Big Brother is back – but can it be ethical and entertaining?
When Nick Bateman entered the Big Brother house back in July 2000, one of the first UK contestants picked out of tens of thousands of hopefuls, he had no idea what was coming.
Thirty-five days later, he was asked to leave via the back door following his attempts to manipulate nominations. After a showdown with housemates led by the eventual winner, Craig Phillips, he returned to real life to find his face splashed across the tabloid front pages, and the nickname that remains to this day: “Nasty Nick.”
“You’re not trained for that,” Bateman tells Sky News. “You’re not trained in life, or school, or university, to be a normal person one day and well-known, famous – infamous – the next.”
Craig Phillips, pictured with original host Davina McCall, went on to win the first series after his confrontation with Bateman
This weekend, Big Brother is being revived by ITV and contestants now will be well aware of the millions of eyeballs on them. But back then, the inaugural housemates failed to believe anyone was really paying attention.
It was the start of the noughties reality TV juggernaut, paving the way for everything from Love Island and Britain’s Got Talent to the likes of Shattered (in which contestants were deprived of sleep) and the controversial There’s Something About Miriam, the dating show that cruelly exploited the fact it star was trans as a “twist” for the unwitting men vying for her attention.
Would reality TV have turned out differently, perhaps more kindly, had we never witnessed the scandal of that first series? The Nasty Nick drama was a ratings winner, lighting the flame for our obsession with real-life tension and controversy. From that moment on, producers on shows across the board were tasked with keeping it burning.
Bateman, who now lives in Australia, says duty of care back then was about “box-ticking”, with no support after your time on the series ended. The reaction to his “crime” was shocking but he was able to handle it. “Of course it upsets you but you have to be fairly thick-skinned because not everyone will like you,” he says, gamely. “It’s part and parcel if you’re in the public eye that you have to accept you can’t be universally loved.”
Love Island has increased welfare packages for contestants in recent years. Pic: ITV/Lifted Entertainment
Other reality TV stars have not coped so well, and shows such as Love Island in particular have been criticised following the suicides of former contestants, and host Caroline Flack, with welfare packages for later series bolstered.
Now, there is increasing focus on duty of care, and Big Brother producers Banijay have announced a lengthy support programme for the new housemates as they prepare for instant fame. But for those glued to the drama, it’s also undeniable that the fights, squabbles and drunken antics have often made the best TV.
Several episodes of Love Island have sparked complaints to Ofcom over duty of care to contestants – but at the same time, those episodes are also ratings winners and the most talked about on social media.
So can reality TV in 2023 be ethical and entertaining?
‘Generating strong emotions has to be handled carefully’
Big Brother is back! Here’s how it looks in 2023. Pics: Initial TV/ITV
“There’s no doubt that what people like to see in broadcast productions is drama, and drama often involves heightened emotions – both positive and negative,” says Professor John Oates, chair of the British Psychological Society’s media ethics advisory group, who has helped develop guidelines for duty of care for broadcasters.
“It’s really how that’s managed and how that’s evoked, if you like, from the participants. That’s an ethical and moral matter, and I think we’ve come a long way in realising that deception, withholding information from people and doing what the industry calls ‘reveals’, may be unethical. And generating strong emotions has to be handled very, very carefully so that it still respects the dignity and the autonomy and indeed the privacy of the participants.”
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It is increasingly recognised that being involved in a production such as Love Island or Big Brother can have long-term effects, says Professor Oates, and it could be argued that these types of shows encourage the “voyeuristic impulses” of viewers.
“I think most people are quite intrigued to see other people’s lives, partly because we don’t always know or think that we’re managing our own lives awfully well… and in shows like Big Brother, you are looking quite deeply inside other people’s lives. That could be seen as voyeurism.
“But it can also be said that this can be helpful to people, to see how people manage their lives, how they manage stress, so on and so forth. So there are positives and negatives, and managed well, reality TV can be beneficial to audiences.”
‘Entertainment does not need to be at the expense of welfare’
Katy Manley, managing director of producers Initial, part of Banijay UK, says Big Brother will return with an “authenticity and a rawness” that differs from the glossiness of Love Island.
And when it comes to the balance between ethics and entertainment, she says you can have both.
“Obviously we want entertaining content to happen in the house, but that does not need to be at the expense of anybody’s welfare,” she says. “That is the most important thing, our housemates and our whole team and our crew – everybody’s wellbeing is important.
“But that’s not exclusive of producing entertaining content. We’ve got so many experienced people there watching and ensuring that the support for the housemates is there, while we’re still getting good, exciting shows.”
Will the revival work?
For Bateman, almost 10,000 miles away on the other side of the world, there’s a sense of curiosity about the return of the show, which will be hosted by AJ Odudu and Will Best. Its success will lie in the casting, he says.
“It can work if the cast works, but if they get the casting wrong then it will just fall flat on its face… Big Brother is synonymous with what’s happened in the past, they can’t get away from it. And I think they’ll panic if they get low viewing figures or there’s no chemistry between the people.”
Producers should go back to basics, he says, and “not create situations or manufacture people to do things they don’t want to do”. And his last piece of advice? Perhaps they should have sought help from those who know it best.
“I think the best way to cast any shows like this is to get the ex-housemates to cast it, because obviously we’ve been there, done that – and we know the tricks.”
Grammy-award winning singer Roberta Flack has died at the age of 88, her publicist has announced.
The American singer was best known for her hit songs Killing Me Softly With His Song and The First Time Ever I Saw Your Face.
Flack pictured in 1972. Pic: Photoreporters/Shutterstock
One of the top recording artists of the 1970s, she died on Monday surrounded by her family, her publicist Elaine Schock said in a statement.
In 2022, Flack announced she was suffering from motor neurone disease (MND), and could no longer sing.
Rising to fame in her early 30s, Flack became an overnight success after Clint Eastwood chose her song, The First Time Ever I Saw Your Face, as the soundtrack for the explicit love scenes of his 1971 movie Play Misty For Me.
The track topped the US charts in 1972, and Flack was rewarded with a Grammy.
The following year she took the coveted Record of the Year prize at the Grammys for a second time with Killing Me Softly, becoming the first artist ever to do so.
Discovered in the late 1960s by jazz musician Les McCann, Flack was a classically trained pianist, receiving a full scholarship to study at Howard University at just 15.
McCann later wrote of Flack: “Her voice touched, tapped, trapped, and kicked every emotion I’ve ever known.”
Flack with her Grammy for Killing Me Softly in 1974. Pic: AP
A shining light in the social and civil rights movement of the time, Flack was friends with both Reverend Jesse Jackson and Angela Davis whom Flack visited in prison when Davis faced charges – for which she was acquitted – for murder and kidnapping.
Flack also sang at the funeral of Jackie Robinson, Major League Baseball’s first black player.
Living on the same floor of the famous Dakota apartment building as John Lennon and Yoko Ono, Flack also became friends with the Beatle, later releasing an album of Beatles covers.
Flack in 1976. Pic: Robert Legon/Shutterstock
Born Roberta Cleopatra Flack, to musician parents in Black Mountain, North Carolina, in 1937, she was raised in Arlington, Virginia.
She was married to jazz musician Stephen Novosel between 1966 and 1972.
Flack’s other hits from the 1970s included Feel Like Makin’ Love and two duets with her close friend and former Howard University classmate Donny Hathaway, Where Is the Love and The Closer I Get to You.
Sadly, their partnership ended in tragedy, after he fell to his death from his hotel room in Manhattan in 1979, after suffering a breakdown while they were recording an album of duets together.
Stevie Wonder and Flack perform a duet in 1985. Pic: AP
While Flack never matched her first run of success, she had a follow-up hit in the 1980s with the Peabo Bryson duet Tonight, I Celebrate My Love and in the 1990s with the Maxi Priest duet Set The Night To Music.
In the mid-90s, she received a wave of new attention after the Fugees covered Killing Me Softly. She would go on to perform with the hip-hop band on stage.
A five-time Grammy winner, Flack received a lifetime achievement Grammy in 2020.
Contemporary stars to praise her include Beyoncé, John Legend and Ariana Grande.
Flack in 2010. Pic: Reuters/John Sommers
Working as a high-school teacher in her 20s, while gigging in clubs during the evenings, Flack proved a canny educator, telling the Tampa Bay Times in 2012: “I was teaching at Banneker Junior High in Washington, DC It was part of the city where kids weren’t that privileged, but they were privileged enough to have music education.
“I really wanted them to read music. First, I’d get their attention. [I’d sing]: ‘Stop, in the name of love.’ Then I could teach them!”
Entertainment
Timothee Chalamet and Demi Moore among winners at SAG Awards – a major Oscars predictor
The winners of this year’s Screen Actors Guild Awards (SAG) have been revealed – a major predictor of the Oscars, with just a week to go.
Demi Moore continued her run of success to be named best actress for her performance in body horror The Substance, while Timothee Chalamet picked up the award for best actor for his portrayal of Bob Dylan in A Complete Unknown.
Demi Moore adds yet another tropy to her collection for her performance in The Substance. Pic: Jordan Strauss/Invision/AP
While not a complete shock, before this Adrien Brody had probably just nudged it as favourite for an Oscar win for his performance in post-war epic The Brutalist.
Now, the race is closer than it has been in years – and both Chalamet, 29, and Moore, 62, could be on course for their first Academy Awards.
Following a BAFTA win earlier this month, papal thriller Conclave was honoured with the top film prize, for best ensemble.
Starring Ralph Fiennes, Isabella Rossellini and Stanley Tucci, the film follows the drama of the selection process for a new pope.
Conclave stars (L-R) Sergio Castellitto, John Lithgow, Isabella Rossellini and Ralph Fiennes with the ensemble cast award. Pic: Jordan Strauss/Invision/AP
During the ceremony, Rossellini said the film’s cast wanted to send their best wishes to Pope Francis, who is being treated in hospital for pneumonia and bronchitis, and wish him “a quick recovery”.
Elsewhere, the supporting categories were true to 2025 awards season form – Kieran Culkin and Zoe Saldana continued their runs of success with wins for performances in A Real Pain and Emilia Perez respectively.
‘I want to be one of the greats’
Chalamet attended with his mum, Nicole Flender. Pic: Jordan Strauss/Invision/AP
The awards are voted for by members of the SAG-AFTRA union and are held as a celebration of actors honoured by their peers.
For the best male actor announcement, Chalamet looked visibly surprised as his name was called.
After being accompanied by girlfriend Kylie Jenner to the BAFTAs last week, this time round he was celebrating with his mum, Nicole Flender.
“The truth is, this was five-and-a-half years of my life. I poured everything I had into playing this incomparable artist, Mr. Bob Dylan, a true American hero,” he said on stage. “It was the honour of a lifetime playing him.”
Making no secret of his ambitions, he added: “The truth is I’m really in pursuit of greatness. I know people don’t usually talk like that, but I want to be one of the greats.”
Moore said joining SAG-AFTRA as a teenager in 1978 gave her meaning as “a kid on my own who had no blueprint for life”.
Jane Fonda was honoured with a lifetime achievement award. Pic: AP/Chris Pizzello
Actress and activist Jane Fonda, 87, provided the ceremony’s most passionate political moment as she was honoured with a lifetime achievement prize.
“We are in our documentary moment,” she said. “This is it. And it’s not a rehearsal.”
The word “woke”, she added, “just means you give a damn” about others.
The TV winners
Shogun stars (L-R) Tommy Bastow, Shinnosuke Abe, Moeka Hoshi, Hiroyuki Sanada, Anna Sawai, Tadanobu Asano and Hiroto Kanai. Pic: Jordan Strauss/Invision/AP
The SAG Awards also include TV categories, with Japanese historical drama Shogun picking up the gong for best ensemble and its stars, Hiroyuki Sanada and Anna Sawai, named best actor and actress.
Only Murders In The Building took home the prize for best comedy ensemble, with star Martin Short named best actor in a comedy series.
Jean Smart, who had previously called for cancelling the awards shows due to the wildfires that hit LA in January, was named best actress in a comedy, for her role in Hacks. She did not attend, but gave a recorded introduction.
In the limited series category, British star Jessica Gunning was named best actress for Baby Reindeer, while Irish star Colin Farrell was named best actor for The Penguin.
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