With the latest iPhone now in people’s hands and Google’s annual Android flagship not far behind, it’s a pertinent time to release a film about the once iconic device that paved the way for both.
BlackBerry hasn’t appeared alongside them on shop shelves for years, and any remaining devices were effectively killed off last January when the company behind them ceased support.
It was an undignified end for a gadget that changed the world, one that became not just ubiquitous with boardrooms and offices (including a certain oval-shaped one), but a true fashion statement.
Thrusting it back into the spotlight in 2023 is director Matt Johnson, who hails not far from BlackBerry’s Ontario HQ.
And yet, against all odds, he says he has no history with the world’s first smartphone whatsoever.
“The timeline of the product was one of the main things I was interested in,” the 37-year-old says.
“A film about the late 90s/early 2000s shift from a more analogue world to a more digital world.
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“That’s when I was quite young and a great opportunity to explore that cultural space, all where I grew up.”
Image: Research In Motion was based in Waterloo, Ontario
‘Hacker-style’ nerds who changed the world
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BlackBerry (the film, not the product) picks up in 1996 at tech firm Research In Motion.
At the time, its ragtag crew of engineers are unaware they’re working on perhaps their country’s most famous export since maple syrup.
Mike Lazaridis (Jay Baruchel) and friend Douglas Fregin (Johnson) suspect their “PocketLink” idea for a phone that does email is good, but lack the business sense to turn concept into reality.
Image: BlackBerry’s president Mike Lazaridis and (below) in the film, played by Jay Baruchel
Image: Pic: National Amusements/Piece Of Magic Entertainment
Johnson says they were interested in solving practical problems, but had “no vision of a cultural revolution”.
Enter the ruthless and opportunistic Jim Balsillie (Glenn Howerton), who sees enough potential in the pitch to brute force his way into becoming co-CEO and set up a pitch with the US telecoms giant that would become Verizon.
Image: BlackBerry’s co-CEO Jim Balsillie and (below) Glenn Howerton
Image: Pic: National Amusements/Piece Of Magic Entertainment
The film, based on the book Losing The Signal, takes some liberties with the BlackBerry story – and the real players involved have said some portrayals are closer to satire.
Balsillie’s depicted as a hilariously foul-mouthed demon of the boardroom, while Lazaridis and Fregin lead a team of “almost hacker-style” nerds who love video games and office film nights.
What the film undoubtedly nails is the BlackBerry brand’s ascendancy to stardom.
Image: The film presents the RIM team as a ragtag crew, including Lazaridis (left) and Fregin (in headband). Pic: National Amusements/Piece Of Magic Entertainment
Cracking the market
The first device in 1999 had email and two-way paging, with a keyboard and modest monochrome display.
By 2002, calls, texts, and internet browsing were features of an increasingly popular product with business types.
But the game-changing launch of BlackBerry Messenger in 2005 took it truly mainstream, bringing WhatsApp-style encrypted messaging we now all take for granted.
The world’s addiction to typing on the go saw “CrackBerry” named Webster’s Dictionary’s word of 2006.
It was the phone of choice for millions of people, endorsed by celebrities and even the US president.
At its peak, BlackBerry controlled almost half of the global smartphone market.
Image: Anyone who’s anyone wanted a BlackBerry
Apple makes its move
But 2007 heralded the iPhone – and the world would be about to change all over again.
Steve Jobs ruthlessly mocked the BlackBerry’s reliance on a keyboard during the grand unveiling, as observers swooned over the large multitouch display in his hand.
For many analysts, it marked the beginning of the end for BlackBerry.
Image: Steve Jobs unveils the iPhone. Pic: AP
For Johnson, it wasn’t necessarily the iPhone itself that killed the BlackBerry – but its creators’ response to it.
It saw the company hastily assemble a Frankenstein-like competitor which tried to combine a touchscreen with the satisfying clicks of a physical keyboard.
“It’s a keyboard… on a screen… on a keyboard,” is how Baruchel’s Lazaridis pitches it to his engineers, tragically unconvincingly.
The resulting BlackBerry Storm, released in 2008, was a disaster.
Issues with the new touchscreen, which had one enormous button underneath, saw Verizon have to replace all one million devices it sold and claim $500m in losses.
Image: The BlackBerry Storm was a direct attempt to cash in on the excitement around the iPhone
‘How do you do, fellow kids?’
It put the Canadian company on the back foot, and left its executives grappling with an identity crisis as Apple’s trendsetter went from strength to strength.
BlackBerry still had its loyal users, with one Barack Obama among those happily using them for years after.
The company even welcomed Queen Elizabeth II for a visit to its headquarters in 2010.
But by then it was clear the company’s direction had become muddled, and the masses and phone carriers were batting their eyelids in the iPhone’s direction.
BlackBerry had gone from status symbol to “how do you do, fellow kids?” in the blink of an eye
Image: ‘How does one text Philip?’
Blind revolutionaries
Johnson sees BlackBerry’s downfall as a cautionary tale, but also something of a tragic one.
“They set up the scaffolding for a revolution, but then didn’t realise one was about to happen,” he says.
“It wasn’t that the iPhone was just a better product,” says Johnson.
“It had more to do with the vision of a company like Apple compared to Reality In Motion.
“People say they’re part of the ‘Apple ecosystem’ – the brand means more than the products.
“BlackBerry just did not do that and weren’t interested in that.
“And by the end, those original engineers end up so disillusioned and alienated from the thing they built, I don’t think they even believe they built it.”
Image: The moment the iPhone is announced as portrayed in the film. Pic: National Amusements/Piece Of Magic Entertainment
BlackBerry kept chipping away at iPhone-style touchscreen devices, but found itself swimming against a tide made even stronger by the popularity of Android.
In 2016, the firm gave up making phones and transitioned to being a software security business, licensing out the BlackBerry name for other manufacturers to give it a shot.
The last hurrah was 2018’s BlackBerry KEY2 LE from China’s TCL, an awkwardly assembled jack of all trades that unceremoniously stuck a keyboard at the foot of a touchscreen.
It could hardly have been further away from Lazaridis’s original “texts, calls, email” vision for a phone, one which Johnson thinks might yet make a significant return.
Image: It was the future once…
Nostalgia-driven “dumb phones” from Nokia have seen a resurgence as users seek a detox from social media, while newcomers like the Light Phone proudly boast of offering nothing but texts and calls.
“I think if BlackBerry had reverted to that philosophy, they might’ve found success,” he says.
What’s certain is that no company can afford to rest on its laurels in the constant churn of Silicon Valley.
The modern smartphone may be lacking for innovation, but as BlackBerry and iPhone both proved, the future can emerge in no time at all.
BlackBerry releases in UK and Irish cinemas on 6 October.
The chief rabbi has described the BBC’s response to anti-IDF chanting at Glastonbury as “belated and mishandled” – as the rap duo involved, Bob Vylan, said the UK government needed to talk about its “criminal inaction”.
Sir Ephraim Mirvis said “vile Jew-hatred” had been aired at the Somerset music festival and it was a “time of national shame”.
Confidence in the BBC’s “ability to treat antisemitism seriously” has been brought to a “new low”, he said in a post on X, adding that “outright incitement to violence and hatred” appeared to be acceptable if it was couched as “edgy political commentary”.
Ordinary people had not only failed to see incitement “for what it is” but had cheered it, chanted it, and celebrated it, he said. “Toxic Jew-hatred is a threat to our entire society,” he added.
Bob Vylan, posting a new statement on Instagram on Tuesday, said they were “not for the death of Jews, Arabs or any other race or group of people”.
Rather, they said they were for the “dismantling of a violent military machine” – the Israel Defence Forces.
Bob Vylan chanted “death to the IDF” at Glastonbury. As many as 95% of the IDF are thought to be Jewish.
The group said it was a “distraction from the story” and that whatever “sanctions” it received sanctions it received would also be a distraction.
Their US visas have been revoked and United Talent Agency, their US representatives, have dropped them.
Image: Bob Vylan with their MOBO award in London in November 2022. Pic: Reuters
Referring to the war in Gaza, they claimed the UK government does not want them to “ask why they remain silent in the face of this atrocity”, to “ask why they aren’t doing more to stop the killing” and to “feed the starving”.
They added: “The more time they talk about Bob Vylan, the less time they spend answering for their criminal inaction.
“We are being targeted for speaking up. We are not the first, we will not be the last, and if you care for the sanctity of human life and freedom of speech, we urge you to speak up, too.”
It has emerged that Tim Davie, the BBC’s director-general, was at Glastonbury when the duo led chants of “Death to the IDF”, which were broadcast live.
The prime minister’s spokesman, asked if the PM had confidence in Mr Davie, said Sir Keir Starmer has “confidence in the BBC”, adding: “The position of the director-general is a matter for the BBC’s board.”
Speaking in the Commons, Culture Secretary Lisa Nandy said “accountability” was important and it was something she had “impressed upon the BBC leadership”.
She added: “When you have one editorial failure, it’s something that must be gripped. When you have several, it becomes a problem of leadership.”
She said she’d called Mr Davie after Bob Vylan’s set had been broadcast to find out why it had aired, and why the feed had not been cut.
“I expect answers to these questions without delay,” she said.
Image: Lisa Nandy, the culture secretary, has claimed there is a ‘problem of leadership’ at the BBC. File pic: PA
Avon and Somerset Police has begun a criminal investigation and is reviewing footage of both Bob Vylan and Kneecap’s performances at Glastonbury.
The force said a senior detective had been appointed – and it had been contacted by people from around the world.
“We… recognise the strength of public feeling,” it said.
During Kneecap’s set, one member suggested starting a “riot” outside his bandmate’s forthcoming court appearance, before clarifying that he meant “support”.
Image: Moglai Bap and Mo Chara of Kneecap performing at Glastonbury. Pic: Reuters
Bob Vylan’s US visas have been revoked. They had been due to go on tour.
US deputy secretary of state Christopher Landau said action had been taken “in light of their hateful tirade at Glastonbury, including leading the crowd in death chants”.
“Foreigners who glorify violence and hatred are not welcome visitors to our country,” he added.
Bob Vylan have also been dropped by United Talent Agency, their US representatives.
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During Bob Vylan’s set, the duo performed in front of a screen that showed several messages, including one that claimed Israel’s actions in Gaza amounted to “genocide”.
The war in Gaza began after Hamas militants attacked Israel on 7 October 2023 and killed 1,200 people and took about 250 hostage.
Israel’s offensive in Gaza has led to the deaths of more than 56,500 people, according to the Hamas-run health ministry, which does not differentiate between civilians and combatants.
Media watchdog Ofcom has said the BBC “clearly has questions to answer” over the live stream from Glastonbury.
A BBC spokesperson said: “The director-general was informed of the incident after the performance and at that point he was clear it should not feature in any other Glastonbury coverage.”
The broadcaster respects freedom of expression but “stands firmly against incitement to violence”, they said.
They added: “The antisemitic sentiments expressed by Bob Vylan were utterly unacceptable and have no place on our airwaves…
“The team were dealing with a live situation, but with hindsight we should have pulled the stream during the performance. We regret this did not happen.”
A criminal investigation has been launched into the Glastonbury performances of Kneecap and Bob Vylan.
Police announced the decision on Monday afternoon after reviewing video footage and audio of both sets, which took place on Saturday.
It comes after the BBC said it regretted the decision not to pull the live stream for Bob Vylan’s Glastonbury performance, during which frontman Bobby Vylan shouted anti-IDF (Israel Defence Forces) chants.
Later on Monday, as the story had made headlines throughout the day, drummer Bobbie Vylan released a video statement on Instagram, saying politicians who have spent time criticising the band should be “utterly ashamed” for giving “room” to this over other issues.
He also addressed what was said on stage, saying: “Regardless of how it was said, calling for an end to the slaughter of innocents is never wrong. To civilians of Israel, understand this anger is not directed at you, and don’t let your government persuade you that a call against an army is a call against the people.”
Image: Moglai Bap and Mo Chara of Kneecap perform at Glastonbury. Pic: Reuters
In a statement, Avon and Somerset Police said that after reviewing footage of both performances, further enquiries are required and a criminal investigation is now being undertaken.
“A senior detective has been appointed to lead this investigation,” a spokesperson said. “This has been recorded as a public order incident at this time while our enquiries are at an early stage.”
The force said the investigation will be “evidence-led and will closely consider all appropriate legislation, including relating to hate crimes”.
“We have received a large amount of contact in relation to these events from people across the world and recognise the strength of public feeling,” it added. “There is absolutely no place in society for hate.”
What happened?
Image: Bob Vylan performing on the West Holts Stage, during the Glastonbury Festival at Worthy Farm in Somerset. Yui Mok/PA Wire
During Bob Vylan’s set, the duo performed in front of a screen that showed several messages, including one that said Israel’s actions in Gaza amount to “genocide”.
Bobby Vylan also led chants of “death to the IDF”.
The set was live streamed by the BBC as part of its Glastonbury coverage, but has not been made available on demand.
Politicians including the prime minister have criticised the performance. Glastonbury organiser Emily Eavis said the chants “crossed a line” and that there was no place at the festival for “antisemitism, hate speech or incitement to violence”.
A BBC spokesperson said the broadcaster respected freedom of expression “but stands firmly against incitement to violence”.
They added: “The antisemitic sentiments expressed by Bob Vylan were utterly unacceptable and have no place on our airwaves…
“The team were dealing with a live situation, but with hindsight we should have pulled the stream during the performance. We regret this did not happen.”
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What’s the Glastonbury controversy?
Media watchdog Ofcom said it was in talks with the BBC and that the broadcaster “clearly has questions to answer” over the stream.
Irish-language rap trio Kneecap were on stage afterwards. Before their appearance at the festival, there had been calls for Glastonbury to remove them from the bill – as rapper Liam Og O hAnnaidh (who performs as Mo Chara) is facing a terror charge, accused of displaying a flag in support of the proscribed group Hezbollah at a gig in London last November.
Glastonbury organisers kept them on the line-up, but the BBC chose not to stream their set live. An edited version was later made available on demand.
On stage, the band led chants of “f*** Keir Starmer”.
O hAnnaidh’s bandmate Naoise O Caireallain (Moglai Bap) said they would “start a riot outside the courts” for O hAnnaidh’s next appearance, before clarifying: “No riots, just love and support, and support for Palestine.”
Hundreds of people turned out in protest for his first court appearance earlier this month.
After the police investigation was announced, Culture Secretary Lisa Nandy criticised the “appalling and unacceptable” scenes at Glastonbury and said the government would not tolerate antisemitism.
She said she had called BBC director-general Tim Davie after the broadcast of Bob Vylan’s set to find out why it had aired, and why the feed had not been cut.
“I expect answers to these questions without delay,” she said.
Ms Nandy said she had spoken to members of the Jewish community, including attendees at Glastonbury, who said they were concerned by imagery and slogans and ended up creating their own “safe space”.
Christopher Landau, the US deputy secretary of state, said the band had been banned from the US ahead of a tour later this year due to their “hateful tirade” at the festival.
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Bob Vylan were set to perform in Chicago, Brooklyn and Philadelphia in the autumn. They are due to perform at Radar Festival in Manchester on Saturday and Boardmasters, a surfing and music festival in Newquay, Cornwall, in August.
Sharing a statement on Instagram after the Glastonbury set, Bobby Vylan said: “Teaching our children to speak up for the change they want and need is the only way that we make this world a better place.
“As we grow older and our fire starts to possibly dim under the suffocation of adult life and all its responsibilities, it is incredibly important that we encourage and inspire future generations to pick up the torch that was passed to us.”
The war in Gaza, which has continued for more than 18 months, began after Hamas militants launched attacks in Israel on 7 October 2023, killing 1,200 people and taking roughly 250 hostages.
More than 860 Israeli soldiers have been killed since the war began, more than 400 of them during the fighting in Gaza.
Israel’s offensive in Gaza has devastated the enclave and killed around 56,500 people, according to the Hamas-run health ministry, which does not differentiate between civilians and combatants, but says more than half of the dead are women and children.
An inquest has found drag queen The Vivienne did not intend to take their life when they died after taking ketamine.
Coroner Jacqueline Devonish concluded The Vivienne, whose real name is James Lee Williams, died by “misadventure” after suffering cardio respiratory arrest.
In March, the star’s family revealed the performer had died “from the effects of ketamine use causing a cardiac arrest”, saying they wanted to raise awareness about the dangers of the drug.
Cheshire Coroner’s Court heard five drug snap bags were found, including in a bedroom draw and a bin in the bathroom, in their home in Chorlton-by-Backford, near Chester.
Police attended and confirmed there were no suspicious circumstances.
The inquest heard friends and family had no worries about Williams’s mental health and the performer was looking forward to future roles on TV and in the theatre, although did “occasionally” take ketamine.
The star’s family told the hearing the performer should not be remembered for their use of the Class B drug and that drugs did not define the person they were.
Williams’s father Lee Williams described them as “an outgoing character who was full of life” and “just wanted to make people laugh”.
“He achieved his goals. He had future goals he wanted to achieve. Along the way he always wanted to try to help his community, which he did and try to help other drag queens,” he said.
“He was always available. He never turned anybody down. He never turned his back on anybody. He never said no.
“He loved the stage, that’s where he saw the rest of his career being, on the stage, in the theatre. That’s what he loved to do.”
Williams’s funeral in Bodelwyddan, Denbighshire, North Wales, was attended by RuPaul’s Drag Race UK contestants Tia Kofi and Baga Chipz, along with Steps singer Ian “H” Watkins, TV personality Kim Woodburn and Coronation Street actress Claire Sweeney.
Image: The Vivienne at the premiere of the film ‘Wicked’ in November 2024. Pic: AP
During their time on the show, under their drag name, Williams admitted having been a drug addict for four years.
“It was party, drugs, but I couldn’t leave the drugs at the party, it was constant for me,” they said.
They added that their addiction was a “habit that caught on a bit too quick and a bit too hard”.
The TV personality, who grew up in Colwyn Bay, North Wales, before moving to Liverpool, came third in the 2023 edition of Dancing On Ice.
The star performed as the Wicked Witch of the West in a UK and Ireland tour of The Wizard Of Oz musical and reprised the role in the West End at the Gillian Lynne Theatre last year.
They were due back on stage in March as the Childcatcher in a tour of Chitty Chitty Bang Bang, a role they first played last year.
The government is seeking expert advice after illegal use of ketamine surged to record levels.
In the year ending March 2023, an estimated 299,000 people aged 16 to 59 had reported use of the substance, which is controlled as class B, according to the Home Office.