and Thelma & Louise, died from heart failure, his cardiologist has said.
The 67-year-old was found unresponsive in his home in Malibu, California, last Thursday and pronounced dead.
His doctor said heart disease and alcoholism will be listed as factors which contributed to the star’s death, reported NBC Los Angeles.
With no suspicious circumstances and the death listed as being from natural causes, the Los Angeles Sheriff’s Department considers the case closed.
In a career spanning more than 40 years, Madsen’s film credits include Free Willy, Donnie Brasco and Sin City.
He was also known for his collaborations with director Quentin Tarantino, including in Kill Bill: Vol. 2, The Hateful Eight and Once Upon A Time In Hollywood.
The Chicago-born actor also linked up with Tarantino when he played Mr Blonde in 1992’s Reservoir Dogs.
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Image: Madsen played numerous roles, including Mr Blonde in Reservoir Dogs. Pic: THA/Shutterstock
His sister, Oscar-nominated actress Virginia Madsen, paid tribute to her brother in a statement to Variety.
She wrote: “My brother Michael has left the stage.
“He was thunder and velvet. Mischief wrapped in tenderness. A poet disguised as an outlaw. A father, a son, a brother – etched in contradiction, tempered by love that left its mark.”
Madsen was preparing to release a new book called Tears For My Father: Outlaw Thoughts And Poems.
A statement by managers Susan Ferris and Smith, and publicist Liz Rodriguez, said the book by “one of Hollywood’s most iconic actors” was currently being edited.
Horse-drawn carriages, picturesque gardens and endless cups of tea are just some of the stereotypical tropes that have shaped America’s romanticised image of England before even stepping foot on the island.
Thanks to classical literature and a steady stream of period dramas, Lena Dunham was no exception.
“I had so many fantasies,” she tells Sky News about growing up slightly obsessed with British culture.
“I loved Jane Austen, I loved Charlotte Bronte, I love British film, I was one of those little Anglophile kids.”
The writer and director believed it would be that area of classically depicted England that would fill her time when she first moved to “jolly old London” as a teenager with her mother for a brief time.
Instead, her attention was taken by another, and possibly equally influential group of artists.
“There was a pop show about S Club 7 and all I did was just sit in the hotel and obsessively watch things relating to [the group],” she said.
“So, I didn’t go home with all this cultural British knowledge. I went home with a deep abiding love of S Club 7 and came back to school when everyone was obsessed with the Backstreet Boys and NSYNC.
“For me, I was literally like, ‘Guys, you got to hear this hot track right off the presses, it’s called Reach For The Stars’.”
Image: Pic: Netflix
It wasn’t until her 30s, when the actress moved again to the city, that reality took hold and she quickly learned the difference between the imagined London and the real city.
Some stereotypes hold true, like the universal love for Paddington. Still, TV tropes like renting a flat on a single income in the city does not necessarily mean you’ll be treated to lavish rooms and a picturesque garden.
She says it was social cues she found most challenging to adjust to, as well as the different dictionaries used when speaking, technically, the same language.
“You come to a new country and even though you speak the same language, you’re totally absent from those tools,” she says.
“And I found that really striking as an adult in my 30s, trying to make friends, trying to date. I found it confusing enough to be a person in my own city of origin, so this was extra confounding.”
Too Much, her new Netflixseries, is loosely inspired by her own London chapter and follows a workaholic New Yorker in her 30s who is sent across the Atlantic to work on a new project.
The 10-episode show is produced by Working Title – the company behind Bridget Jones, Notting Hill, About A Boy and Love Actually – and stars Hacks breakout actress Megan Stalter and The White Lotus actor Will Sharpe.
Image: Pic: Netflix
Dunham says she always wanted to write about her time in the UK, but it was a conversation with Irish actor Andrew Scott that got the ball rolling.
“Actually, he’s the reason that I came to know Meg as an actor because he loved her on Hacks and he loved her videos, and he said: ‘Have you watched this woman’s work? I feel like there’s a real connection between you two’, and I started watching because of him and built a show around her.”
In a full circle moment, Scott appears in the series briefly as an arrogantly odd man who crosses paths with Megan Stalter’s character Jessica.
Image: Pic: Netflix
The Ridley actor isn’t the only famous face joining the cast in a cameo role. Dunham put a call out to most of Hollywood, and luckily lots were on board.
To name just a few, guest stars include Jessica Alba, Stephen Fry, Adwoa Aboah, Kit Harington, Rita Wilson, Rita Ora, Richard E Grant, Emily Ratajkowski, Andrew Scott, Prasanna Puwanarajah and Jennifer Saunders.
“It was one of those situations where you just reach for the stars, literally, and then you can’t believe when they appear,” says Dunham.
“It was just a non-stop parade of people that I was fascinated by, wanted to be around, completely enamoured of.”
Image: A whole host of high-profile cameos feature in Lena Dunham’s Too Much
She adds: “I remember asking Naomi Watson, thinking, there’s absolutely no way that you’re going to want to come play this slightly demented woman. And she’s so playful and she’s so joyful and she just wanted to come and engage.
“Also, Jennifer Saunders has meant so much to me for so long, I had the AbFab box set as a kid, and I just think Patsy and Edina are the ultimate kind of messy women.
“She really showed me what comedy could be and… the space that women could occupy in comedy, and so having her come and join the show was really incredible.
“That was an episode that someone else was directing, Alicia McDonald, an amazing director, so I just got to sit and watch at the monitor like I was watching a movie, and it was very surreal for me.”
Former MasterChef host Gregg Wallace has vowed he will “not go quietly”, amid reports that he has been sacked by the BBC.
It comes after the TV hostfaced an investigation, commissioned by MasterChef’s production company Banijay UK, into alleged inappropriate behaviour while working for the BBC.
In November, the 60-year-old stepped back from presenting the cooking show after accusations that he made sexual comments towards staff and celebrity guests on a range of programmes over 17 years.
Image: Gregg Wallace received an MBE for services to food and charity in 2023. Pic: PA
Broadcaster Kirsty Wark, author and actor Emma Kennedy, and presenter Kirstie Allsopp, were among the high-profile figures who made claims of inappropriate behaviour against Wallace.
In a statement, released ahead of the publication of the summary of a report into the claims, the 60-year-old said he had been “cleared of the most serious and sensational accusations” made against him.
However, he said the report, carried out by independent law firm Lewis Silkin, had found him “primarily guilty of inappropriate language between 2005 and 2018”.
Wallace’s statement, published on Instagram, came hours before the BBC News reported that 50 more people had made claims to the corporation against the presenter, including allegations he groped one MasterChef worker and pulled his trousers down in front of another.
In his statement, Wallace labelled BBC News’s claims as “uncorroborated tittle-tattle”.
Wallace wrote: “I have taken the decision to speak out ahead of the publication of the Silkin’s report – a decision I do not take lightly.
“But after 21 years of loyal service to the BBC, I cannot sit in silence while my reputation is further damaged to protect others.
“I have now been cleared by the Silkin’s report of the most serious and sensational accusations made against me.
“The most damaging claims (including from public figures which have not been upheld) were found to be baseless after a full and forensic six-month investigation.
“To be clear, the Silkin’s report exonerates me of all the serious allegations which made headlines last year and finds me primarily guilty of inappropriate language between 2005 and 2018.”
Image: Gregg Wallace on MasterChef. Pic: BBC/ Shine TV 2024
‘I was hired as the cheeky greengrocer – now that’s a problem’
Wallace said he recognised that “some of my humour and language” was at times “inappropriate” and, for that, he apologised “without reservation”.
“But I was never the caricature now being sold for clicks,” Wallace, who also referred to his recent diagnosis of autism, added.
“I was hired by the BBC and MasterChef as the cheeky greengrocer. A real person with warmth, character, rough edges, and all.
“For over two decades, that authenticity was part of the brand. Now, in a sanitised world, that same personality is seen as a problem.”
Image: Wallace and his partner Anna Wallace, pictured in 2014
Wallace: Complaints from ‘middle-class women of a certain age’
Shortly after the allegations first emerged, Wallace recorded a video where he dismissed his accusers as “middle-class women of a certain age”.
His remarks were met with huge criticism – including from Downing Street, where a spokesperson for the prime minister described them as “completely inappropriate and misogynistic”.
Wallace responded by posting a follow-up clip where he apologised and said he “wasn’t in a good space” when he posted the comments.
In April, Wallace spoke to the Daily Mail, denying all accusations against him and saying he had contemplated suicide following the allegations.
Wallace’s lawyers have previously called allegations that he engages in behaviour of a sexually harassing nature “entirely false”.
A spokesperson for the BBC said: “Banijay UK instructed the law firm Lewis Silkin to run an investigation into allegations against Gregg Wallace. We are not going to comment until the investigation is complete and the findings are published.”
A Banijay spokesperson told Sky News: “We won’t be commenting until our report is published.” They have signalled the report will be published later this week or next.
Banijay previously said Wallace is “committed to fully co-operating” with the external review.
Alongside MasterChef, Wallace presented Inside The Factory for BBC Two from 2015 to 2023.
He also featured on various BBC shows over the years, including Saturday Kitchen, Eat Well For Less, Supermarket Secrets, Celebrity MasterChef and MasterChef: The Professionals, as well as being a Strictly Come Dancing contestant in 2014.
More recently, Wallace has been promoting his health and lifestyle website, offering one-to-one coaching from both himself and a team of experts, which includes nutritionists and doctors, and his wife Anna in the role of recipe curator.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.