Georgia Harrison is smartly dressed in a pink boucle jacket and a white blouse buttoned up at the collar, hair swept off her face in a slick, smart ponytail. But as soon as she gets off the Zoom call, she’ll change into a Tinkerbell costume for early Halloween celebrations – as seen in photographs now shared on Instagram.
This is the fun, carefree woman the reality star and influencer used to be, before her ex, Stephen Bear, almost ruined her life.
Harrison, 28, is a former The Only Way Is Essex and Love Island star. Now, she is a well-known activist following her high-profile ordeal, which she details in her new memoir, Taking Back My Power.
It began in August 2020, after she slept with Bear. While he told her afterwards about the footage and assured her it would remain private, there was a nagging doubt. She started to hear stories that people had seen it, and then received screenshots.
This was the hardest period of her life, she says, as she waited in limbo for the inevitable. When the footage did go viral, first through Bear’s OnlyFans account and then picked up by Pornhub, she says she was almost relieved.
“I was living in fear and I was imagining these situations… all these people are going to judge me, my friends and family are going to be so disappointed,” she explained.
“I think when it actually did go viral and everyone knew about it, it was almost like a weight lifted – to be able to have the conversations with my friends and family… and then also the police and people that could actually help me.
“I think I really needed to have those conversations to understand I had nothing to be ashamed of.”
‘I had no option but to go to the police’
Harrison’s influencing career crumbled as brands she worked with quickly dropped her.
It is hard to overstate the shame, embarrassment and fear she felt, she says – knowing how many people had viewed the footage or were searching for the “sex tape”.
But she never had any hesitation about going to the police or doing everything in her power to put a stop to it.
She even asked her Instagram followers to help her collate evidence, publicly waiving her right to anonymity as a victim of a sexual offence.
“As soon as I realised the scale of how many porn websites it was on and also the fact that he directly sold it himself on a verified account, I was like, absolutely there’s no other option now to just go to the police and face this head-on,” she said.
During Bear’s trial in 2022, his Twitter account shared a half-price deal for his adult entertainment website alongside a photo of him arriving at court accompanied by his girlfriend.
The image showed him walking from a hired chauffeur-driven white Rolls Royce to the court building, with the accompanying text reading: “50% off my adult site for the next 24 hours. Come see why I’m trending.”
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1:52
Stephen Bear takes selfie and sings before being jailed
‘It was really demoralising’
Harrison describes his behaviour as “appalling”. But it showed the real Stephen Bear, she adds.
“He was arrogant, he was rude, he was dismissive,” she says. “He treated women outside [the court], especially the reporters, like they were completely insignificant. And that is him. So if anything, it was nice for the public to be able to see what I was dealing with in reality.”
She had to relive her ordeal in court, verifying photos of the footage that were shown to jurors.
“You feel really exposed, having to go through, one at a time, pictures of you in different sexual positions you had no idea anyone would ever see you in,” she says.
“It was really, really tough. And it wasn’t just tough for me. I felt embarrassed but I could tell the whole room felt embarrassed, the jury must’ve felt really uncomfortable as well.
“But I knew I had to do it. So it was just like, bite the bullet and push through. It was really demoralising.”
Bear, now 33, was found guilty of voyeurism, and two counts of disclosing private, sexual photographs and films. In March this year, he was sentenced to 21 months in prison.
It was a hugely significant conviction. According to data collated by the women’s charity Refuge earlier this year, of 13,860 intimate image offences recorded by 24 police forces between 1 January 2019 and 31 July 2022, the alleged offender was charged or summonsed in just 4% of cases. A conviction is even less likely.
While the act was criminalised in 2015, the new amendments will remove the requirement for prosecutors to prove perpetrators intended to cause distress in order to secure a conviction.
“I still find it hard to comprehend that that actually happened,” she says. “I think it’s going to change conviction rates. I really hope in a year’s time I’m having these discussions and I have statistics to show it’s made a difference.”
She adds: “Because for the girls I speak to, the victims I’ve spoken to in the past, it really has let them down so many times, that clause.”
Harrison now wants online platforms to face tougher consequences for hosting images or footage taken or shared without consent.
She says: “One of the most traumatising things wasn’t even coming to terms with the fact he’d done it to me. It was coming to terms with the fact these powerful platforms – who are making billions of dollars a year and are in such a huge position, where they have a responsibility to be looking after their subscribers or their viewers – were just so ignorant.”
“None of them wanted to answer me,” Harrison says. She received automated responses of “we’ll get back to you in five to six days”.
A spokesperson for OnlyFans said the site took down the video “within 24 hours of being notified, closed the account and aided the prosecution of Stephen Bear”.
Harrison does not have much faith in tech companies but does have faith in the Online Safety Bill, which will place new duties on social media platforms to protect users from harmful content.
For the biggest platforms, failure to protect users could see them face significant fines of up to £18m or 10% of global revenue – potentially billions of pounds – and tech bosses could even face prison in extreme cases.
“I think once that comes into play, they’re going to put more money into compliance,” Harrison says.
She wants social media firms to have employees who can deal with complaints about any form of abuse online.
She explains: “You should be able to speak to a human being who can immediately take the relevant steps to either pause or stop content until it’s further reviewed. It’s not a lot to ask.”
Harrison’s life now is vastly different from the one she had mapped out as a reality star and influencer. She worked with multiple underwear brands before all this, but not now.
“I find it weird there was such a stigma in that industry,” she says. “I definitely think a lot of brands should be looking into the way they do treat women in these situations and also be doing more to empower women, especially when that’s their main clientele. It’s a bit hypocritical.”
But on the flip side, she says she is “really lucky to be opening new doors”. Earlier this month, she received Glamour magazine’s activist of the year award. Last month, she visited Downing Street.
“I think when you go through so much in such a small amount of time, it takes a while to adjust back to everything being happy… not having a fear that things are going to go wrong,” she says.
Image: Georgia Harrison poses for photographers upon arrival at the Glamour Women of the Year Awards 2023 on Tuesday, Oct. 17, 2023 in London. (Scott Garfitt/Invision/AP)
What would Harrison say to Bear?
Harrison has her book out and film projects in the pipeline. “I’ve got a few things that are going to show my resilient side, which I don’t think the UK has seen before,” she says.
I’m not sure that’s true, I say. If there is one word to sum up the Georgia Harrison of the past few years, it is probably resilient.
She smiles. “You have absolutely nothing to be ashamed of,” is her message to anyone else suffering in the same way she did, she says.
I ask her what she would say to Bear, should she ever come across him again.
“Nothing,” is the quick response. All she wants is for him to admit to himself, not necessarily even publicly, that he was wrong, and “take steps to rehabilitate himself as a better human being and learn how to respect women, treat women well, and also not break the law in the future”.
Harrison finds her stride: “I believe that every human being who has lost their way in this world should have a chance at rehabilitation and bettering themselves and learning from the mistakes, I just don’t believe every human being has the ability to do it. But hopefully, he does and he goes on to live a nice life – but a moral life.”
Harrison is proud of everything she has achieved and determined to keep being a voice for others who may have suffered similar injustices, but says she needs to still be the old Georgia Harrison, too.
“I’m quite upbeat and comedic, I am a light-hearted person and I feel like those aspects of my personality tend to get a bit drowned out,” she says.
“I’m campaigning or speaking about things that are really important subjects, but also really quite mentally draining and quite tiring. So I’m just trying to figure out getting a balance.”
She wants to help other people, she says again. “And apart from that, I try and keep it sunshine and rainbows.” With that, she grins – telling me she’s eager to get changed into her costume for her Halloween party.
Tinkerbell – the fairy who fixes things.
Taking Back My Power, published by Renegade Books, with eBook and audio also available, is out now.
His death came just weeks after he reunited with his Black Sabbath bandmates – Tony Iommi, Terence “Geezer” Butler and Bill Ward – and performed a huge farewell concert for fans.
The band paid tribute to him on Instagram by sharing an image of Osbourne on stage at the farewell gig in Birmingham and writing “Ozzy Forever”.
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Iommi, the band’s lead guitarist, said he was in disbelief at the news.
“It’s just such heartbreaking news that I can’t really find the words, there won’t ever be another like him. Geezer, Bill and myself have lost our brother.”
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Watch: Ozzy’s last concert
Butler, Black Sabbath’s bassist and primary lyricist, thanked Osbourne for “all those years – we had some great fun”.
He said: “Four kids from Aston – who’d have thought, eh? So glad we got to do it one last time, back in Aston. Love you.”
Image: Osbourne with his wife Sharon during the 46th Annual Grammy Awards. Pic: AP
Sir Elton John described Osbourne as his “dear friend” and a “huge trailblazer” who “secured his place in the pantheon of rock gods”.
“He was also one of the funniest people I’ve ever met,” the singer wrote on Instagram.
Ronnie Wood, of The Rolling Stones, wrote: “I am so very sad to hear of the death of Ozzy Osbourne. What a lovely goodbye concert he had at Back To The Beginning in Birmingham.”
Born John Michael Osbourne on 3 December 1948 in Aston, Birmingham, he became known as the godfather of heavy metal.
The self-styled Prince of Darkness pioneered the music genre with Black Sabbath before going on to have huge success in his own right.
He was famous for hits including Iron Man, Paranoid, War Pigs, Crazy Train and Changes, both with the band and as a solo star.
Legendary American heavy metal band Metallica shared an image of them with Osbourne from 1986 along with an emoji of a broken heart.
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Posting on Instagram, Sir Rod Stewart said: “Sleep well, my friend. I’ll see you up there – later rather than sooner.”
Queen guitarist Sir Brian May said he was “grateful I was able to have a few quiet words” with Osbourne after his farewell show at Villa Park three weeks ago.
He said the world will miss the singer’s “unique presence and fearless talent”.
“You’ve no idea how I feel – thank you from the bottom of my heart,” an emotional Ozzy Osbourne told fans as he performed from a throne on stage at his beloved Villa Park, reunited with Black Sabbath, less than three weeks ago.
It was an exit on his own terms by heavy metal’s biggest character, with a supporting line-up of hard rock luminaries including Slayer, Metallica and Guns’n’Roses, all inspired by his music.
With Black Sabbath, Osbourne was at the forefront of heavy metal. As Ozzy, he was one of the biggest rock stars in the world. Nowhere was this more evident than at the Back To The Beginning in his home city, where 40,000 fans gathered to see the show billed as his “final bow”.
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Ozzy’s final show
“Without Sabbath, there would be no Metallica,” frontman James Hetfield told the crowd in Birmingham.
It was a sentiment echoed by many of the other acts who performed on stage. Announced by his wife Sharon earlier this year, the show was a chance for the performer to reunite with Black Sabbath and say thank you and farewell to fans after years of health problems, including Parkinson’s disease, which had forced him to cancel recent tour shows.
Other celebrities, from Sir Elton John to Dolly Parton, sent video messages of support. Fans knew it would be his last performance, but could not have known his death, at the age of 76, would come so soon.
It was a truly metal goodbye.
Image: Black Sabbath in the 1970s. Pic: Everett/Shutterstock
‘I think there’s a wild man in everybody’
John Michael Osbourne was born in Solihull in December 1948 and grew up in the Aston area of the West Midlands city.
As a teenager, he was bullied at school. Drink and drugs later became a way to escape his fears, he said in interviews, and after leaving school at 15, he worked several jobs, including labouring and in an abattoir.
It was hearing The Beatles, he said, that made him want to be a musician.
“I think there’s a wild man in everybody,” he says in a resurfaced interview clip. “Ozzy Osbourne and John Osbourne is two different people. John Osbourne is talking to you now.” His eyes widen a little manically, he grins, the voice cranks up. “But if you want to be Ozzy Osbourne, it’s like… it just takes over you.”
Image: (L-R) Tony Iommi, Ozzy Osbourne and Geezer Butler of Black Sabbath at the Grammys in 2014
In 1967, he was recruited to the band that two years later would become Black Sabbath, inspired by a film of the same title. This was a line-up of four working-class schoolfriends – Tony Iommi, Bill Ward and Geezer Butler, alongside Ozzy – who twisted heavy blues into something darker, creating a sound and otherworldly image that felt new, exciting and rebellious.
A self-titled debut album was released in 1970 and made the Top 10 in the UK. The follow-up, Paranoid, released just seven months later, topped the charts after the single of the same name became their big breakthrough. The album also included the unforgettable Iron Man and the anti-war protest song War Pigs – its unmistakeable riff inspiring the Arctic Monkeys’ 2014 single, Arabella.
Black Sabbath went on to release six more albums with Osbourne at the helm before he was fired in 1979 due to his drinking and substance use, something he claimed was no better or worse than other members at the time.
Image: Osbourne in 1978. Pic: Andrew Kent/Retna/Mediapunch/Shutterstock
In 1980, he returned with his debut solo album, Blizzard Of Oz, and the lead single Crazy Train. As a solo artist, he went on to release 13 studio albums – the last being Patient Number 9, in 2022 – and had hits with songs including Mr Crowley, Diary Of A Madman, No More Tears, Bark At The Moon and Shot In The Dark.
His first UK number one was a re-recording of the Black Sabbath ballad Changes, as a duet with his daughter, Kelly, in 2003, and his collaborations over the years included everyone from Alice Cooper (Hey Stoopid in 1991) and Post Malone (Take What You Want in 2019) to, in a somewhat unusual move, Hollywood star Kim Basinger for a re-recording of the dance hit Shake Your Head by Was (Not Was) in 1992.
With Black Sabbath and as a solo star, he is estimated to have sold 100 million records throughout his career – for context, this is reportedly on a par with Sir Paul McCartney’s solo sales – so the numbers speak for themselves.
Image: With daughter Kelly Osbourne and wife Sharon in 2020. Pic: AP
Biting the bat
Osbourne was also a huge personality and played up to his hellraising image – the Prince of Darkness.
The most famous Ozzy story goes like this.
The singer was on stage in Des Moines, Iowa, 1982, when the bat appeared. He assumed it was a toy. So, like any good hellraiser would do, he bit its head off.
Image: Pic: Chris Pizzello/Invision/AP
For more than 40 years, he found himself jokily fielding questions about bats. What do they taste like? (Salty). What happened afterwards? (Headline news, painful rabies shots). Do you have any pets? (Yes. They’re all dead). “I get a lot of weird people at my concerts,” he told David Letterman in 1982, of how the animal came to appear in front of him. “It’s rock ‘n’ roll, y’know”.
He was sometimes irritated by the bat connection. But he also played up to the image, recounting the story in interviews, offering plush bat toys among his merch, and appearing as himself, biting a bat, in the 2000 Adam Sandler comedy Little Nicky, about the son of Satan.
Known for catapulting raw meat at fans during gigs, there were plenty of other tales of darkness and debauchery. Osbourne’s wild persona and on-stage theatrics always went hand-in-hand with the music.
From Prince of Darkness to reality TV
He was famously managed by his wife, Sharon, whom he first met when her dad, Don Arden, was managing Black Sabbath. As well as the music, Sharon and Ozzy together founded the Ozzfest festival tours in 1996 – and in 2002 came his second act.
It’s hard to imagine it now, but before the perfectly coiffed Kardashians it was a scruffy 50-something rocker from Birmingham and his family who ruled the Hollywood reality TV scene. As with his music, he was a pioneer – this time round of a new era of addictive viewing.
The Osbournes followed the lives of Ozzy and Sharon and two of their children, Kelly and Jack (their eldest daughter, Aimee, famously had nothing to do with the show), and the family fallouts and sunny California culture clash proved to be a ratings winner. The MTV series catapulted the metal star to global mainstream celebrity heights.
His marriage to Sharon was tumultuous but the pair always stayed together, and they renewed their wedding vows in 2017. Sharon was the driving force behind Ozzy’s successes, to him eventually getting clean, and behind his farewell show.
Image: Metallica frontman James Hetfield was among those who paid tribute at his final gig earlier in July. Pic: Ross Halfin
Despite weathering the storm of drink and drug use, Osbourne’s air of indestructibility was challenged when a quad bike accident left him with a broken collar bone and ribs, as well as short-term memory loss, in 2003.
The 2020 documentary Biography: The Nine Lives Of Ozzy Osbourne, had summed up with its title the performer’s seeming ability to defy the odds. However, the health problems started to mount up. Scheduled tours were postponed, and in 2023 he told fans holding on to tickets that he had come to the realisation he was “not physically capable” of dealing with life on the road.
But there was one gig he couldn’t miss – a surprise appearance to close the Commonwealth Games in his home city in 2022, just weeks after undergoing surgery.
Now, fans will remember the shows they did get to see, the music that ushered in a new genre – and especially his most recent gig, which was said to have raised around £140m for charities. Just a few days afterwards, his new memoir, Last Rites, was announced. It will be released in October.
Image: Ozzy Osbourne’s star on the ‘Birmingham Walk of Stars’
During his career, Osbourne was inducted into the UK Music Hall of Fame and the US Rock And Roll Hall Of Fame – twice for both, with Black Sabbath and as a solo artist. “Countless artists from many genres have credited Ozzy as a major influence, including Metallica, Lita Ford, Rage Against The Machine, and Busta Rhymes,” reads his US citation. “With his longevity, impact, and iconic persona, Ozzy Osbourne is a phenomenon unlike any other.”
He also has a star on the Hollywood Walk Of Fame – as well as in Birmingham’s Broad Street – an Ivor Novello, and five Grammy wins from 12 nominations.
But other honours, such as the NME’s Godlike Genius award, and Classic Rock’s Living Legend, also give a sense of how much his personality played a part in why he is so beloved by fans and critics alike. In the Nine Lives documentary, daughter Kelly describes him as “the most irresistible mad man you will ever meet in your life”.
Osbourne’s was an unlikely journey from Birmingham to LA. He was a working-class hero of heavy metal, a reality TV favourite – forever the Prince of Darkness.
“People say to me, if you could do it all again, knowing what you know now, would you change anything?” he once said. “I’m like, f*** no… If I’d done normal, sensible things, I wouldn’t be Ozzy.”
Christina Aguilera has told Sky News it is “magical” to see her hit film Burlesque being brought to London’s West End – and also opened up about her rise to fame in the late 1990s.
The US star topped the US and UK charts with Genie In A Bottle in 1999, before finding an even bigger audience with her acclaimed album Stripped and hits including Dirrty, Beautiful and Fighter in the early 2000s.
Image: Christina Aguilera is a producer for the stage adaptation of Burlesque. Pic: Hayden Coens @daydreamsmedia
In 2010, she starred in Burlesque alongside Cher, Julianne Hough and Stanley Tucci, and now, 15 years later, is a producer for the stage version of the show alongside the film’s original director and writer, Steven Antin.
Speaking ahead of the show’s gala night, Aguileratold Sky News presenter Leah Boleto she has enjoyed taking a backseat and seeing the fresh interpretation of her character – a small-town girl turned into a star.
Image: Burlesque The Musical. Pic: Pamela Raith Photography
“It’s just so beautiful to see the talent that’s on this stage and to absorb it and appreciate the fresh takes on things,” she said. “I love actually taking a step back and a backseat… it’s beautiful to see the reinvention.
“When you’re in it, you focus on the choreography, all these different elements, that being able to take a backseat and being more of a visionary of the bigger picture, it’s really a special thing.”
Aguilera said she had been “blown away” by Jess Folley, who plays her character Ali in the show, and has fully embraced the “powerhouse vocals” as well as the vulnerability needed for the role.
“She just is doing such a magnificent, magnificent job and likewise inspires me as well,” she said.
Image: Jess Folley stars as Ali, the role originally played by Aguilera, in Burlesque The Musical. Pic: Pamela Raith Photography
Aguilera said she would love to see her film co-star Cher popping by to see the show in London.
“She’s always welcome to grace us with her incredible, iconic presence. And I’m just so grateful that I had the time to be with her. I mean, looking back, it’s just – did that even happen?”
Aguilera arrived on the scene at the same time as Britney Spears, at a time when young female pop stars were celebrated, sexualised and scrutinised.
After the success of her debut album, she took a different direction with Stripped – embracing her sexuality and famously taking on a less girlish image with chaps, a nose stud and black streaks in her hair for the Dirrty video, and opening up about her life and emotions through songs such as Fighter and Beautiful.
Image: Aguilera at the MTV Video Awards in New York in 2002. Pic: Star Max via AP Images
She also took on the patriarchy in Can’t Hold Us Down, a duet with Lil’ Kim, and performed on the hit cover of Lady Marmalade alongside Lil’ Kim, Maya and Pink for Moulin Rouge!
“I always want to stay true to authenticity,” she said. “And for me, with that first album it was wonderful to get my foot in the door…
“It’s important to me that I stepped out on my own and reflected all sides of me as a woman, embracing my sexuality and sensuality, and my body… Dirrty, I just loved those chaps and everything about that was just so fun and raw.”
So would she do it all again, then? Or would she prefer to be an artist starting out now?
“The ’90s, it was a pretty special time in music. And it was a time when you could still like go to Virgin records or like wherever and look at the CDs, look at the packaging. And, you know, sometimes the authenticity is missed.”
However, the good thing about social media now is that it has given stars the means to tell their own stories, she adds. “You have an opportunity now to really present yourself in ways that it’s not just about the music, to become more the narrator in real time… this is what it is like, be your own voice rather than reading about yourself in an article.”
But still, she wouldn’t swap. “It has to stay where it was.”
Burlesque The Musical is showing at The Savoy theatre in London now