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The world premiere of Daniel Kaluuya and Kibwe Taveres’ The Kitchen closed the 2023 BFI London Film Festival on Sunday night.

Set in 2044 London, The Kitchen envisions an extreme version of our current world where the wealth gap has stretched to its limit, social housing has been banned and a community – the kitchen – must fight to save their home.

The idea for the film was sparked by a conversation overheard by Kaluuya at a barbershop in 2011. The Black Panther actor brought the concept to Tavares and, along with producer Daniel Emmerson, began plans to bring the film to fruition.

(left to right) Dan Emmerson, Kano, Jedaiah Bannerman, Daniel Kaluuya and Kibwe Tavares arrive for a screening of The Kitchen during the BFI London Film Festival at the Royal Festival Hall, Southbank Centre in London. Picture date: Sunday October 15, 2023.
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(left to right) Dan Emmerson, Kano, Jedaiah Bannerman, Daniel Kaluuya and Kibwe Tavares at the London Film Festival

“What we wanted was Reservoir Dogs and a barbershop – and we did it,” Kaluuya told Sky’s Backstage podcast at the world premiere.

Kaluuya is a triple threat in The Kitchen – co-director, producer and co-writer – and said it took a lot of “digging deep, meeting your limitations and owning that”.

The Netflix film is led by Top Boy’s Kane “Kano” Robinson who plays Izi, a resident of the kitchen who is desperately trying to find a way out.

Kano arrives for a screening of The Kitchen during the BFI London Film Festival at the Royal Festival Hall, Southbank Centre in London.  Picture date: Sunday October 15, 2023. PA Photo. Photo credit should read: Jonathan Brady/PA Wire
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Kano

He meets 12-year-old Benji, played by newcomer Jedaiah Bannerman, who has lost his mother and together they fight to survive in a system stacked against them.

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It also stars fellow Top Boy actor Hope Ikopu Jr, rappers BlackRoad Gee and Cristale and theatre performer Demmy Ladipo – with a cameo appearance from former Arsenal star Ian Wright.

Ian Wright arrives for a screening of The Kitchen during the BFI London Film Festival at the Royal Festival Hall, Southbank Centre in London. Picture date: Sunday October 15, 2023.
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Ian Wright at the London Film Festival. He makes a cameo in The Kitchen

“For me, it was a father and son story from the very start,” explains co-writer Joe Murtagh.

“I think people are going to watch this and I think it’s going to remind them everything they love about London and everything they hate about the city too, in equal measure.

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“It’s about home and essentially about how people find their space and their identity within their community,” explains first-time feature co-director Kibwe Taveres.

Kibwe Tavares
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Kibwe Tavares

“It’s been just one of those kind of life events where you have learned so much. Having grown as a guy over time. What we’ve done has been amazing.”

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While Kaluuya and Taveres attended their premiere on Sunday night, a group of demonstrators gathered at the closing gala for the London Film Festival protesting against poor working conditions for crew in the UK – worsened by the ongoing Hollywood actors’ strike.

Protestors at the last night of the London Film Festival
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Protestors at the last night of the London Film Festival

“It’s not about being against any films or anything,” explained stand-by art director Melanie Light.

Although Hollywood writers have ended their five-month strike, the SAG-AFTRA dispute continues.

Melanie Light
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Melanie Light

Talks broke down recently after studios, streaming services and production companies, under the Alliance of Motion Picture and Television Producers (AMPTP), said the gap between the two sides was too great to continue.

“Since there hasn’t been work we have really struggled,” Ms Light said.

“People are out of work, people are having to remortgage the houses, people selling their cars, people have had to go on universal credit.”

The Kitchen will be released on Netflix in late 2023.

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Sean ‘Diddy’ Combs loses bid to delay sex-trafficking trial

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Sean 'Diddy' Combs loses bid to delay sex-trafficking trial

Hip hop mogul Sean “Diddy” Combs has lost a bid to delay his upcoming sex-trafficking trial by two months.

US district judge Arun Subramanian said the 55-year-old rapper made his request too close to his trial, which is due to start next month.

Jury selection is currently scheduled for 5 May with opening statements set to be heard seven days later.

Combs has pleaded not guilty to five criminal counts including racketeering and sex trafficking.

Prosecutors with the Manhattan US attorney’s office accuse Combs of using his business empire to sexually abuse women between 2004 and 2024.

Combs’s lawyers say the sexual activity described by prosecutors was consensual.

In a court filing on Wednesday, Combs’s lawyer Marc Agnifilo asked Mr Subramanian to delay the trial because he needed more time to prepare his defence to two new charges which were brought on 4 April.

The charges were of sex trafficking and transportation to engage in prostitution.

Mr Agnifilo also said his team needs extra time to review emails it wants an alleged victim to turn over.

The new allegations brought the total number of criminal charges against the rap mogul to five – following the three original counts, which also included racketeering conspiracy, filed in September.

Federal prosecutors were opposed to any delay, writing in a Thursday court filing that the additional charges brought
earlier this month did not amount to substantially new conduct.

They also said Combs was not entitled to the alleged victim’s communications.

Read more: Everything you need to know about the Sean Combs trial

Sean "Diddy" Combs stands during his hearing where he pleaded not guilty to an expanded federal indictment charging the hip-hop mogul with five criminal counts, including racketeering and sex trafficking, in New York, U.S., April 14, 2025, in this courtroom sketch. REUTERS/Jane Rosenberg
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A sketch of Combs during one of his court appearances. Pic: Reuters

Meanwhile, Mr Subramanian is weighing other evidentiary issues, such as whether to allow alleged victims to testify under pseudonyms.

Also known during his career as Puff Daddy and P Diddy, Combs founded Bad Boy Records and is credited with helping turn rappers and R&B singers such as Notorious B.I.G, Mary J. Blige, Faith Evans and Usher into stars in the 1990s and 2000s.

But prosecutors have said his success concealed a dark side.

They say his alleged abuse included having women take part in recorded sexual performances called “freak-offs” with male sex workers, who were sometimes transported across state lines.

Combs has been in jail in Brooklyn since September, having been denied bail.

He also faces dozens of civil lawsuits by women and men who have accused him of sexual abuse.

Combs has strenuously denied all allegations of wrongdoing.

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Warfare’s Alex Garland: ‘Being anti-war is not the same as saying it should never happen’

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Warfare's Alex Garland: 'Being anti-war is not the same as saying it should never happen'

Alex Garland says while it’s “the most obvious statement about life on this planet” that the world would be a better place without war, it “doesn’t mean it should never happen”, and there are “circumstances in which war is required”.

The Oscar-nominated screenwriter and director told Sky News: “I don’t think it is possible to make a statement about what war is really like without it being implicitly anti-war, inasmuch as it would be better if this thing did not happen.

“But that’s not the same as saying it should never happen. There are circumstances in which war is required.”

Pic: A24
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(L-R) Co-writers and co-directors Alex Garland and Ray Mendoza. Pic: A24

His latest film, Warfare, embeds the audience within a platoon of American Navy SEALs on an Iraqi surveillance mission gone wrong, telling the story solely through the memories of war veterans from a real 2006 mission in Ramadi, Iraq.

Garland says the film is “anti-war in as much as it is better if war does not happen,” adding, “and that is about the most obvious statement about life on this planet that one could make.”

Comparing it to ongoing geopolitical conflict across the world, Garland goes on: “It would be better if Gaza had not been flattened. It would be better if Ukraine was not invaded. It would it better if all people’s problems could be solved via dialogue and not threat or violence…

“To be anti-war to me is a rational position, and most veterans I’ve met are anti-war.”

The screenwriter behind hits including Ex Machina, 28 Days Later and The Beach says this film is “an attempt to recreate something as faithfully and accurately as we could”.

Pic: A24
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The film opens to Swedish dance hit Call On Me. Pic: A24

‘War veterans feel invisible and forgotten’

Almost entirely based on first-person accounts, the 15-rated film opens with soldiers singing along to the video of Swedish dance hit Call On Me – complete with gyrating women in thong leotards.

It’s the only music in the film. The remaining score is made up of explosions, sniper fire and screams of pain.

Garland co-wrote and co-directed the film alongside Hollywood stuntman and gunfight coordinator Ray Mendoza, whom Garland met on his last film, Civil War.

Mendoza, a communications officer on the fateful mission portrayed in the film, says despite the traumatic content, the experience of making the film was “therapeutic”.

Mendoza told Sky News: “It actually mended a lot of relationships… There were some guys I hadn’t spoken to in a very long time. And this allowed us to bury the hatchet, so to speak, on some issues from that day.”

Turning to Hollywood after serving in the Navy for 16 years, Mendoza says past war film he’d seen – even the good ones – were “a little off” because they “don’t get the culture right”.

Mendoza admits: “You feel like no one cares because they didn’t get it right. You feel invisible. You feel forgotten.”

With screenings of Warfare shown to around 1,000 veterans ahead of general release, Mendoza says: “They finally feel heard. They finally feel like somebody got it right.”

As to whether it could be triggering for some veterans, Mendoza says decisively not: “It’s not triggering. I would say it’s the opposite, for a veteran at least.”

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Pic: A24
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D’Pharaoh Woon-A-Tai plays communications officer Ray. Pic: A24

‘I’m an actor – I love my hair’

A tense and raw 90-minute story told in real time, the film’s ensemble cast is made up of young buzzy actors, dubbed “all of the internet’s boyfriends” when the casting was first announced.

Mirroring the Navy SEALs they were portraying, the cast initially bonded through a three-week bootcamp ahead of filming, before living together for the 25-day shoot.

Black Mirror’s Will Poulter, who plays Eric, the officer in charge of the operation, says the film’s extended takes and 360-degree sets demanded a special kind of focus.

Poulter said: “It required everyone to practise something that is fundamental to Navy SEAL mentality – you’re a teammate before you’re an individual.

“When a camera’s roaming around like that and could capture anyone at kind of any moment, it requires that everyone to be ‘on’ at all times and for the sake of each other.

“It becomes less about making sure that you’re performing when the camera lands on you, but as much about this idea that you are performing for the sake of the actor opposite you when the camera’s on them.”

Another of the film’s stars, Reservation Dogs’ D’Pharaoh Woon-A-Tai, plays Mendoza and is the heart of the film.

Woon-A-Tai says the cast drew on tactics used by real soldiers to help with the intense filming schedule: “Laughter is medicine… A lot of times these are long takes, long hours, back-to-back days, so uplifting our spirit was definitely a big part of it.”

He also joked that shaving each other’s heads in a bonding ritual the night before the first day of filming was a daunting task.

“As actors, we love our hair. I mean, I speak personally, I love my hair. You know, I had really long hair. So yeah, it definitely takes a lot of trust. And you know, it wasn’t even at all, but you know it was still fun to do.”

Warfare is in cinemas now.

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UB40 say striking Birmingham bin workers ‘shouldn’t give up’

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UB40 say striking Birmingham bin workers 'shouldn't give up'

Birmingham band UB40 say the city’s striking bin workers and their union should “keep fighting” in their dispute over pay.

It comes as the government and the council urged them to accept a “fair and reasonable offer”.

“We’re fully on their side,” drummer Jimmy Brown told Sky News. “I think they shouldn’t give up, they should still be fighting.

“Working people shouldn’t have to take a reduction in their incomes, which is what we’re talking about here.

“We’re talking about people being paid less and it seems to me with prices going up, heating, buying food, inflation and rents going up then people need a decent wage to have a half decent life… keep going boys!”

Members of Unite on the picket line in Tyseley, Birmingham, amid an ongoing refuse workers' strike in the city. Birmingham City Council says it is declaring a major incident over the impact of the ongoing bin strike, as it estimates 17,000 tonnes of waste remains uncollected around the city. Picture date: Tuesday April 1, 2025.
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Members of the Unite union in Birmingham earlier this month. Pic: PA

Workers joined picket lines again on Thursday, with some fearing they could be up to £600 a month worse off if they accept the terms.

“We have total utter support for the bin men and all trade unions,” said guitarist Robin Campbell.

“The other side is always going to say they’ve made a reasonable offer – the point is they’re the ones who’ve messed up, they’re the ones who’ve gone bankrupt, they’re the ones now trying to reduce the bin men’s wages.”

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Lead singer Matt Doyle told Sky News: “It’s a shame that what we’re seeing is all the images of rats and rubbish building up, that is going to happen inevitably, but we’ve just got to keep fighting through that.”

About 22,000 tonnes of rubbish accumulated on the city’s streets after a major incident was declared last month by Birmingham City Council.

Rubbish bags in Poplar Road in Birmingham.  
Pic: PA
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Rubbish has blighted the city’s streets for weeks . Pic: PA

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Bin situation ‘pains me’ – council boss

On a visit to the city, local government minister Jim McMahon said the union and local authority should continue to meet in “good faith” and the government felt there was a deal that could be “marshalled around”.

He paid tribute to the “hundreds of workers” who have worked “around the clock” to clear the rubbish.

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“As we stand here today, 85% of that accumulated waste has been cleared and the council have a plan in place now to make sure it doesn’t accumulate going forward,” said Mr McMahon.

Sky News understands talks are not set to resume until next week.

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