The brother of murdered TV presenter Jill Dando says despite the case remaining unsolved 24 years, he has a theory about who could be behind her death.
The execution style killing of one of Britain’s best-loved broadcasters in broad daylight on her own doorstep in April 1999 shocked the nation, leaving the press, public and police united in disbelief.
One of the biggest homicide investigations in British history – finally resulting in a conviction one year after her murder, only to be overturned seven years on – remains unsolved to this day.
Her brother, Nigel Dando, has told Sky News he believes it was “a random killing” carried out by a stranger, and that the presenter “was just in the wrong place at the wrong time”.
Speaking ahead of a new Netflix documentary, looking into the murder and resulting police investigation, Mr Dando said that even all these years after his sister’s death, he is hopeful “the killer is out there watching” and could “come forward… to confess what they’ve done and get it off their chest”.
Image: (R-L): Jill Dando, with her father Jack and brother Nigel
‘It’s a heck of a story’
Receiving news of the death of a loved one is hard – and all the more so when that death is sudden and violent.
Mr Dando says he hadn’t seen Jill for around three weeks before her death, but then received a phone call telling him his sister had been killed.
He says: “Within a couple of minutes, really, of hearing that Jill had died, half of my brain wanted to grieve for her loss and be close to my dad… He was in his eighties and not in the best of health. So, you had the family side of things.”
However, as a fellow journalist, Mr Dando also had a second part of his mind clicking into gear.
He goes on: “But, you know, one of the leading TV celebrities in this country gunned down on her own doorstep. It’s going to… It’s a heck of a story. And you kind of knew what was going to come down the line.
“I was trying to prepare myself to deal with that, knowing that you had to deal with the media. But trying to protect my dad from any excesses of it.”
It is of course that same power of the story that attracted true crime producer Emma Cooper to the case, and she would go on to spend over a year heading up the three-part documentary.
She explains: “An act that violent with a gun happening in an area of London, that would be outlandish now in 2023. So, to look back at that happening at that time is extraordinary.”
But she says it was also key to remember the person at the heart of the story: “It was very important to all of us that Jill was very present in the series and that we reminded people who knew her and remember her. And also [it was important] we brought it to a new audience of young people who don’t necessarily know about Jill and don’t necessarily know what happened to her and what a huge part she was in all of our lives.”
Image: Pic: South Coast Press/Shutterstock
Who was Jill Dando?
Born in the seaside resort of Weston-super-Mare in Somerset, Dando’s first job was as a trainee with her local weekly newspaper, the Weston Mercury, where her father and brother also worked.
Quickly progressing from print journalism to television, her talent paired with a girl-next-door persona saw her rise through the ranks of regional shows to national TV, going on to present Holiday, the Six O’ Clock News and Crimewatch.
Just two years before her death, she was voted BBC personality of the year.
On 26 April 1999 she was shot dead outside her home in Gowan Avenue, Fulham, southwest London. She had been due to present the Six O’ Clock News the following evening.
Image: Pic: Nick Scott Archive/Alamy
The many theories about Jill’s killer
One of the theories of a possible motive behind her killing, was that her presenting role on Crimewatch had made her vulnerable to criminals who might bear a grudge against her for her part in bringing them down.
Another was that a Serbian assassin could have killed her, in revenge for NATO bombing, after seeing her front an appeal for aid for Kosovar Albanian refugees.
However, Mr Dando doesn’t believe such theories stand up to robust investigation, calling them “interesting lines of inquiry” but which “never went anywhere”.
Of the Crimewatch connection he says “there was no evidence, it was just someone jumping on the bandwagon”.
And of the theory of links to Serbian mafia – Mr Dando says there was “no real evidence of a Serbian hitman”.
But he does have his own thoughts about who could have been behind his sister’s death.
“My theory before this happened and that’s been reinforced since by watching this documentary, is that Jill was just in the wrong place at the wrong time, and that somebody walking down the street, holding a gun for whatever reason, spotted her, either knowing her or not knowing who she was, and shot her dead.”
Mr Dando adds that some of the “theories would make great stories in fiction, but… There’s no line that really holds a huge amount of water apart from you know, a random killing, which I think it was.”
Image: Barry George. Pic: Undated police handout
Who is Barry George, and how does he fit into the case?
Local man, Barry George, who had previous convictions and a history of stalking women, was arrested for Jill’s murder almost a year after her death, and later convicted and sentenced to life imprisonment.
Mr George spent seven years in jail, but was later acquitted due to unreliable forensic evidence, leaving the case again unsolved.
Speaking about Mr George’s original conviction, Mr Dando says: “At the time I thought that the police had got the right person, and a jury agreed with that sentiment because he was obviously found guilty and jailed for life. But the legal system moves on.”
But Mr Dando does have one concern – that Mr George chose not to give evidence, at either his trial or re-trial.
Mr Dando says: “I would just liked to have seen him tell a jury exactly what he was doing on that day, because he’s never actually explained where he was. It’s all a bit jumbled up. It would have been interesting to have heard him explain where he was, and for him to have been cross-examined about his movements on that day.”
While the conviction against Mr George was quashed, he has been unsuccessful in his attempts to gain compensation for wrongful imprisonment.
Mr George is also a contributor to the Netflix documentary.
Executive producer Emma Cooper says she felt it was vital to have Mr George’s side of the story in the film, to present “as clear of a rounded picture of all the events as possible from as many different perspectives as possible”.
In the documentary, she asks Mr George outright, “Did you kill Jill Dando,” to which Mr George answers, “No”.
She says: “I thought it was important to ask, I thought that the audience would expect that of us to ask him a straight question. And so, we did.”
Image: Pic: Michael Fresco/Evening Standard/Shutterstock
One of the biggest homicide investigations in British history
Mr Dando says he bears no anger towards the police over the lack of a conviction, calling the investigation “a difficult job” and adding: “I don’t have any negative feelings towards the police at all with their inquiries. I didn’t at the time, and as the years have gone on, I don’t.”
As the documentary shows, while Dando’s fame ensured that news of her murder travelled far and wide, it also played a part in hindering the investigation.
Mr Dando says officers were inundated with people trying to “do the right thing” by offering up information, and the result was an avalanche of tips “overwhelming all the potential lines of inquiry that came in”.
While the investigation was moved into “an inactive phase” nine years ago, Met Police told Sky News detectives “would consider any new information provided” in a bid “to determine whether it represented a new and realistic line of enquiry”.
Offering further information around the combined reward of £250,000 which was initially offered for information leading to an arrest, the Met told Sky News, “Any discussion about any reward would have to take place in the event that new information came to light.”
Jill’s legacy
Mr Dando says he is still approached in public – in the supermarket, at the carpet shop – by people “wanting to talk about Jill” and “how they remembered her”.
Jill was just 37 when she died, and five months away from getting married to her fiance, Alan Farthing.
Mr Dando says: “She was on an upward trajectory… Whether family life would have taken over from her broadcasting career or whether she could have juggled the two. Who knows what would have happened, where she would have been today.”
Image: Jill with fellow Crimewatch presenter Nick Ross. Pic: ANL/Shutterstock
Will we ever get an answer?
Ms Cooper says: “It’s really important for a shared audience to look back at that and for new people to discover what happened. And for older people to be reminded about it and to be reminded of the fact that it is still unsolved.”
The film documents aspects of the investigation that most – including some of Jill’s family – have never heard about before.
Other contributors to the film include Dando’s ex-partner, television producer Bob Wheaton, her agent Jon Roseman, and former detective chief inspector Hamish Campbell who headed up the murder case.
Ms Cooper says: “If somebody could see something that could jog a memory that has been unclaimed for 20 years, that would be an amazing outcome for all of us.”
Mr Dando too, has hopes – even if they are vanishingly slim – that the documentary could lead to some sort of answer for himself, and all those who loved and knew Jill.
He says: “We’ve lived for 24 years not knowing who did it, but maybe more importantly, why they did it. Why would you go up to a stranger and do what you did? I just don’t know. So, it would be nice to have some closure from that point of view to know why that person pulled the trigger.”
He goes on: “Maybe even the killer is out there watching this documentary and their conscience, even after all these years may be pricked and it may just encourage them to come forward to confess what they’ve done and get it off their chest.”
Who Killed Jill Dando? is released on Netflix on Tuesday 26 September.
A woman has been charged with fraud offences over the alleged sale of Oasis tickets.
Rosie Slater has been charged with 11 counts of fraud by false representation, Staffordshire Police said.
The 32-year-old, of Newcastle-under-Lyme, Staffordshire, has been granted unconditional bail and is due to appear in court at North Staffordshire Justice Centre on 11 December.
The charges relate to the alleged sale of Oasis tickets in May.
It comes as ministers confirmed plans to make it illegal for tickets to concerts, theatre, comedy, sport and other live events to be resold for more than their original cost.
Earlier this month, pop stars including Sam Fender, Dua Lipa, Coldplay and Radiohead urged the prime minister in an open letter to stand by his election promise to restrict online ticket touts.
The huge profits made by resellers were put in the spotlight last year when thousands of Oasis fans complained of ticket prices for their reunion tour, with some Wembley Stadium show tickets listed at more than £4,000.
The Stone Roses bassist Gary “Mani” Mounfield has died at the age of 63, his family has said.
Mani’s brother, Greg, said in a post on Facebook: “It is with the heaviest of hearts that I have to announce the sad passing of my brother.”
“RIP RKID,” he added.
Image: Gary “Mani” Mounfield and his wife Imelda at the world premiere of “The Stone Roses : Made Of Stone” in 2013. Pic: Reuters
Formed in 1983, The Stone Roses were a mainstay of the “Madchester” scene.
Mani joined the band in 1987 and formed part of its classic line-up alongside singer Ian Brown, guitarist John Squire and drummer Alan ‘Reni’ Wren. He remained with the group until their split in 1996.
Mani’s death comes two years after that of his wife, Imelda Mounfield, who was diagnosed with stage 4 bowel cancer in November 2020. The couple welcomed twin boys in 2012.
Image: Ian Brown, left, with Mani, right, performing on stage during their 2012 reunion concerts in Manchester. Pic: Reuters
The Stone Roses frontman Brown shared a tribute online, writing: “REST IN PEACE MANi X.”
More from Ents & Arts
Oasis singer Liam Gallagher said he was “in total shock and absolutely devastated”, describing the bassist as “my hero”.
“RIP Mani – my heartfelt condolences to his twin boys and all of his family,” wrote the Happy Mondays’ Shaun Ryder, whose bandmate Rowetta added: “Back with your Imelda, Mani. Going to miss you so much. All my love to the boys, the family & all those who knew & loved him.”
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The Charlatans frontman, Tim Burgess, shared a photo of himself with Mani, writing alongside it: “I shared this photo a week or so ago on Mani’s birthday.
“It never failed to bring a smile to my face – and that was exactly the same for the man himself.
“One of the absolute best in every way – such a beautiful friend.”
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Echo & the Bunnymen vocalist Ian McCulloch said Mani was someone “who I have always loved and always will love, deeply and forever. Like a brother”.
He continued: “I am in shock to be honest. Please tell me I’m just having a bad, bad dream. My thoughts and feelings and Mani. Love to all of his family from me”.
Image: Pic: Robert Marquardt/ZUMA Press Wire/Shutterstock
The “Madchester” bands were known for blending indie with acid house, psychedelia, and pop.
The Stone Roses’ eponymous debut album of 1989 was a huge success, and was named the second greatest album of all time in a “Music of the Millennium” poll conducted by HMV, Channel 4, The Guardian, and Classic FM.
The novel has survived the industrial revolution, radio, television, and the internet. Now it’s facing artificial intelligence – and novelists are worried.
Half (51%) fear that they will be replaced by AI entirely, according to a new survey, even though for the most part they don’t use the technology themselves.
More immediately, 85% say they think their future income will be negatively impacted by AI, and 39% claim their finances have already taken a hit.
Tracy Chevalier, the bestselling author of Girl With A Pearl Earring and The Glassmaker, shares that concern.
“I worry that a book industry driven mainly by profit will be tempted to use AI more and more to generate books,” she said in response to the survey.
“If it is cheaper to produce novels using AI (no advance or royalties to pay to authors, quicker production, retainment of copyright), publishers will almost inevitably choose to publish them.
“And if they are priced cheaper than ‘human made’ books, readers are likely to buy them, the way we buy machine-made jumpers rather than the more expensive hand-knitted ones.”
Image: Chevalier, author of the book Girl With A Pearl Earring, with the painting of the same name. Pic: AP
Why authors are so worried
The University of Cambridge’s Minderoo Centre for Technology and Democracy asked 258 published novelists and 74 industry insiders how AI is viewed and used in the world of British fiction.
Alongside existential fears about the wholesale replacement of the novel, many authors reported a loss of income from AI, which they attributed to “competition from AI-generated books and the loss of jobs which provide supplementary streams of income, such as copywriting”.
Some respondents reported finding “rip-off AI-generated imitations” of their own books, as well books “written under their name which they haven’t produced”.
Last year, the Authors Guild warned that “the growing access to AI is driving a new surge of low-quality sham ‘books’ on Amazon”, which has limited the number of publications per day on its Kindle self-publishing platform to combat the influx of AI-generated books.
The median income for a novelist is currently £7,000 and many make ends meet by doing related work, such as audiobook narration, copywriting or ghost-writing.
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Could the AI bubble burst?
These tasks, authors feared, were already being supplanted by AI, although little evidence was provided for this claim, which was not possible to verify independently.
Copyright was also a big concern, with 59% of novelists reporting that they knew their work had been used to train AI models.
Of these, 99% said they did not give permission and 100% said they were not remunerated for this use.
Earlier this year, AI firm Anthropic agreed to pay authors $1.5bn (£1.2bn) to settle a lawsuit which claimed the company stole their work.
The judge in the US court case ruled that Anthropic had downloaded more than seven million digital copies of books it “knew had been pirated” and ordered the firm to pay authors compensation.
However, the judge sided with Anthropic over the question of copyright, saying that the AI model was doing something akin to when a human reads a book to inspire new work, rather than simply copying.
Most novelists – 67% – never used it for creative work, although a few said they found it very useful for speeding up drafting or editing.
One case study featured in the report is Lizbeth Crawford, a novelist in multiple genres, including fantasy and romance. She describes working with AI as a writing partner, using it to spot plot holes and trim adjectives.
“Lizbeth used to write about one novel per year, but now she can do three per year, and her target is five,” notes the author of the report, Dr Clementine Collett.
Is there a role for government?
Despite this, the report’s foreword urges the government to slow down the spread of AI by strengthening copyright law to protect authors and other creatives.
The government has proposed making an exception to UK copyright law for “text and data mining”, which might make authors and other copyright holders opt out to stop their work being used to train AI models.
“That approach prioritises access to data for the world’s technology companies at the cost to the UK’s own creative industries,” writes Professor Gina Neff, executive director of the Minderoo Centre for Technology and Democracy.
“It is both bad economics and a betrayal of the very cultural assets of British soft power.”
A government spokesperson said: “Throughout this process we have, and always will, put the interests of the UK’s citizens and businesses first.
“We’ve always been clear on the need to work with both the creative industries and AI sector to drive AI innovation and ensure robust protections for creators.
“We are bringing together both British and global companies, alongside voices beyond the AI and creative sectors, to ensure we can capture the broadest possible range of expert views as we consider next steps.”