Seth Rogen says the film studios and streaming giants are unable to get on the same page because they “hate each other” as the Hollywood writers’ strike enters its 100th day with no hint of an agreement.
Both actors and writers are on strike for the first time since 1960, bringing the film and TV industry to a standstill and wreaking financial havoc in Los Angeles.
Traditional film studios like Disney, Universal and Warner Brothers and streaming giants, like Amazonand Netflix, are represented in negotiations by the same body, the Alliance of Motion Picture and Television Producers (AMPTP).
But Rogen, who is an actor, writer and executive producer, says they have hugely different priorities.
“The studios haven’t even spoken to each other, is what I’ve heard,” Rogen told Sky News.
“So not only does it seem as though the writers and actors have a great distance to go when it comes to the studios, I think the studios have a great distance to go, probably a greater one, when it goes to them getting on the same page.
Image: A person holds a sign on the picket line of the writers’ strike in Hollywood
“These are people who hate each other. To think that Universal has the same priorities as Netflix is insane.
“What concerns me is that they will be completely unable to bring forth a coherent and unified proposal because of their own infighting and divergent priorities.”
Rogen starred in and was an executive producer on films such as Superbad, Pineapple Express and Knocked Up.
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Actors and writers are striking for a number of reasons, but dwindling pay and controls around Artificial Intelligence are the main sticking points.
‘If you need me, pay me’
Sheryl Lee Ralph, an Emmy nominated actress, says AI threatens creativity in filmmaking.
“If we can all be artificially generated, that’s frightening,” she tells Sky News.
Image: Sheryl Lee Ralph, an Emmy nominated actress, says AI threatens creativity in filmmaking
“We need something that’s far more important. We need the art of human beings. I want to know, would William Shakespeare stand for this? I think not.”
But Ralph says she would consider selling her digital likeness for use after her death, provided she had given her consent and received compensation.
“If I die and somebody wants to scan my body before I die, they can scan it for a price to make sure that generations after me are not left out of whatever money somebody else makes on my image.
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1:22
Zoe Saldana backs actors’ strike
“I don’t want somebody to take my image, repurpose it, put another face on it and I get nothing from it.
“Just be fair. Compensate me. What did Diana Ross say? ‘If you need me, pay me.'”
‘Technology not the problem – it’s how it is used’
Flawless AI is one of the biggest AI companies in film.
They designed a system, called TrueSync, to provide a better dubbing solution for films translated into other languages.
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1:50
Actors’ strike: ‘We will not allow you to take away our dignity’
TrueSync creates deepfake-style effects altering the mouth movements of actors to match the alternate dialogue being spoken.
Chief executive Nick Lynes recognises that AI in film faces a PR battle.
“I can understand why people are scared,” he says.
Image: Chief Executive of Flawless AI, Nick Lynes
“Generative AI is legitimately as powerful as people talk about, but we work very much in cooperation with all the stakeholders and we have done for a long time.
“Our view is that if any new creation has come from data born from other people’s existing creation, then the relevant consent and the relevant compensation needs to be arranged.
“I’m not sure technology is ever the bad guy, it’s how it’s being used.”
Strike may last well into the autumn
Justine Bateman, a writer and director, has been on the picket line most days of the strike.
Image: The Hollywood writers’ strike has entered its 100th day, with no hint of an agreement around the corner.
She views the debate in binary terms.
“I think it’s a zero-sum game,” she says.
“It’s using generative AI to make films or using people. When you’re talking about the greed that motivates people to use generative AI instead of humans, that’s what’s going to ruin this business.
“These generative AI models make little Frankenstein performances in which you can order up a character to look like Brad Pitt combined with Mickey Mantle and have them dance like Fred Astaire with a Spanish accent.”
This strike is already one of the longest – and hottest – in Hollywood history and many expect it to last well into the autumn, disrupting TV broadcast schedules and wrecking film promotion tours and the early part of the awards season.
Republican congresswoman Marjorie Taylor Greene says she’s facing threats following a barrage of personal criticism from US President Donald Trump on social media.
The former MAGA ally posted on X, saying she had been contacted by private security firms “with warnings for my safety as a hotbed of threats against me are being fueled and egged on by the most powerful man in the world”.
She went on: “As a woman, I take threats from men seriously.
“I now have a small understanding of the fear and pressure the women, who are victims of Jeffrey Epstein and his cabal, must feel.
“As a Republican, who overwhelmingly votes for President Trump’s bills and agenda, his aggression against me, which also fuels the venomous nature of his radical internet trolls (many of whom are paid), this is completely shocking to everyone.”
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‘MAGA meltdown going on because of Epstein’
Calling her “wacky,” a “RINO” (Republican In Name Only) and swapping her surname from Greene to “Brown” (“Green grass turns Brown when it begins to ROT!”), Donald Trump rescinded his support for the Georgia representative and suggested he could back a primary challenger against her.
Ms Greene claims the president’s “aggressive rhetoric” is in retaliation for her support for releasing files about disgraced paedophile financier Jeffrey Epstein.
After the US government shutdown ended, a petition to vote on the full release of the files about Epstein received enough signatures – including that of Ms Greene – to bring it to a vote in the House of Representatives.
Ms Greene claimed text messages she sent to Mr Trump over the Epstein files “sent him over the edge,” writing on social media: “Of course he’s coming after me hard to make an example to scare all the other Republicans before next week’s vote to release the Epstein files.”
She went on: “It’s astonishing really, how hard he’s fighting to stop the Epstein files from coming out that he actually goes to this level.”
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3:55
Trump rebukes MAGA ally over foreign policy
High-profile figures, including Mr Trump, have been referenced in some of the documents.
The White House has said the “selectively leaked emails” were an attempt to “create a fake narrative to smear President Trump”, who has consistently denied any involvement or knowledge about Epstein’s sex trafficking operation.
Mr Trump has called the Epstein files a “hoax” created by the Democrats to “deflect” from the shutdown.
Watch Sky’s Martha Kelner clash with Taylor Greene earlier this year…
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3:05
Marjorie Taylor Greene clashes with Sky correspondent
In another post on X, Ms Greene wrote: “I never thought that fighting to release the Epstein files, defending women who were victims of rape, and fighting to expose the web of rich powerful elites would have caused this, but here we are.
“And it truly speaks for itself. There needs to be a new way forward.”
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Epstein took his own life in prison in 2019 while awaiting a trial for sex trafficking charges and was accused of running a “vast network” of underage girls for sex. He pleaded not guilty.
Following a conviction for soliciting prostitution from a minor in 2008, he was registered as a sex offender.
Mr Trump has consistently denied knowledge of Epstein’s crimes.
Donald Trump has said he will sue the BBC for between $1bn and $5bn over the editing of his speech on Panorama.
The US president confirmed he would be taking legal action against the broadcaster while on Air Force One overnight on Saturday.
“We’ll sue them. We’ll sue them for anywhere between a billion (£792m) and five billion dollars (£3.79bn), probably sometime next week,” he told reporters.
“We have to do it, they’ve even admitted that they cheated. Not that they couldn’t have not done that. They cheated. They changed the words coming out of my mouth.”
Mr Trump then told reporters he would discuss the matter with Prime Minister Sir Keir Starmer over the weekend, and claimed “the people of the UK are very angry about what happened… because it shows the BBC is fake news”.
Separately, Mr Trump told GB News: “I’m not looking to get into lawsuits, but I think I have an obligation to do it.
“This was so egregious. If you don’t do it, you don’t stop it from happening again with other people.”
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11:02
BBC crisis: How did it happen?
The Daily Telegraph reported earlier this month that an internal memo raised concerns about the BBC’s editing of a speech made by Mr Trump on 6 January 2021, just before a mob rioted at the US Capitol building, on the news programme.
The concerns regard clips spliced together from sections of the president’s speech to make it appear he told supporters he was going to walk to the US Capitol with them to “fight like hell” in the documentary Trump: A Second Chance?, which was broadcast by the BBC the week before last year’s US election.
Following a backlash, both BBC director-general Tim Davie and BBC News chief executive Deborah Turness resigned from their roles.
‘No basis for defamation claim’
On Thursday, the broadcaster officially apologised to the president and added that it was an “error of judgement” and the programme will “not be broadcast again in this form on any BBC platforms”.
A spokesperson said that “the BBC sincerely regrets the manner in which the video clip was edited,” but they also added that “we strongly disagree there is a basis for a defamation claim”.
Earlier this week, Mr Trump’s lawyers threatened to sue the BBC for $1bn unless it apologised, retracted the clip, and compensated him.
Image: The US president said he would sue the broadcaster for between $1bn and $5bn. File pic: PA
Legal challenges
But legal experts have said that Mr Trump would face challenges taking the case to court in the UK or the US.
The deadline to bring the case to UK courts, where defamation damages rarely exceed £100,000 ($132,000), has already expired because the documentary aired in October 2024, which is more than one year.
Also because the documentary was not shown in the US, it would be hard to show that Americans thought less of the president because of a programme they could not watch.
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2:05
Sky’s Katie Spencer on what BBC bosses told staff on call over Trump row
Newsnight allegations
The BBC has said it was looking into fresh allegations, published in The Telegraph, that its Newsnight show also selectively edited footage of the same speech in a report broadcast in June 2022.
A BBC spokesperson said: “The BBC holds itself to the highest editorial standards. This matter has been brought to our attention and we are now looking into it.”
Donald Trump has confirmed he plans to sue the BBC for between $1bn and $5bn over the editing of his speech in a Panorama news programme.
The corporation said it was an “error of judgement” to splice two sections of his speech together, and the programme will “not be broadcast again in this form on any BBC platforms”.
“Winning one is, in this case, like trying to lasso a tornado: technically possible, but you’re going to need more than a cowboy hat.”
So why would this case be so hard to win?
Where did the damage occur?
The Panorama episode was not aired in the US, which may make Mr Trump’s case harder.
“For a libel claim to succeed, harm must occur where the case is brought,” said Mr Stevens.
“It’s hard to argue [for] that reputational damage in a jurisdiction where the content wasn’t aired.”
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11:02
BBC crisis: How did it happen?
The president will also have to show that his reputation suffered actual harm.
“But his reputation was pretty damaged on this issue before,” said Mr Stevens.
“There have been judicial findings, congressional hearings, global media coverage around 6 January. Laying that responsibility for any further harm at the door of the BBC seems pretty tenuous.”
Was the mistake malicious?
In order to sue someone for libel in the US, you have to prove they did it on purpose – or with ‘malicious intent’.
That might be hard to prove, according to Alan Rusbridger, editor of Prospect magazine and former editor-in-chief of the Guardian.
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0:54
‘Trump suing BBC is just noise and bluster’
“I just don’t think that he can do that,” he said.
Since 1964, US public officials have had to prove that what was said against them was made with “knowledge that it was false or with reckless disregard for the truth”.
“The reason for that, when the Supreme Court passed this in 1964, is the chilling effect on journalism,” said Mr Rusbridger.
“If a journalist makes a mistake, [and] this clearly was a mistake, if that ends up with their employers having to pay $1bn, $2bn, $3bn, that would be a dreadful chill on journalism.
“Unless Trump can prove that whoever this was who was editing this film did it with malice, the case is open and shut.”
Mr Trump says he’s going to sue for between $1bn and $5bn, figures former BBC legal correspondent Clive Coleman described as “very fanciful”.
“That, I think, is very fanciful because he will have to show that he has suffered billions of dollars worth of reputational damage.
“We know that this was back in 2020 when the speech was made. He went on to be successful in business and, of course, to be re-elected as US president.”
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1:27
‘Trump faces some really big hurdles’ in suing BBC
However, Mr Coleman did suggest the BBC should try to “bring this to an end as speedily as possible”.
“Litigation is always a commercial decision and it’s a reputational decision,” he said.
“The legal processes towards a court case are long and arduous and this is going to blow up in the news pretty regularly between now and then.”
Other news organisations facing litigation by Mr Trump have settled out of court for “sums like $15m, $16m”, according to Mr Coleman.