On 2 December 2018, British backpacker Grace Millane should have been celebrating her 22nd birthday during the trip of a lifetime in New Zealand.
Thousands of miles from her home in Essex, the messages and requests for video calls from friends and family kept pinging through to her phone. But they were never answered.
Her disappearance made headlines around the world. Grace had been murdered by Jesse Kempson, a 26-year-old man she met through Tinder. He strangled her in a hotel room in Auckland, calmly left in the morning to purchase a suitcase, and later buried her body in an area of bushland in the Waitakere Ranges.
Image: Jesse Kempson initially lied to police – but CCTV showed the inaccuracies in his story
When CCTV contradicted his story – that they enjoyed a short date before going their separate ways – he admitted she had died while with him, but claimed a case of consensual “rough sex” gone badly wrong.
Kempson’s defence meant Grace’s parents David and Gillian, grieving and in a strange country, listened in court to what felt like blame and shaming of their daughter; details of her sex life raked over, never able to tell her own story. Following the trial, it emerged Kempson had a record of violence against women and had raped another British tourist eight months before he murdered Grace.
Almost five years on, a new documentary, The Murder Of Grace Millane, takes a look back at the night of her death and Kempson’s subsequent trial, focusing on his use of the defence and the reaction from some on social media that Grace was in some way at fault for going back to a hotel room with a man she had met that day.
Image: Detective Inspector Scott Beard pictured with Grace Millane’s parents David and Gillian outside Auckland High Court
“Essentially the rough sex defence re-victimises that victim and their families – in a murder case, their families who are sitting in court,” Detective Inspector Scott Beard, the lead investigator on the case, tells Sky News. “The victim isn’t there to answer.”
The documentary has been made by filmmaker Helena Coan, featuring DI Beard and with the blessing of Grace’s family. She says Kempson’s defence, arguing that Grace had asked to be choked during sex, was one of the main reasons she wanted to tell the young woman’s story.
“I’ve been in that position and probably every woman in the history of the world has been in that position, on a new date with someone that you don’t really know,” she says. “We’re excited to be there.” The CCTV footage shows a “young girl having fun in a new country”, she adds. “She was just a normal young woman who absolutely didn’t deserve what was about to happen to her.”
Image: Grace, in the last image of her taken alive, stands with Kempson in the hours before he murdered her
Coan’s film lets the evidence speak for itself. There is contradictory CCTV, footage of Kempson rifling through Grace’s bag when she left the table during her date, his internet search history for porn in the hours after Grace’s death, as well as for “Waitakere ranges” – the location where he would later bury her body. He also took photos of her. And there was no call to emergency services, no attempt to get help.
Jurors saw through Kempson’s account and he was ultimately found guilty, sentenced to a minimum of 17 years in prison. But campaigners say the rough sex defence in some cases can lead to reduced sentencing.
“People don’t really understand the prevalence of the rough sex defence,” says Coan. “Men are getting away with the most heinous, manipulative, planned, pre-meditated crimes. And they are saying, basically, ‘she asked for it’.
“It’s scary to see how lawyers use this defence and how juries still buy into this idea, that a woman can consent to being strangled to death.”
As it was said in court, she points out, it takes five to 10 minutes to kill someone by strangulation. “That’s not pleasure. That’s murder.”
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Grace Millane’s murderer in police interview
In England and Wales, following much campaigning, it was announced in 2020 that “rough sex” legally should not be considered a defence to violent crime, that a person “cannot consent to actual bodily harm or to other more serious injury or, by extension, to their own death”.
Before this, the We Can’t Consent To This campaign group, which was set up following another woman’s killing, said the use of the defence had increased tenfold since 2000. It features the stories of dozens of women and girls on its website.
Following Kempson’s conviction in 2019, Susan Edwards, a barrister and law professor who spent years campaigning for a change in legislation in the UK, told Sky News she believed the “alarming” increase in the use of the defence was down to “a narrative in society of pornography in the media and much more generally” which meant jurors “might be more persuaded to accept that women are more consenting to this type of dreadful behaviour”.
Coan says she wants to see changes in the conversation generally, “outside of the courtroom – about women and violence against women and domestic violence and victim blaming – that then makes these defences harder to use because juries don’t buy into them as much”.
Her film features comments made about Grace on social media as news of her disappearance and death made headlines. She says it was “horrifying” to see the negative remarks. “It’s always scared me how quickly people want to blame victims of violence for the violence that’s committed against them. I want people to hear [the evidence] and then go, there is no way she could have consented to this.”
Coan says she hopes more than anything that the film will help more men understand the “silent burden” of the fear of violence that women carry.
“That’s really where things start to change, is with good men calling out other men. I want men to watch this film and understand that this feeling that something like this could happen is with every single woman, all the time. All the way through their lives. I want men to watch this and realise the fear that we carry and how heavy that is, and how men can really help to solve that.”
Watch The Murder of Grace Millane on Sky Documentaries and NOW from 22 October
They were one of the main staples of noughties music in the UK and Ireland and to celebrate 25 years of touring, Westlife have returned to the spotlight again.
The boy band has released a new song called Chariot, with an album following suit in February and a tour that will take them around the world next year.
“The Westlife story is fairy tale stuff and we’re very lucky and proud to be part of it”, Shane Filan tells Sky News at the Royal Albert Hall, where they have just performed for two nights.
“It took our breath away. We came out to the Royal Albert Hall thinking it might be a little bit more intimate than a big arena and just the sheer noise, the sheer screams from the women and everyone just having good fun.
“The support and love, we never felt it like we did in the room. It was amazing.”
Image: Westlife started their 25th anniversary celebrations with two sold-out shows at the Royal Albert Hall in London
Formed by their manager Louis Walsh in the late 1990s, the group originally consisted of Filan, Mark Feehily, Brian McFadden, Nicky Byrne and Kian Egan.
McFadden left the group in 2004 to pursue a solo career, but the other four have remained together.
Due to health issues, Feehily can’t join the celebrations, but representatives say he is still very much part of the band and features on their new music and upcoming album.
Image: Westlife were blown away by the ‘sheer noise’ of screaming fans at the Royal Albert Hall. Pic: Sony Music
Image: Pic: Sony Music
History-making chart successes
Westlife are joint third with Sir Cliff Richard and Ed Sheeran for the most UK number one singles in history, just behind Elvis and The Beatles.
In their first 18 months, they secured seven of those top spots thanks to songs like Flying Without Wings, I Have A Dream and If I Let You Go.
Reflecting on the years gone by, Byrne says the nostalgia hits harder than ever.
“You see the generations coming to the shows, people letting their hair down, people remembering the songs from their first kiss, the first dance, all those special things that music does,” he says.
“Not even just for the fans – we’re having the time of our lives.
“We’re singing these songs up there… I remember breaking the wardrobe door when we were promoting Swear It Again, and now we’re singing it in front of the Royal Albert Hall and look, I mean, just look at this place.”
Image: (L-R) Kian Egan, Nicky Bryne and Shane Filan say they are having ‘the time of their lives’ performing together again
Famous fans and furniture
For Byrne, finding out about fans of their music never gets old, and their song Flying Without Wings seems to be a key component of their stature in music.
“I did Soccer Aid with Tom Grennan recently, and he was talking all about how he grew up listening to Westlife – his dad is Irish. Big Zuu, who scored the winning goal, he was like, ‘Flying Without Wings, man, is the best song I’ve ever heard’.”
It’s the same song Sheeran first learned to play guitar on, and years later, he began writing songs for the group, including their latest single Chariot.
Oddly, it’s their choice in furniture that receives just as much attention as their music over the years, with four stools becoming synonymous with the group.
Stemming from their lack of dancing skills, according to Simon Cowell at least, they chose to change it up and simply rise from their chair on the key change of the song.
“We are stool connoisseurs. It’s become a very strange thing and it’s nearly as big as our music. It’s genuinely as big as You Raise Me Up,” Filan laughs.
Image: Filan (R) jokes that the band have become ‘stool connoisseurs’
Keeping their kids grounded
As the band continued to release music, each member settled down and had families of their own. Now their children are around the same age they were when they first started as a group.
Egan says they all made a conscious decision to raise the next generation away from the spotlight.
“We don’t want our kids growing up in this world and at the end of the day they are privileged, so it’s really important for us to keep them grounded and to try and give them as much of a natural kind of upbringing as they possibly can, and I think that’s why we choose to bring them up in the same places that we grew up,” he adds.
Byrne chimes in jokingly: “Slightly bigger houses, though!”
It was this tour that caused Byrne’s children to realise the extent of their father’s fame.
“I have twin boys who are 18 and a half, and the middle girl is 12. So last week, when the tour went on sale in Ireland, and we went from five nights in the 3Arena to 13, and from Belfast it went from three right up to seven, and the boys are looking at me, going, ‘You’re doing 13 nights in the 3Arena’.
“And it is even me looking at them going, ‘Yeah, right’. It hits you, it hits you there in a way, to be honest with you. I got a little bit cooler then.”
Running from September 2026, Westlife 25 – The Anniversary World Tour, will kick off in Dublin for 13 shows before heading to Aberdeen, Glasgow, Newcastle, Leeds, Sheffield, London, Brighton, Bournemouth, Birmingham, Cardiff, Manchester and then Belfast for seven nights.
Gigs in Paris, Hamburg, Copenhagen, Stockholm, Amsterdam, Antwerp, Cologne and Zurich will follow.
Tickets for Westlife’s UK tour dates go on sale this Friday.
The two suspects arrested over the Louvre jewellery heist have “partially” confessed to their involvement in the robbery, according to a prosecutor.
Paris prosecutor Laure Beccuau revealed the development at a news conference on Wednesday.
Four thieves stole nine items – one of which was dropped and recovered at the scene – in a heist pulled off while the world-famous Paris museum was open to visitors on 19 October.
It took the thieves less than eight minutes to steal the jewels. They forced open a window and cut into cases with power tools after gaining access via a vehicle-mounted mechanical lift.
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Suspects in Louvre robbery ‘partially confessed’
Ms Beccuau also said the jewels had not yet been recovered.
“These jewels are now, of course, unsellable,” said Ms Beccuau. “Anyone who buys them would be guilty of concealment of stolen goods. It’s still time to give them back.”
‘No evidence’
Ms Beccuau also addressed reports that police believe the robbery could have been an inside job.
She said that there was “no evidence the thieves benefited from inside help”.
Under French rules for organised theft, custody can run up to 96 hours. That limit is due to expire late on Wednesday, and prosecutors must charge the suspects, release them or seek a judge’s extension.
Image: Paris prosecutor Laure Beccuau speaks during a press conference about the investigation into the Louvre robbery. Pic: Reuters
One suspect is a 34-year-old Algerian national who has been living in France since 2010, Ms Beccuau said. He was arrested Saturday night at Charles de Gaulle airport as he was about to fly to Algeria with no return ticket.
Ms Beccuau said that he was living in the Paris suburb of Aubervilliers, and was known to police mostly for road traffic offences.
The other suspect, 39, was arrested Saturday night at his home in Aubervilliers.
“There is no evidence to suggest that he was about to leave the country,” said Ms Beccuau.
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Louvre jewels ‘have not returned’
The man was known to police for several thefts, and his DNA was found on one of the glass cases where the jewels were displayed, and on items the thieves left behind, she added.
Earlier, French police acknowledged major gaps in the Louvre’s defences.
Paris police chief Patrice Faure told politicians that ageing security systems had left weak spots.
“A technological step has not been taken,” he said.
Mr Faure also revealed that the Louvre’s authorisation to operate its security cameras quietly expired in July and had not been renewed.
He said the first alert to police came not from the Louvre’s alarms, but from a cyclist outside who dialled the emergency line after seeing helmeted men with a basket lift.
Image: Members of a forensic team inspect a window believed to have been used by the culprits. Pic: Reuters
Mr Faure also rejected calls for a permanent police post inside the museum, warning it would set an unworkable precedent and do little against fast and mobile thieves.
“I am firmly opposed,” he said. “The issue is not a guard at a door; it is speeding the chain of alert.”
Five new arrests have been made in the investigation into the Louvre jewellery heist, the prosecutor for Paris has said.
French radio station RTL reported the arrests on Thursday, following an interview with Laure Beccuau.
The Paris prosecutor’s department shared the interview on social media with the caption: “Louvre Burglary: Five New Suspects Apprehended.”
In the interview, Ms Beccuau said one of the five suspects was identified through DNA traces left at the crime scene, but she added that it was “too early” to comment further on the suspects’ identities.
All five were arrested in coordinated raids in Paris and its surrounding areas late Wednesday, but searches overnight “did not allow us to find the goods”, Ms Beccuau said.
It comes after the prosecutor said two suspects arrested over the jewellery heist had “partially” confessed to their involvement in the robbery.
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Suspects in Louvre robbery ‘partially confessed’
Four thieves stole nine items – one of which was dropped and recovered at the scene – in a heist pulled off while the world-famous Paris museum was open to visitors on 19 October.
It took the thieves less than eight minutes to steal the jewels worth £76m. They forced open a window and cut into cases with power tools after gaining access via a vehicle-mounted mechanical lift.
Ms Beccuau urged the thieves to return the French crown jewels on Wednesday.
“These jewels are now, of course, unsellable,” she said. “Anyone who buys them would be guilty of concealment of stolen goods. It’s still time to give them back.”
Image: Footage shows the moment thieves escaped the Louvre with £76 million worth of jewellery in broad daylight
Regarding the two suspects in custody since Saturday, Ms Beccuau previously revealed that one is a 34-year-old Algerian national who has been living in France since 2010.
He was arrested Saturday night at Charles de Gaulle airport as he was about to fly to Algeria with no return ticket.
Ms Beccuau said that he was living in the Paris suburb of Aubervilliers, and was known to police mostly for road traffic offences. His DNA was found on one of the scooters used by the thieves to leave the scene, according to the prosecutor.
The other suspect, 39, was arrested Saturday night at his home in Aubervilliers.
“There is no evidence to suggest that he was about to leave the country,” said Ms Beccuau.
Image: Members of a forensic team inspect a window believed to have been used by the culprits. Pic: Reuters
The man was known to police for several thefts, and his DNA was found on one of the glass cases where the jewels were displayed, and on items the thieves left behind, she added.
The heist exposed major gaps in the Louvre’s defences, with Paris police chief Patrice Faure telling politicians that ageing security systems had left weak spots.
“A technological step has not been taken,” he said. Mr Faure also revealed that the Louvre’s authorisation to operate its security cameras quietly expired in July and had not been renewed.
He said the first alert to police came not from the Louvre’s alarms, but from a cyclist outside who dialled the emergency line after seeing helmeted men with a basket lift.