Gender fluidity and climate change are not the hot-button topics you’d expect from an author writing more than 400 years ago.
But it’s Shakespeare‘s “contemporary” outlook that means he will “last a great deal longer than the culture wars,” according to Royal Shakespeare Company (RSC) artistic director emeritus Gregory Doran.
While parts of the Bard’s texts recently got banned in some US schools due to their sexual content, Doran tells Sky News: “He’s robust, he will always be there. Those plays will always be there.
“If that one single book has lasted 400 years, he is going to survive a few people taking offence.”
And as for trigger warnings – a modern addition to any potentially distressing content an audience might encounter – he finds “the hypersensitivity absurd”.
Doran, who alongside Dame Judi Dench has written the introduction to a new edition of Shakespeare’s complete plays marking the quarter centenary of their original publication, says it’s an “honour” to be involved with the First Folio, which is now considered one of the most influential books in history.
Without it some of Shakespeare’s most famous plays – including Macbeth and Twelfth Night, along with its much-quoted All The World’s A Stage speech – would have been lost to history.
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While 750 copies were published originally, there are now only 235 copies known to remain – with just 50 of those in the UK.
In 2020, a copy was sold for over £8m, making it the most expensive work of literature ever to appear at auction.
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Image: Doran and David Tennant rehearsing Richard II in 2013. Pic: Kwame Lestrade (c) RSC
Shakespeare is a ‘magnet’ for current obsessions
Doran – who has directed or produced every one of the First Folio plays – says while he didn’t set out to work through them all, he did decide not to repeat plays (although he relaxed his self-imposed rule for a Japanese language version of Merchant Of Venice performed in Tokyo, and A Midsummer Night’s Dream, which he first worked on early in his career, and later revisited).
While he has directed and produced work outside of Shakespeare – including contemporary plays and musicals – he admits “Shakespeare has been the spine of my career.”
It seems once the Bard bug has bitten, it’s hard to tear yourself away.
Because once you work with Shakespeare’s texts as a director, Doran thinks other playwrights struggle to live up to his example.
He adds: “Every play takes you to a different world.
“Shakespeare is like a magnet that attracts all the iron filings of what’s going on in the world… contemporary issues or themes or obsessions.”
He recalls a line in Cymbeline, where the heroine of the play, Imogen – while dressed as a boy – meets a group of young men and says to the audience: “I’d change my sex to be companion with them.”
Doran explains: “The concept of your sex not being a single constant thing, but something that you – even if you can’t – would have the desire to change, that Shakespeare expresses it 400 years ago, it’s just not what I was expected to read.
“In a world of constant conversations about gender fluidity and non-binary, suddenly Shakespeare is articulating this young woman’s desire to try out another gender. And I just find that astonishing.”
Doran also flags Titania in A Midsummer Night’s Dream, who gives a speech on climate change.
He says: “Everyone thinks A Midsummer Night’s Dream [happens] on a lovely summer’s evening, but it’s all taking place in the rain. And [Titania] says this is our fault that the weather is changing. She says: ‘The seasons alter.’
“It’s just so surprising to hear something so contemporary.”
Image: Arthur Hughes in Richard III, 2022. Pic: Ellie Kurttz (c) RSC
Trigger warnings about balloons ‘absurd’
Far from a text purist (his 1999 RSC production of Macbeth worked in jokes about Tony Blair) Doran does believe updates should be handled with care – and he certainly isn’t a fan of recent bans on Shakespeare at schools in Flordia.
He says: “You can cut [Shakespeare] in performance. So, if there’s a bit you don’t want to deal with, then don’t deal with it, it’s fine.
“But I would say that certainly students should be given access to the whole thing and the context in which it was written, which is 400 years ago. And attitudes have changed.”
While society has evolved since Shakespeare’s days, Doran’s not a fan of the relatively modern phenomenon of trigger warnings, saying: “I sometimes find the hypersensitivity [around them] absurd.”
Referring to his 2022 production of Richard III, which had a balloon popping in the first soliloquy, he says: “We all have a reaction when someone has a balloon, you kind of cringe waiting for it to pop, but that doesn’t need a trigger warning.
“And in fact, if you’re given a trigger warning, then the danger is that people are not listening to what the rest of the play is because they’re anticipating something they’ve been told is going to happen.
“It’s an absurd thing to say, ‘There are latex balloons in this production,’ when you could also say, and children are murdered, or people are abused and killed [in this play].
“But that’s also a spoiler, you don’t want to hear about that to begin with.”
From actions on stage to behaviour off of it, Doran is aghast at the idea of an audience code of conduct, saying such a list of stipulations would signal “too much of a nanny state”.
He goes on: “I know actors who if the audience are coughing they get furious, and other actors who say, they’re coughing because they’re bored.
“So coughing is very difficult, but I’m not sure that putting in the programme ‘don’t cough’ actually helps them not cough, you know?”
Doran says actors and fellow audience members should be able to keep any poor behaviour in check.
“Any audience is a live thing, and as an actor, you have to be in control of that,” he says.
“Like any good stand-up comedian knows how to, if there’s a rowdy section, then you’ve got some put-downs of those heckles and you get them onside.
“There are other ways of heckling, one of which is to direct the line directly at the noisy person or the person who’s on their phone… They can suddenly realise, because there are sometimes young people who think they’re in front of a television screen.”
Image: Doran and the then Prince Charles viewing the RSC costume store in 2020. Pic: Jacob King
Shakespeare would have ‘shrugged off’ his national poet title
A director known for his progressive attitude towards diverse casting during his decade in the RSC’s top job, he acknowledges not all sections of the viewing public were fans of his approach.
His RSC firsts include an all-female director season, a gender-balanced cast for a production of Troilus And Cressida and hiring the company’s first disabled actor in the role of Richard II.
Doran says he was not surprised by the backlash some of his choices attracted, saying: “The point is not to provoke, but provocation isn’t a bad thing.
“We fetishise Shakespeare.
“We can regard Shakespeare as being the upholder of a particular kind of national sense of identity or spirit.
“I think Shakespeare would have shrugged off any such kind of attribution.”
Some might question whether it’s problematic to centre a white, male perspective and say it speaks for everyone.
But the problems occur, Doran says, when we try to fit Shakespeare and his work into boxes that don’t necessarily fit.
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He says: “In the 18th Century, there was a huge effort to make Shakespeare – and it continues to this day – the great national poet, the speaker of empire, as it were.
“And if you’re doing that, then you have to erase the bits where maybe there is homosexual desire. We can’t have that, so we’ll write it out.”
He flags that of Shakespeare’s 154 sonnets, 126 of them are from a man, addressed to another man.
Doran goes on: “In the 19th Century… there was an absolutely identifiable process of the heterosexualisation of the sonnets.
“So, the pronouns were changed, because we couldn’t, if we were having Shakespeare as our national poet, we couldn’t have him being gay.
“We all make Shakespeare in our own image… Or if you don’t like Shakespeare, you point to the bits that are difficult and may be misogynist or racist or appear to be so, and we hold those up as reasons why we should no longer study it.
“He’ll last a great deal longer than the culture wars.”
William Shakespeare’s The Complete Plays will be published by The Folio Society on Tuesday, and My Shakespeare: A Director’s Journey Through the First Folio by Greg Doran is out now.
A man who stalked Strictly Come Dancing judge Shirley Ballas for six years has avoided jail.
Kyle Shaw, 37, got a 20-month suspended sentence and a lifetime restraining order on contacting Ballas, her mother, niece, and former partner.
Liverpool Crown Court heard that he thought Ballas was his aunt and “began a persistent campaign of contact”.
“He believed, and it’s evident from what he was told by his mother, that her late brother was his father,” said prosecutor Nicola Daley.
The court heard there was no evidence he was wrong, and “limited evidence” he was correct.
Ms Daley said Shaw’s messages had accused Ballas of being to blame for the death of her brother, who took his own life in 2003 aged 44.
He also set up social media accounts in his name.
Shaw had pleaded guilty to stalking the former dancer between August 2017 and November 2023 at a hearing in February.
Incidents included following Ballas’s 86-year-old mother, Audrey Rich, while she was shopping and telling her she was his grandmother.
The court heard in messages to Mrs Rich, Shaw had asked: “Where’s my dad?”
Ballas was so worried for her mother’s safety that she moved her from Merseyside to London.
Image: Kyle Shaw outside court on the day of his sentencing. Pic: PA
In October 2020, Ballas called police after Shaw messaged her and said: “Do you want me to kill myself, Shirley?”
Posts on X included one alongside an image of her home address that warned: “You ruined my life, I’ll ruin yours and everyone’s around you.”
Another referenced a book signing and said: “I can’t wait to meet you for the first time Aunty Shirley. Hopefully I can get an autograph.”
The court was told Ballas’s niece Mary Assall, former partner Daniel Taylor and colleagues from Strictly Come Dancing and ITV’s Loose Women were also sent messages.
‘I know where you live’
On one occasion in late 2023, Shaw called Mr Taylor and told him he knew where the couple lived and described Ballas’s movements.
The court heard the 64-year-old TV star become wary of socialising and stopped using public transport.
Prosecutor Ms Daley said: “She described having sleepless nights worrying about herself and her family’s safety and being particularly distressed when suggestions were made to her that she and her mother were responsible for her brother taking his own life.”
Image: Ballas has been head judge on Strictly Come Dancing since 2017. Pic: PA
Shaw cried and wiped away tears as he was sentenced on Tuesday.
The judge said the stalking stemmed from his mother telling him Ballas’s brother, David Rich, was his biological father.
“I’m satisfied that your motive for this offending was a desire to seek contact with people you genuinely believed were your family,” he said.
“Whether in fact there’s any truth in that belief is difficult, if not impossible, to determine.”
Image: Shaw pictured at court in February. Pic: PA
Defence lawyer John Weate said Shaw had been told the story by his mother “in his mid to late teens” and had suffered “complex mental health issues” since he was a child.
He added: “He now accepts that Miss Ballas and her family don’t wish to have any contact with him and, importantly, he volunteered the information that he has no intention of contacting them again.”
Shaw, of Whetstone Lane in Birkenhead, also admitted possessing cannabis and was ordered to undertake a rehab programme.
Gary Glitter has been made bankrupt after failing to pay more than £500,000 in damages to a woman he abused when she was 12 years old.
She sued the disgraced singer, whose real name is Paul Gadd, after he was found guilty of attacking her and two other schoolgirls between 1975 and 1980.
Glitter, 80, was jailed for 16 years in 2015 and released in 2023 but was recalled to prison less than six weeks later after breaching his parole conditions.
A judge awarded the woman £508,800, including £381,000 in lost earnings and £7,800 for future therapy and treatment, saying she was subjected to abuse “of the most serious kind”.
The court heard she had not worked for decades due to the trauma of being repeatedly raped and “humiliated” by the singer.
Image: Glitter was jailed for 16 years in 2015. Pic: Met Police/PA
Glitter was made bankrupt last month at the County Court at Torquay and Newton Abbot, in Devon – the county where he is reportedly serving his sentence in Channings Wood prison, in Newton Abbot.
Richard Scorer, head of abuse law at Slater and Gordon, the law firm representing the woman, said: “We confirm that Gadd has been made bankrupt following our client’s application.
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“As he has done throughout, Gadd has refused to cooperate with the process and continues to treat his victims with contempt.
“We hope and trust that the parole board will take his behaviour into account in any future parole applications, as it clearly demonstrates that he has never changed, shows no remorse and remains a serious risk to the public.”
Glitter was first jailed for four months in 1999 after he admitted possessing around 4,000 indecent images of children.
He was expelled from Cambodia in 2002, and in March 2006 was convicted of sexually abusing two girls, aged 10 and 11, in Vietnam where he spent two-and-a-half years in prison.
His sentence for the 2016 convictions expires in February 2031.
Glitter was automatically released from HMP The Verne, a low-security prison in Portland, Dorset, in February 2023 after serving half of his fixed-term determinate sentence.
But he was back behind bars weeks later after reportedly trying to access the dark web and images of children.
Paul Mescal and Barry Keoghan will play Paul McCartney and Ringo Starr in the upcoming Beatles films – with a Stranger Things star also portraying one of the Fab Four.
The two Irish actors will be joined by London-born performers Harris Dickinson as John Lennon, and Joseph Quinn as George Harrison.
The cast for the Sam Mendes project was revealed at the CinemaCon event in Las Vegas, with all four appearing on stage and taking a bow together in Beatles style.
Image: (L-R) Mescal, Quinn, Keoghan and Dickinson appeared together at the announcement. Pic: Reuters
Mendes is making four interconnected films – one from the perspective of each of the band members – and they are all set to be released “in proximity” to each other in April 2028.
It marks the first time The Beatles and the families of John Lennon and George Harrison have granted full life story and music rights for a scripted film.
Playing McCartney is another big role for 29-year-old Mescal, who recently starred in the Gladiator sequel and was nominated for an Oscar in 2023 for Aftersun.
Barry Keoghan – who also got an Oscar nod for The Banshees of Inisherin – will portray the other surviving Beatles member, Ringo Starr.
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Image: Pic: PA
Meanwhile, Stranger Things star Joseph Quinn, who appeared with long hair as Eddie Munson in the fourth series, takes up the role of George Harrison.
Harris Dickinson has the challenge of stepping into the shoes of perhaps the most famous Beatle, John Lennon.
The 28-year-old recently starred in erotic thriller Babygirl with Nicole Kidman and also appeared in satire Triangle of Sadness.
Mendes told the industry audience at CinemaCon there is “still plenty to explore” despite the Beatles’ rise having being well chronicled.