It takes just minutes for the scenes to turn grim: a dirty trap house, a drug user injecting scabbed feet, a tiny baby crawling amid the filth.
This is Trapping, a new British film starring MOBO-winning drill rapper Abra Cadabra and produced by filmmakers and grime pioneers Femi Oyeniran and Nicky “Slimting” Walker.
Later this evening, they take the story to parliament for a discussion about the bleak reality of the UK’s county lines problem, where vulnerable adults and children as young as six, according to the Children’s Society, are recruited to move and supply drugs.
While the portrayal of drug dealing often shown on screen has long drawn criticism for glamourising the lifestyle, the same cannot be said for Trapping. Rather than focusing on the “girls, the money, the cars”, as writer and director Penny Woolcock tells Sky News, it delves into the world of “going county” and those on the frontline, also showing the hopelessness of the addicts they feed.
Image: Louis Ede plays main character Daz. Pic: Alice Dunhill
Raised on the Broadwater Farm estate in Tottenham, Abra Cadabra, real name Aaron Philips, told Sky News at the film’s premiere that he drew on his personal experiences to play county lines gang leader Magic.
“It’s reality,” he said. “It’s what some of the kids in London go through growing up. It’s good to show what’s really going on… I’ve seen a couple of my friends go through stuff like that. It hit home.”
Louis Ede, who plays main character Daz, a young boy wanting to earn some money to help his struggling mum, is now 20 but had just turned 18 when filming started.
“I learnt a lot of things I didn’t know before. I’ve been around people who have been in that environment – that’s why, in a way, it was kind of easy for me to portray the character because I could channel the things I’ve experienced from my past. However, saying that, I didn’t know how gritty that lifestyle actually is until I shot the film.”
‘This is not just a black problem – it’s a white problem, too’
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Image: Nicky ‘Slimting’ Walker and Femi Oyeniran at the premiere of Trapping
For the film’s stars and creators, taking the debate to parliament is a big deal. Oyeniran and Abra Cadabra will be part of a panel supported by campaigner and chief executive of Enact Equality L’myah Sherae; author and activist Ben Lindsay, founder of Power The Fight; filmmaker and youth coach Amani Simpson; and Labour MP for Streatham Bell Ribeiro-Addy.
They are calling on the government to launch a creative grants scheme to help young people in need, taking stats from the Children’s Society stating that 46,000 children in England – and likely many more unknown – are thought to be involved in gangs, with 4,000 teenagers being criminally exploited in London alone.
Oyeniran, who started his career starring in the cult classic Kidulthood and went on to produce films including It’s A lot, The Intent and The 12, says widening the debate is as important as the film itself.
“[Trapping] gives a rounded perspective of drug dealing,” he says. “Sometimes you look at films about drugs and it’s either a critique of drug use, or it’s about drug dealers. This shows the real side, it humanises the drug users, and also it shows that it’s beyond just a working class thing, it’s also a middle class thing. And it’s not just a black problem, it’s a white problem, too.”
Too often, in the media and with politicians as well as in film and TV, the focus is on gangs, he says. “It’s titillating, the idea of a gang is scary, and all of that stuff. But let’s talk about the middle-class people that live in counties that consume drugs… who are these drugs being sold to?”
Image: Abra Cadabra also recorded the soundtrack for the film, and performed at the premiere in London
Walker, his filmmaking partner, says he hopes children and young people watching the film will be put off the lifestyle often sold to them. “There’s only one thing that happens to you when you’re a drug dealer – you end up going to jail for a very long time. Or, you end up dead.
“A film like Trapping will show you the dark side. It’s not glamourising, to be the next Pablo Escobar. It’s not showing you about the flashy clothes and all these things… it’s showing that you’re in this sh*tty, horrible flat, that it smells, and you’re around dirty people.”
‘This is about protecting children’
Woolcock said she wanted to make something authentic, that young people vulnerable to the lifestyle could relate to. You have kids that queue up [to sell drugs] because they think it’s going to be great. We wanted to show that, that’s truthful.”
Woolcock is calling on MPs to tackle the problem. “Youth service has been cut to shreds, there’s virtually no youth provision. Poverty and inequality have increased and those are the underlying causes, why people want to get into this.
“A kid in a certain neighbourhood will think there are three options: you are either a drug dealer, a footballer or a rapper, and that is it.”
“Politicians have a responsibility to end this issue,” says Ms Sherae. “In order to protect the next generation, they have to do more and introduce laws to really think about prevention rather than a hard line on drug use. If you think about this as a safeguarding issue, this is about protecting children.”
The Trapping movie panel discussion takes place this evening, with the film released on Friday on The Drop, a new streaming platform which aims to serve minority and underrepresented audiences and promote independent and upcoming British talent, supported by the British Film Institute and launched by Oyeniran and Walker’s Fan Studios.
Actor Gina Carano has settled her lawsuit with Disney and Lucasfilm after claiming she was wrongfully dismissed from The Mandalorian for expressing her political opinions.
Carano was fired in February 2021 after starring as Rebel ranger Cara Dune in two series of the Disney+ Star Wars series The Mandalorian.
At the time, production company Lucasfilm said in a statement that her “social media posts denigrating people based on their cultural and religious identities are abhorrent and unacceptable”.
But late on Thursday, she posted on X: “I have come to an agreement with Disney/Lucasfilm which I believe is the best outcome for all parties involved.”
She added that she “hopes this brings some healing to the force”.
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The details of the financial settlement have not been disclosed.
When filing her lawsuit at the Californian District Court last year, she had sought $75,000 (£59,000) in damages.
She also thanked Elon Musk for financing the lawsuit, despite the two having never met.
“I want to extend my deepest most heartfelt gratitude to Elon Musk, a man I’ve never met, who did this Good Samaritan deed for me in funding my lawsuit,” she wrote in her post. “Thank you Mr. Musk and X for backing my case and asking for nothing in return.”
The X owner is an ardent advocate of free speech and has funded similar legal battles previously.
Image: Carano as Cara Dune.’The Mandalorian’. Pic: Lucasfilm/Disney/Kobal/Shutterstock
Carano signed off: “I am excited to flip the page and move onto the next chapter.
“My desires remain in the arts, which is where I hope you will join me. Yes, I’m smiling. From my heart to yours, Gina.”
In response to the settlement, Lucasfilm said in a statement: “Ms Carano was always well respected by her directors, co-stars, and staff, and she worked hard to perfect her craft while treating her colleagues with kindness and respect.
“With this lawsuit concluded, we look forward to identifying opportunities to work together with Ms. Carano in the near future.”
In legal documents, Carano’s team claimed both Disney and Lucasfilm had “targeted, harassed, publicly humiliated, defamed, and went to great lengths to destroy Carano’s career”.
She also alleged she was treated differently to her male colleagues. Neither company commented on these claims.
Image: Pic: Lucasfilm/Disney/Kobal/Shutterstock
Lawyer Gene Schaerr, managing partner at Schaerr Jaffe, said at the time: “Disney bullied Ms Carano, trying to force her to conform to their views about cultural and political issues, and when that bullying failed, they fired her.
“Punishing employees for their speech on political or social issues is illegal under California law.”
Carano, who began her career as a mixed martial arts fighter, has starred in other Hollywood franchises, including Fast & Furious 6 as Riley Hicks, and Deadpool, in which she played Angel Dust.
Eddie Murphy has told Sky News he doesn’t ever expect to win awards – but will happily accept an honorary Oscar when he’s 90.
Murphy is one of the biggest stars in comedy after starting out on Saturday Night Live (SNL) in 1980 and starring in a number of big franchises from Beverly Hills Cop to Shrek.
His latest project is heist comedy The Pickup, centred on two security van drivers. Keke Palmer and Pete Davidson star alongside him.
Image: Pete Davidson, Eddie Murphy and Keke Palmer in The Pickup. Pic: Amazon MGM Studios
Murphy says award recognition was never something that shaped the projects he chose.
“The movies are timeless, and they’re special, so for years and years those movies play and the movies have commercial success.
“So you make a lot of money and people love it, so you don’t even think about ‘I didn’t win a trophy!’ The response from the people and that the movie has legs, that’s the trophy.
“You know what I’ve earned over these years? One day, they’ll give me one of those honorary Oscars. When I’m really old. And I’ll say thank you so much for this wonderful honour. I’ll be old like that and I’ll have no teeth. I’m cool with getting my honorary Oscar when I’m 90.”
Murphy, 64, has only been nominated once – for Dreamgirls in 2007, when Alan Arkin won the best supporting actor Oscar for Little Miss Sunshine.
Murphy’s co-star Palmer says she considers Murphy an icon in the industry, and The Nutty Professor was a true display of his artistry.
Image: Eddie Murphy as Sherman Klump in The Nutty Professor. Pic: Reuters
“I feel like recognition and [being] underrated and all this stuff, it annoys me a little bit because I think impact is really the greatest thing, like how people were moved by your work, which can’t really be measured by an award or really anything,” Palmer says.
“It’s very hard to make people laugh, and so when I think about it like The Nutty Professor, Eddie was doing everything, and I swear that the family members were real people.
“He didn’t camp it to the point where they weren’t realistic. His roles had integrity, even when he was in full costume. And I do think that’s something that should change in our industry. Comedy, it should be looked at just as prestigious as when you see somebody cry, because it’s that hard to make somebody laugh.”
Image: Eddie Murphy and Pete Davidson in The Pickup. Pic: Amazon MGM Studios
Recalling his time on the 90s comedy, Murphy says he’s still in disbelief of what they achieved in making the film with him playing seven characters – Professor Sherman Klump, Buddy Love, Lance Perkins, Young Papa Klump, Granny Klump, Ernie Klump and Mama Klump.
“You can only shoot one character a day. And the rest of the time you’re shooting, I’m talking to tennis balls where the people were sitting.
“So to this day when I watch it, I’m like, wow, that’s a trip. But we were able to mix all that stuff up and different voices and make it feel so that you don’t even feel like when you’re watching it, someone have to tell you, hey, you know, those are all one person.”
The film won best makeup at the 1997 Academy Awards.
Security guards buddy comedy
Palmer says their new project, The Pickup, is responsible for one of the most memorable moments of her life when she mistook Murphy’s acting for real praise.
“First of all, Eddie gives me this big speech before I do the monologue, where he’s like, ‘this is not playing around. This is a pivotal point in the movie’.
“I’m crying in the scene, and then it comes to the end, and Eddie’s [clapping] like, and I’m literally like, ‘oh my gosh, thank you so much’. And he’s like, ‘I’m acting’. When I tell you, it was so crazy, yeah. That’s like one of my most memorable moments in life.”
Image: Keke Palmer and Pete Davidson star in The Pickup
Davidson is excited to see how the UK puts its own stamp on SNL, the show where both he and Murphy got their start on-screen.
“It’s a smart idea to have SNL over there because it’s not that it’s a different brand of comedy, but it is a little bit. A lot of the biggest stuff that’s in the States is stuff that we stole from you guys, like The Office or literally anything Ricky Gervais does.
“This is the first time I’ve ever heard anything American going to the UK, so I think it’s great. I think it’s great to have two opposite sorts of takes on things, but both be funny. That just shows you how broad comedy can be, you know?
Dean Cain has been branded the “worst superman ever” as he announced he will join the US Immigration and Customs Enforcement (ICE) “ASAP”.
The 59-year-old, who was cast as Superman in the TV series Lois & Clark: The New Adventures of Superman, announced he had joined the team amid the federal agency’s unprecedented immigration raids.
He told Fox News on Wednesday his recruitment video on Instagram had gone viral and since then, “I have spoken with some of the officials over at ICE and I will be sworn in as an ICE agent ASAP”.
“You can defend your homeland and get great benefits,” he said in the Instagram post where he appealed for his followers to join ICE.
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Speaking with the Superman theme song in the background, he said “hundreds of thousands of criminals” had been arrested since US President Donald Trump took office.
He then told his followers they would get a series of benefits if they joined ICE, including a $50,000 (£37,407) signing bonus and student loan repayment.
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Who is being targeted in Trump’s immigration raids?
“If you want to help save America ICE is arresting the worst of the worst and removing them from America’s streets,” he said, before adding: “I voted for that.”
ICE agents are under pressure from the White House to boost their deportation numbers in line with Mr Trump’s campaign promise to crack down on illegal immigration.
Cain’s post on Instagram received some backlash, with one user commenting: “Worst superman ever”.
Another said: “Shame on you Dean – that’s the most un-Superman thing you could possibly advocate.”
One fan turned against him and said: “Until I saw this I was such a fan. What a sad human being you must be.”