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Riot police called to a performance of The Bodyguard in Manchester; “Rude and abusive” audience members removed from the balcony of a West End performance of Grease by police and a performance of Meat Loaf’s Bat Out Of Hell at London’s Peacock Theatre brought to a standstill by a man hurling abuse at fellow theatregoers.

With all these incidents occurring this year alone, it’s no surprise that a recent survey of theatre staff showed many feared for their safety, reporting kicking, punching, choking, sexual assault and racial abuse while going about their work. There was even a mass brawl in one venue.

At the start of the year, naked photos of actor James Norton circulated online after audience members defied theatre instructions not to film during the play A Little Life, taking photos regardless.

The violation led some to speculate that West End shows could insist audience members hand in their phones ahead of performances, particularly those featuring well-known celebrities.

Such anti-social behaviour during performances eclipses previous audience misdemeanours of loud talking, rustling sweet packets and late arrivals, once considered the height of poor audience etiquette.

And it’s not just in theatres. Singers on the stage are having to run the gauntlet after a spate of attacks with items hurled from the audience.

Ava Max was slapped in face and scratched in the eye by a stage-invading fan; Bebe Rexha was hit in the face by a phone thrown by an audience member “because it would be funny”; and Harry Styles was hit in the eye by an itinerant Skittle.

More on Adele

So, why have some audience members seemingly lost the plot, and is behaviour getting worse?

Dr Kirsty Sedgman, a specialist in cultural studies and human behaviour and senior theatre lecturer at the University of Bristol told Sky News: “Live performance venues have always been the canary in the coal mine. Big societal frustrations and social changes tend to erupt in the performance venues first.”

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Theatregoers thrown out as crowd boos

‘You’ll be dancing in the aisles’

Unofficially known as Doctor of Audiences, Dr Sedgman has worked with a range of arts organisations across the UK, as well as appearing on panels with arts venue managers, people from various customer facing industries and the police on issues of anti-social behaviour at live events.

She says management of audience expectation is key to improving the situation, with marketeers recently called to account for misleading the public in a bid to boost ticket sales.

“Theatres have started to ban slogans like, ‘It’s the best party in town’ or ‘You’ll be dancing in the aisles,’ because often when audiences get there they are told, ‘You might have been led to expect that, but you’re not allowed to get up and dance and sing’.”

Pic: @Joelr_23/PA
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Ava Max. Pic: @Joelr_23/PA

Why might people be people acting up?

A night out at the theatre or at a concert is a fun event, a leisure activity, so it’s understandable that audience members want to let down their hair.

That said, for the performers and front of house staff, it’s a workplace, and as for all workers, employers have legal responsibilities to ensure a safe and healthy workplace.

Some have suggested the sale of alcohol in venues – often allowed to be consumed not just in intervals but throughout the show – could be partly to blame.

Others have pointed to the high-ticket prices giving ticketholders a sense of entitlement, and so paving the way for more challenging audience behaviour.

Or could it just be the case that after months spent in lockdown, and years juggling a worldwide pandemic, some people have forgotten how to behave post COVID?

Harry Styles hit in face in Vienna
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Harry Styles hit in face in Vienna – reportedly a rose not a Skittle on this occasion

‘Increasingly belligerent and even violent interactions’

Dr Sedgman says it’s not that simple. Her book, On Being Unreasonable, about the erosion of manners, order and respect in recent years, flags that as far back as the Ancient Greeks, some 2,000 years ago, Plato was complaining that while audiences used to be respectful of performers, they had recently found their voices and needed to be controlled with a stick.

While Dr Sedgman says something has shifted recently, she says it’s too simplistic to say that it’s just because we’ve come out of lockdown and have forgotten how to behave.

She believes the change began a few decades ago, intensified by what she calls “the disconnection economy,” by which we have been “gradually, relentlessly incentivised into individualistic modes of thinking rather than communitarian modes of thinking”.

She says the result is: “Social contracts collapsing everywhere and bad behaviour, with often increasingly belligerent and even violent interactions between different people erupting everywhere from theatres into cafes and restaurants and on public transport.”

Bebe Rexha. Pic: Instagram
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Bebe Rexha. Pic: Instagram @avamax

‘I’m sick of being told what to do with my body’

Following lockdown she says people were eager to seek out shared experiences: “Coming back from COVID, there was a real hunger by some audiences for what we call ‘collective effervescence’, which is communal experiences of shared, often more exuberant forms of joy in public space.”

However, post lock-down, audiences also appear to be more belligerent when they have their response policed by others.

Dr Sedgman says: “People are more likely now than they’ve ever been before to kick-off in response. I call it, ‘Don’t tell me what to do-itus’. There’s a sense of, ‘I’m sick of being told what to do with my body’.

“In terms of vaccines and mask wearing, we’ve seen that explode all over the social scene. But also, people feel like, ‘I’ve paid for this experience. I’m here to have fun. How dare you tell me I’m not allowed to have fun in my life?'”

Adele warns fans not to throw things. Pic: Screenshot from Mike Snedegar
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Adele warns fans not to throw things. Pic: Screenshot from Mike Snedegar

So, what’s being done about it?

A survey by the Broadcasting Entertainment Communications and Theatre Union (BECTU) earlier this year found that nearly one-third of respondents said they had been involved in or witnessed an incident where a venue had to call the police.

The findings of “disturbing” and “unacceptable” behaviour were drawn from the responses of 1,500 members, who mainly worked in front of house, hospitality, box office, stage door, sound and lighting.

While some smaller venues – including those who rely on volunteers to staff their performances – publish expected codes of conduct when visiting, there is precious little information on how patrons attending larger venues around the UK to watch plays, gigs or films are expected to behave.

The Safer Theatres Charter

BECTU is currently working on a Safer Theatres Charter, calling on theatre management companies to set clear expectations on audience etiquette.

Venues are being asked to commit to five pledges, including a zero-tolerance policy on antisocial behaviour, risk assessments relating to safe alcohol consumption and announcements before shows and on tickets about expected behavioural standards.

It is also calling for theatre management companies to provide staff with necessary training and to ensure “adequate and safe staffing levels”.

Representatives for the Society of London Theatre and UK Theatre told Sky News: “All our members take the safety of their staff, audiences, and performers very seriously.

“Incidents of poor behaviour are thankfully rare, but we want to ensure that the shared experience of theatre remains enjoyable for everyone. We continue to monitor reported incidents and work with members to develop toolkits that help venue management deal with a range of health and safety situations.”

Cardi B pictured before throwing her mic in Las Vegas. Pic: @j_blizzyy/TikTok
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Cardi B pictured before throwing her mic in Las Vegas. Pic: @j_blizzyy/TikTok

And what does the talent think?

Stars’ reaction to poor audience etiquette varies.

Renowned Broadway star Patti LuPone has previously stopped performances due to mobile phone use, at one point reportedly confiscating an audience member’s phone mid-performance and not returning it until after the show.

Meanwhile some singers have taken initiative, threatening the audience before they have the chance to misbehave. Adele, armed with a t-shirt cannon, warned her Vegas residency audience: “Stop throwing things at the artist“.

However, she has a more laid-back approach to other audience rule bending, reprimanding security guards for “bothering” an audience member who refused to sit down, telling them to “leave him alone,” because “he’s here to have fun”.

Not great for any fans sat in the rows behind, also there “to have fun,” but finding their view suddenly restricted by a young man wielding a selfie stick.

Cardi B took things to a whole different level, hurling her microphone at a fan in Las Vegas after having drink splashed over her on stage. Some might say it was an overreaction.

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Content is king

Dr Sedgman acknowledges this social media element to the issue, which she says often involves younger audience members, incentivised to create content.

“Part of this is the desire to go to an event and hold your phone up and create a video that you can share on social media or even do something rather cool to get noticed by your favourite celebrity and perhaps have that go into the public sphere too.”

Cue entire wheels of brie, the ashes of loved-ones, jewellery, phones and flowers thrown onto the stage in an attempt to quite literally connect with the celebrity performing on it.

And following the Barbenheimer phenomenon last month (the simultaneous release of tentpole movies Barbie and Oppenheimer on the same day resulting in the clever marketing ploy which boosted ticket sales for both) social media was awash with examples of fights and disruption as the result of poor cinema etiquette, including taking photos and filming during the screenings.

It’s all about drawing lines

Dr Sedgman says as with most things, the solution to the problem is far from simple: “Within every aspect of social life, we need mechanisms for drawing lines between appropriate and inappropriate, acceptable and unacceptable, reasonable and unreasonable behaviour.

“But we also need to think really carefully and critically about who gets to draw those lines, who has the power to judge and shame other people when that’s a really good, a positive and pro-social thing to do because it’s discouraging antisocial forms of selfish individual narcissism, but also when that might be causing harm to certain people, particularly marginalised groups, in ways that we don’t necessarily even see.”

So, while agreed audience codes of conduct might not sound like a box office hit, the protection of performers, front of house staff, and fellow audience members is an essential ingredient in making sure everyone involved has a great night out.

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Sean ‘Diddy’ Combs asks judge to release him on $50m bond as he awaits sentencing

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Sean 'Diddy' Combs asks judge to release him on m bond as he awaits sentencing

Disgraced hip hop mogul Sean “Diddy” Combs has asked a judge to release him on a $50m bond as he waits to be sentenced for prostitution-related offences.

Combs’s lawyer has argued that conditions at the Metropolitan Detention Centre in Brooklyn are dangerous and noted that others convicted of similar offences were typically released before sentencing.

“Sean Combs should not be in jail for this conduct,” Marc Agnifilo said in a court filing on Tuesday.

“In fact, he may be the only person currently in a United States jail for being any sort of John, and certainly the only person in jail for hiring adult male escorts for him and his girlfriend.”

A “John” in the US is a slang term for somebody who hires a prostitute.

A spokesperson for the US attorney’s office in Manhattan did not immediately respond to a request for comment.

Prosecutors have previously insisted he remains a flight risk and should therefore not be granted bail.

The 55-year-old, one of the most influential hip-hop producers of all time, faces up to a decade in prison after he was convicted earlier this month of two counts of transportation to engage in prostitution.

The charges relate to how he flew people around the US, including his girlfriends and male sex workers, for sexual encounters.

Read more:
The rise and fall of Sean ‘Diddy’ Combs
What it was like in court for start of P Diddy trial

Sean "Diddy" Combs reacts after verdicts are read of the five counts against him, during Combs' sex trafficking trial in New York City, New
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Combs knelt at his chair and appeared to pray after the verdicts

Combs was cleared of three more serious charges – two for sex trafficking and one for racketeering conspiracy – following his landmark trial in New York.

A conviction on one of those charges could have put him in prison for life.

Immediately after he was acquitted of those charges on 2 July, Mr Agnifilo had asked that Combs be released on bond.

But Judge Arun Subramanian denied it, saying Combs at the time had not met the burden of showing by clear and convincing evidence a “lack of danger to any person or the community”.

Combs is the latest celebrity inmate to be locked up at MDC Brooklyn, the only federal jail in New York City, joining a list that includes R Kelly, Ghislaine Maxwell and cryptocurrency fraudster Sam Bankman-Fried.

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Ozzy Osbourne cortege to travel through Birmingham

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Ozzy Osbourne cortege to travel through Birmingham

Ozzy Osbourne fans will be able to say goodbye to the heavy metal pioneer at a procession for his cortege through his home city of Birmingham tomorrow.

The star’s hearse will make its way down Broad Street towards the Black Sabbath bridge and bench – where thousands of fans have left flowers, messages and other tributes since his death.

Osbourne, 76, died less than three weeks after performing his “final bow” in the city – the Back The Beginning reunion with his Sabbath bandmates at Villa Park, which raised about £140m for charity.

Osbourne is seen on a screen as he performs at the Black Sabbath's farewell show titled "Back to the Beginning", at Villa Park. Pic: Reuters
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Ozzy Osbourne on stage at Villa Park just a few weeks before his death. Pic: Reuters

Large crowds are expected to gather tomorrow as fans pay their respects to the performer who shaped heavy metal music and “proudly carried the spirit of Birmingham throughout his career”, the city council said.

Members of Osbourne’s family will also be in attendance and have funded the event, the council added.

“Ozzy was more than a music legend – he was a son of Birmingham,” said the city’s lord mayor, Councillor Zafar Iqbal. “We know how much this moment will mean to his fans. We’re proud to host it here with his loving family in the place where it all began.”

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The life of Ozzy Osbourne

Mr Iqbal said it was important to the city to give the star “a fitting, dignified tribute ahead of a private family funeral”.

Osbourne and his Black Sabbath bandmates Terence “Geezer” Butler, Tony Iommi and Bill Ward were awarded the Freedom of the City in June, before the Back To The Beginning show, honouring their “significance to the cultural and musical identity of Birmingham”.

The star’s cortege will travel down Broad Street from about 1pm tomorrow, accompanied by a live brass band, Bostin’ Brass. For those not able to make it, a live stream of the Black Sabbath bench, which has been running since Osbourne’s death, will continue.

There is also a book of condolence for public messages at Birmingham Museum and Art Gallery, alongside the Ozzy Osbourne Working Class Hero exhibition, highlighting his solo career achievements.

Metal, bats, and reality TV: The wild life of Ozzy Osbourne

Osbourne, the self-styled Prince of Darkness, pioneered heavy metal with Black Sabbath before going on to have huge success in his own right. He was famous for hits including Iron Man, Paranoid, War Pigs, Crazy Train and Changes, both with the band and as a solo star.

The singer also found a different kind of fame thanks to noughties MTV reality show The Osbournes, which followed his somewhat chaotic life with wife Sharon and two of their children, Kelly and Jack.

Following his death, his family released a statement saying he died alongside them, “surrounded by love”.

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The 1975 star Matty Healy warns of musical ‘silence’ without small stages as he backs new UK-wide festival

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The 1975 star Matty Healy warns of musical 'silence' without small stages as he backs new UK-wide festival

The 1975 frontman Matty Healy has warned of a musical “silence” that would come without the pubs and bars that give UK artists their first chance to perform.

Fresh from headlining Glastonbury in June, Healy is backing a new UK-wide festival which will see more than 2,000 gigs taking place across more than 1,000 “seed” venues in September.

The Seed Sounds Weekender aims to celebrate the hospitality sector hosting bands and singers just as they are starting out – and for some, before they go on to become global superstars.

Healy, who is an ambassador for the event, said in a statement to Sky News: “Local venues aren’t just where bands cut their teeth, they’re the foundation of any real culture.

“Without them, you don’t get The Smiths, Amy Winehouse, or The 1975. You get silence.”

Oasis, currently making headlines thanks to their sold-out reunion tour, first played at Manchester’s Boardwalk club, which closed in 1999, and famously went on to play stadiums and their huge Knebworth gigs within the space of a few years.

Liam and Noel Gallagher on stage for the first Wembley night of the Oasis reunion tour. Pic: Lewis Evans
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Oasis stars Liam and Noel Gallagher, pictured on stage at Wembley for their reunion tour, started out playing Manchester’s Boardwalk club. Pic: Lewis Evans

GigPig, the live music marketplace behind Seed Sounds, says the seed sector collectively hosts more than three million gigs annually, supports more than 43,000 active musicians, and contributes an estimated £2.4bn to the UK economy.

“The erosion of funding for seed and grassroots spaces is part of a wider liberal tendency to strip away the socially democratic infrastructure that actually makes art possible,” said Healy.

“What’s left is a cultural economy where only the privileged can afford to create, and where only immediately profitable art survives.”

He described the Seed Sounds Weekender as “a vital reminder that music doesn’t start in boardrooms or big arenas – it starts in back rooms, pubs, basements, and independent spaces run on love, grit, and belief in something bigger.”

Read more from Sky News:
Oasis photographers recall the early days
Heavy metal to reality TV: The wild life of Ozzy Osbourne

The importance of funding for grassroots venues has been highlighted in the past few years, with more than 200 closing or stopping live music in 2023 and 2024, according to the Music Venue Trust. Sheffield’s well-known Leadmill venue saw its last gig in its current form in June, after losing a long-running eviction battle.

In May, Culture Secretary Lisa Nandy announced the £85m Creative Foundations Fund to support arts venues across England.

And last year, the Culture, Media and Sport Committee called for a levy on tickets to large concerts at stadiums and arenas to help fund grassroots venues, which artists including Coldplay and Katy Perry, and venues including the Royal Albert Hall, have backed.

But most seed venues – the smaller spaces in the hospitality sector that provide a platform before artists get to ticketed grassroots gigs or bigger stages – won’t qualify for the levy. GigPig is working to change this by formalising the seed music venue space as a recognised category.

“The UK’s seed venues are where music careers are born,” said GigPig co-founder Kit Muir-Rogers. “Collectively, this space promotes more music than any other in the live music business, yet it has gone overlooked and under-appreciated.”

The Seed Sounds Weekender takes place from 26-28 September and will partner with Uber to give attendees discounted rides to and from venues.

Tickets for most of the gigs will be free, with events taking place across 20 UK towns and cities including London, Liverpool, Birmingham, Manchester, Glasgow, Leicester, Newcastle and Southampton

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