Never mind typing on WhatsApp, swiping on Tinder, or scrolling on TikTok; even after all these years, few apps are able to turn you into a phone-obsessed zombie quite like Candy Crush.
More than a decade since it debuted on Apple and Google‘s app stores, the colourful tile-matching puzzle game remains an entertaining time sink for 238 million people worldwide.
It’s in many ways helped redefine what it means to be a “gamer”, now someone perhaps just as likely to be a commuting mother as a pasty teenager in a blacked-out bedroom.
Indeed, most Candy Crush players are women, and its huge player base has helped it make north of $1bn (£800m) in annual revenue for years.
Developer King has delivered more than 14,000 levels and thousands of hardcore fans have finished every one, no doubt melting away many bus and train journeys in the process.
Each time they polish off the latest new stages they’re made to wait a few weeks for the next batch, hopefully not enduring some kind of existential “what do I do now?” crisis during the downtime.
But those already pretty short gaps between level releases could well get shorter before too long, as every tech executive’s favourite buzz term – generative AI – makes its mark on game development.
“They are undoubtedly changing the way people work,” says Steve Collins, King’s chief technology officer.
“We have great talented artists, designers, and developers and these tools enable our teams to do more.
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“It’s really exciting for us – we are really only able to deliver to our players a small fraction of what’s in our head, so anything that removes barriers is a fantastic thing.”
Image: King’s chief technology officer Steve Collins
AI will ‘help creative people do more’
From writing novels to recording music, generative AI that can produce human-like content on a whim is arguably threatening the norms of the creative industries more than any others.
Why wait for a new Drake track when you could make one yourself? Does a money-driven film studio need to hire actors when deepfakes look indiscernible from reality?
Collins insists AI cannot replace the work of his London-based team, but rather enhance it.
“This is about putting tools in the hands of really creative and skilled people and letting them do more,” he says.
“Generative AI and large language models are really great at solving some repetitive and rule-based tasks, and that frees people up to be even more creative and focus on the skills they enjoy using.”
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AI: ‘My nightmare is to die then be in an advert’
‘Long history’ between games and AI
Just as this year has seen the likes of Google and Microsoft move to catch up with OpenAI’s ChatGPT, gaming companies will be keen to make the most of the power of AI so not to risk being left behind.
Some games, like the Xbox title High On Life, used the technology to generate art and voice-overs.
King’s own purchase of Peltarion, a Swedish AI company, last year looks particularly prescient.
Of course, gaming has always been at the forefront of where art meets technological innovation, and AI has been a buzzword within the industry for far longer than ChatGPT has been around.
Hop into an online game of FIFA and it won’t be long before you hear someone bemoan their computer teammates, while single-player games have long offered difficulty modes where AI dictates how tough your enemies are.
At King, bots are being used to test levels – playing through them as if they were humans to help hone the challenge.
Collins says: “We have 238 million players – and we can’t think of all of them as being an average player.
“Some want to be super competitive, some want to make a lot of progress quickly, some want a challenge, so we develop bots to play our games with different personas.”
This, he says, is the kind of utilisation of AI that frees up artists and designers to concentrate on making more and better levels.
It’s maybe part of why Collins, a computer scientist from Dublin, is optimistic about how his industry will take on a trailblazing role with AI in the years ahead.
“Like everyone, we’re very much in an experimental mode and still learning what this is capable of,” he says.
“Of course there are challenges in how you take advantage of it – you can’t guarantee the accuracy, you need to understand its limitations, there are serious questions to answer around content ownership and copyright.
“But I feel very optimistic about the innovations these technologies can bring.”
If those innovations mean more Candy Crush levels, busy mums and pasty teens alike will likely not complain.
A drill rapper turned TikTok wildlife presenter hopes to “bridge the gap” between young people and climate change.
Growing up in Ladbroke Grove, west London, former music star TY was stabbed four times. He had fallen “into nonsense”, he says, but he always wanted something different for his life.
Wildlife and the environment are his real passions. Nowadays, you are more likely to see TY with a boa constrictor clamping on to his arm in the Amazon, or letting a tarantula crawl across his hands.
He tells Sky News he wants to help people “understand the severity of the planet right now”, but the route to his new calling hasn’t exactly been a straightforward path.
“I never had purpose,” the rapper explains. “Three or four years ago, I would not have seen myself in this light… As I fell into wildlife, I found myself again.”
Image: Sky News’ Katie Spencer braves holding a snake
Collaborations with US wildlife enthusiast Garrett Galvin – aka fishingarrett, one of the biggest wildlife content creators in the world – have certainly helped when it comes to amassing a growing following on social media as TYfromtheWyld.
But TY already had a substantial number of fans from his days as a platinum-selling drill rapper, having found fame as a member of the pioneering rap collective CGM (formerly known as 1011).
Alongside rapper Digga D, he made headlines when police caught the pair and three others in possession of machetes and baseball bats in 2017.
They ended up being given one of the UK’s very first music criminal behaviour orders, with the police arguing their songs incited violence – a move which triggered a debate about art censorship.
‘I never saw anyone that looked and thought like me’
“It’s a rough area, Ladbroke Grove, where I’m from,” says TY. “Crime started happening, I started getting into nonsense on the roads and as a young kid growing up you can get easily influenced by some stuff, so I kind of was lost for a while.
“Music was never my passion, I just fell into it. I grew up watching [TV naturalists and conservationists] Steve Backshall, Steve Irwin, but that world was so distant for me. I never saw anyone that looked and thought like me.
“Now I want to represent and be an inspiration for young people.”
Image: Pic: @tyfromthewyld
Rapper AJ Tracey, who grew up in the same area of London as TY, says people need to understand that it’s all too easy to drift down the wrong path.
“What a lot of people don’t realise is that people aren’t choosing to be in the situation that they are… anyone who wants to change their life and do something positive 100% deserves a second chance, honestly, probably even a third or fourth chance, because we’re all humans and we make mistakes.”
Just don’t expect Tracey to be making an appearance in any of TY’s videos anytime soon.
“He’s with some dangerous animals,” he laughs. “I don’t know about that, I’m scared!”
Image: Pic: @tyfromthewyld
On a more serious note, Tracey says successive British governments could learn from TY’s skills at engaging with young people.
“I feel like when the country’s making budget cuts, it’s the youth that miss out all the time… the people in power have got to really pull some things together.”
While there might not seem an obvious crossover between drill music and learning about the ecosystem, TY’s success clearly demonstrates that an audience is there.
“We’re not doing enough to help,” he says. “This is my mission, to save animals, save the world, and get as many people on board as I can.
“Maybe a guy like me, from a certain background, will just kick a lot of people up to just say, ‘Yo. He’s doing something’.”
Gene Hackman’s wife died from a rare infectious disease around a week before the actor died, medical investigators have said.
The couple were found dead in their New Mexico home on 26 February, along with one of their pet dogs. Police have previously said there were no apparent signs of foul play.
At a press conference on Friday, chief medical investigator for New Mexico, doctor Heather Jarrell, gave an update on the results of post-mortem investigations carried out following their deaths.
Doctor Jarrell said Hackman’s wife, Betsy Arakawa, died from hantavirus pulmonary syndrome, a rare infectious disease. There were no signs of trauma and the death was a result of natural causes, she said.
Image: Actor Gene Hackman with his wife, Betsy Arakawa, pictured in 2003. Pic: AP
The doctor said Arakawa likely died on 11 February, the date she was last known to have communicated with people via email.
Due to his Alzheimer’s, “it’s quite possible he was not aware that [his wife] was deceased,” Dr Jarrell added.
The actor tested negative for hantavirus, a rare disease spread by infected rodent droppings.
Image: Gene Hackman in 1999. Pic: AP
Humans can contract hantavirus by breathing in contaminated air, and symptoms can start as soon as one week, or as long as eight weeks, later. It is not transmissible from person to person.
There were just seven confirmed cases of hantavirus in New Mexico last year, and Arakawa is the only person confirmed to have contracted it in the state in 2025. Between 1975 and 2023, New Mexico recorded a total of 129 hantavirus cases, with 52 deaths.
Santa Fe County sheriff Adan Mendoza said authorities are still waiting for data from mobile phones found at the property, but it is “very unlikely they are going to show anything else”.
“There’s no indication” that Hackman used a mobile phone or any other technology to communicate and the couple lived a very private life before their deaths, he added.
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Bill Murray’s tribute to Gene Hackman
The cause of the couple’s dog’s death has not been confirmed but it is now known that Arakawa had picked the animal up from the vet, where it had undergone a procedure, on 9 February.
The procedure “may explain why [the dog] was in a crate at the residence” while two surviving dogs were found roaming the property, Mr Mendoza said.
Hackman, who was widely respected as one of the greatest actors of his generation, was a five-time Oscar nominee who won the best actor in a leading role for The French Connection in 1972 and best actor in a supporting role for Unforgiven two decades later.
Brian James, founding member of The Damned, has died aged 70.
The guitarist, who was part of the group’s original line-up, wrote the first UK punk single New Rose and helped the band create their debut album, 1977’s Damned Damned Damned.
A spokesperson for record label Easy Action said: “I can confirm that Brian passed away peacefully yesterday with his family present.”
Image: The Damned in 1978. Pic: Sheila Rock/Shutterstock
James’ fellow band member, bassist Raymond “Captain Sensible” Burns, said in an Instagram post: “The riffmeister, Brian has gone – that final act that happens to us all, for most is a sad and miserable affair but while it’s truly awful our mate has been taken I prefer to celebrate the life… and what a life Brian James had.”
He added: “And looking back I have to say what an absolute gent Brian was… despite having to occasionally endure some pretty appalling behaviour by yours truly he never once lost it with me – and whenever we met over the following decades we would have a drink and a bloody good laugh.”
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A statement on James’ Facebook page said he was “one of the true pioneers of music, guitarist, songwriter, and true gentleman” and a musician who was “incessantly creative and a musical tour de force” over his long career.
It said: “With his wife Minna, son Charlie, and daughter-in-law Alicia by his side, Brian passed peacefully on Thursday 6 March 2025.”
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The Damned supported the Sex Pistols on their Anarchy Tour of the UK and went on to play with T Rex on Marc Bolan’s final tour before he died.
James left the band after it released its second album, Music For Pleasure, and was part of the short-lived Tanz Der Youth before he formed The Lords Of The New Church with American singer Stiv Bators and drummer Nick Turner.
The band released the songs Open Your Eyes, Dance With Me and Method To My Madness.
James went on to work with The Dripping Lips, create his own band the Brian James Gang, and release solo albums.
In 2020 he and The Damned lead singer Dave Vanian, drummer Christopher “Rat Scabies” Millar and Burns announced the band would reform more than four decades after it began in 1976.
James performed with the group in 2022.
Burns said: “When BJ, Rat, DV and myself got back together for The Damned originals shows it was magical in all sorts of ways… that we were chums again of course but also the way we managed to recreate our ’76 garage punk sound right from the first chord in rehearsals.
“We were all up for doing it again too… but that’ll never happen now, sadly.”
The band’s set in Sao Paulo, Brazil, on Friday would be dedicated to James, he added, “without whom The Damned would never ever have happened”.