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Long before Louis Theroux went on his first Weird Weekend, Ruby Wax was chipping away at the shiny coalface of celebrity culture and documenting offbeat US tribes to the delight of the viewing public.

Now the comedian, actress, writer and mental health campaigner says she “can’t get a job on television” and was forced to “reinvent” when her TV career took a nosedive after she turned 50.

Louis Theroux attending the Red carpet gala event, #TheMikeGala, hosted by Stormzy, at The Biltmore Mayfair, London, to mark the British rapper's 30th birthday. Picture date: Friday July 28, 2023.
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Louis Theroux

Wax, who is about to embark on her first tour in four years, told Sky News: “I’m grateful I got to do those shows. It’s a job everybody wants. But after 25 years, you think, What else?”

She goes on: “It’s over when it’s over. It was over early for me”.

Open about her mental health battles over the years, and an ambassador for mental health charities MIND and SANE, Wax admits that the pursuit of fame was an addiction of sorts: “I was so interested in fame… Studying what’s the effect of fame on people. Because it’s fabulous to get in a restaurant using your own name, but it’s also a curse because when they take it from you, it’s like coming off a drug.”

Throughout the 90s and early 2000s Wax grilled A-listers, future world leaders and public figures – holding a mirror up to celebrity culture of the decade.

She captured the zeitgeist with her fearless celebrity interviews, chatting to stars including Pamela Anderson, Madonna, Tom Hanks and the Spice Girls.

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And she didn’t just do softball interviews.

More tricky interviewees included Donald Trump (he called Wax obnoxious and kicked her off his private plane, she went on to label it the worst interview she’d ever done); OJ Simpson (Wax had hoped he would confess to the murder of his ex-wife Nicole Brown Simpson on the show; He didn’t, but later called her on April Fool’s day to tell her “I did it” before adding, “April Fool”); Bill Cosby (he play-acted taking a phone call during their interview, comparing chatting with Wax to “talking to an answering machine you can’t fix”, while she later branded his behaviour “psychotic”) and former first lady of the Philippines Imelda Marcos too.

Shining a spotlight on the now much talked about topics of celebrity culture and fame, Wax was the first women to front gonzo style documentary interviews and make them a hit in a primetime slot to boot.

Wax on Trump: ‘I hated speaking to him. I found him toxic’

She also did a series looking at American subculture – Ruby’s American Pie – in the late 90s, investigating themes including the Klu Klux Klan (KKK), offbeat religion and porn. Again, all themes in Louis Theroux’s wheelhouse, at around the same time.

But unlike with Theroux, there was no faux-naif front with Wax, she went in full throttle with her brash American approach – which sometimes worked a treat, and other times less so.

On her infamous interview with future president Donald Trump (who was then just a billionaire real estate magnate and presidential hopeful) Wax told Sky News: “I hated speaking to him. I found him toxic.

“I didn’t think I was going to learn anything. I just thought this is a terrible experience, just horrible. And so was Bill Cosby. I didn’t think, ‘I’m going to show the world something’. I just found him repellent, and he frightened me because he is so toxic, and he hated me. So that doesn’t help an interview.”

Trump went on to throw her off his private plane – complete with a gold sink and cushioned bidet. Wax says: “I think I could have handled it better. You don’t see the fear in my eyes, but it doesn’t feel good.”

‘I had to re-invent. I can’t get a job on television’

Despite her own harsh review of some of her interviews, the audience lapped up her no-nonsense approach, and her shows were a hit.

A stalwart of BBC output through the nineties – The Full Wax was followed by Ruby Wax meets…and after a gap of a year or two The Ruby Wax Show followed suit in the early 2000s.

But while Theroux’s shows are on constant re-run, and he’s given this year’s prestigious MacTaggart lecture to industry big wigs at the Edinburgh Television Festival, Wax is largely a stranger to today’s TV schedule.

Her rivalry with the fellow celebrity documentary maker has been well documented, with the pair finally forging a truce of sorts after he interviewed her at end of 2020 as part of his Grounded COVID podcast series.

As for his flourishing career, she says: “I sort of see why Louis carried on, because he played himself and I was playing kind of a character… I turned 50, and that’s against the law. You can only play people who have a terminal disease or are dead when you’re that age. So, I had to re-invent. I can’t get a job on television.”

‘I’m not like Graham Norton’

However, she admits the modern-day celebrity interview is less attractive than in days gone by.

“I wouldn’t really like to do any more interview shows because you can’t get celebrities the way I could. Now, there’s too much PR and they’re too careful.

“In my day, I could interview them for a week, and that was pleasurable. I’m not like Graham Norton, where you can chew ’em out in 15 minutes. I wouldn’t be good at that.”

But Wax says she would have liked a shot at more cerebral shows too, adding: “I would have liked to do Newsnight. I’m really smart.”

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A woman of many talents, Wax is also a classically trained actor (she spent five years with the Royal Shakespeare Company) and was awarded an OBE for her services to mental health in 2015.

Now with a tour about to start – documenting a search for the meaning of life which ended up in a psychiatric ward – a reinvented Wax admits: “I’m always running.”

Unlike many performers who dread a tour, Wax says: “I like living out of a suitcase and I like meeting new people. I think it’s because my parents were refugees and they knew how to decamp within three minutes. And so, I have that in my DNA. I love it.

Wax’s tour – I’m Not As Well As I Thought I Was – kicks off on 14 September in Brighton, and runs until late November. The book is out now.

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Claudia Cardinale: Star of The Pink Panther and Once Upon A Time In The West dies aged 87

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Claudia Cardinale: Star of The Pink Panther and Once Upon A Time In The West dies aged 87

Acclaimed Italian actress Claudia Cardinale, who starred in The Pink Panther and Once Upon A Time In The West, has died aged 87, according to French media reports.

The actress, who starred in more than 100 films and made-for-TV productions, died in Nemours, France, surrounded by her children, her agent told the AFP news agency.

At the age of 17 she won a beauty contest in Tunisia, where she was born to Sicilian parents, and was rewarded with a trip to the Venice Film Festival, kick-starting her acting career.

She had expected to become a schoolteacher before she entered the beauty contest.

Claudia Cardinale at the Prix Lumieres awards ceremony in Paris in January 2013. Pic: AP
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Claudia Cardinale at the Prix Lumieres awards ceremony in Paris in January 2013. Pic: AP

Cardinale gained international fame in 1963 when she starred in both Federico Fellini’s 8-1/2 and The Leopard.

She went on to star in the comedy The Pink Panther and Sergio Leone’s Once Upon A Time In The West in 1968.

She considered 1966’s The Professionals as the best of her Hollywood films.

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When she was awarded a lifetime achievement at the Berlin Film Festival in 2002, she said acting had been a great career.

“I’ve lived more than 150 lives, prostitute, saint, romantic, every kind of woman, and that is marvellous to have this opportunity to change yourself,” she said.

“I’ve worked with the most important directors. They gave me everything.”

Cardinale was named a goodwill ambassador for the UN Educational, Scientific and Cultural Organisation for the defence of women’s rights in 2000.

She is survived by two children.

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Convicted killer jailed after turning up at Cheryl Tweedy’s home for fourth time

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Convicted killer jailed after turning up at Cheryl Tweedy's home for fourth time

A convicted killer who turned up at Cheryl Tweedy’s home for a fourth time has been jailed.

Daniel Bannister, 50, was sentenced to 12 months after admitting a single charge of breaching a restraining order.

He was also given a new restraining order, which warns him against contacting the former Girls Aloud singer.

“You are causing her anxiety,” Judge Alan Blake told him.

“She does not wish any contact with you. You have shown defiance to the court order. You need to draw a line under that behaviour.”

Bannister turned up at Tweedy’s rural home for the fourth time on 19 June.

Reading Crown Court heard he arrived in a taxi just before 10pm and rang the intercom twice before peering over the gate.

Bannister believed the singer had invited him to her home over Microsoft Teams, the court was told.

Daniel Bannister. Pic: Thames Valley Police
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Daniel Bannister. Pic: Thames Valley Police

Tweedy said she was “stunned” when Bannister visited her home yet again and had been forced to hire security.

“Each time he returns the worry of his intentions intensifies,” she said in a victim impact statement.

“I’m worried, nervous and on edge every time I open my gate. No person should have to feel this way.

“Daniel has made my young child scared,” she added.

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Bannister was initially jailed for four months in September last year – and handed a three-year restraining order.

But he breached it by turning up at Tweedy’s home in December.

In March, he was jailed for 16 weeks at Wycombe Magistrates’ Court for repeatedly going to Tweedy’s Buckinghamshire home while under the restraining order.

During that appearance, the court heard that Tweedy “immediately panicked” and was “terrified” when she saw him outside her home, fearing for the safety of her eight-year-old son Bear.

Bannister killed Rajendra Patel, 48, at a south London YMCA shelter in 2012 and pleaded guilty to manslaughter.

Mr Patel died from an injury to his leg, a court heard.

Tweedy’s former partner Liam Payne died last year in Buenos Aires, Argentina, after falling from his third-floor hotel balcony.

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Noel Clarke ordered to pay at least £3m of Guardian publisher’s legal fees

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Noel Clarke ordered to pay at least £3m of Guardian publisher's legal fees

Noel Clarke has been ordered to pay at least £3m of The Guardian publisher’s legal costs after losing his “far-fetched” libel case over allegations of sexual misconduct reported by the newspaper.

The first article, published in April 2021, said some 20 women who knew the actor and filmmaker in a professional capacity had come forward with allegations including harassment and sexually inappropriate behaviour.

Clarke, best known for his 2006 film Kidulthood and for starring in Doctor Who, sued Guardian News and Media (GNM) over seven articles in total, as well as a podcast, and vehemently denied “any sexual misconduct or wrongdoing”.

Following a trial earlier this year, a High Court judge found the newspaper’s reporting was substantially true, agreeing with the publisher’s defence of its reporting as both true and in the public interest.

At a hearing to determine costs on Tuesday, Clarke represented himself – saying in written submissions to the court that his legal team had resigned as he was unable to provide funding for the hearing.

Mrs Justice Steyn ruled that he must pay £3m ahead of a detailed assessment into the total costs to be recovered, which lawyers for the publisher estimated to be more than £6m.

“The claimant maintained a far-fetched and indeed a false case that the articles were not substantially true, by pursuing allegations of dishonesty and bad faith against almost all of the defendant’s truth witnesses,” the judge said.

The sum of £3m sought by GNM was “appropriate and no more than what ought to be reasonably ordered in this case”, she added, and “substantially lower than the defendant’s likely level of recovery”.

Clarke, 49, told the court he used ChatGPT to prepare his response to GNM’s barrister Gavin Millar KC, who asked the judge to order £3m as an interim payment – which he said was “significantly less” than the “norm” of asking for 75%-80%.

The actor described the proposed costs order as “excessive”, “inflated” and “caused by their own choices”, and asked the court to “consider both the law and the human reality of these proceedings”.

He also requested for the order on costs be held, pending an appeal.

“I have not been vexatious and I have not tried to play games with the court,” Clarke said. “I have lost my work, my savings, my legal team, my ability to support my family and much of my health.

“My wife and children live every day under the shadow of uncertainty. We remortgaged our home just to survive.

“Any costs or interim payments must be proportionate to my means as a single household, not the unlimited resources of a major media conglomerate.

“A crushing order would not just punish me, it would punish my children and wife, and they do not deserve that.”

Detailing GNM’s spend, Mr Millar said about 40,000 documents, including audio recordings and transcripts, had to be reviewed as a result of Clarke bringing the case against then. He highlighted a number of “misconceived applications” made by the actor which “required much work from the defendant’s lawyers in response”.

During the trial, the actor accused GNM – as well as a number of women who made accusations against him – of being part of a conspiracy aiming to destroy his career.

This conspiracy allegation “massively increased the scale and costs of the litigation by giving rise to a whole new unpleaded line of attack against witnesses and third parties,” Mr Millar said in written submissions to the court.

Clarke originally asked for damages of £10m, increasing to £40m and then £70m as the case progressed, the barrister said.

He must now pay GNM the £3m within 28 days, Mrs Justice Steyn ruled.

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