Acclaimed filmmaker Michael Winterbottom says our “complicated” British colonial history over Palestine needs to be better understood when it comes to realising “our responsibility” for current events in Israel.
Speaking exclusively to Sky News about his new political thriller Shoshana – set in Tel Aviv in the 1930s during Britain’s unwanted occupation of Palestine – Winterbottom says unless we “understand what we’ve done in the past” then “maybe we can’t understand what’s happening now”.
“The British role in Palestine is complicated, obviously the whole issue of Palestine is complicated, but I don’t think it helps anyone to ignore history….especially when that history is something that is still very active and alive today, it has huge direct consequences.”
While it has taken 15 years for Winterbottom to bring his new film to the big screen, in the last week its subject matter has become all the more timely.
Its premiere at the London Film Festival came as details of the brutal attacks against Israel first emerged.
For some of the film’s Israeli cast members who’d flown over for the red carpet event, Winterbottom says it was “a strange moment” to be showing the film.
“They spent the whole day on their phones,” Winterbottom said.
“It’s terrible what’s happening… unfortunately, I don’t think anyone would pretend to have an idea of how to improve the situation right now.”
The film is both a love story based on real events and a story of political radicalisation.
The British mandate to govern Palestine began during First World War One after British troops drove out soldiers from the Ottoman Empire.
By 1938, when the film is set, tensions in Tel Aviv were running high as the British struggled to maintain order among the population.
Image: Douglas Booth and Michael Winterbottom at the ‘Shoshana’ screening at the London Film Festival
“We should particularly look at the bits of history that are contested, the bits of history that are difficult,” Winterbottom said.
“It’s important for us to understand our role in creating the situation in the Middle East in a specific way, but also more generally because we went into Palestine during the First World War and we just decided we had the right to carve up the Middle East between the French, the British – we made all the countries that now exist.
Image: Aury Alby
Image: Rony Herman
“We created all of the boundaries, decided we could control Palestine, we could control Jordan, the French could control Syria and what right did we have here? If we don’t understand what we’ve done in the past then maybe we can’t understand what’s happening now.
There are, for Winterbottom, echoes back then of the more recent American and British experiences in Iraq and Afghanistan.
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“I hope it raises the question of why do we think we have the right to go with our army into other countries and tell people how they should live?
“Almost always, I think, that’s a bad idea.”
While he says there is “unfortunately” no obvious lesson to be taken from the time covered in the film, given the unfolding war, Winterbottom maintains that grasping the history is vital.
“It’s obviously an incredibly difficult situation, I don’t think anyone knows what to do,” Winterbottom said.
“If you understand what’s happened in the past, you have a better chance of understanding what’s happening now.”
Shoshana premiered at the London Film Festival and is due out next year.
Primal Scream have said a video containing alleged antisemitic imagery was a “piece of art” and was intended to “provoke debate, not hate”.
Warning: This article contains alleged antisemitic imagery.
The Scottish rock band have been reported to the Metropolitan Police for showing a film at their Roundhouse concert in Camden, London on Monday which appeared to include imagery of the Star of David entwined with a swastika.
The force is now assessing the report.
‘Film is a piece of art’
Primal Scream said in a statement on Instagram: “The film is a piece of art. It clearly draws from history to question where the actions of current world governments sit in that context. It is meant to provoke debate, not hate.
“In a free, pluralistic and liberal society freedom of expression is a right which we choose to exercise.”
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Primal Scream, founded by frontman Bobby Gillespie in 1982, were playing a 25-year anniversary show for their album XTRMNTR.
As the group performed Swastika Eyes, pictures of political figures including Israeli Prime Minister Benjamin Netanyahu appeared behind them, showing what appeared to be the Star of David combined with a swastika in their eyes.
Image: The video from the gig that sparked the report to police
Venue ‘appalled’
The Roundhouse has apologised, saying it was “appalled” that “antisemitic imagery was displayed”, adding it was done entirely without its knowledge.
It said in a statement: “We deeply regret that these highly offensive images were presented on our stage and unequivocally apologise to anyone who attended the gig and to the wider Jewish community.”
It added: “Our organisation absolutely condemns antisemitism in every form.”
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The Community Security Trust (CST), which provides protection for Jewish communities in the UK, said it had reported the band to police and called on the venue to carry out an “urgent investigation”.
In a statement, a CST spokesperson said: “CST is appalled by the grossly antisemitic image displayed at Primal Scream. Entwining a Star of David with a swastika implies that Jews are Nazis and risks encouraging hatred of Jews.
“There needs to be an urgent investigation by the venue and the promoter about how this happened, and we have reported this to the police.”
What have police said?
Responding to that report, a Met Police spokesperson said: “On Wednesday, 10 December, we received a report in relation to a video shown on stage during a concert at the Roundhouse in Chalk Farm Road, Camden on Monday, 8 December.
The charity Campaign Against Antisemitism said: “The Nazi swastika represents the ideology that inspired people to industrially slaughter six million innocent Jewish men, women and children by bullet, gas and any other means available.
“To visually combine that with the Star of David – the pre-eminent symbol of Judaism – is absolutely sickening and totally inexcusable.
“This isn’t art. This isn’t edgy. This isn’t political statement. It is unadulterated hatred and a clear breach of the international definition of antisemitism.
“We will be writing to the Camden Roundhouse and our legal team is examining the footage to consider further steps.”
Author Joanna Trollope has died aged 82, her family has said.
Trollope was one of the nation’s most widely read authors, having published more than 30 novels during a career that began in the 1970s.
Her novels include “Aga sagas” The Rector’s Wife, Marrying The Mistress and Daughters-in-Law.
In a statement, Trollope’s daughters Antonia and Louise said: “Our beloved and inspirational mother Joanna Trollope has died peacefully at her Oxfordshire home, on December 11, aged 82.”
Image: Trollope with Queen Elizabeth II in 2001. Pic: PA
Her literary agent James Gill said: “It is with great sadness that we learn of the passing of Joanna Trollope, one of our most cherished, acclaimed and widely enjoyed novelists.
“Joanna will be mourned by her children, grandchildren, family, her countless friends and – of course – her readers.”
Trollope was born in Gloucestershire in 1943. She won a scholarship to study at the University of Oxford in the 1960s.
After graduating, she joined the Foreign Office before training as a teacher and then turning to writing full-time in 1980.
The author was best known for her novels set in rural middle England and centred around domestic life and relationships.
Her early historical romances were written under the pseudonym Caroline Harvey, before she turned to contemporary fiction.
Her work tackled a range of topics from affairs, blended families and adoption, to parenting and marital breakdown.
Image: Trollope with shortlisted novels for the Orange Prize for Fiction. Pic: PA
Trollope also took part in The Austen Project, which saw six of Jane Austen’s novels retold by contemporary writers.
She wrote the first book in the series, Sense & Sensibility, published in 2013.
In 1996, Trollope was awarded the Order of the British Empire (OBE) for her services to literature and later made a Commander of the Order of the British Empire (CBE) in 2019.
She won the Romantic Novel of the Year in 1980 for the book Parson Harding’s Daughter and in 2010 was given a lifetime achievement award from the Romantic Novelists’ Association (RNA) for her services to romance.
She went on to chair a number of award ceremonies, including the Costa Book Awards, formerly the Whitbread Prize, as well as the BBC National Short Story Award and the Orange Prize for Fiction.
Glaswegian comic actor and impressionist Stanley Baxter has died at the age of 99.
Baxter was bold enough to mimic the Pope and even the Queen and sent up his native city with comic routines based on Glaswegian patois.
The Scot received several awards during his career, including a lifetime achievement award at the British Comedy Awards and two TV tribute programmes.
His friend and biographer Brian Beacom said the TV star died on Thursday in a north London care home for entertainment figures.
He had lived in the home, Denville Hall, since late 2023 and was a few months away from celebrating his 100th birthday.
Image: Pic: PA
Baxter’s TV shows, in which he often appeared grotesquely in drag, attracted huge audiences and marked him out as one of the funniest, as well as sometimes one of the most controversial, comics of his generation.
Baxter was also popular on the Scottish pantomime circuit, until his retirement in 1991.
Although he did emerge occasionally and briefly from retirement, he largely disappeared from show business and from the public eye.
Baxter was married for 46 years. His wife, Moira died in 1997.
In 2020, he released a co-written biography, The Real Stanley Baxter, which revealed he was gay and had told his wife before they married.
Baxter was born on 24 May, 1926 and started his career as a child actor in the Scottish edition of BBC’s Children’s Hour.
During his National Service, he developed his skills in the Combined Services Entertainment Unit.