Gregory Doran: ‘Shakespeare will last a great deal longer than the culture wars’
Gender fluidity and climate change are not the hot-button topics you’d expect from an author writing more than 400 years ago.
But it’s Shakespeare‘s “contemporary” outlook that means he will “last a great deal longer than the culture wars,” according to Royal Shakespeare Company (RSC) artistic director emeritus Gregory Doran.
While parts of the Bard’s texts recently got banned in some US schools due to their sexual content, Doran tells Sky News: “He’s robust, he will always be there. Those plays will always be there.
“If that one single book has lasted 400 years, he is going to survive a few people taking offence.”
And as for trigger warnings – a modern addition to any potentially distressing content an audience might encounter – he finds “the hypersensitivity absurd”.
Doran, who alongside Dame Judi Dench has written the introduction to a new edition of Shakespeare’s complete plays marking the quarter centenary of their original publication, says it’s an “honour” to be involved with the First Folio, which is now considered one of the most influential books in history.
Without it some of Shakespeare’s most famous plays – including Macbeth and Twelfth Night, along with its much-quoted All The World’s A Stage speech – would have been lost to history.
While 750 copies were published originally, there are now only 235 copies known to remain – with just 50 of those in the UK.
In 2020, a copy was sold for over £8m, making it the most expensive work of literature ever to appear at auction.
Doran and David Tennant rehearsing Richard II in 2013. Pic: Kwame Lestrade (c) RSC
Shakespeare is a ‘magnet’ for current obsessions
Doran – who has directed or produced every one of the First Folio plays – says while he didn’t set out to work through them all, he did decide not to repeat plays (although he relaxed his self-imposed rule for a Japanese language version of Merchant Of Venice performed in Tokyo, and A Midsummer Night’s Dream, which he first worked on early in his career, and later revisited).
While he has directed and produced work outside of Shakespeare – including contemporary plays and musicals – he admits “Shakespeare has been the spine of my career.”
It seems once the Bard bug has bitten, it’s hard to tear yourself away.
Because once you work with Shakespeare’s texts as a director, Doran thinks other playwrights struggle to live up to his example.
He adds: “Every play takes you to a different world.
“Shakespeare is like a magnet that attracts all the iron filings of what’s going on in the world… contemporary issues or themes or obsessions.”
He recalls a line in Cymbeline, where the heroine of the play, Imogen – while dressed as a boy – meets a group of young men and says to the audience: “I’d change my sex to be companion with them.”
Doran explains: “The concept of your sex not being a single constant thing, but something that you – even if you can’t – would have the desire to change, that Shakespeare expresses it 400 years ago, it’s just not what I was expected to read.
“In a world of constant conversations about gender fluidity and non-binary, suddenly Shakespeare is articulating this young woman’s desire to try out another gender. And I just find that astonishing.”
Doran also flags Titania in A Midsummer Night’s Dream, who gives a speech on climate change.
He says: “Everyone thinks A Midsummer Night’s Dream [happens] on a lovely summer’s evening, but it’s all taking place in the rain. And [Titania] says this is our fault that the weather is changing. She says: ‘The seasons alter.’
“It’s just so surprising to hear something so contemporary.”
Arthur Hughes in Richard III, 2022. Pic: Ellie Kurttz (c) RSC
Trigger warnings about balloons ‘absurd’
Far from a text purist (his 1999 RSC production of Macbeth worked in jokes about Tony Blair) Doran does believe updates should be handled with care – and he certainly isn’t a fan of recent bans on Shakespeare at schools in Flordia.
He says: “You can cut [Shakespeare] in performance. So, if there’s a bit you don’t want to deal with, then don’t deal with it, it’s fine.
“But I would say that certainly students should be given access to the whole thing and the context in which it was written, which is 400 years ago. And attitudes have changed.”
While society has evolved since Shakespeare’s days, Doran’s not a fan of the relatively modern phenomenon of trigger warnings, saying: “I sometimes find the hypersensitivity [around them] absurd.”
Referring to his 2022 production of Richard III, which had a balloon popping in the first soliloquy, he says: “We all have a reaction when someone has a balloon, you kind of cringe waiting for it to pop, but that doesn’t need a trigger warning.
“And in fact, if you’re given a trigger warning, then the danger is that people are not listening to what the rest of the play is because they’re anticipating something they’ve been told is going to happen.
“It’s an absurd thing to say, ‘There are latex balloons in this production,’ when you could also say, and children are murdered, or people are abused and killed [in this play].
“But that’s also a spoiler, you don’t want to hear about that to begin with.”
From actions on stage to behaviour off of it, Doran is aghast at the idea of an audience code of conduct, saying such a list of stipulations would signal “too much of a nanny state”.
He goes on: “I know actors who if the audience are coughing they get furious, and other actors who say, they’re coughing because they’re bored.
“So coughing is very difficult, but I’m not sure that putting in the programme ‘don’t cough’ actually helps them not cough, you know?”
Doran says actors and fellow audience members should be able to keep any poor behaviour in check.
“Any audience is a live thing, and as an actor, you have to be in control of that,” he says.
“Like any good stand-up comedian knows how to, if there’s a rowdy section, then you’ve got some put-downs of those heckles and you get them onside.
“There are other ways of heckling, one of which is to direct the line directly at the noisy person or the person who’s on their phone… They can suddenly realise, because there are sometimes young people who think they’re in front of a television screen.”
Doran and the then Prince Charles viewing the RSC costume store in 2020. Pic: Jacob King
Shakespeare would have ‘shrugged off’ his national poet title
A director known for his progressive attitude towards diverse casting during his decade in the RSC’s top job, he acknowledges not all sections of the viewing public were fans of his approach.
His RSC firsts include an all-female director season, a gender-balanced cast for a production of Troilus And Cressida and hiring the company’s first disabled actor in the role of Richard II.
Doran says he was not surprised by the backlash some of his choices attracted, saying: “The point is not to provoke, but provocation isn’t a bad thing.
“We fetishise Shakespeare.
“We can regard Shakespeare as being the upholder of a particular kind of national sense of identity or spirit.
“I think Shakespeare would have shrugged off any such kind of attribution.”
Some might question whether it’s problematic to centre a white, male perspective and say it speaks for everyone.
But the problems occur, Doran says, when we try to fit Shakespeare and his work into boxes that don’t necessarily fit.
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He says: “In the 18th Century, there was a huge effort to make Shakespeare – and it continues to this day – the great national poet, the speaker of empire, as it were.
“And if you’re doing that, then you have to erase the bits where maybe there is homosexual desire. We can’t have that, so we’ll write it out.”
He flags that of Shakespeare’s 154 sonnets, 126 of them are from a man, addressed to another man.
Doran goes on: “In the 19th Century… there was an absolutely identifiable process of the heterosexualisation of the sonnets.
“So, the pronouns were changed, because we couldn’t, if we were having Shakespeare as our national poet, we couldn’t have him being gay.
“We all make Shakespeare in our own image… Or if you don’t like Shakespeare, you point to the bits that are difficult and may be misogynist or racist or appear to be so, and we hold those up as reasons why we should no longer study it.
“He’ll last a great deal longer than the culture wars.”
William Shakespeare’s The Complete Plays will be published by The Folio Society on Tuesday, and My Shakespeare: A Director’s Journey Through the First Folio by Greg Doran is out now.
Manchester Pride has been put into voluntary liquidation – and the future of the event is now in doubt.
Artists and suppliers are owed money following this year’s event, according to an Instagram statement issued by Pride’s board of trustees.
Pride’s organisers cited rising costs, declining ticket sales and an unsuccessful bid to host Euro Pride as factors behind the decision.
The organisation is a charity and limited company that campaigns for LGBTQ+ equality and offers training, research, policy analysis, advocacy and outreach activities, as well as putting on the annual parade and live event.
The statement said: “It is with enormous sadness that we announce that Manchester Pride has started the legal process of voluntary liquidation.
“A combination of rising costs, which are affecting the entire events and hospitality industries, declining ticket sales and an ambitious refresh of the format aimed to challenge these issues, along with an unsuccessful bid to host Euro Pride, has led to the organisation no longer being financially viable.
“We regret the delays in communicating the current situation; however, we were keen not to jeopardise financial opportunities while our discussions were ongoing.
“We were proactive and determined to identify solutions to the financial issues. We’ve been actively working with several partners, including legal and financial advisors, to do everything we could to find a positive solution.
“We had hoped to be able to find a way to continue, and, most importantly, to support our artists, contractors and partners.
A scene from Manchester Pride 2024. The future of the event is in doubt. Pic: AP
“Despite our best efforts, sadly, this has not proved to be possible. We are sincerely sorry for those who will now lose out financially from the current situation.
“The volunteer board of trustees are devastated at this situation and sad to share that our staff team will be made redundant.
“We, along with the team, have put our hearts and souls into the celebration and community activities over two decades and are very distressed at the position in which we find ourselves.”
“The Manchester Pride team have now handed over the details of suppliers and artists who are owed money to the liquidators who will be handling the affairs of the charity and contacting everyone.”
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Manchester Pride’s financial difficulties were first reported by The Mill last week.
Last year, industry experts warned that without urgent intervention the UK looks set to see “the end of a clubbing era that has defined generations”.
Research found that in the last four years the UK had lost 37% of its clubs, which works out at about 10 clubs closing each month.
Sky News has previously reported how small, independent music venues have been closing at the rate of one per week and pubs have been shutting at a rate of one per day.
A White House official has said there is “zero truth” to a report that Donald Trump is considering commuting Sean “Diddy” Combs’s prison sentence as early as this week.
On Monday, US entertainment site TMZ reported the US president was “vacillating” on whether or not to reduce the music mogul’s sentence, citing a “high-ranking White House official”.
Combs was sentenced to 50 months in prison and given a $500,000 fine at a hearing on 3 October, after being found guilty of prostitution charges relating to his former girlfriends and male sex workers at the end of his high-profile trial in the summer.
Earlier this week, the 55-year-old’s legal team filed a legal document officially signalling their intention to appeal.
Combs was in tears during his sentencing hearing. Pic: AP/ Elizabeth Williams
Now, a White House official has pushed back on TMZ’s report about a possible commutation.
There is “zero truth to the TMZ report, which we would’ve gladly explained had they reached out before running their fake news”, the official told NBC, Sky News’ US partner.
Mr Trump, “not anonymous sources, is the final decider on pardons and commutations”, the official added.
Casey Carver, a spokesperson for TMZ, said in a brief statement: “We stand by our story.”
In an update to the story on the outlet’s website, the news site said: “The White House Communications Office is saying our story is not true. We stand by our story. Our story is accurate.”
Lawyers for Combs did not immediately return a request for comment about the disparity between the White House statement and TMZ’s reporting. However, they previously told NBC News they had been pursuing a pardon.
What has Donald Trump said?
In August, before Combs’s sentencing, Mr Trump said in an interview that he had been approached about a possible pardon but implied he would not be granting one.
“You know, I was very friendly with him. I got along with him great and he seemed like a nice guy. I didn’t know him well,” the president said. “But when I ran for office, he was very hostile.”
When asked if he was suggesting he would not pardon Combs, he replied: “I would say so.”
“When you knew someone and you were fine, and then you run for office, and he made some terrible statements. So, I don’t know, it’s more difficult,” Mr Trump said. “Makes it more – I’m being honest, it makes it more difficult to do.”
The president has issued several pardons and commutations in his second term – including to around 1,500 criminal defendants in connection with the attack on the US Capitol in January 2021.
Last week, he commuted the sentence of disgraced former Republican congressman George Santos.
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Combs was found guilty of two counts of transportation for prostitution in July, but was cleared of more serious charges of racketeering conspiracy and sex-trafficking, which carried potential life sentences.
Ahead of his sentencing, he told the court he admitted his past behaviour was “disgusting, shameful and sick”, and apologised personally to Cassie Ventura and “Jane”, another former girlfriend who testified anonymously during the trial.
He told the court he got “lost in my excess and lost in my ego”, but since his time in prison he has been “humbled and broken to my core”, adding: “I hate myself right now… I am truly sorry for it all.”
The rapper is serving his sentence at Brooklyn’s Metropolitan Detention Center, where his team has said conditions are “inhumane”.
He has asked to be moved to a low-security federal prison in New Jersey, but the Bureau of Prisons has yet to approve the request.
Entertainment
Police should focus on ‘tackling real crime’, No 10 says, after Met Police halts non-crime hate probes
Officers should focus on “tackling real crime and policing the streets”, Downing Street has said – after the Metropolitan Police announced it is no longer investigating non-crime hate incidents.
The announcement by Britain’s biggest force on Monday came after it emerged Father Ted creator Graham Linehan will face no further action after he was arrested at Heathrow Airport on suspicion of inciting violence over three posts he made on X about transgender issues.
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Sir Keir Starmer’s spokesman said police forces will “get the clarity they need to keep our streets safe” when a review of non-crime hate incidents by the National Police Chiefs’ Council and College of Policing is published in December.
“The police should focus on tackling real crime and policing the streets,” he said.
“The home secretary has asked that this review be completed at pace, working with the National Police Chiefs’ Council and the College of Policing.
“We look forward to receiving its findings as soon as possible, so that the other forces get the clarity they need to keep our streets safe.”
He said the government will “always work with police chiefs to make sure criminal law and guidance reflects the common-sense approach we all want to see in policing”.
After Linehan’s September arrest, Met Police Commissioner Sir Mark Rowley said officers were in “an impossible position” when dealing with statements made online.
File pic: iStock
On Monday, a Met spokesperson said the commissioner had been “clear he doesn’t believe officers should be policing toxic culture war debates, with current laws and rules on inciting violence online leaving them in an impossible position”.
The force said the decision to no longer investigate non-crime hate incidents would now “provide clearer direction for officers, reduce ambiguity and enable them to focus on matters that meet the threshold for criminal investigations”.
Justice minister Sarah Sackman said it is “welcome news” the Met will now be focusing on crimes such as phone snatching, mugging, antisocial behaviour and violent crime.
Asked if other forces should follow the Met’s decision, she said: “I think that other forces need to make the decisions that are right for their communities.
“But I’m sure that communities up and down the country would want that renewed focus on violent crime, on antisocial behaviour, and on actual hate crime.”
The Met said it will still record non-crime hate incidents to use as “valuable pieces of intelligence to establish potential patterns of behaviour or criminality”.
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