“Thanks so much for celebrating our story with us,” was the message from Easy Life, after playing their final gigs under that name. “See you later, maybe never.”
For the band and their thousands of fans, hopefully there will be another chapter.
The two gigs, hastily organised for London and their hometown of Leicester, came less than two weeks after they announced they were being sued by easyGroup, holding company for easyJet and other “easy” brands, over their name.
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While it seemed “hilarious” to the band at first, they quickly realised this was no joke. In easyGroup’s lawsuit it was pointed out they had used an image of an orange and white plane, similar to the branding for easyJet, for their Life’s A Beach tour, among other accusations about reputational damage. In a statement, EasyGroup founder and chairman Sir Stelios Haji-Ioannou labelled them “brand thieves”.
The band’s supporters – including fellow musicians such as Professor Green, Arlo Parks and Mahalia, several MPs, plus UK Music chair and deputy Labour leader Tom Watson and Tom Gray, the chair of the Ivors Academy – argued any similarities were tongue in cheek and harmless, with plenty of fans offering to support a crowdfunder to raise money for legal fees.
Easy Life themselves said they were “certain in no way have we ever affected their business”.
‘David v Goliath’
Image: Pic: AP/Scott Garfitt
It was a blow that seemingly came from nowhere after a huge year: their biggest ever headline show at London’s Alexandra Palace and plans for a third album to follow their first two in 2021 and 2022, which both charted at number two in the UK. In 2022, they played Glastonbury’s famous Pyramid Stage. It was all a long way from their first gig – “no one was there, lol”, they joked on Instagram recently – in 2015.
But after initially hoping to fight the case, which they said would cost hundreds of thousands of pounds, they were forced to concede defeat, realising essentially it was “David vs Goliath – and our British legal system favours Goliath”.
“Perhaps our case will help provoke a dialogue around legal reform and justice being available to all,” they wrote in a letter to fans shared on their website.
EasyGroup have launched similar lawsuits before, detailing those that have been successful on their website – and hitting out at those who “think they can make a fast buck by stealing our name and our reputation”.
‘We are very confident’
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James Moir, head of the charity shopping site easyfundraising, understands the band’s situation, as his company is facing a similar claim by easyGroup, brought in February 2022. Mr Moir says they will fight their case in court in 2024 – again, at a cost of hundreds of thousands of pounds.
“It’s been incredibly drawn-out,” he said. “It’s a difficult thing to take on, hugely costly. We are very confident, that’s part of the reason we’re fighting this, but even [if you win] you don’t get all your fees back. So this is going to cost us.”
Easyfundraising’s company trademark was approved in 2010, he said, and there is nothing “remotely similar” to the easyGroup brand – aside from the word.
“It’s ludicrous,” he said. “No one owns the word ‘easy’.”
Mr Moir said he sympathises with Easy Life having to make the “impossible decision” not to fight the case, adding: “There’s got to be a more sensible way that would be better, fairer for smaller organisations, better for not clogging up the court systems. Let’s be honest, this is about corporate bullying. That’s what’s at the heart of it.”
An easyGroup spokesperson said it would not comment further on the band at this time following their decision to change their name. Of the action against easyfundraising, the spokesperson said the company was “protecting the consumer from any confusion – remember as brand thieves they are not subject to our product/service standards”.
The spokesperson continued: “It needs to be repeated that many of our partners use the easy brand name and get up as part of their business strategy – in return for an annual royalty. It cannot be remotely fair for other third parties to just pick it up and use it for free.”
Image: Easy Life’s Life’s A Beach tour poster was included in documents submitted to the High Court
Can you claim ownership of a word?
Several trademark and legal experts have been following the legal row since the story made headlines at the beginning of the month.
Emma Kennaugh-Gallacher, senior professional support lawyer at intellectual property (IP) experts Mewburn Ellis, says easyGroup has “long been zealous in policing the use of what it considers to be its proprietary ‘easy+’ mark”, but case law so far indicates “there is by no means an assumption that they can simply claim ownership to any easy+ phrase”.
It depends on context and history of use, among other factors, she added.
Josh Schuermann, IP expert for international law firm Reed Smith’s Entertainment & Media Group, says there has been an increase in these types of cases in recent years, due to social media making it “easier than ever” to create content and share information.
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Helen Wakerley and Isabelle Tate, partner and associate respectively at IP law firm Reddie & Grose, said that while easyGroup does not own the word “easy” it could argue that links would be made to its brands. Any action against the name of the band alone “would have made things more challenging” for easyGroup, they said – however, Easy Life’s use of easyJet livery on merchandise and tour posters had “muddied the issue”, as “there is no parody defence to trademark infringement, which exists in copyright law”.
And Jill Bainbridge, contentious intellectual property partner at the Harper James law firm, said that while the case may “be regarded as a David v Goliath situation”, easyGroup leaving a perceived infringement unchallenged could “open the door for others to follow suit”.
‘There should be a quicker way’
For the artists now formerly known as Easy Life, the case has brought an abrupt end to a band that was very much on the up. Fans now remain hopeful of seeing them return under a new name.
For easyfundraising, they await their day in court. “We remain confident,” says Mr Moir. “But I think this brings into question, how cases like this continue to be allowed to be brought.
“If an organisation such as ourselves has had a trademark approved for 13 years and there is, you know, a very, very quick understanding and you can look and say, we’re in completely different sectors, we do completely different things, we don’t have an orange logo – a very, very quick test to prove that there is no passing off [as another brand].
“Is there not a better way that cases like this could be dealt with? It just seems wrong on every level.”
Disgraced hip hop mogul Sean “Diddy” Combs has asked a judge to release him on a $50m bond as he waits to be sentenced for prostitution-related offences.
Combs’s lawyer has argued that conditions at the Metropolitan Detention Centre in Brooklyn are dangerous and noted that others convicted of similar offences were typically released before sentencing.
“Sean Combs should not be in jail for this conduct,” Marc Agnifilo said in a court filing on Tuesday.
“In fact, he may be the only person currently in a United States jail for being any sort of John, and certainly the only person in jail for hiring adult male escorts for him and his girlfriend.”
A “John” in the US is a slang term for somebody who hires a prostitute.
A spokesperson for the US attorney’s office in Manhattan did not immediately respond to a request for comment.
Prosecutors have previously insisted he remains a flight risk and should therefore not be granted bail.
The 55-year-old, one of the most influential hip-hop producers of all time, faces up to a decade in prison after he was convicted earlier this month of two counts of transportation to engage in prostitution.
The charges relate to how he flew people around the US, including his girlfriends and male sex workers, for sexual encounters.
Image: Combs knelt at his chair and appeared to pray after the verdicts
Combs was cleared of three more serious charges – two for sex trafficking and one for racketeering conspiracy – following his landmark trial in New York.
A conviction on one of those charges could have put him in prison for life.
Immediately after he was acquitted of those charges on 2 July, Mr Agnifilo had asked that Combs be released on bond.
But Judge Arun Subramanian denied it, saying Combs at the time had not met the burden of showing by clear and convincing evidence a “lack of danger to any person or the community”.
Combs is the latest celebrity inmate to be locked up at MDC Brooklyn, the only federal jail in New York City, joining a list that includes R Kelly, Ghislaine Maxwell and cryptocurrency fraudster Sam Bankman-Fried.
Ozzy Osbourne fans will be able to say goodbye to the heavy metal pioneer at a procession for his cortege through his home city of Birmingham tomorrow.
The star’s hearse will make its way down Broad Street towards the Black Sabbath bridge and bench – where thousands of fans have left flowers, messages and other tributes since his death.
Osbourne, 76, died less than three weeks after performing his “final bow” in the city – the Back The Beginning reunion with his Sabbath bandmates at Villa Park, which raised about £140m for charity.
Image: Ozzy Osbourne on stage at Villa Park just a few weeks before his death. Pic: Reuters
Large crowds are expected to gather tomorrow as fans pay their respects to the performer who shaped heavy metal music and “proudly carried the spirit of Birmingham throughout his career”, the city council said.
Members of Osbourne’s family will also be in attendance and have funded the event, the council added.
“Ozzy was more than a music legend – he was a son of Birmingham,” said the city’s lord mayor, Councillor Zafar Iqbal. “We know how much this moment will mean to his fans. We’re proud to host it here with his loving family in the place where it all began.”
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The life of Ozzy Osbourne
Mr Iqbal said it was important to the city to give the star “a fitting, dignified tribute ahead of a private family funeral”.
Osbourne and his Black Sabbath bandmates Terence “Geezer” Butler, Tony Iommi and Bill Ward were awarded the Freedom of the City in June, before the Back To The Beginning show, honouring their “significance to the cultural and musical identity of Birmingham”.
The star’s cortege will travel down Broad Street from about 1pm tomorrow, accompanied by a live brass band, Bostin’ Brass. For those not able to make it, a live stream of the Black Sabbath bench, which has been running since Osbourne’s death, will continue.
There is also a book of condolence for public messages at Birmingham Museum and Art Gallery, alongside theOzzy Osbourne Working Class Hero exhibition, highlighting his solo career achievements.
Osbourne, the self-styled Prince of Darkness, pioneered heavy metal with Black Sabbath before going on to have huge success in his own right. He was famous for hits including Iron Man, Paranoid, War Pigs, Crazy Train and Changes, both with the band and as a solo star.
The singer also found a different kind of fame thanks to noughties MTV reality show The Osbournes, which followed his somewhat chaotic life with wife Sharon and two of their children, Kelly and Jack.
Following his death, his family released a statement saying he died alongside them, “surrounded by love”.
The 1975 frontman Matty Healy has warned of a musical “silence” that would come without the pubs and bars that give UK artists their first chance to perform.
Fresh from headlining Glastonburyin June, Healy is backing a new UK-wide festival which will see more than 2,000 gigs taking place across more than 1,000 “seed” venues in September.
The Seed Sounds Weekender aims to celebrate the hospitality sector hosting bands and singers just as they are starting out – and for some, before they go on to become global superstars.
Healy, who is an ambassador for the event, said in a statement to Sky News: “Local venues aren’t just where bands cut their teeth, they’re the foundation of any real culture.
“Without them, you don’t get The Smiths, Amy Winehouse, or The 1975. You get silence.”
Oasis, currently making headlines thanks to their sold-out reunion tour, first played at Manchester’s Boardwalk club, which closed in 1999, and famously went on to play stadiums and their huge Knebworth gigs within the space of a few years.
Image: Oasis stars Liam and Noel Gallagher, pictured on stage at Wembley for their reunion tour, started out playing Manchester’s Boardwalk club. Pic: Lewis Evans
GigPig, the live music marketplace behind Seed Sounds, says the seed sector collectively hosts more than three million gigs annually, supports more than 43,000 active musicians, and contributes an estimated £2.4bn to the UK economy.
“The erosion of funding for seed and grassroots spaces is part of a wider liberal tendency to strip away the socially democratic infrastructure that actually makes art possible,” said Healy.
“What’s left is a cultural economy where only the privileged can afford to create, and where only immediately profitable art survives.”
He described the Seed Sounds Weekender as “a vital reminder that music doesn’t start in boardrooms or big arenas – it starts in back rooms, pubs, basements, and independent spaces run on love, grit, and belief in something bigger.”
The importance of funding for grassroots venues has been highlighted in the past few years, with more than 200 closing or stopping live music in 2023 and 2024, according to the Music Venue Trust. Sheffield’s well-known Leadmill venue saw its last gig in its current form in June, after losing a long-running eviction battle.
In May, Culture Secretary Lisa Nandy announced the £85m Creative Foundations Fund to support arts venues across England.
But most seed venues – the smaller spaces in the hospitality sector that provide a platform before artists get to ticketed grassroots gigs or bigger stages – won’t qualify for the levy. GigPig is working to change this by formalising the seed music venue space as a recognised category.
“The UK’s seed venues are where music careers are born,” said GigPig co-founder Kit Muir-Rogers. “Collectively, this space promotes more music than any other in the live music business, yet it has gone overlooked and under-appreciated.”
The Seed Sounds Weekender takes place from 26-28 September and will partner with Uber to give attendees discounted rides to and from venues.
Tickets for most of the gigs will be free, with events taking place across 20 UK towns and cities including London, Liverpool, Birmingham, Manchester, Glasgow, Leicester, Newcastle and Southampton