When Patricia Noble had to make the decision to end her dog’s life just hours after he fell ill, the grief was almost unbearable.
“When my dad died, I grieved for him, but he wasn’t in my life regularly,” she says. “Dougie felt like a support dog… it was like my world had crashed.”
Dougie, a 10-year-old miniature dachshund, seized up while on a walk near their home in Aberdeenshire on New Year’s Day 2020. “He was paralysed – alive and running one minute, by the end of the day he wasn’t there.”
Image: Blue Cross volunteer Patricia Noble lost her dog Dougie in 2020
The little dog had been a source of comfort for Patricia, who has struggled with depression throughout her life. After his death, she found herself in a “dark place, thinking, is it worth it? Would I have gone down that line?” she reflects. “Who knows?”
Searching for help, she came across a pet loss support service. Too emotional to speak on the phone, she got in touch and was soon exchanging regular emails with the same volunteer at the service run by Blue Cross, an animal welfare charity, over nine months. “It gave me a sense that I’m not the only one in the world that suffers this,” she says. “I felt I was being given my life back.”
Almost four years on, Patricia is now able to speak with a smile, her eyes twinkling, as she remembers Dougie, recalling how he was “utterly untrainable” but “a real sweetheart”.
“Boy, did he love barking – at the postie, visitors, for treats, especially if he was being ignored. But he was very loving. If I felt low he would jump against my legs, a signal to say, ‘lift me up – you need a cuddle!'”
She will always miss him. Grateful for the help she received, the 58-year-old is now one of 300 volunteers with Blue Cross’s pet loss support service, who offer “a listening ear”, pointing in the direction of counselling or other services if needed.
Pet loss and disenfranchised grief
Image: Blue Cross figures for the number of people using their support services
In the last 10 years, the number of people getting in touch has almost trebled, from 6,240 in 2013 to 17,367 in 2022. The figures so far for 2023 are currently 22% up on last year, while a private Facebook group set up by the charity in 2022, one of many such support groups on the site, now has more than 16,000 members.
But it’s a kind of grief that society doesn’t always understand. According to psychologists, pet owners can feel embarrassed when talking about the emotional impact the death of an animal has had on them, making it tricky to process their grief.
“People’s understanding in the past 10 years has grown but disenfranchised grief – where other people don’t understand – is still something we see a lot,” says Diane James, the head of pet bereavement support services at Blue Cross.
Dr Katie Lawlor, a pet loss psychologist based in San Francisco, California, was training to be a clinical psychologist before she realised there was very little, if any, support networks for those suffering due to the loss of a pet. After moving into the field and later setting up an Instagram account in March 2020, she now has almost 75,000 followers.
“For those who don’t have animals or don’t have that bond, they say, ‘oh, it’s just a dog, go get another one’,” she says. “But you would never tell somebody who’d lost a parent, ‘oh just go get a new dad’. For some of us, that bond is just as rich and as deep.”
‘My heart is absolutely broken’
Image: ‘How can a light that burned so brightly, suddenly burn so pale’: Kate Beckinsale commemorated her cat, Clive, with this tattoo. Photo courtesy of Kate Beckinsale
Search for #petloss on Instagram and hundreds of thousands of posts pop up, while on TikTok the top videos have millions of views. A growing number of influencers and celebrities including Miley Cyrus, Seth Rogen and Kate Beckinsale have also shared their stories of loss online – as well as tattoos dedicated to their late pets.
“Every single part of my house feels like he should be in it,” Beckinsale wrote on Instagram as she announced Clive’s death in June. “My heart is absolutely and totally broken.”
Broadcaster and author Dawn O’Porter, who tackles the subject of navigating grief for an animal in her latest best-selling novel, Cat Lady, posted a poignant tribute following the death of her dog Potato at the beginning of 2022, telling followers how he was the ring-bearer at her wedding and there when she gave birth. “It was one of the great joys of my life to be his mum,” she wrote.
And there are many pet owners, like Patricia, who admit losing their animals has affected them as much if not more than the deaths of some relatives.
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Leanne Freeman, 33, from Dartford, lost her house rabbit, Thumper, unexpectedly in February. When she realised he was dying, she cuddled him and tried to make sure he was as comfortable as possible. “I wanted to give him his favourite food so I ordered parsley on Deliveroo. I didn’t want to leave him.”
Thumper, a Netherland dwarf rabbit, who was almost five, had been with Leanne since he was eight weeks old. She says his death felt like losing a limb.
“It was a good 48 hours before I stopped randomly crying.” she says. “He was free to roam around the flat… if I went for a shower, he’d come and sit in the bathroom with me. He was happy to be carried over my shoulder like a baby and I would take him to my parents’ – we’d joke that it was ‘nanny and granddad’s house’.”
Luckily, colleagues at work were supportive after his death. “Some people have pictures of their kids on their desks, I had a picture of my rabbit. Everyone knew what he meant to me.”
Image: Leanne Freeman’s house rabbit Thumper died earlier in 2023. She had him cremated at the Cherry Tree Pet Crematorium in Kent, and also kept a cutting of his fur (pictured below)
One feeling that comes from the specific grief of losing a pet is the question of whether they understand how much they mean to you. Brad Webber, 35, and his partner Natalie lost their beloved chow chow, Kia, and have experienced this feeling. “You can tell a grandparent you’re going to miss them but animals… you can cuddle them and say comforting things but you can’t be satisfied that they know how much you care,” he says. “That’s hard.”
The couple now have two spaniels, and Brad says he sees parallels between the love he has for his pets and his toddler son.
“You see them grow and share first experiences,” he says. “You’re there when they’re scared, when they’re hurt and you build a mutual understanding. You recognise each other’s likes, dislikes and emotional qualities.”
Image: Brad Webber and his partner Natalie lost their chow chow Kia in 2021
Leanne and Brad are among many pet owners living in and around Kent who sought support from Cherry Tree Pet Crematorium, which offers keepsakes such as pawprints, jewellery and hair cuttings, as well as cremation services and euthanasia.
Another is Chloe Harding, 37, from Rochester, whose horses and dogs helped her deal with anxiety throughout her life, following the death of her father in a car accident when she was seven.
Just before the COVID lockdown in 2020, Chloe lost her three-year-old German shepherd, Maverick. Ten days later, her pony, Harry, also died suddenly; this all came in a period in which she had also lost her job.
“It was really tough because the next morning, you don’t have a horse to look after, a dog to walk… everything that I defined myself by had been stripped away.”
Image: Chloe Harding and her horse, Annie, and below with her husband and dog, Maverick
‘I told my boss I’d lost a family member when my rabbit died’
Dr Lawlor cites statistics from studies on pet bereavement: 85% of pet guardians report loss and grief symptoms comparable to loss of family members, and a third of pet guardians have continued to grieve at six months, and almost a quarter still after a year.
When her rabbit Gem died in 2000, she requested time off work. “I wrote to my boss, who was not an animal person, and told her I’d lost a family member. For me, that’s true, and I stand by it. But I think there’s such a stigma around mourning an animal, sadly, that continues.”
Now, she posts on social media several times a week, sharing her own advice or kind words from others. “I was getting messages [when I started] saying, ‘thank you for normalising this’,” she says. “For so many of us, our primary and our preferred sources of love do come from animals.”
For many pet owners, the hardest part is making the decision to say goodbye. Dr Lawlor says she is asked most about euthanasia and guilt; according to a Royal Veterinary College (RVC) study published in 2021, looking into the deaths of 29,163 dogs in the UK over a one-year period, the vast majority – 26,676 (91.5%) – involved euthanasia, while just 2,487 (8.5%) were unassisted.
‘We know we’ll have to say goodbye – but we still do it’
Image: Karen Barnard’s dog Ruby lived until she was 15
Karen Barnard, who has 17 pets, including three dogs currently, and offers boarding for guinea pigs and other small animals at her home near Tunbridge, made the difficult decision to put her dog Ruby down at the age of 15. The King Charles cavalier spaniel’s kidneys had starting failing, and Karen didn’t want her to suffer.
She made sure Ruby was comfortable on her last day. “She had a whole box of Maltesers. And then she went to sleep with my other little dog by her side… I feel a lot of peace at being able to give her the goodbye she deserved.”
Animal bereavement specialist and author Angela Garner, who works with the Ease animal charity in the UK, agrees the emotions that come with this decision should not be underestimated. “It’s a big thing for people to cope with, to make that decision – to prevent unnecessary suffering and make the end of life as easy as possible for an animal who has become integral in their lives, part of the family. Finding the right time to actually say goodbye.”
Angela says the issue of pet grief is becoming more recognised, thanks to wider awareness about mental health over the past few years, but there is still work to be done.
“There’s such a highlight now in terms of mental health in this country that it is bound to create more awareness of what people have been suffering, probably silently,” she says. “We take our pets on knowing we are going to have to say goodbye at some point. But we still do it, because we care.”
For Patricia, volunteering has helped her get through the “dark tunnel of pet loss”. In the two-and-a-half years since she started, she has been there for almost 500 conversations over the phone or on webchat.
“It almost feels like a calling now. It means a lot to people to know we understand. It hurts. And every grief experience is valid.”
Succession writer Jesse Armstrong says he hopes his new film about toxic tech billionaires can be a receptacle for anyone who is “feeling wonky about the world”.
Now making his film directorial debut with Mountainhead, starring Steve Carell and Jason Schwartzman, Armstrong has shifted his focus from cut-throat media moguls to a group of billionaire friends meeting up to compare bank balances against the backdrop of a rolling international crisis they appear to have stoked.
Speaking to Sky News about the project, he said: “For a little while I poured some of my anxieties and feelings into it… and I hope it can be a receptacle for other people if they’re feeling wonky about the world, maybe this can be somewhere they put some of their anxieties for a while.”
Image: Cory Michael Smith (R) plays Venis in Mountainhead. Pic: Mountainhead/HBO
Image: Jesse Armstrong with Ramy Youssef. Pic: Mountainhead/HBO
Few television writers achieve widespread recognition beyond their work, but Armstrong – the man behind Succession, one of the most critically acclaimed TV shows of the past decade – has become a household name and is today one of the world’s hottest properties in high-end drama.
“If there was more self-reflection and self-knowledge, there probably wouldn’t be such amenable targets for comedy and satire,” he admits.
Long before he gifted viewers with the likes of manipulative Logan Roy and sycophantically ambitious Tom Wambsgans, back in the beginning, there was selfish slacker Jez and the perennially insecure Mark on his breakthrough hit Peep Show.
“I love comedy, you know, it’s my way in,” he explains. “I think I like it because… the mixture that you get of tragedy and absurdity strikes me as a sort of a true portrayal of the world… and I just like jokes, you know, that’s probably the basic reason.”
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After putting his pen down on the finale of Succession, walking away with 19 Emmys and nine Golden Globes, attention was always going to be drawn to what Armstrong did next.
“I had a couple of other things that I thought I would write first and this kind of snuck up on me as an area of interest,” Armstrong says.
“After I’d listened to a bunch of tech podcasts and Ted talks, I sort of needed somewhere to put the tone of voice that was increasingly in my head.”
Tapping into the unease surrounding big tech, he wrote, shot and edited Mountainhead in less than six months.
Image: Jesse Armstrong says the film’s theme ‘snuck up on me as an area of interest’
Capturing the audience mood
Explaining why he worked so fast, he said he “wanted to be in the same sort of mood as my audience, if possible”.
While he insists there aren’t “any direct map-ons” to the billionaire tech moguls, which frequently make headlines in real life, he joked he’s “happy… to play a game of ‘where did I steal what from who?'” with viewers.
“You know… Elon Musk… I think at least people would see some Mark Zuckerberg and, I don’t know, some Sam Altman, there is a bunch of those people in all the [film’s] different characters… and we’ve stolen liberally from the world in terms of the stories we’ve given them.”
Steve Carell is tasked with delivering some of the film’s most memorable lines as the satire explores the dynamic between those holding the power and those pulling the strings.
“People who lack a certain degree of self-knowledge are good for comedy….and if there was more self-reflection and self-knowledge, there probably wouldn’t be such amenable targets for comedy and satire.
“You know, living in a gated community and travelling by private jet certainly doesn’t help you to understand what life is like for most people.”
Armstrong’s gift for using humour to savagely dramatic ends is arguably what makes him one of the most sought-after writers working today.
Behind his ability to craft some of the sharpest and scathing dialogue on our screens, he views what he does as more than getting a laugh.
“I do believe in the sort of nobility of the idea, that this is a good way to portray the world because this is how it feels a lot of the time.”
Mountainhead will air on Sky and streaming service NOW on 1 June.
Taylor Swift has bought back all the rights to her master recordings – but has suggested she won’t be re-releasing her Reputation album.
“All the music I’ve ever made now belongs to me,” the star announced on her official website.
“I’ve been bursting tears of joy… ever since I found out this is really happening.”
The pop star had originally lost the rights to her first six albums in 2019 when her first record label, Big Machine, sold them to music executive Scooter Braun.
After she learned Braun had acquired her musical catalogue, she opened up about it in a lengthy Tumblr post, blaming him for being complicit in Kanye West’s “incessant, manipulative bullying” of her.
Swift said she was not given the opportunity to buy her work outright, and so, in a bid to diminish the value of the master tapes, she set about re-recording them.
Image: Taylor Swift’s back catalogue was eventually sold on by Scooter Braun
She had re-released four “Taylor’s Version” albums to date. Just her self-titled debut album and Reputation remained.
Braun later sold his stake in her albums to Shamrock Holdings, a Los Angeles investment fund, in a deal reported to be worth £222 million.
It is not known how much Swift paid Shamrock to re-acquire the rights to her songs.
Swift said she was “forever grateful” to Shamrock for allowing her to buy the rights to her music back.
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“This was a business deal to them, but I really felt like they saw it for what it was to me: My memories and my sweat and my handwriting and my decades of dreams,” Swift wrote on her website.
“I am endlessly thankful. My first tattoo might just be a huge shamrock in the middle of my forehead.”
What it means for Reputation fans
Just two albums remained to be re-released by Swift – her self-titled debut album and Reputation. The latter was a particularly strong source of speculation among fans, who would look for clues in her outfits during her record-breaking Era’s tour.
But this announcement could spell the end of that.
“Full transparency: I haven’t even re-recorded a quarter of it,” Swift said.
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Prince William spotted ‘dad dancing’ at Taylor Swift’s Wembley concert in 2024.
She said Reputation was “so specific” to a certain time in her life, that she kept hitting a block when she tried to re-record it. She also said she felt it was the first album she could not improve by re-recording it.
Debut has been re-recorded, with Swift saying she “loves how it sounds now”.
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But both albums could still “re-emerge when the time is right”, particularly the unreleased tracks.
“If it happens, it won’t be from a place of sadness and longing for what I wish I could have,” Swift said.
How Swift’s stance changed the music industry
In the music industry, the owner of a master controls all rights to their artists’ recordings. This is usually agreed in contracts with artists, and allows them to recoup the financial investment they make in stars, including funding production, marketing and promotion.
It also means they can distribute it to new streaming services or license the songs to be used in movies.
Image: Pic: AP
Swift, as co-writer of her music, had always maintained publishing rights.
“I do want my music to live on. I do want it to be in movies. I do want it to be in commercials. But I only want that if I own it,” she told Billboard in 2019.
Swift said today she had been “heartened by the conversations this saga had reignited within my industry among artists and fans”.
“Every time a new artist tells me they negotiated to own their master recordings in their record contract because of this right, I’m reminded of how important it was for all of this to happen.”
Russell Brand has pleaded not guilty to rape and sexual assault charges as he appeared in court in London.
The British comedian and actor, from Hambleden in Buckinghamshire, was charged by post last month with one count each of rape, indecent assault and oral rape as well as two counts of sexual assault.
The charges relate to alleged incidents involving four separate women between 1999 and 2005.
The 49-year-old, who has been living in the US, was flanked by two officers as he pleaded not guilty to all the charges at Southwark Crown Court today.
Image: Russell Brand appears at Southwark Crown Court. Pic: Reuters
Brand stood completely still and looked straight ahead as he delivered his pleas.
The comedian, who has consistently denied having non-consensual sex since allegations were first aired two years ago, is due to stand trial in June 2026.