Speaking to NBC News, Ron Zambrano said his firm is now looking at fresh allegations from six people who say they toured with Lizzo, as well as others who worked on her TV show Lizzo’s Watch Out For The Big Grrrls.
Mr Zambrano said the allegations are of a “sexually charged environment”, and failure to pay staff, adding some of the claims are potentially actionable.
After news of the lawsuit emerged, Lizzoissued a statement on social media saying she was “not the villain”. The singer, who is known for championing body positivity, described the allegations as “unbelievable” and “too outrageous to not be addressed”.
In response, Ms Williams told Sky News: “Her statement is just confirming the pattern of every time somebody speaks up or advocates for themselves, like we’re doing now, we get victim-blamed, we get gaslighted. And she likes to point the finger instead of addressing the issues that are being brought up.”
This is something that happens on an “everyday basis” when working with stars, she said. “Sadly, we’ve already experienced not only dancers that have worked with her directly, but dancers that are just in the entertainment industry in general, they’ve already come out and they’ve shared their stories.
“They feel brave enough to share their experiences… before people were just silent about it, they didn’t feel comfortable enough. They didn’t feel protected enough to call these artists out, to call these management teams out, and let them know, ‘hey, what you’re doing is wrong’.”
Lizzo is a four-time Grammy winner who was named Time’s entertainer of the year in 2019. She is best known for hits including Truth Hurts, Juice, Good As Hell and About Damn Time.
Ms Davis and Ms Williams began dancing with the star after competing on her Amazon reality show Watch Out For The Big Grrrls in 2021, but were both later fired. Ms Rodriguez was hired in the same year after performing in the video for the song Rumours, but resigned earlier this year over the “appalling behaviour”.
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Ms Rodriguez compared working for Lizzo to dancing for the likes of Beyoncé and Lady Gaga, saying elsewhere this week: “I mean, working with Beyoncé, you have to be on your P’s and Q’s. Same thing with someone like Janet [Jackson] or Lady Gaga.
“But what they did differently and what Lizzo’s not understanding as a businesswoman, is that you can still have this expectation, this level of talent and energy that you want around you, but still show appreciation to your workers.
“There’s a really good balance of that, and I just don’t understand, the more you show that appreciation to your workers and that you care for them and everything that they’re doing for you as they are for you as well, the harder they want to work for you.
“I think that’s the biggest difference that she doesn’t quite understand yet.”
In her statement responding to the women’s lawsuit, Lizzo said: “Usually I choose not to respond to false allegations, but these are as unbelievable as they sound and too outrageous to not be addressed.”
She added: “I am not here to be looked at as a victim, but I also know that I am not the villain that people and the media have portrayed me to be these last few days.”
Sky News has contacted Lizzo’s representatives for comment.
Sam Moore, who sang Soul Man and other 1960s hits in the legendary Sam & Dave duo, has died aged 89.
Moore, who influenced musicians including Michael Jackson, Al Green and Bruce Springsteen, died on Friday in Coral Gables, Florida, due to complications while recovering from surgery, his publicist Jeremy Westby said.
No additional details were immediately available.
Moore was inducted with Dave Prater, who had died in a 1988 car crash, into the Rock and Roll Hall of Fame in 1992.
The duo, at the Memphis, Tennessee-based Stax Records, transformed the “call and response” of gospel music into a frenzied stage show and recorded some of soul music’s most enduring hits, including Hold On, I’m Comin’.
Many of their records were written and produced by the team of Isaac Hayes and David Porter and featured the record label’s house band Booker T & the MGs.
Sam & Dave faded after their 1960s heyday but Soul Man hit the charts again in the late 1970s when the Blues Brothers, John Belushi and Dan Aykroyd, recorded it with many of the same musicians.
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Moore had mixed feelings about the hit becoming associated with the Saturday Night Live stars, remembering how young people believed it originated with the Blues Brothers.
Sam & Dave broke up in 1970 and neither had another major hit.
Moore later said his drug habit played a part in the band’s troubles and made record executives wary of giving him a fresh start.
He married his wife Joyce in 1982, and she helped him get treatment for his addiction that he credited with saving his life.
Moore spent years suing Prater after his former partner hired a substitute and toured as the New Sam & Dave.
He also lost a lawsuit claiming the pair of aging, estranged singers in the 2008 movie Soul Men was too close to the duo.
In another legal case, he and other artists sued multiple record companies and the American Federation of Television and Radio Artists in 1993, claiming he had been cheated out of retirement benefits.
Despite his million-selling records, he said in 1994 his pension amounted to just 2,285 US dollars (£1,872), which he could take as a lump sum or in monthly payments of 73 US dollars (£60).
“Two thousand dollars for my lifetime?” Moore said at the time. “If you’re making a profit off of me, give me some too. Don’t give me cornbread and tell me it’s biscuits.”
Moore wrote Dole Man, based on Soul Man, for Republican Bob Dole’s 1996 presidential campaign and was one of the few entertainers who performed at President Donald Trump’s inaugural festivities in 2017.
Eight years earlier, he objected to Democratic presidential candidate Barack Obama’s use of the song Hold On, I’m Comin’ during his campaign.
The fires that have been raging in Los Angeles County this week may be the “most destructive” in modern US history.
In just three days, the blazes have covered tens of thousands of acres of land and could potentially have an economic impact of up to $150bn (£123bn), according to private forecaster Accuweather.
Sky News has used a combination of open-source techniques, data analysis, satellite imagery and social media footage to analyse how and why the fires started, and work out the estimated economic and environmental cost.
More than 1,000 structures have been damaged so far, local officials have estimated. The real figure is likely to be much higher.
“In fact, it’s likely that perhaps 15,000 or even more structures have been destroyed,” said Jonathan Porter, chief meteorologist at Accuweather.
These include some of the country’s most expensive real estate, as well as critical infrastructure.
Accuweather has estimated the fires could have a total damage and economic loss of between $135bn and $150bn.
“It’s clear this is going to be the most destructive wildfire in California history, and likely the most destructive wildfire in modern US history,” said Mr Porter.
“That is our estimate based upon what has occurred thus far, plus some considerations for the near-term impacts of the fires,” he added.
The calculations were made using a wide variety of data inputs, from property damage and evacuation efforts, to the longer-term negative impacts from job and wage losses as well as a decline in tourism to the area.
The Palisades fire, which has burned at least 20,000 acres of land, has been the biggest so far.
Satellite imagery and social media videos indicate the fire was first visible in the area around Skull Rock, part of a 4.5 mile hiking trail, northeast of the upscale Pacific Palisades neighbourhood.
These videos were taken by hikers on the route at around 10.30am on Tuesday 7 January, when the fire began spreading.
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At about the same time, this footage of a plane landing at Los Angeles International Airport was captured. A growing cloud of smoke is visible in the hills in the background – the same area where the hikers filmed their videos.
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The area’s high winds and dry weather accelerated the speed that the fire has spread. By Tuesday night, Eaton fire sparked in a forested area north of downtown LA, and Hurst fire broke out in Sylmar, a suburban neighbourhood north of San Fernando, after a brush fire.
These images from NASA’s Black Marble tool that detects light sources on the ground show how much the Palisades and Eaton fires grew in less than 24 hours.
On Tuesday, the Palisades fire had covered 772 acres. At the time of publication of Friday, the fire had grown to cover nearly 20,500 acres, some 26.5 times its initial size.
The Palisades fire was the first to spark, but others erupted over the following days.
At around 1pm on Wednesday afternoon, the Lidia fire was first reported in Acton, next to the Angeles National Forest north of LA. Smaller than the others, firefighters managed to contain the blaze by 75% on Friday.
On Thursday, the Kenneth fire was reported at 2.40pm local time, according to Ventura County Fire Department, near a place called Victory Trailhead at the border of Ventura and Los Angeles counties.
This footage from a fire-monitoring camera in Simi Valley shows plumes of smoke billowing from the Kenneth fire.
Sky News analysed infrared satellite imagery to show how these fires grew all across LA.
The largest fires are still far from being contained, and have prompted thousands of residents to flee their homes as officials continued to keep large areas under evacuation orders. It’s unclear when they’ll be able to return.
“This is a tremendous loss that is going to result in many people and businesses needing a lot of help, as they begin the very slow process of putting their lives back together and rebuilding,” said Mr Porter.
“This is going to be an event that is going to likely take some people and businesses, perhaps a decade to recover from this fully.”
The Data and Forensics team is a multi-skilled unit dedicated to providing transparent journalism from Sky News. We gather, analyse and visualise data to tell data-driven stories. We combine traditional reporting skills with advanced analysis of satellite images, social media and other open source information. Through multimedia storytelling we aim to better explain the world while also showing how our journalism is done.