Before Ryan Reynolds and Rob McElhenney hit the headlines as superstar Hollywood football club owners – a home-grown actor was quietly toiling away at a non-league outfit in Greater Manchester.
In 2019, Jonathan Sayer, best known as part of the Olivier-winning comedy troupe Mischief, bought out Ashton United with his father, after the club put out an SOS tweet begging for help.
It tugged on Sayer’s heartstrings – not least because his grandfather played for Ashton (which is one of the oldest football grounds in the world) more than 400 times and so, in the office of a flooring shop, papers were signed to make him the co-owner.
In his new book, Nowhere To Run, he gives a comical warts-and-all peek behind the curtain of running a non-league club – seemingly a universe away from what’s going on in the Premier League and beyond.
Ashton United was steeped in some surprise debt, players were being paid by the match from the secretary’s bank account, and only one person had the key to the changing rooms – and he’d gone AWOL.
Sayer goes from hiding in the car park following early losses in his tenure, to screaming on the terraces in a cup final.
Speaking to Sky News from Los Angeles, ahead of opening his company’s production of Peter Pan Goes Wrong, Sayer said owning a club has changed his relationship with football.
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“I think it’s fair to say I’ve seen how the sausage is made. It’s made in a terrifying manner – it’s a very expensive sausage.
“I think that there’s a point in the book where I talk about how the first competitive match started, and then 10 minutes later I just kind of realised that I hated it. I was just totally panic-stricken. I was just like, ‘Oh my God, what if we lose? What if we lose next week? What if we lose the weekend? What if we go down and really struggle to get out of the mindset for a while?’
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“I think since then, thankfully, I’ve managed to come to terms with those emotions and the fact that football is up and down.”
He added not being able to deliver for his community “terrifies” him, and he wants to be a “custodian” on their behalf.
Image: Pic: Colin Thomas
‘Gaggle’ of volunteers holds the club together
Sayer also talks highly of those volunteering at the club, with Sayer calling them the “lifeblood”.
In scenes unlikely to be seen at Old Trafford or the Emirates, volunteers offered to water the newly relaid pitch earlier this year after the heatwave threatened to dry it up, by sleeping out in tents and taking shifts to walk up and down the new turf watering it.
Sayer added some volunteers have been around for decades working on the turnstiles or even painting lines around the terraces, calling the team a “gaggle”, rather than the cliched army.
“I think that’s super, super special,” Sayer said.
“It connects you with something – like a goal that’s bigger than yourself and a purpose that’s larger than you, and you feel connected to something.”
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‘There’s no winner if you’re not interested in the community’
And while Sayer has a deep family connection to the club and wants to root it in the community, he said some owners might see their clubs as assets – and that’s disappointing.
“There’s no winner, if you will, coming in to invest in a football club, and you’re not really interested in the community and the football club – you can have a bad time,” Sayer said.
“You’re going to just find after a couple of years, this is awful, this is expensive, there’s a lot of emotion knocking around.
“And what do you get out of that? I’m not sure. And the same for the supporters, the players – that’s just a negative situation.”
Sayer is keen to point out that giving back to the community and listening to the stakeholders is what should make people want to come in and invest in football clubs.
The actor said he can relate to what Reynolds and McElhenney are doing in Wrexham: “There’s a bit [in their documentary] where they’re talking about making good on their promise to the community and I think you do you feel that. I think that is totally true.
“You feel ultimately responsible for everyone’s happiness.”
Image: Sayer said being an owner has changed his relationship with football. Pic: Colin Thomas
‘Small things could make a huge difference to us’
Sayer said his club, and those in the Premier League are “chalk and cheese”, but added he would love to have more conversations about how they can support each other.
“It would be great for those worlds to connect, to just have formal connections in different ways. I think that would be really, really beneficial for so many different people,” he said.
He explained being able to link up with clubs higher up the pyramid would be really beneficial, adding he’d like to see the FA support the community side of clubs more, for instance on pitch maintenance – which for small clubs is a big deal.
“To clubs like ours, that would make a huge difference because it would mean that lots of our teams could play on the pitch, we’d have more of a sense of community, you wouldn’t have games postponed at the same rate… It genuinely puts clubs into financial peril,” he said.
He added even just being able to contact bigger local clubs and ask for advice would make a “tremendous difference”.
Sky News has contacted the FA for comment.
Image: Hurst Cross in 2020
Image: Rob McElhenney and Ryan Reynolds at Wrexham
Is Ryan Reynolds the Jonathan Sayer of Wrexham?
And on Reynolds and McElhenny – well, Sayer was there first.
But would he say Reynolds is the Jonathan Sayer of Wrexham?
“I think that if you said that to him, he’d say, ‘Who is Jonathan Sayer? What are you doing in my club? Get out!’
“I certainly don’t honestly think that I’d started a trend. I don’t think we’re the same people at all.”
He points out at one time, the two teams were only a league apart – and a good season for Ashton or a bad season for Wrexham could have seen them meeting up.
Sayer added: “I’m desperate to get a copy of the book in their hand becauseI think both of them would do a really good job at playing me in a movie, you know?
“Quite often people are saying, ‘oh, you know, Jonathan, that guy from Deadpool, you’ve got similar physiques’. So, you know – he could do the stunts.”
A brief scuffle broke out at London’s Royal Opera House after a performer unfurled a Palestinian flag during a show.
The incident took place during a performance of Il Trovatore on Saturday.
During the final night of the 11-night run of the show, a performer held up the flag on stage.
In video footage, shared online, someone backstage could be seen attempting to take it off the performer. The performer grabs it back following a brief scuffle.
A spokesperson for the Royal Ballet and Opera said: “The display of the flag was an unauthorised action by the artist.
“It was not approved by the Royal Ballet and Opera and is a wholly inappropriate act.”
The reaction to the flag was mixed, with some people heard applauding and cheering, while another audience member was heard saying “oh my God”.
One poster on X, who claimed to have been a member of the audience, said: “Extraordinary scenes at the Royal Opera House tonight.
“During the curtain call for Il Trovatore one of the background artists came on stage waving a Palestine flag. Just stood there, no bowing or shouting. Someone off stage kept trying to take it off him. Incredible.”
Performers show support for Palestinians
A number of performers have shown support for Palestinians amid the Israel-Hamas war in Gaza.
During Glastonbury Festival, numerous acts offered messages of support during their sets, including Kneecap, Bob Vylan, Wolf Alice, and Amyl And The Sniffers.
During her band’s set, Wolf Alice singer Ellie Rowsell told the crowd at the Other Stage: “Whilst we have the stage for just a little bit longer, we want to express our solidarity with the people of Palestine.
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BBC ‘regrets’ not pulling Bob Vylan live performance
Bob Vylan were widely criticised after leading on-stage chants of “death to the IDF” (Israel Defence Forces).
The performance was live-streamed by the BBC, sparking a backlash against the broadcaster – which later issued an apology.
The investigation into Kneecap was later dropped, with the police saying there was insufficient evidence to provide a realistic prospect of conviction for any offence”.
From Human Traffic and The Business to his critically acclaimed performance in the raunchy TV adaptation of Rivals, via a stint as Queen Vic landlord Mick Carter in EastEnders, Danny Dyer has been on our screens for more than 30 years.
But it was his performance in the TV comedy Mr Bigstuff that earned him his first BAFTAwin – and one of the ceremony’s biggest cheers from the audience – earlier this year.
Image: Danny Dyer as Lee Campbell in Mr Bigstuff
Now, he returns to his prize-winning role for the second series of the Sky show, which tells the story of two estranged brothers – Glen (played by creator Ryan Sampson), an anxious carpet salesman living his ideal suburban life with fiancee Kirsty (Harriet Webb), and Lee (played by Dyer), an alpha male who struts back into his brother’s life carrying their father’s ashes.
Image: Ryan Sampson (right) created the series and stars alongside Dyer
Several EastEnders alumni feature, including Nitin Ganatra, Victoria Alcock and Linda Henry, who played Dyer’s on-screen mother, Shirley Carter.
Reflecting on some of Albert Square’s most famous characters and who would work well in Mr Bigstuff, Dyer says he would have loved to see the late June Brown, who played the chain-smoking hypochondriac Dot Cotton for 35 years, taking on a role.
“Absolute legend,” he says.
Sampson suggests the late Dame Barbara Windsor, who played the formidable Queen Vic landlady Peggy Mitchell, but has a clear pitch if season three gets the green light.
“It could still be a possible, it would be amazing,” he says. “You want your Pat Butcher, don’t you? You want Pam St Clement. Why hasn’t she played a mafia boss yet? She’d be amazing. She’d be incredible at it.”
Image: Dyer at the BAFTAs earlier this year. Pic: PA
Dyer reveals his screensaver
After his long career on screen, Dyer is now enjoying playing a variety of roles alongside the Cockney geezer types that became his bread and butter in the early noughties.
His nuanced performance as awkward entrepreneur Freddie Jones in Rivals brought him praise from fans and critics alike, and Mr Bigstuff his BAFTA.
But Dyer always had range. After small TV roles in shows including The Bill and A Touch Of Frost, he grew close to the Nobel Prize-winning playwright Harold Pinter in 2000 after auditioning and earning the role of a waiter in his play Celebration at the Almeida Theatre in Islington, north London.
“I’ve got Harold Pinter as a screensaver on my phone,” he says. “I always feel that he’s sort of looking down on me or close to me, so I like to just feel that he’s around me.”
Dyer continued the role in Celebration both in the West End and on Broadway, with Pinter becoming his mentor in the process.
In 2020, he presented a Sky Arts documentary, Danny Dyer On Pinter, which explored the life, career and impact of the playwright and screenwriter, who died in 2008.
He also has plans to develop a stage tribute to his friend, currently titled When Harry Met Danny.
Reflecting on his entry into the industry, he says theatre was quite inaccessible at the time, but Pinter opened it up to him.
“I think it’s even worse now, which I feel is a sad state of affairs,” he says. “I don’t know why that is. Everything’s become quite elite. All the elite f****** looking after themselves, so that needs to change.”
‘Love in the air’ at Oasis gig
But Pinter isn’t his only big influence – Dyer was one of the thousands of fans to see Oasis make their return to the stage in Cardiff earlier this month.
“It was really emotional seeing them come out,” he says. “There was a lot of love in the air, a lot of good energy.
“You know, there’s a lot of f****** shit going on. I think people, of my age as well, just want to jump around and sing them songs at the top of their lungs. So I’m still recovering, I’m not going to lie.”
Mr Bigstuff returns for season two on Thursday, on Sky Max and NOW
The chief executive of tech firm Astronomer has resigned after a video appearing to show two of its senior members of staff embracing at a Coldplay concert went viral.
The tech firm said chief executive Andy Byron had tendered his resignation, and that the board of directors had accepted it.
“As stated previously, Astronomer is committed to the values and culture that have guided us since our founding,” the company said in a statement.
“Our leaders are expected to set the standard in both conduct and accountability, and recently, that standard was not met.
“The board will begin a search for our next chief executive as co-founder and chief product officer Pete DeJoy continues to serve as interim CEO.”
The firm previously said Mr Byron, who was alleged to be the man in the clip, had been placed on leave, but stopped short of confirming it was him in the video.
In the viral clip, the pair are shown on a screen with their arms around each other during the British band’s concert at the Gillette Stadium, in Boston, Massachusetts, on 16 July.
Once both of them realised they were being projected, the man quickly ducked out of view while the woman turned to hide her face from the camera.
Image: Woman hides her face
Appearing to poke fun at the couple, Coldplay lead singer Chris Martin is heard on the clip saying: “Either they’re having an affair or they’re just very shy.”
The awkward encounter sent the internet into a frenzy, with the video gaining millions of views on social media and reports emerging that the two were executives from New York-based tech company Astronomer.
In a previous statement on Friday, the company addressed the viral moment, saying in a post on X that it had launched a “formal investigation” into the matter.
“The Board of Directors has initiated a formal investigation into this matter, and we will have additional details to share very shortly,” it said.