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Well, it turns out everybody needs good Neighbours after all – the long-running soap is back just over a year after what we thought was the final farewell to Ramsay Street.

Kylie Minogue, Jason Donovan, Guy Pearce – even Margot Robbie on Zoom! – were among the famous former stars who returned to Erinsborough to say goodbye after the Australian soap was axed by British broadcaster Channel 5, after 37 years on screen, in 2022.

But, almost as if Bouncer had conjured it up in a dream, earlier this year it was announced that streamer Amazon Freevee would be bringing Neighbours back. The first episode airs on Monday, with some familiar faces – Hi Dr Karl and Susan! – as well as a mysterious new arrival played by Mischa Barton, star of glamorous noughties US teen drama The OC.

As we enter the era of Neighbours 2.0, Sky News spoke to some of the stars about the big return.

Alan Fletcher (Dr Karl Kennedy): ‘I was nervous coming back’

Alan Fletcher as Dr Karl Kennedy in Neighbours. Pic: Amazon Freevee

Everywhere you go in the UK, people just want to talk Neighbours, talk excitement levels about Neighbours coming back. It’s quite a phenomenon. In the script there’s been a two-year break, so the writing team have very cleverly been able to craft a story that teases out what happens in those two years.

I was quite nervous going back because, you know, Neighbours was kind of like wearing old clothes for most of us – a very familiar work environment, you go to work, you know everybody, it was very relaxed and we had a great time making our TV show. Coming back, the stakes are suddenly way up here because the show has been saved and we really needed to pay homage to that.

There’s some delicious comedy to come. We’ve got wonderful returnees like Harold coming in to be a guest character. We’ve got these fabulous new characters as well. So there’s a lot going on… and it has been revealed that there’s something going on with [Karl’s wife] Susan, some sort of secret she’s holding on to. And that plays out really interestingly. It’s a bit of a shock to Karl.

Mischa Barton (Reece Sinclair): ‘I was grateful to Neighbours veterans’

The OC star Mischa Barton has joined the cast of Neighbours for the show's return. Pic: Amazon Freevee

Neighbours was surprisingly different to other shows I’ve worked on. All of these sets function very differently. This one, it was wild. I have a lot of respect for them; it’s multi-camera and they work so fast and the amount of content that they shoot, like five episodes in a week and probably 20 scenes a day, and they don’t get multiple takes. I was really grateful to veterans like Stefan [Dennis, who plays Paul Robinson] to take me under his wing and show me how it functions, because it’s a well-oiled machine.

Reece Sinclair, I just really like her as a character. I thought she was something that I would enjoy playing and was kind of written with me in mind. And the writers were very open to trying to Americanise it a little bit and make sure she was like, you know, appropriately outsider but also had her place in this world… Reece will definitely find a way to irritate Paul, which is good. She’s very mysterious. You don’t really know why she’s there at first and then it turns out there is a lot more to her being there than originally meets the eye. So it’s not quite straightforward.

I’ve done my piece, but I mean, it’s left so that the character can come back. In true Neighbours style, there’s always the option there and anything can really happen with. She leaves things behind in Australia so it’s definitely a possibility. It’s not wrapped up.

Georgie Stone (Mackenzie Hargreaves): ‘Neighbours allowed a trans character to exist as a person’

Georgie Stone in Neighbours. Pic: Amazon Freevee

I remember vividly saying goodbye to everyone, goodbye to the show and goodbye to the building, which was like our home through COVID. And that was really emotional. So to be back in that building with some familiar faces and with some new people as well was so cool. It’s like the ultimate bonus round – we thought we were done and now we’re back again. I think we all just feel really lucky and grateful because we know what the world is like without Neighbours and without it in our lives. So we’re just holding on to that feeling.

Neighbours was an incredible opportunity for me to tell a story that was very close to my heart, you know, aligned with my own experience, with Mackenzie being a trans woman. I’m a trans woman and Neighbours was an incredible opportunity to tell a story that isn’t told often on screen. And when it is told, it’s kind of riddled with stereotypes and tropes that aren’t helpful. Working with the writers on the show to make sure Mackenzie’s experience was honest and respectful just made it such a fun and rewarding experience. And then we were able to go beyond that and have Mackenzie exist outside her gender identity and just be, in Erinsborough and part of the drama like everyone else.

I think that’s radical in and of itself, to allow a trans character just to exist as a person, because so often we’re reduced to that one aspect of our experience. Neighbours will always mean a lot to me because of that and in whatever projects in the future I do, Neighbours will always be that one that changed everything for me, and offered to other shows an example, a way to tell the story in a way that’s really helpful and respectful. I think Neighbours has paved the way.

Stefan Dennis (Paul Robinson): ‘It was one of the saddest things I ever heard’

Stefan Dennis as Paul Robinson in Neighbours. Pic: Amazon Freevee

Nostalgically I’m going to say the ’80s is my favourite era of Neighbours, but in absolute honesty it’s now. Right now. Seriously… let’s be honest about this, we’re still making a soap – we’re not making Shakespeare, we’re making a soap, but we’re making a damn good soap. I’m privileged to be working on one of the greatest soaps on the planet, which is really, really well filmed and well written. So now is my favourite era. But nostalgically, the ’80s, obviously, is when it all began and was a huge phenomenon, particularly in the UK.

The thing about the show ending was, it could have been so easy to just sort of drop the ball in the last couple of weeks and go, ‘Ah, yeah, what’s the point?’ Not put our heart into it. But we did the opposite. One of the most emotional things that I’ve ever heard in my life was Adam Noel, one of our first assistant directors, when he was doing that last scene. And he said: ‘Ladies and gentlemen, that’s a wrap.’ It was one of the saddest things I ever heard.

The way that the world watches television now has evolved greatly. My philosophy was if Neighbours, or any soap, does not get picked up by a mainstream streaming channel, it’ll be the slow demise of soaps around the world, because people are watching free-to-air television for sports news, current affairs and reality television – everything else, they go to streaming. So I was ecstatic that Amazon got behind it.

Rebekah Elmaloglou (Terese Willis): ‘I sold my house’

Rebekah Elmaloglou in Neighbours. Pic: Amazon Freevee

It was devastating when Neighbours ended… I think in the last six months it was just more about getting to the end and getting the job done and trying to be positive and look ahead, beyond the end of the show, to what was going to be next for all of us in our own personal lives.

As far as the cast and crew go, we were all just trying to get the job done as professionally as we could, but also knowing that, you know, we were all going to be unemployed. I sold my house. We wanted to move up to New South Wales anyway. But then, yeah, then the show got picked up again and it was like, ‘Okay, we’re moving back to Melbourne’. And we got the dogs and the cat and the kid and… got back in the car and drove back down. But it was fantastic. I didn’t think twice about coming back.”

Tim Kano (Leo Tanaka): ‘It starts off with a real bang’

Tim Kano is back for the return of Neighbours. Pic: Amazon Freevee

It was definitely a big grieving process when Neighbours ended and a lot of cast and crew sold their houses and moved away to different parts of Australia or wherever they originally lived. Then of course when we got the call that it was coming back, we were just overwhelmed with emotion.

They’ve brought it back in such a great way, it’s really smart. There’s enough of a time gap for a bit of evolution for the characters, but also to bring in awesome new characters as well… I think Mischa’s character Reece brings a really interesting kind of twisty plotline. And I think it starts off with a real bang that has a kind of domino effect in terms of every character gets affected by what happens, even in the first episode. So it’s exciting to see what comes around and also how the fans are going to react to the shock as well.

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Taylor Swift announces 12th studio album

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Taylor Swift announces 12th studio album

Taylor Swift has announced her 12th studio album during an appearance on her boyfriend Travis Kelce’s podcast.

The pop megastar, appearing on New Heights, did not say when the record, titled The Life Of A Showgirl, will be released.

Fans can pre-order the album in various formats now and Swift’s website says physical copies will be shipped by 13 October.

Pic: New Heights
Image:
Pic: New Heights

On Monday, Taylor Nation – an official branch of the singer’s marketing team – teased the release on TikTok with a slideshow of 12 images alongside the caption: “Thinking about when she said ‘See you next era…'”

Swift is seen wearing orange in every picture.

A special limited vinyl edition of the album will be released in “Portofino orange glitter”, according to a pre-order page on her site. A special cassette edition is also available for pre-order.

Taylor Swift's website features The Life of a Showgirl pre-order options. Pic: Reuters
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Taylor Swift’s website features The Life of a Showgirl pre-order options. Pic: Reuters

A brief clip from the New Heights podcast, hosted by Swift’s NFL star boyfriend, Travis Kelce and his brother Jason, a former NFL player, was posted on Instagram early on Tuesday.

The video showed Swift pulling a copy of the album from a briefcase with the cover blurred.

The full podcast episode will be released at 11pm on Tuesday, UK time.

Swift is living up to her reputation as pop’s hardest-working star


Gemma Peplow

Gemma Peplow

Culture and entertainment reporter

@gemmapeplow

You might think that after pulling off the highest-grossing tour in history, all while writing and releasing an unexpected record-breaking double album at the same time, Taylor Swift would be happy to take a little break.

But no. The singer-songwriter has announced her 12th album, her sixth in six years.

Since her self-titled debut in 2006, the longest period Swifties have had to wait is just three years, between 2014’s 1989 and 2017’s Reputation; the period in which the star took time out following her public feud with Kim Kardashian and Kanye West.

Over the past few years, Swift has also re-recorded and re-released four of her early albums in a (now resolved) battle over the rights to her master recordings.

With the new announcement, she’s living up to her reputation as the hardest-working star in pop.

Album number 12 is titled The Life Of A Showgirl, hinting at inspiration drawn from spending the best part of two years on the road – and perhaps a return to pop after embracing folk and her more gothic side.

Fans are now eagerly waiting to find out what Swift’s new era will bring.

New Heights had previously teased Swift’s appearance by posting an orange image on social media with a mysterious silhouette, which many correctly identified as the pop star.

The Life Of A Showgirl follows Swift’s The Tortured Poets Department, released last year during her record-breaking Eras tour, which generated more than $2.2bn (£1.6bn) across two years and five continents, making it the highest-grossing tour of all time.

Read more about Taylor Swift:
Swift’s final London show was the ‘best’
The impact of the ‘excruciating’ Era’s tour
Her new chart record

It marks her first release since she took back control over her entire back catalogue from private equity firm Shamrock Capital for an undisclosed amount.

In an effort to regain control over her music in recent years, Swift has been re-recording and releasing her first six albums. The move was prompted by Hybe America CEO Scooter Braun’s purchase and sale of her early catalogue.

Some of the ‘Taylor’s Version’ releases have included new songs as well as Easter eggs and visuals to offer a deeper understanding of her work.

The four re-recorded albums released so far have been massive commercial and cultural successes, each one entering the Billboard 200 US album chart at number one, helping her become the woman with the most number one albums in history.

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Harry and Meghan extend Netflix partnership – but it’s no longer exclusive

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Harry and Meghan extend Netflix partnership - but it's no longer exclusive

Harry and Meghan have signed a new “multi-year, first-look deal” with Netflix, following the deal they struck with the streaming giant five years ago.

Described by the Sussexes as “extending their creative partnership”, while the news quashes rumours the relationship might not be renewed, it would appear to be a less prestigious deal than their first.

With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix
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With Love, Meghan, has a second season out later this month. Pic: Jake Rosenberg/Netflix

As a “first-look deal” rather than an overall deal, the entertainment giant will be able to say yes or no to their content before anyone else, but they will not be under an obligation to stream it.

Several US outlets have suggested it is a downgrade from the Sussexes’ previous contract, which saw the streaming giant pay for exclusive rights for the content and was thought to be worth more than $100m (£74m).

British PR expert Mark Borkowski described the deal as a “downgrade” and suggested Netflix was “pivoting away” from Harry and Meghan.

Read more: Some call the deal a demotion – but the company still sees them as a power couple

Harry and Meghan set up their media company, Archewell Productions, after quitting as senior working royals in 2020.

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Their partnership with Netflix had promised documentaries, docuseries, feature films, scripted shows and children’s television, but has so far only delivered documentaries and docuseries.

These include Harry & Meghan, a six-part series about their departure from the royal household, which is Netflix’s fifth most popular series of all time, and most recently, the lifestyle show With Love, Meghan, which is the streamer’s most-watched culinary show since its release earlier this year.

Speaking about the new deal, Meghan said: “We’re proud to extend our partnership with Netflix and expand our work together to include the As ever brand.”

As ever is Meghan’s lifestyle brand, launched in 2024, and rebranded this year, selling products including jams, shortbread and wine.

Meghan went on: “My husband and I feel inspired by our partners who work closely with us and our Archewell Productions team to create thoughtful content across genres that resonates globally and celebrates our shared vision.”

(R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix
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(R-L) Meghan, Duchess of Sussex and Mindy Kaling. Pic: Netflix

Netflix’s chief content officer Bela Bajaria called the Sussexes “influential voices” and said their stories “resonate with audiences everywhere”.

New output includes the second season of With Love Meghan later this month, and a Christmas special in December.

Archewell Productions is also working on a documentary about orphaned children in Uganda’s Masaka region, an area heavily hit by the HIV/AIDS crisis, titled Masaka Kids, A Rhythm Within, and is developing a feature adaptation of the bestselling romantic novel by Carley Fortune, Meet Me At The Lake.

It comes as Harry has cut ties with his Sentebale charity but has said he still intends to do what he can to help young people in Lesotho, Botswana and Southern Africa.

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Some call the Sussexes’ Netflix deal a demotion – but the company still sees them as a power couple

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Some call the Sussexes' Netflix deal a demotion - but the company still sees them as a power couple

While we’re all desperate to know what this new deal is really worth in dollars and pounds, one thing I can tell you for certain is that Prince Harry and Meghan want us to know they’re delighted that Netflix again wanted to get a deal done.

“Absolutely over the moon” is how it was described to me.

But they’ll also be aware of the attention it’ll attract as we all try to pick apart what it means.

Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix
Image:
Meghan, Duchess of Sussex. Pic: Jake Rosenberg/Netflix

Firstly because of that ongoing fascination in how they’re making money since stepping away from royal life and losing financial support from the King, but also because of the recent reports that Netflix were intending to cut ties.

Yes this is a different type of deal from their original one in 2020. Some have argued that a “first look deal” looks like a demotion from what they previously signed up to.

With no real clarity on how much their original deal was worth, and no numbers being publicly thrown around this time, that is hard to judge.

But talking to those who know something about these kinds of deals you do get a sense it could potentially be more lucrative than it looks on face value.

More on Meghan Markle

With first look deals, yes there is often financial commitments from the likes of Netflix to get that first exclusive look at projects and first refusal.

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Harry claims: War of words continues

But there could be other significant monetary incentives for the Sussexes to sign.

For example, when the Obamas signed a first look deal with Netflix, the streaming service agreed to pay the operational costs for their production company “Higher Ground”.

Could it be that Netflix are also now covering the costs of Archewell Productions?

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It’s stating the obvious to say that Harry and Meghan continue to divide opinions, some wanting to watch their programmes from a place of respect and fondness, others as a reason to grumble about them.

But signing on this latest dotted line shows Netflix still sees them as a power couple, who attract significant attention and are worthy of investment, whatever that really adds up to.

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