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A Barnsley-born lad, who through interviewing the world’s biggest stars, became a household name himself.

Sir Michael Parkinson’s illustrious career spanned five decades, during which he chatted to the likes of John Wayne, Fred Astaire, Orson Welles, John Lennon, Yoko Ono, Muhammad Ali (four times), Bette Davis, Lauren Becall and Tommy Cooper.

More recent A-listers to grace his comfy chat show chairs included Tom Cruise, Madonna, and the Beckhams. His career saw him at the helm of more than 600 shows and 2,000 interviews.

‘Greatest interviewer of our time’ – reaction as Parky dies

Michael Parkinson and Muhammad Ali in 1979
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Sir Michael and Muhammad Ali in 1979

Despite having talked to almost every celebrity worth their salt, he once described Frank Sinatra as “the one who got away” – having never got the chance to sit down with “Ol’ Blue Eyes”.

Known to many simply as “Parky”, his gentle Yorkshire accent, warm tone and razor-sharp mind combined to make him the host every celebrity wanted to share their secrets with – minus a few notable exceptions.

His 2003 interview with American actress Meg Ryan went down in history as one of the most awkward TV chat show moments of all time. When he asked the monosyllabic star what she would do in his place, she snapped: “Why not wrap it up?”

Ryan later compared the tone of his questions about her erotic thriller In The Cut – a departure from her more usual romcoms – to that of a “disapproving dad”.

Twenty years after the interview, Parkinson called it his “most difficult TV moment,” offering up an apology to the actress and admitting neither of them were on “top form”.

Actress Helen Mirren also famously called him out during his 1975 interview with her, when he asked the then 30-year-old star if her physical attributes had “hindered” her in her career. Parkinson later referred to it as just “good television”.

Another interviewee who gave as good as they got was Rod Hull’s Emu the following year, who wrestled Parkinson to the ground during their chat. Parkinson went on to jokingly bemoan the fact that despite a wealth of perfectly crafted interviews to his name, “I’ll probably be remembered for that bloody bird”. He was, in part, right.

Sir Michael Parkinson and Tom Cruise. Pic: ITV/Shutterstock
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Sir Michael Parkinson with Tom Cruise. Pic: ITV/Shutterstock

From a family of miners

Sir Michael was born on 28 March 1935, in Cudworth, near Barnsley, in what was then the West Riding of Yorkshire.

Far from being born into showbiz, his father and grandfather before him were miners, and a young Parkinson left school with dreams of becoming a professional cricketer.

He once opened the batting for his local club alongside legendary cricketing umpire Dickie Bird, and underwent trials with Geoffrey Boycott.

But when a cricketing career didn’t work out, Parkinson turned to journalism, writing first for local newspapers before moving to London to work for the Daily Express.

Completing his national service in 1955, he was made a captain (the youngest in the British Army at the time) and saw active service in Egypt during the Suez Crisis.

TV chat show host Michael Parkinson and his wife Mary arriving at The Royal Albert Hall for the National Television Awards.
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Sir Michael with his wife Mary

After learning his trade in Fleet Street, he swapped print journalism for TV in the 1960s, first appearing on BBC nightly current affairs show Twenty-Four Hours, before fronting Granada’s late night film review show Cinema.

His hard work paid off, and in 1971 he was offered his own chat show – Parkinson – which ran until 1982.

Early in the show’s first run, when chatting to his interviewee Orson Welles ahead of filming, the director screwed up his list of carefully prepared questions. It was a moment Parkinson later cited as teaching him his craft, making him fully appreciate the art of giving his subjects space to talk.

203660-10David Frost dishes out the Champagne at commercial television's Breakfast TV centre, after the early morning service went on air. From left: Robert Kee, Angela Rippon, David Frost, Anna Ford and Michael Parkinson.
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Sir David Frost (centre) dishes out the champagne to Sir Michael, joined by (from left) Robert Kee, Angela Rippon and Anna Ford

A spooky Halloween trick

Sir Michael followed up his late-night chat with morning shifts, becoming one of the original TV-AM line-up in 1983, alongside Angela Rippon, Anna Ford, David Frost and Robert Kee.

Other TV credits include Parkinson One To One – with each show giving an in-depth chat with one celebrity, Give Us A Clue, and Going For A Song.

On Halloween night of 1992, he hosted controversial pseudo-documentary Ghostwatch, alongside presenters Sarah Greene and Mike Smith. The show garnered much press attention, with the BBC receiving tens of thousands of complaints from viewers unsure if the programme was real.

A music lover (he once called listening to music his “greatest joy in life,” adding, “I don’t know how people exist without [it]”), he presented Desert Island Discs from 1986 to 1989. He also presented a Sunday morning show on Radio 2 between 1996 and 2007, credited with bringing jazz to a more mainstream audience.

His eponymous BBC chat show was successfully revived in 1998, defecting to ITV in 2004 (due to a difference in opinion over scheduling), where it ran until 2007.

Sir Michael received a standing ovation after his final episode, later commenting that the conclusion of his show marked the end of “polite conversation”, citing more recent hosts – including Jonathan Ross and Graham Norton – as being more about the comedy than the chat, and their shows more a vehicle for the interviewer than their subject.

He went on to form his own production company, Parkinson Productions, along with his eldest son Michael Parkinson Jr.

In 2012, a Sky Arts show – Parkinson: Masterclass – saw Parkinson able to speak in depth with musicians and artists about their craft, with the show running for two years.

Michael Parkinson and football legend George Best
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Sir Michael with George Best

‘I don’t see the point of him’

Never afraid to voice his opinions on fellow celebrities or the TV industry as a whole, Parkinson’s bluntness sometimes caused offence. His comments in a Radio Times article that the late Jade Goody represented “all that’s paltry and wretched about Britain today” led to criticism from the bishop who had married her.

The One Show (which he said was an example of the decline in TV), female comedians (not as funny as men) and Russell Brand (unfunny and creatively dull) were also on the receiving end of Parkinson’s sharp tongue, with him declaring of the latter: “I don’t see the point of him.”

However, he wasn’t afraid of a bit of celebrity stardust himself, popping up in a few surprising cameos, including the Christmas romcom Love Actually and the much-loved Australian soap Neighbours, when he bumped into Karl and Susan during their trip to London.

He also made a baffling appearance on the front cover of the 1973 Wings album Band On The Run, along with several other well-known figures and of course the band themselves.

Sir Michael wrote various books over the course of his career, including memoirs on Ali and footballer George Best, several sporting books centred around his love of cricket and golf, his family story in Like Father, Like Son and his 2009 autobiography Parky.

Like any self-respecting celebrity, he also wrote a series of children’s books – The Woofits – about a family of cuddly hat-loving dogs set in the fictional Yorkshire coal-mining village of Grimeworth, leading to a TV series which he narrated.

Sir Michael Parkinson receives his Knighthood from Britain's Queen Elizabeth II at Buckingham Palace.
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Sir Michael received his Knighthood from Queen Elizabeth II at Buckingham Palace in 2008

‘I have the best job in the world’

Knighted for services to broadcasting in 2008, following his CBE in 2000, Parkinson joked he was “not the type to get a knighthood,” adding, “they give it to anyone nowadays”.

As well as interviewing celebrities in a professional capacity, he also counted many as close personal friends, including chef Michel Roux and comedian Billy Connolly.

Sir Michael with Billy Connolly in 2016
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Sir Michael with Billy Connolly in 2016

Known as an interviewer, Parkinson admitted he actually enjoyed it when the tables were turned and he himself was interviewed.

A man who reached the top of his game, he recognised his own good fortune, saying: “I have the best job in the world and once you have a show named after yourself, where else do you go?”

A life-long lover of cricket, Parkinson described playing the sport as “compulsory” for anyone born in Yorkshire. Adopting golf in later life, he was eventually forced to give up the sport due to back troubles.

In 2013, Parkinson revealed he was being treated for prostate cancer, and in 2017 he underwent a serious back operation.

He leaves behind his wife of 64 years Mary, three sons – Michael Jr, Andrew and Nicholas – and eight grandchildren.

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Taylor Swift announces 12th studio album

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Taylor Swift announces 12th studio album

Taylor Swift has announced her 12th studio album during an appearance on her boyfriend Travis Kelce’s podcast.

The pop megastar, appearing on New Heights, did not say when the record, titled The Life Of A Showgirl, will be released.

Fans can pre-order the album in various formats now and Swift’s website says physical copies will be shipped by 13 October.

Pic: New Heights
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Pic: New Heights

On Monday, Taylor Nation – an official branch of the singer’s marketing team – teased the release on TikTok with a slideshow of 12 images alongside the caption: “Thinking about when she said ‘See you next era…'”

Swift is seen wearing orange in every picture.

A special limited vinyl edition of the album will be released in “Portofino orange glitter”, according to a pre-order page on her site. A special cassette edition is also available for pre-order.

Taylor Swift's website features The Life of a Showgirl pre-order options. Pic: Reuters
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Taylor Swift’s website features The Life of a Showgirl pre-order options. Pic: Reuters

A brief clip from the New Heights podcast, hosted by Swift’s NFL star boyfriend, Travis Kelce and his brother Jason, a former NFL player, was posted on Instagram early on Tuesday.

The video showed Swift pulling a copy of the album from a briefcase with the cover blurred.

The full podcast episode will be released at 11pm on Tuesday, UK time.

Swift is living up to her reputation as pop’s hardest-working star


Gemma Peplow

Gemma Peplow

Culture and entertainment reporter

@gemmapeplow

You might think that after pulling off the highest-grossing tour in history, all while writing and releasing an unexpected record-breaking double album at the same time, Taylor Swift would be happy to take a little break.

But no. The singer-songwriter has announced her 12th album, her sixth in six years.

Since her self-titled debut in 2006, the longest period Swifties have had to wait is just three years, between 2014’s 1989 and 2017’s Reputation; the period in which the star took time out following her public feud with Kim Kardashian and Kanye West.

Over the past few years, Swift has also re-recorded and re-released four of her early albums in a (now resolved) battle over the rights to her master recordings.

With the new announcement, she’s living up to her reputation as the hardest-working star in pop.

Album number 12 is titled The Life Of A Showgirl, hinting at inspiration drawn from spending the best part of two years on the road – and perhaps a return to pop after embracing folk and her more gothic side.

Fans are now eagerly waiting to find out what Swift’s new era will bring.

New Heights had previously teased Swift’s appearance by posting an orange image on social media with a mysterious silhouette, which many correctly identified as the pop star.

The Life Of A Showgirl follows Swift’s The Tortured Poets Department, released last year during her record-breaking Eras tour, which generated more than $2.2bn (£1.6bn) across two years and five continents, making it the highest-grossing tour of all time.

Read more about Taylor Swift:
Swift’s final London show was the ‘best’
The impact of the ‘excruciating’ Era’s tour
Her new chart record

It marks her first release since she took back control over her entire back catalogue from private equity firm Shamrock Capital for an undisclosed amount.

In an effort to regain control over her music in recent years, Swift has been re-recording and releasing her first six albums. The move was prompted by Hybe America CEO Scooter Braun’s purchase and sale of her early catalogue.

Some of the ‘Taylor’s Version’ releases have included new songs as well as Easter eggs and visuals to offer a deeper understanding of her work.

The four re-recorded albums released so far have been massive commercial and cultural successes, each one entering the Billboard 200 US album chart at number one, helping her become the woman with the most number one albums in history.

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Harry and Meghan extend Netflix partnership – but it’s no longer exclusive

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Harry and Meghan extend Netflix partnership - but it's no longer exclusive

Harry and Meghan have signed a new “multi-year, first-look deal” with Netflix, following the deal they struck with the streaming giant five years ago.

Described by the Sussexes as “extending their creative partnership”, while the news quashes rumours the relationship might not be renewed, it would appear to be a less prestigious deal than their first.

With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix
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With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix

As a “first-look deal” rather than an overall deal, the entertainment giant will be able to say yes or no to their content before anyone else, but they will not be under an obligation to stream it.

Several US outlets have suggested it is a downgrade from the Sussexes’ previous contract, which saw the streaming giant pay for exclusive rights for the content and was thought to be worth more than $100m (£74m).

British PR expert Mark Borkowski described the deal as a “downgrade” and suggested Netflix was “pivoting away” from Harry and Meghan.

Read more: Some call the deal a demotion – but the company still sees them as a power couple

Harry and Meghan set up their media company, Archewell Productions, after quitting as senior working royals in 2020.

More on Duchess Of Sussex

Their partnership with Netflix had promised documentaries, docuseries, feature films, scripted shows and children’s television, but has so far only delivered documentaries and docuseries.

These include Harry & Meghan, a six-part series about their departure from the royal household, which is Netflix’s fifth most popular series of all time, and most recently, the lifestyle show With Love, Meghan, which is the streamer’s most-watched culinary show since its release earlier this year.

Speaking about the new deal, Meghan said: “We’re proud to extend our partnership with Netflix and expand our work together to include the As ever brand.”

As ever is Meghan’s lifestyle brand, launched in 2024, and rebranded this year, selling products including jams, shortbread and wine.

Meghan went on: “My husband and I feel inspired by our partners who work closely with us and our Archewell Productions team to create thoughtful content across genres that resonates globally and celebrates our shared vision.”

(R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix
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(R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix

Netflix’s chief content officer Bela Bajaria called the Sussexes “influential voices” and said their stories “resonate with audiences everywhere”.

New output includes the second season of With Love Meghan later this month, and a Christmas special in December.

Archewell Productions is also working on a documentary about orphaned children in Uganda’s Masaka region, an area heavily hit by the HIV/AIDS crisis, titled Masaka Kids, A Rhythm Within, and is developing a feature adaptation of the bestselling romantic novel by Carley Fortune, Meet Me At The Lake.

It comes as Harry has cut ties with his Sentebale charity but has said he still intends to do what he can to help young people in Lesotho, Botswana and Southern Africa.

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Some call the Sussexes’ Netflix deal a demotion – but the company still sees them as a power couple

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Some call the Sussexes' Netflix deal a demotion - but the company still sees them as a power couple

While we’re all desperate to know what this new deal is really worth in dollars and pounds, one thing I can tell you for certain is that Prince Harry and Meghan want us to know they’re delighted that Netflix again wanted to get a deal done.

“Absolutely over the moon” is how it was described to me.

But they’ll also be aware of the attention it’ll attract as we all try to pick apart what it means.

Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix
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Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix

Firstly because of that ongoing fascination in how they’re making money since stepping away from royal life and losing financial support from the King, but also because of the recent reports that Netflix were intending to cut ties.

Yes this is a different type of deal from their original one in 2020. Some have argued that a “first look deal” looks like a demotion from what they previously signed up to.

With no real clarity on how much their original deal was worth, and no numbers being publicly thrown around this time, that is hard to judge.

But talking to those who know something about these kinds of deals you do get a sense it could potentially be more lucrative than it looks on face value.

More on Meghan Markle

With first look deals, yes there is often financial commitments from the likes of Netflix to get that first exclusive look at projects and first refusal.

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Harry claims: War of words continues

But there could be other significant monetary incentives for the Sussexes to sign.

For example, when the Obamas signed a first look deal with Netflix, the streaming service agreed to pay the operational costs for their production company “Higher Ground”.

Could it be that Netflix are also now covering the costs of Archewell Productions?

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It’s stating the obvious to say that Harry and Meghan continue to divide opinions, some wanting to watch their programmes from a place of respect and fondness, others as a reason to grumble about them.

But signing on this latest dotted line shows Netflix still sees them as a power couple, who attract significant attention and are worthy of investment, whatever that really adds up to.

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