When Patricia Noble had to make the decision to end her dog’s life just hours after he fell ill, the grief was almost unbearable.
“When my dad died, I grieved for him, but he wasn’t in my life regularly,” she says. “Dougie felt like a support dog… it was like my world had crashed.”
Dougie, a 10-year-old miniature dachshund, seized up while on a walk near their home in Aberdeenshire on New Year’s Day 2020. “He was paralysed – alive and running one minute, by the end of the day he wasn’t there.”
Image: Blue Cross volunteer Patricia Noble lost her dog Dougie in 2020
The little dog had been a source of comfort for Patricia, who has struggled with depression throughout her life. After his death, she found herself in a “dark place, thinking, is it worth it? Would I have gone down that line?” she reflects. “Who knows?”
Searching for help, she came across a pet loss support service. Too emotional to speak on the phone, she got in touch and was soon exchanging regular emails with the same volunteer at the service run by Blue Cross, an animal welfare charity, over nine months. “It gave me a sense that I’m not the only one in the world that suffers this,” she says. “I felt I was being given my life back.”
Almost four years on, Patricia is now able to speak with a smile, her eyes twinkling, as she remembers Dougie, recalling how he was “utterly untrainable” but “a real sweetheart”.
“Boy, did he love barking – at the postie, visitors, for treats, especially if he was being ignored. But he was very loving. If I felt low he would jump against my legs, a signal to say, ‘lift me up – you need a cuddle!'”
She will always miss him. Grateful for the help she received, the 58-year-old is now one of 300 volunteers with Blue Cross’s pet loss support service, who offer “a listening ear”, pointing in the direction of counselling or other services if needed.
Pet loss and disenfranchised grief
Image: Blue Cross figures for the number of people using their support services
In the last 10 years, the number of people getting in touch has almost trebled, from 6,240 in 2013 to 17,367 in 2022. The figures so far for 2023 are currently 22% up on last year, while a private Facebook group set up by the charity in 2022, one of many such support groups on the site, now has more than 16,000 members.
But it’s a kind of grief that society doesn’t always understand. According to psychologists, pet owners can feel embarrassed when talking about the emotional impact the death of an animal has had on them, making it tricky to process their grief.
“People’s understanding in the past 10 years has grown but disenfranchised grief – where other people don’t understand – is still something we see a lot,” says Diane James, the head of pet bereavement support services at Blue Cross.
Dr Katie Lawlor, a pet loss psychologist based in San Francisco, California, was training to be a clinical psychologist before she realised there was very little, if any, support networks for those suffering due to the loss of a pet. After moving into the field and later setting up an Instagram account in March 2020, she now has almost 75,000 followers.
“For those who don’t have animals or don’t have that bond, they say, ‘oh, it’s just a dog, go get another one’,” she says. “But you would never tell somebody who’d lost a parent, ‘oh just go get a new dad’. For some of us, that bond is just as rich and as deep.”
‘My heart is absolutely broken’
Image: ‘How can a light that burned so brightly, suddenly burn so pale’: Kate Beckinsale commemorated her cat, Clive, with this tattoo. Photo courtesy of Kate Beckinsale
Search for #petloss on Instagram and hundreds of thousands of posts pop up, while on TikTok the top videos have millions of views. A growing number of influencers and celebrities including Miley Cyrus, Seth Rogen and Kate Beckinsale have also shared their stories of loss online – as well as tattoos dedicated to their late pets.
“Every single part of my house feels like he should be in it,” Beckinsale wrote on Instagram as she announced Clive’s death in June. “My heart is absolutely and totally broken.”
Broadcaster and author Dawn O’Porter, who tackles the subject of navigating grief for an animal in her latest best-selling novel, Cat Lady, posted a poignant tribute following the death of her dog Potato at the beginning of 2022, telling followers how he was the ring-bearer at her wedding and there when she gave birth. “It was one of the great joys of my life to be his mum,” she wrote.
And there are many pet owners, like Patricia, who admit losing their animals has affected them as much if not more than the deaths of some relatives.
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Leanne Freeman, 33, from Dartford, lost her house rabbit, Thumper, unexpectedly in February. When she realised he was dying, she cuddled him and tried to make sure he was as comfortable as possible. “I wanted to give him his favourite food so I ordered parsley on Deliveroo. I didn’t want to leave him.”
Thumper, a Netherland dwarf rabbit, who was almost five, had been with Leanne since he was eight weeks old. She says his death felt like losing a limb.
“It was a good 48 hours before I stopped randomly crying.” she says. “He was free to roam around the flat… if I went for a shower, he’d come and sit in the bathroom with me. He was happy to be carried over my shoulder like a baby and I would take him to my parents’ – we’d joke that it was ‘nanny and granddad’s house’.”
Luckily, colleagues at work were supportive after his death. “Some people have pictures of their kids on their desks, I had a picture of my rabbit. Everyone knew what he meant to me.”
Image: Leanne Freeman’s house rabbit Thumper died earlier in 2023. She had him cremated at the Cherry Tree Pet Crematorium in Kent, and also kept a cutting of his fur (pictured below)
One feeling that comes from the specific grief of losing a pet is the question of whether they understand how much they mean to you. Brad Webber, 35, and his partner Natalie lost their beloved chow chow, Kia, and have experienced this feeling. “You can tell a grandparent you’re going to miss them but animals… you can cuddle them and say comforting things but you can’t be satisfied that they know how much you care,” he says. “That’s hard.”
The couple now have two spaniels, and Brad says he sees parallels between the love he has for his pets and his toddler son.
“You see them grow and share first experiences,” he says. “You’re there when they’re scared, when they’re hurt and you build a mutual understanding. You recognise each other’s likes, dislikes and emotional qualities.”
Image: Brad Webber and his partner Natalie lost their chow chow Kia in 2021
Leanne and Brad are among many pet owners living in and around Kent who sought support from Cherry Tree Pet Crematorium, which offers keepsakes such as pawprints, jewellery and hair cuttings, as well as cremation services and euthanasia.
Another is Chloe Harding, 37, from Rochester, whose horses and dogs helped her deal with anxiety throughout her life, following the death of her father in a car accident when she was seven.
Just before the COVID lockdown in 2020, Chloe lost her three-year-old German shepherd, Maverick. Ten days later, her pony, Harry, also died suddenly; this all came in a period in which she had also lost her job.
“It was really tough because the next morning, you don’t have a horse to look after, a dog to walk… everything that I defined myself by had been stripped away.”
Image: Chloe Harding and her horse, Annie, and below with her husband and dog, Maverick
‘I told my boss I’d lost a family member when my rabbit died’
Dr Lawlor cites statistics from studies on pet bereavement: 85% of pet guardians report loss and grief symptoms comparable to loss of family members, and a third of pet guardians have continued to grieve at six months, and almost a quarter still after a year.
When her rabbit Gem died in 2000, she requested time off work. “I wrote to my boss, who was not an animal person, and told her I’d lost a family member. For me, that’s true, and I stand by it. But I think there’s such a stigma around mourning an animal, sadly, that continues.”
Now, she posts on social media several times a week, sharing her own advice or kind words from others. “I was getting messages [when I started] saying, ‘thank you for normalising this’,” she says. “For so many of us, our primary and our preferred sources of love do come from animals.”
For many pet owners, the hardest part is making the decision to say goodbye. Dr Lawlor says she is asked most about euthanasia and guilt; according to a Royal Veterinary College (RVC) study published in 2021, looking into the deaths of 29,163 dogs in the UK over a one-year period, the vast majority – 26,676 (91.5%) – involved euthanasia, while just 2,487 (8.5%) were unassisted.
‘We know we’ll have to say goodbye – but we still do it’
Image: Karen Barnard’s dog Ruby lived until she was 15
Karen Barnard, who has 17 pets, including three dogs currently, and offers boarding for guinea pigs and other small animals at her home near Tunbridge, made the difficult decision to put her dog Ruby down at the age of 15. The King Charles cavalier spaniel’s kidneys had starting failing, and Karen didn’t want her to suffer.
She made sure Ruby was comfortable on her last day. “She had a whole box of Maltesers. And then she went to sleep with my other little dog by her side… I feel a lot of peace at being able to give her the goodbye she deserved.”
Animal bereavement specialist and author Angela Garner, who works with the Ease animal charity in the UK, agrees the emotions that come with this decision should not be underestimated. “It’s a big thing for people to cope with, to make that decision – to prevent unnecessary suffering and make the end of life as easy as possible for an animal who has become integral in their lives, part of the family. Finding the right time to actually say goodbye.”
Angela says the issue of pet grief is becoming more recognised, thanks to wider awareness about mental health over the past few years, but there is still work to be done.
“There’s such a highlight now in terms of mental health in this country that it is bound to create more awareness of what people have been suffering, probably silently,” she says. “We take our pets on knowing we are going to have to say goodbye at some point. But we still do it, because we care.”
For Patricia, volunteering has helped her get through the “dark tunnel of pet loss”. In the two-and-a-half years since she started, she has been there for almost 500 conversations over the phone or on webchat.
“It almost feels like a calling now. It means a lot to people to know we understand. It hurts. And every grief experience is valid.”
He’s played Sherlock Holmes, Doctor Strange, and even voiced The Grinch but acting opposite a seven-foot (2.1m) crow may be one of the strangest roles Benedict Cumberbatch has taken on.
Speaking about his new film, The Thing With Feathers, he admits it’s “a very odd job, there’s no getting away from it”.
If the vision of Cumberbatch wrestling with a giant bird sounds like the sort of amusingly surreal movie you fancy taking a look at next week, it’s important to understand that this is no comedy.
Image: Pic: The Thing With Feathers/Vue Lumiere
Image: Pic: The Thing With Feathers/Vue Lumiere
While the film, based on Max Porter’s eclectic novella Grief Is The Thing With Feathers, the film is at times disturbingly funny, but mostly it is an incredibly emotional take on the heartbreaking way we all process grief.
Cumberbatch plays a man whose wife has died suddenly, leaving him with their two young boys. The story itself is split into three parts – dad, boys and crow.
Crow – voiced by David Thewlis – is a figment of dad’s imagination, a sort of “unhinged Freudian therapist” for him, according to Porter.
Cumberbatch, a father of three, said this certainly wasn’t a role he wanted to think about when he returned to his own family each night.
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“I didn’t take it home, I didn’t talk about it…You have to work fast when you’re a father of three with a busy home life, you know, it’s very immediate the need they have of you, so you don’t go in and talk about your day crying your eyes out on a sofa with a crow punching you in the face.”
Image: Benedict Cumberbatch in The Thing With Feathers. Pic: Vue Lumiere
Since Porter’s award-winning work was first published in 2015 it has built a cult following.
Using text, dialogue and poetry to explore grief from various characters’ perspectives, the author says the subject matter is universal.
“Most of us are deeply eccentric in one way or another, like my father-in-law, apparently a very rational, blokey bloke, who’s like ‘when my mum died, a wren landed on the window and I knew it was my mum’.
“Grief puts us into these states where we are more attuned to the natural world and particularly more attuned to symbols and signs. So, imagining a crow moving in with the family actually makes a lot of sense to people, whereas, weirdly, five steps to getting better or get well soon or a hallmark card or whatever doesn’t make much sense to the people when you’re in that storm of pain.”
While the film sees Cumberbatch portray a firestorm of emotions, he says he feels it’s important to tackle weighty issues on screen.
Image: Benedict Cumberbatch
Image: Max Porter
“It is a universal experience, in one way or another you’re ‘gonna lose someone that you love during your life.”
The film, he says, explores grief through a male prism.
“At a time when there’s a lot of very troubling influences on men without female presence in their lives, this thing of scapegoating and seeing the other as a threat, all of that comes into play within the allowance of grief to be a messy, scary, intimidating, chaotic, unruly and out of control place to exist as a man.
“This is a film that just leans into the idea that it’s alright to have feelings, you bury them or hide them at your peril.”
The Thing With Feathers is out in cinemas in the UK and Ireland on 21 November.
“I felt scared and I felt alone and I felt entirely limited at various points in my life”, actor Jonathan Bailey says of growing up gay in school.
While promoting Wicked: For Good, the actor donated one of his interview slots to talk about the charity he is a patron of: Just Like Us, which works with LGBT+ youth in schools.
“That’s something that I would have really benefited from when I was young,” he said, talking exclusively to Sky News about his charitable work.
In surveys of thousands of UK pupils, Just Like Us found that LGBT participants aged 11 to 18 were twice as likely to suffer anxiety, depression and to be bullied, and that only half felt safe at school on a daily basis.
“I experienced all of that,” he said. “It became clear quite early on that something that was very specific and clear to me about who I was, it wasn’t safe and it wasn’t celebrated.”
Whether as Lord Anthony in Bridgerton, being crowned sexiest man alive and as the Winkie Prince Fiyero in Wicked: For Good, Bailey has broken through an outdated stereotype.
Historically, it was considered a career risk to be out – a heterosexual romantic lead’s career was at risk if his sexuality was public.
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For the Winkie prince actor, education can play a role in defying limitations.
Image: While promoting Wicked: For Good, Bailey talked about a charity that works with LGBT+ youth in schools.. File pic: Just Like Us
“This is beyond sexuality,” he said, “it’s race, it’s class, it is where you’re from, we are all given limiting narratives that we have to break free of.
“I thought not only was I not going to be able to play these sorts of parts because of my sexuality, but that I wouldn’t be able to do Shakespeare because I didn’t go to drama school.
“They’re the sort of stories that we need to be reminded of is that actually standing up and being safe enough to be able to say who you really are, and to be vulnerable at that age… these formative years, is inspiring to everyone in the classroom.”
But classrooms in the UK are facing tightening budgets due to “spiralling costs” that threaten to outstrip the growth in school funding.
Citing budget and time pressures on teachers, Just Like Us has made its talks free in schools. Does the actor think the government should be doing more?
He said: “I’m a very proud brother of an incredible teacher who works in the state system, and I know how much she cares about her school, her pupils.
“The resources are being crunched, and the problem is that it will be the arts and it will be really important conversations that Just Like Us bring into the schools and these… things that are going to go, and that’s just really sad.
“But I’m not the person to come up with solutions other than I can do my bit.”
Bailey, Cynthia Erivo and Bowen Yang are among Wicked’s LGBT cast, and in Wicked: For Good, openly gay actor Colman Domingo joins them as the voice of the Cowardly Lion.
But not everyone is encouraging the onscreen representation: A “warning” by conservative group One Million Moms said that the Jon M Chu-directed films are “normalising the LGBTQ lifestyle” to children and takes aim at the cast.
The alert urges people to boycott the sequel “even if you have seen Wicked: Part One”.
When asked about the pushback, Bailey is resolute: “I don’t even acknowledge… the thing that’s important to me is how do I chat to little Johnny in all this.
“I’m thrilled to be living in a time where I can play the Winkie Prince and where Just Like Us is doing the extraordinary work that they’re doing.”
Donald Trump has said he will sue the BBC for between $1bn and $5bn over the editing of his speech on Panorama.
The US president confirmed he would be taking legal action against the broadcaster while on Air Force One overnight on Saturday.
“We’ll sue them. We’ll sue them for anywhere between a billion (£792m) and five billion dollars (£3.79bn), probably sometime next week,” he told reporters.
“We have to do it, they’ve even admitted that they cheated. Not that they couldn’t have not done that. They cheated. They changed the words coming out of my mouth.”
Mr Trump then told reporters he would discuss the matter with Prime Minister Sir Keir Starmer over the weekend, and claimed “the people of the UK are very angry about what happened… because it shows the BBC is fake news”.
The Daily Telegraph reported earlier this month that an internal memo raised concerns about the BBC’s editing of a speech made by Mr Trump on 6 January 2021, just before a mob rioted at the US Capitol building, on the news programme.
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BBC crisis: How did it happen?
The concerns regard clips spliced together from sections of the president’s speech to make it appear he told supporters he was going to walk to the US Capitol with them to “fight like hell” in the documentary Trump: A Second Chance?, which was broadcast by the BBC the week before last year’s US election.
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Following a backlash, both BBC director-general Tim Davie and BBC News chief executive Deborah Turness resigned from their roles.
‘No basis for defamation claim’
On Thursday, the broadcaster officially apologised to the president and added that it was an “error of judgement” and the programme will “not be broadcast again in this form on any BBC platforms”.
A spokesperson said that “the BBC sincerely regrets the manner in which the video clip was edited,” but they also added that “we strongly disagree there is a basis for a defamation claim”.
Earlier this week, Mr Trump’s lawyers threatened to sue the BBC for $1bn unless it apologised, retracted the clip, and compensated him.
Image: The US president said he would sue the broadcaster for between $1bn and $5bn. File pic: PA
Legal challenges
But legal experts have said that Mr Trump would face challenges taking the case to court in the UK or the US.
The deadline to bring the case to UK courts, where defamation damages rarely exceed £100,000 ($132,000), has already expired because the documentary aired in October 2024, which is more than one year.
Also because the documentary was not shown in the US, it would be hard to show that Americans thought less of the president because of a programme they could not watch.
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Sky’s Katie Spencer on what BBC bosses told staff on call over Trump row
Newsnight allegations
The BBC has said it was looking into fresh allegations, published in The Telegraph, that its Newsnight show also selectively edited footage of the same speech in a report broadcast in June 2022.
A BBC spokesperson said: “The BBC holds itself to the highest editorial standards. This matter has been brought to our attention and we are now looking into it.”