Trapping filmmakers and rapper Abra Cadabra to take ‘grim reality’ of county lines drugs to parliament
It takes just minutes for the scenes to turn grim: a dirty trap house, a drug user injecting scabbed feet, a tiny baby crawling amid the filth.
This is Trapping, a new British film starring MOBO-winning drill rapper Abra Cadabra and produced by filmmakers and grime pioneers Femi Oyeniran and Nicky “Slimting” Walker.
Later this evening, they take the story to parliament for a discussion about the bleak reality of the UK’s county lines problem, where vulnerable adults and children as young as six, according to the Children’s Society, are recruited to move and supply drugs.
While the portrayal of drug dealing often shown on screen has long drawn criticism for glamourising the lifestyle, the same cannot be said for Trapping. Rather than focusing on the “girls, the money, the cars”, as writer and director Penny Woolcock tells Sky News, it delves into the world of “going county” and those on the frontline, also showing the hopelessness of the addicts they feed.
Louis Ede plays main character Daz. Pic: Alice Dunhill
Raised on the Broadwater Farm estate in Tottenham, Abra Cadabra, real name Aaron Philips, told Sky News at the film’s premiere that he drew on his personal experiences to play county lines gang leader Magic.
“It’s reality,” he said. “It’s what some of the kids in London go through growing up. It’s good to show what’s really going on… I’ve seen a couple of my friends go through stuff like that. It hit home.”
Louis Ede, who plays main character Daz, a young boy wanting to earn some money to help his struggling mum, is now 20 but had just turned 18 when filming started.
“I learnt a lot of things I didn’t know before. I’ve been around people who have been in that environment – that’s why, in a way, it was kind of easy for me to portray the character because I could channel the things I’ve experienced from my past. However, saying that, I didn’t know how gritty that lifestyle actually is until I shot the film.”
‘This is not just a black problem – it’s a white problem, too’
Nicky ‘Slimting’ Walker and Femi Oyeniran at the premiere of Trapping
For the film’s stars and creators, taking the debate to parliament is a big deal. Oyeniran and Abra Cadabra will be part of a panel supported by campaigner and chief executive of Enact Equality L’myah Sherae; author and activist Ben Lindsay, founder of Power The Fight; filmmaker and youth coach Amani Simpson; and Labour MP for Streatham Bell Ribeiro-Addy.
They are calling on the government to launch a creative grants scheme to help young people in need, taking stats from the Children’s Society stating that 46,000 children in England – and likely many more unknown – are thought to be involved in gangs, with 4,000 teenagers being criminally exploited in London alone.
They say the situation has been made worse by the recent rise in children reported missing from school and increasing child poverty.
Oyeniran, who started his career starring in the cult classic Kidulthood and went on to produce films including It’s A lot, The Intent and The 12, says widening the debate is as important as the film itself.
“[Trapping] gives a rounded perspective of drug dealing,” he says. “Sometimes you look at films about drugs and it’s either a critique of drug use, or it’s about drug dealers. This shows the real side, it humanises the drug users, and also it shows that it’s beyond just a working class thing, it’s also a middle class thing. And it’s not just a black problem, it’s a white problem, too.”
Too often, in the media and with politicians as well as in film and TV, the focus is on gangs, he says. “It’s titillating, the idea of a gang is scary, and all of that stuff. But let’s talk about the middle-class people that live in counties that consume drugs… who are these drugs being sold to?”
Abra Cadabra also recorded the soundtrack for the film, and performed at the premiere in London
Read more on Sky News:
Guns and swords seized in county lines crackdown
Organised crime group targeted in ‘largest single operation’ to close down county lines
Walker, his filmmaking partner, says he hopes children and young people watching the film will be put off the lifestyle often sold to them. “There’s only one thing that happens to you when you’re a drug dealer – you end up going to jail for a very long time. Or, you end up dead.
“A film like Trapping will show you the dark side. It’s not glamourising, to be the next Pablo Escobar. It’s not showing you about the flashy clothes and all these things… it’s showing that you’re in this sh*tty, horrible flat, that it smells, and you’re around dirty people.”
‘This is about protecting children’
Woolcock said she wanted to make something authentic, that young people vulnerable to the lifestyle could relate to. You have kids that queue up [to sell drugs] because they think it’s going to be great. We wanted to show that, that’s truthful.”
Woolcock is calling on MPs to tackle the problem. “Youth service has been cut to shreds, there’s virtually no youth provision. Poverty and inequality have increased and those are the underlying causes, why people want to get into this.
“A kid in a certain neighbourhood will think there are three options: you are either a drug dealer, a footballer or a rapper, and that is it.”
“Politicians have a responsibility to end this issue,” says Ms Sherae. “In order to protect the next generation, they have to do more and introduce laws to really think about prevention rather than a hard line on drug use. If you think about this as a safeguarding issue, this is about protecting children.”
The Trapping movie panel discussion takes place this evening, with the film released on Friday on The Drop, a new streaming platform which aims to serve minority and underrepresented audiences and promote independent and upcoming British talent, supported by the British Film Institute and launched by Oyeniran and Walker’s Fan Studios.
Entertainment
New Universal theme park set to open in UK – with promise of ‘billions’ of pounds for the economy
A deal for a new Universal theme park in Bedfordshire has been confirmed, which Rachel Reeves says will bring “billions” to the economy and create thousands of jobs.
It will be the first Universal-branded theme park and resort in Europe and is set to open in 2031, when it is expected to become the UK’s most popular visitor attraction.
The government said it will bring an estimated £50bn into the British economy and will create about 28,000 jobs – nearly 20,000 during the construction phase, and 8,000 more in hospitality and the creative industries when it opens.
A 500-room hotel and a retail and entertainment complex is planned alongside the theme park, which will be built on a former brickworks.
Universal, which is owned by Sky News’ US parent company Comcast, expects the 476-acre site just south of Bedford to generate nearly £50bn for the economy by 2055, with 8.5m visitors in its first year.
The plan remains subject to a formal planning decision process from the Ministry of Housing, Communities and Local Government.
Universal has committed to working with local colleges and universities to train students for hospitality jobs.
There are Universal theme parks in Florida (pictured), California, Japan, Beijing and Singapore. Pic: AP
Among some of the famous Universal films are Wicked, Minions, Oppenheimer, Bridget Jones, Fast and the Furious, and Jurassic World.
There are five Universal theme parks already: Orlando in Florida, Hollywood, Japan, Beijing, and Singapore.
The new Universal theme park will be just south of Bedford
Speaking to Wilfred Frost on Sky News Breakfast, Culture Secretary Lisa Nandy said the deal was “huge”.
“This is not just about numbers on the spreadsheet,” she said.
“This is about good jobs. It’s about growth. It’s about raising people’s living standards and putting money in people’s pockets. And it’s a massive vote of confidence in the United Kingdom.”
Welcoming the timing of the announcement, Ms Nandy added: “This deal comes off the back of one of the most tumultuous few weeks in global markets that I think anyone can remember within living memory.”
She said the fact that the government had been able to show it kept a “cool head” and “we don’t take knee-jerk decisions in response to global events” was one of the reasons it was able to announce the deal.
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The proposals to transform the site, a former brickworks, remain subject to a formal planning decision process
The government has said about 80% of employees at the theme park are expected to come from local areas, and it will support the “Oxford-Cambridge corridor” revived by the chancellor in January after the Conservatives scrapped plans for an Abingdon-Milton Keynes train link in 2021.
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It will also commit to a “major investment” in infrastructure around the Universal site to ensure it is well-connected and easily accessible.
The announcement comes days after the government approved an expansion of nearby Luton Airport.
Mike Cavanagh, President of Comcast Corporation, said: “We could not be more excited to take this very important step in our plan to create and deliver an incredible Universal theme park and resort in the heart of the United Kingdom, which complements our growing US-based parks business by expanding our global footprint to Europe.
“We appreciate the leadership and support of Prime Minister Keir Starmer, Chancellor Rachel Reeves, Minister for Investment Poppy Gustafsson, Culture Secretary Lisa Nandy and their teams, as we work together to create and deliver a fantastic new landmark destination.”
Entertainment
BAFTA Games Awards: Astro Bot tops leaderboard – with psychological horror close behind
Astro Bot was the big winner at this year’s BAFTA Games Awards, taking home five prizes, including the coveted best game.
The 3D platformer, which was launched to critical acclaim in September to mark PlayStation’s 30th anniversary, was nominated for eight gongs, while Senua’s Saga: Hellblade II, led with 11 nods.
But in the end, the critics – some of whom had dubbed Astro Bot a “perfect game” – were right as it dominated the awards at London’s Queen Elizabeth Hall, hosted by comedian Phil Wang for the second year running.
Astro Bot. Pic: Team Asobi
Nicolas Doucet with his five awards for Astro Bot. Pic: PA
BAFTAs for audio achievement, game design, animation, and best family game completed the set for developers Team Asobi, who designed multiple galaxies and dozens of levels for the titular Astro to journey through, retrieving spaceship parts and rescuing lost robots.
“We’re a team based in Japan, but we have over 12 nationalities. We really mix it up and get ideas from everyone,” Nicolas Doucet, president of Team Asobi, told Sky News.
“We do a lot of jokes in the game, but the joke has a different meaning depending on where you are in the world. So it’s really, really nice to go around and ask everyone ‘is that joke fine in your country?’ And then together we come to a kind of universal playfulness.”
Among the gongs for Astro Bot was the best game award. Pic: BAFTA
It’s a very different atmosphere than that generated by British psychological horror Still Wakes The Deep, which won three awards for best new intellectual property and best supporting and leading roles.
Compared to John Carpenter’s 1980 sci-fi horror The Thing but on a Scottish oil rig, the game sees players take on the role of an electrician trapped on a damaged facility while being pursued by monsters.
Still Wakes The Deep. Pic: Sumo Digital Limited
Developer The Chinese Room has been praised for using home-grown talent to voice the characters, including comedian and actress Karen Dunbar, who picked up best performer in a supporting role for voicing Finlay.
“I’ve been nominated for quite a few BAFTAs in my time in Scotland, and I’ve never won one,” said Dunbar.
“It was such a great category, so many great performances. When they shouted my name, I think I started clapping for someone else!”
Read more: See full list of winners
Still Wakes The Deep star Karen Dunbar won best performer in a supporting role. Pic: BAFTA
Meanwhile, best multiplayer game went to Helldivers II – a satirical, sci-fi shooter that sees players fight bugs, aliens and robots with the gumption and gullibility of the characters in Paul Verhoeven’s Starship Troopers.
It has gained a cult following since launching in February 2024 with so much initial interest it created server problems.
“Games for me are about connecting people and forging those bonds of friendship and the multiplayer award is exactly what it stands for,” said Johan Pilestedt, chief executive of Arrowhead Game Studios.
Helldivers II. Pic: Arrowhead/Sony
From outer space to a fictional Yorkshire town called Barnsworth. Thank Goodness You’re Here! – a cartoonish, comedy platformer – won Best British Game. Like Still Wakes The Deep, it has won praise for the authenticity of its actors and setting.
“I think it’s been a real privilege to be able to represent Barnsley on the silver screen,” said Will Todd, who is from the town and one of two game designers behind the project.
Thank Goodness You’re Here! Pic: Coal Supper/Panic Inc
Co-creator James Carbutt added: “Me and Will wrote everything in our tone of voice, quite literally. The further along development we got, the more we lent into it. I think the voices from different parts of the UK and different voices in gaming are super important, and hopefully we’re one of them.”
By the time the BAFTAs wrapped up, Senua’s Saga: Hellblade II was only handed one of the 11 BAFTAs it was nominated for, technical achievement.
Senua’s Saga: Hellblade II. Pic: Ninja Theory
But developers Ninja Theory are already adding this year’s win to a tally of five BAFTAs they were awarded for the first game in the series, which created a protagonist with psychosis by drawing on clinical neuroscience and the experiences of people living with the condition.
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