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The rain tapped lightly against the windowpanes of my London apartment, a steady rhythm that mirrored the musings within my little grey cells.

It was a day like any other, or so I believed, until a peculiar letter arrived. As I delicately unfolded the note, its contents gave rise to a most intriguing puzzle.

‘Mr Hercule Poirot,’ it began in elegant script, ‘I implore you to lend your unparalleled expertise to a matter of utmost secrecy and importance.

‘An enigma of art, an amalgamation of shadows, a crescendo of whispers, await your perceptive insight.’

Asked to open a new novel starring detective Hercule Poirot, one of Agatha Christie’s most famous creations, that’s ChatGPT‘s first attempt at grabbing your attention.

Ciphers Of The Midnight Mind is the artificial intelligence (AI) chatbot’s suggested title – and it could no doubt craft the entire rest of the story in a matter of seconds.

For fans of the more than century-old character, whose popularity has endured beyond Christie’s death in 1976, new stories composed on demand may be a tantalising prospect.

After all, the author’s estate – like those who hold the keys to James Bond and Sherlock Holmes – has happily commissioned other writers to give readers new Poirot and Miss Marple adventures. Who’s to say those same fans couldn’t find enjoyment in a passable imitation by AI?

For many writers, it’s an existential question that has them fearing for their livelihoods.

But for Ajay Chowdhury, an award-winning crime author, it presents an opportunity for them to reach new heights.

“There’s a lot of fear around it for a writer – but I don’t believe it is going to replace us,” he says.

“I started experimenting with AI in writing six or seven months ago, and it was of course slightly scary.

“But it’s like having a fantastic editor on demand.”

Ajay Chowdhury
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Ajay Chowdhury

Useful editor or existential threat?

Chowdhury’s fascination with AI speaks to his background in tech, one which included co-founding the music discovery app Shazam, later bought by Apple for a reported $400m (then £300m).

But he is now known for his Kamil Rahman crime series, inspired by his Indian roots, which has won him several awards and will see a fifth entry – The Spy – released next year.

AI tools are playing a key role in its development – helping Chowdhury bounce thoughts around, generate potential outcomes for certain scenes, and rephrase sections to help with pacing.

He even used an image generator, Midjourney, to visualise a dramatic chase scene through a cave on the island of Elephanta, a world heritage site off the coast of Mumbai. It helped spark ideas about how it could play out.

“Eight out of 10 times, whatever AI gives you might be thrown away, but the other two times you might think it’s a decent idea that can be expanded on,” he says.

“Using a combination of these tools is giving me a much better draft to submit. I am finding that I get to what would have been a fifth draft by the second draft.”

For Chowdhury, there’s no shame in using AI to help get there, despite what many of his contemporaries fear.

Earlier this month, author Jane Friedman had to contend with AI-generated books purportedly written in her name, falsely listed as such on Amazon. She managed to have them removed, despite them not technically falling foul of copyright law because she had not trademarked her name.

“This promises to be a serious problem for the book publishing world,” she warns.

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‘Without writers we have nothing’

‘Marvel formula’ most at risk

More than 100,000 writers have endorsed an open letter by America’s Authors Guild, which has demanded AI’s development show “respect for human creators and copyright”.

Generative models like ChatGPT are trained on huge amounts of trademarked material, prompting writers including comedian Sarah Silverman to sue its creator OpenAI for copyright infringement.

This potential to imitate human work is a driving force behind ongoing writers’ strikes in Hollywood.

TV and theatre writer Lisa Holdsworth, who is chair of the Writers’ Guild of Great Britain, told the Sky News Daily podcast that would constitute theft more than creation, and the longer AI models are left to be trained without safeguards in place, “the more of a threat it becomes”.

Click to subscribe to the Sky News Daily wherever you get your podcasts

Chowdhury backs the cause, saying left to its own devices, AI will only serve to indulge mediocrity.

“That beige world of creativity where everything is sequel 32 to something, that worries me,” he admits.

“Look at films like Oppenheimer and Barbie, both extremely well written. Could AI create those? No. But could they write the next Marvel? Possibly, it’s a pretty clear formula.”

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Brian Cox: ‘Strikes may get unpleasant’

A world of mediocrity?

For Chowdhury, the genie is out of the bottle and there’s no going back – writers, like all of us, need to adapt.

Aside from the next main entry in his Kamil Rahman series, AI helped Chowdhury find time to work with Google on interactive novel The Invitation, a crime story set in London’s East End.

The free short story – which includes puzzles to solve, a countdown timer, and sound effects – was made with commuters in mind and only takes around 20 minutes to get through.

It’s a little heavy on the Google product placement, with nods to Gmail and Maps that are clever or eye-rolling depending on your level of cynicism, though as a proof of concept for quick to make, accessible interactive novels, the kinds of which gamers have long been familiar, overall it’s quite effective.

The whole thing came together in six weeks to mark the UK launch of the tech giant’s new Pixel Fold phone, optimised to take advantage of its book-like screen. The production speed helped by Chowdhury generating the artwork using Midjourney.

It does the job, but it’s a move that will no doubt rub some the wrong way given the criticism levelled at Marvel for using AI to generate opening title graphics for its latest TV series.

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The Invitation' art was all made using AI. Pic: Google

But Chowdhury still sees AI as a tool to take him and others “to another level”.

“The utopia to me is people using AI to enhance their creativity,” he says.

“The side that worries me is if large corporations start to think we don’t need creatives any more.

“That will become a world of mediocrity.”

As the rain continued to dance its elegy on the windowpane, Poirot leaned back in his chair, his little grey cells still whirring with satisfaction.

For within the labyrinthine corridors of art and deception, he had once again illuminated the truth, dispelling the shadows that sought refuge in the enigmatic corners of the human soul.

Thanks, ChatGPT, but when it comes to Poirot, I think I’ll stick with Christie.

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Diogo Jota’s joyous final weeks make his death even more devastating to comprehend

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Diogo Jota's joyous final weeks make his death even more devastating to comprehend

The joy that filled the final weeks of Diogo Jota’s life makes his death even more devastating to comprehend for his family and millions of fans worldwide.

The most illustrious title of his career was won in May, when he paraded through Liverpool with his teammates and the Premier League trophy.

More success came with Portugal as he won the Nations League for a second time alongside Cristiano Ronaldo in June.

And then came the bliss at marrying his childhood love Rute Cardoso, watched by their three children.

Latest: Liverpool players pay tribute to Jota

Just yesterday Jota posted a video from the ceremony on social media alongside the message “a day we will never forget”.

The happiest of days was remembered before the tragedy that killed Jota and his brother Andre Felipe in northwest Spain.

Diogo Jota and wife Rute
Pic: rutecfcardoso14/Instagram
Image:
Diogo Jota and wife Rute. Pic: rutecfcardoso14/Instagram

Brothers – whose careers both developed at their hometown club, Porto – so tragically dying together.

“Football has lost two great men,” Porto president Andre Villas-Boas said, as fans descended on the club’s stadium to mourn.

At Anfield, Liverpool fans are grieving the versatile forward who was so often in the shadow of Mohamed Salah, as he was under Ronaldo at Portugal.

But he knew how to sacrifice stardom to contribute to the squad.

Liverpool's Diogo Jota holds the  Premier League trophy with Wataru Endo and teammates.
PIc: Reuters
Image:
Diogo Jota holds the Premier League trophy with Wataru Endo and teammates. PIc: Reuters

The last of his 65 Liverpool goals was the winner in the Merseyside derby against neighbours Everton in April – helping the club become the record 20-time champions of England.

A Premier League winners’ medal joining those from the FA Cup and League Cup, won by the 28-year-old after he joined the Reds in 2020.

It was Wolverhampton Wanderers who gave Jota a platform to shine in England after he joined from Atletico Madrid.

Promotion was gained to the Premier League in 2018, and they more than just avoided relegation, but secured back-to-back top-seven finishes.

Jota was a reason why.

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Fans react to Jota death

He was also why Wolves could embark on such a memorable European campaign, and scored two hat-tricks in the run-up to the Europa League quarter-finals in 2020.

“The memories he created will never be forgotten,” Wolves said.

For the football world, the loss of such a talent so young will be hard to comprehend.

And so many are reflecting on the fragility of life as football grieves from Liverpool to Portugal – and beyond.

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Grooming victim ‘lives with trauma every day’ – as force investigates crimes involving more than 700 survivors

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Grooming victim 'lives with trauma every day' - as force investigates crimes involving more than 700 survivors

The father of a grooming victim who was raped by more than 60 men has said she still lives with the “trauma every single day”.

Marlon West, 51, said Scarlett, now 20, was an academic student at a school in Greater Manchester.

She was happy with a good friendship group and enjoyed riding her horse, Jasper.

But her life changed after she was attacked by a gang at a bus station – they started bullying her and she decided it was better to become their friends.

An older female member then started grooming her for rape gangs made up of Muslim men, her father told Sky News.

Scarlette's school photo before the abuse began
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Scarlett before she was groomed

Mr West said six men were involved in grooming her from the age of 14 but she was raped by more than 60 before the abuse finally stopped shortly before she turned 18.

By then, she was too terrified to leave home.

“Scarlett isn’t a survivor and a lot of these other girls aren’t survivors,” he said. “The reason being is they’re still living with the trauma every day.”

Mr West, an advanced nurse practitioner for mental health services at the NHS, said his daughter was thrown out of school aged 14 and would go missing for weeks at a time.

On one occasion, he tracked her down to a property in Derbyshire, but when he eventually persuaded police to attend, he was told Scarlett was “safe” with the woman who groomed her and “her friends”.

Scarlett enjoyed riding her horse
Image:
Scarlett enjoyed riding her horse

Mr West said he was “absolutely furious” when police and social services dismissed the abuse as “a lifestyle choice” and was so desperate he put Scarlett into care when she was 15.

“I couldn’t keep her safe,” he said. “It’s the hardest decision of my life.”

But within a week of her returning home, when she had to leave the care system after turning 16, she was going missing again.

Mr West said the female groomer had stayed in contact with Scarlett and “was literally waiting for her” when she came home.

She was then trafficked all over the country, including Bradford, Birmingham and London.

Marlon West and his daughter Scarlett look information on her case
Image:
Marlon West and his daughter Scarlett

Mr West said he had to “scream” at police to track her down before they raided a property in Rochdale where she was found along with heroin and crack cocaine.

Scarlett was arrested and released on bail, but wasn’t charged because she was on a Home Office database as being at risk of trafficking, he said.

“Even though that [arrest] was inappropriate, that stopped it because she was terrified of going out of the house, which she still is now to a certain extent.”

Mr West believes the abuse also came to an end because she was getting older and her abusers were no longer interested.

“This is not just about child sexual exploitation but also criminal exploitation – she was doing county lines, she was picking up firearms for them,” he said.

Scarlett and her dad Marlon
Image:
Scarlett and her dad Marlon

Mr West said any child can be at risk of grooming.

“They’re stereotyping a lot of these survivors, that they’re coming from broken homes, or they’re in care,” he said.

“A groomer doesn’t stand outside a school gate and think, ‘I’m not grooming her because her dad’s a doctor or her dad’s a GP’ – they don’t care. Once they target, that’s it.”

Mr West was speaking as a report by police watchdogs revealed Greater Manchester Police has live grooming investigations involving 714 victims and survivors.

The force said it has 1,099 lines of enquiry relating to potential suspects but only 269 who are confirmed.

“I think there’s more – a lot of survivors haven’t come forward. One, because they’re probably still being groomed and secondly because they’re terrified of GMP and how they’ve been treated in the past,” he said.

“It’s higher than it’s ever been. Services such as police and social services are terrified of political correctness.

“The groomers know they can get away with it because there aren’t many arrests and so it’s increased.”

GMP Chief Constable Sir Stephen Watson promised to go after child rapists and paedophiles “relentlessly” after the publication of the report, which was largely positive about the force’s turnaround in tackling the gangs.

But Mr West believes they are “still failing”, although he welcomed the investigation opened into his daughter’s case.

He said he is “hopeful” the national inquiry into grooming gangs by the government last month “will expose a lot of the cover-ups and give accountability” but is worried about the involvement of services such as councils and police forces because of a lack of trust.

A GMP spokesperson said: “We have met with Scarlett and her father and we’re conducting an extensive investigation into their allegations.

“While we understand the impact of their experiences cannot be undone, we aim to ensure that the experience of the GMP of today would be much improved from that of previous years.”

A Tameside Council spokesperson previously said they were legally unable to comment on Scarlett’s case.

But they said: “Where any concerns or issues are raised we work closely with individuals, families and our partners to provide support and resolve, as appropriate.

“Where individuals aren’t satisfied with the services received, we do have a statutory complaints procedure and individuals can ultimately take their complaint to the Local Government & Social Care Ombudsman.”

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Fiscal rules are silly but important as Reeves has banged on about them and markets care

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Fiscal rules are silly but important as Reeves has banged on about them and markets care

You’re probably tired by now of hearing all about “black holes”.

It’s one of those phrases trotted out by journalists in an effort to make economic policy sound a little more interesting. And in some senses it’s a massively misleading image.

After all, when people talk about fiscal holes, what they’re really talking about is something rather prosaic: the amount of money it would take for the chancellor not to break her fiscal rules.

Those fiscal rules are not god-given, after all. They were confected by the chancellor herself. Missing them will not really result in Britain sliding into infinite nothingness. Even so, whatever you choose to call the dilemma she’s faced with right now, it’s certainly quite a big deal.

Rcahel Reeves NHS 77th birthday
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Rachel Reeves speaks at the NHS’s 77th birthday

And understanding this helps provide a little context for the extraordinary events of the past few days, with markets sliding in the wake of Ms Reeves’ teary appearance at Prime Minister’s Questions.

Following that moment, the yield on UK government debt – the rate of interest we’re being charged by international investors – suddenly leapt higher. Granted, the jump was nothing like what we saw in the wake of Liz Truss’s mini-budget. And those yields dropped down after the prime minister backed the chancellor.

UK’s a global outlier

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Even so, they underline one very important bit of context. The UK has become something of an outlier in global debt markets. For years, the yield on our benchmark government bonds was more or less middle of the industrialised-world pack. But since 2022’s drama, it has hovered unnervingly high, above every other G7 nation.

That speaks to a broader issue. Britain might not have the biggest deficit in the G7, or for that matter, the highest national debt. Others (most notably France, and to some extent, too, the US) face even more desperate fiscal dilemmas in the coming years. But markets do still seem nervous about Britain.

Perhaps that’s because of what they (and we) all endured in 2022 – when British gilt markets stepped briefly over the precipice, causing malfunctions all around the financial system (most notably in obscure parts of the pensions investment sector). But it also owes something to the fact that the chancellor’s own fiscal plans are sailing worryingly close to the wind.

Reeves made fiscal rules matter

The main piece of evidence here is the amount of leeway she has left herself against her fiscal rules. As I said at the start, there’s nothing gospel about these rules. But having created them and banged on about them for a long time, even those of us who are a little sceptical about fiscal rules would concede that breaking them is, as they say, not a good look.

Back in spring, the Office for Budget Responsibility thought the chancellor had about £9.9bn in leeway against these rules. But since then, she has u-turned on both the cuts in winter fuel payments and on personal independence payments. That reduces the £9.9bn down to barely more than £3bn.

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But the real issue isn’t just these U-turns. It’s something else. The stronger the economy is, the more tax revenues come in and the more her potential headroom against the fiscal rules would be. By the same token, if the economy grows less rapidly than the OBR expected, that would mean less tax revenues and an even bigger deficit.

And if you compare the OBR’s latest forecasts with the current average of forecasts among independent forecasters, or for that matter, the Bank of England, they do look decidedly optimistic. If the OBR is right and everyone else is wrong, then the chancellor “only” has to fill in the hole left by those U-turns. But if the OBR is wrong and everyone else is right, things get considerably more grisly.

Even a small downgrade in the OBR’s expectations for productivity growth – say a 0.1 percentage point drop – would obliterate the remaining headroom and leave the chancellor with a £6bn shortfall against her rule. Anything more than that (and bear in mind, most economists think the OBR is out by more than that) and she could be £10bn or more underwater.

Now, there are plenty of very reasonable points one could make about how silly this all is. It’s silly that so many people treat fiscal rules as tablets of stone. It’s silly that government tax policy from one year to the next seems to hinge on how right or wrong the OBR’s economic forecasts are.

Yet all this stuff, silly as it might all seem, is taken quite seriously by markets right now. They look at the UK, see an outlier, and tend to focus more than usual on black holes. So I’m afraid we’re going to be talking about “black holes” for quite some time to come.

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