Trapping filmmakers and rapper Abra Cadabra to take ‘grim reality’ of county lines drugs to parliament
It takes just minutes for the scenes to turn grim: a dirty trap house, a drug user injecting scabbed feet, a tiny baby crawling amid the filth.
This is Trapping, a new British film starring MOBO-winning drill rapper Abra Cadabra and produced by filmmakers and grime pioneers Femi Oyeniran and Nicky “Slimting” Walker.
Later this evening, they take the story to parliament for a discussion about the bleak reality of the UK’s county lines problem, where vulnerable adults and children as young as six, according to the Children’s Society, are recruited to move and supply drugs.
While the portrayal of drug dealing often shown on screen has long drawn criticism for glamourising the lifestyle, the same cannot be said for Trapping. Rather than focusing on the “girls, the money, the cars”, as writer and director Penny Woolcock tells Sky News, it delves into the world of “going county” and those on the frontline, also showing the hopelessness of the addicts they feed.
Louis Ede plays main character Daz. Pic: Alice Dunhill
Raised on the Broadwater Farm estate in Tottenham, Abra Cadabra, real name Aaron Philips, told Sky News at the film’s premiere that he drew on his personal experiences to play county lines gang leader Magic.
“It’s reality,” he said. “It’s what some of the kids in London go through growing up. It’s good to show what’s really going on… I’ve seen a couple of my friends go through stuff like that. It hit home.”
Louis Ede, who plays main character Daz, a young boy wanting to earn some money to help his struggling mum, is now 20 but had just turned 18 when filming started.
“I learnt a lot of things I didn’t know before. I’ve been around people who have been in that environment – that’s why, in a way, it was kind of easy for me to portray the character because I could channel the things I’ve experienced from my past. However, saying that, I didn’t know how gritty that lifestyle actually is until I shot the film.”
‘This is not just a black problem – it’s a white problem, too’
Nicky ‘Slimting’ Walker and Femi Oyeniran at the premiere of Trapping
For the film’s stars and creators, taking the debate to parliament is a big deal. Oyeniran and Abra Cadabra will be part of a panel supported by campaigner and chief executive of Enact Equality L’myah Sherae; author and activist Ben Lindsay, founder of Power The Fight; filmmaker and youth coach Amani Simpson; and Labour MP for Streatham Bell Ribeiro-Addy.
They are calling on the government to launch a creative grants scheme to help young people in need, taking stats from the Children’s Society stating that 46,000 children in England – and likely many more unknown – are thought to be involved in gangs, with 4,000 teenagers being criminally exploited in London alone.
They say the situation has been made worse by the recent rise in children reported missing from school and increasing child poverty.
Oyeniran, who started his career starring in the cult classic Kidulthood and went on to produce films including It’s A lot, The Intent and The 12, says widening the debate is as important as the film itself.
“[Trapping] gives a rounded perspective of drug dealing,” he says. “Sometimes you look at films about drugs and it’s either a critique of drug use, or it’s about drug dealers. This shows the real side, it humanises the drug users, and also it shows that it’s beyond just a working class thing, it’s also a middle class thing. And it’s not just a black problem, it’s a white problem, too.”
Too often, in the media and with politicians as well as in film and TV, the focus is on gangs, he says. “It’s titillating, the idea of a gang is scary, and all of that stuff. But let’s talk about the middle-class people that live in counties that consume drugs… who are these drugs being sold to?”
Abra Cadabra also recorded the soundtrack for the film, and performed at the premiere in London
Read more on Sky News:
Guns and swords seized in county lines crackdown
Organised crime group targeted in ‘largest single operation’ to close down county lines
Walker, his filmmaking partner, says he hopes children and young people watching the film will be put off the lifestyle often sold to them. “There’s only one thing that happens to you when you’re a drug dealer – you end up going to jail for a very long time. Or, you end up dead.
“A film like Trapping will show you the dark side. It’s not glamourising, to be the next Pablo Escobar. It’s not showing you about the flashy clothes and all these things… it’s showing that you’re in this sh*tty, horrible flat, that it smells, and you’re around dirty people.”
‘This is about protecting children’
Woolcock said she wanted to make something authentic, that young people vulnerable to the lifestyle could relate to. You have kids that queue up [to sell drugs] because they think it’s going to be great. We wanted to show that, that’s truthful.”
Woolcock is calling on MPs to tackle the problem. “Youth service has been cut to shreds, there’s virtually no youth provision. Poverty and inequality have increased and those are the underlying causes, why people want to get into this.
“A kid in a certain neighbourhood will think there are three options: you are either a drug dealer, a footballer or a rapper, and that is it.”
“Politicians have a responsibility to end this issue,” says Ms Sherae. “In order to protect the next generation, they have to do more and introduce laws to really think about prevention rather than a hard line on drug use. If you think about this as a safeguarding issue, this is about protecting children.”
The Trapping movie panel discussion takes place this evening, with the film released on Friday on The Drop, a new streaming platform which aims to serve minority and underrepresented audiences and promote independent and upcoming British talent, supported by the British Film Institute and launched by Oyeniran and Walker’s Fan Studios.
Thousands of members of actors’ trade union Equity are being asked whether they would support industrial action over artificial intelligence protections.
The organisation has launched an indicative ballot among about 7,000 members working in film and TV.
Performers are being asked whether they are prepared to refuse to be digitally scanned on set in order to secure adequate artificial intelligence protections.
It will be the first time the performing arts and entertainment trade union has asked this whole section of its membership to vote in a ballot.
The Hollywood strikes took place in 2023. File pic: AP
The announcement follows the Hollywood strikes in 2023, when members of Equity’s sister union in the US, SAG-AFTRA, and writers, went on strike over issues including AI.
Video game actors in the US also protested over the use of AI, ending almost a year of industrial action earlier in 2025.
Equity’s ballot opens on Thursday and runs for two weeks, and will show the level of support the union has for action short of a strike.
Another statutory ballot would have to be made before any industrial action is taken.
“While tech companies get away with stealing artists’ likeness or work, and the government and decision makers fret over whether to act, unions including Equity are at the forefront of the fight to ensure working people are protected from artificial intelligence misuse,” Equity general secretary Paul W Fleming said in a statement.
“If bosses can’t ensure someone’s likeness and work won’t be used without their consent, why should performers consent to be digitally scanned in the first place?”
Mr Fleming said the ballot would give members the opportunity to “send a clear message to the industry: that it is a basic right of performers to have autonomy over their own personhood and identity”.
The union has no choice but to recommend members support industrial action, he said.
“It’s time for the bosses to step away from the brink and offer us a package, including on AI protections, which respects our members,” added Mr Fleming.
The hotly anticipated Spotify Wrapped is revealing our top tracks, artists and albums for 2025.
But how does the streaming service calculate personalised summaries of users’ listening habits and rank the UK’s hottest artists?
Here’s a look at how your data is used.
The platform describes the annual statistics as “a chance to look back on your year in sound”.
It says data is captured between January and mid-November on every account, although it mostly excludes anything streamed in private mode. (Don’t worry, your passion for the Spice Girls can be kept secret.)
Wrapped presents personalised listening statistics, which Spotify calls the “real story of your year of listening”, alongside global figures for comparison.
The streaming service says Minutes Listened reflects the actual time spent listening to audio on the platform.
Once a user streams at least 30 tracks, Spotify generates a list of Your Top Songs. Similarly, Your Top Artists ranks artists based on total minutes listening to a particular performer.
Other metrics identify the top genres users have played, as well as podcasts and audiobooks ranked by total minutes listened. And if you’ve listened to at least 70% of tracks on a record, you’ll see top albums too.
Spotify also creates Your Listening Age, a guesstimate of your age based on the era of the music “you feel most connected to”.
The streaming service says the statistic is calculated using a five-year span of music which users engaged with more than other listeners of a similar age.
Spotify has been summing up 2025’s most listened to tracks. Pic: Spotify
Swift vs Bunny
Pop superstar Taylor Swift has been named the UK’s most-streamed artist on Spotify for the third year in a row.
But she dropped out of the top spot in the global rankings, coming second to Puerto Rican superstar Bad Bunny, who secured more than 19.8 billion streams. Third were The Weeknd, followed by Drake and Billie Eilish.
Bad Bunny’s LP Debi Tirar Mas Fotos was the most listened-to album worldwide.
Read more from Sky News:
Sabrina Carpenter fury at video
Drake’s lawsuit dismissed
Spotify hikes UK prices
Spotify revealed Drake was the UK’s second most-listened to artist, followed by Sabrina Carpenter in third, The Weeknd in fourth and Billie Eilish in fifth.
Despite being the most listened-to artist, Swift failed to break into the UK’s top five most listened-to songs and albums of the year.
Alex Warren’s Ordinary was the most-streamed song, and Short ‘N’ Sweet, released by Carpenter last year, the top album.
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