More than 200 hours of audio tapes provide the best “evidence” for the Enfield poltergeist there is.
Screams and bangs; interviews with those who said they had just experienced the supernatural; the voice of a 72-year-old man purportedly coming out of an 11-year-old girl called Janet.
They form the basis of a four-part docuseries exploring a phenomenon that gripped the north London suburb of Enfield – and the rest of the country – in the 1970s.
Not that director Jerry Rothwell is setting out to prove or disprove any theories with The Enfield Poltergeist. He wants to keep audiences in the space between knowing and not knowing, he told Sky News.
“It’s about how do we know what’s real and what might be beyond our perceptions, beyond our senses?”
Image: Janet, played by Olivia Booth-Ford, appeared to be the focus of the poltergeist. Pic: Apple TV+
Set in a reconstruction of the semi-detached council house where the Hodgson family was seemingly plagued by the paranormal for 18 months, the series weaves together audio recordings with contemporary interviews and photos from the time.
Paranormal investigator Maurice Grosse from the Society for Psychical Research was sent to investigate, spending months at the family home between 1977 and 1979. The audio he recorded there is central to the series. As well as interviewing people, he would leave the tape running for long periods.
“What you get out is a sense of the context of family life that’s going on. Sometimes you’ll hear a noise, a scream, a bang or a rap and people’s response to it,” Rothwell said.
But the origin of those noises is “incredibly ambiguous”.
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“I don’t think there’s many incidents where we see the paranormal cause of something, what we see is the effects of this on people.
“If we see a kettle fall over, we catch it in the last inches of its flight rather than see how it started – which I think is consistent with people’s experience of the paranormal.”
Image: Grosse (played by Ettridge) was sent to investigate the paranormal activities at the council house in Enfield. Pic: Apple TV+
Witnessing the unexplainable
Former Daily Mirror photographer Graham Morris was one of the first people at the Enfield home after the Hodgsons’ neighbours called the newspaper about the strange events.
“Up to 18 months I spent on and off in that house and saw so, so much happen, from the first night being hit by that Lego brick,” he told Sky News.
He said as soon as 11-year-old Janet entered the house, loose objects such as marbles and Lego pieces started to “whiz around the room” – with one of them hitting him above the eye and leaving a lump that lasted days.
From his vantage point through the camera lens, he could see nobody had thrown it, he said.
It was “unexplainable” he said – but he knew it was “true”.
“So, so much happened. It would have been impossible for the girls or any member of the family to have done it. It’s just too much. It was constant, it was relentless.”
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One of Mr Morris’s photos was used by the paranormal investigators as evidence of the supernatural; they said it showed Janet levitating.
The image of Janet “flying across the room” was taken in the dark, with Mr Morris operating the camera remotely from downstairs, primed to press the button at any noise.
“They [the paranormal investigators] are the experts. If they want to say she’s levitating, fine.
“I was there as a photographer. I’m not there to say what’s happening – I’ve got my own theories – but as a pure layman, I just left it to the experts.”
So as one of the few witnesses still alive, what is Mr Morris’ theory?
“I don’t believe in ghosts, I don’t believe that’s what it was.
“I believe that there was something that as yet we don’t know about, some sort of force that was centered on Janet.”
Janet was trying to relate to her family, who “for various reasons, weren’t that communicative”, he said.
“She must have found it so, so frustrating that for some reason this energy is being let off and things are happening – kinetic energy, so things are moving.”
Image: Janet and Margaret’s bedroom was the centre of much of the paranormal activity. Pic: Apple TV+
Interviewing the Hodgson sisters
In the new Apple TV documentary, merging recreation with reality went as far as the set, which featured items from the Hodgson family home including pots and pans, a stack of Jackie magazines – and even some Lego.
They were provided by the Hodgson sisters, Janet and Margaret, who were 11 and 13 when the strange happenings started.
Both are interviewed in the series. Rothwell said he wanted to put them back at the heart of the story.
“For me, it is primarily their story and it was absolutely crucial to involve them in that because I think otherwise… you are making them public property without much control.
“These events at the time were very traumatic and have in many ways shaped the direction of their lives.
“Firstly, because of the events themselves, but also because of people’s fascination with those events and the ways in which that fascination, you know, fixes who they are.”
Image: Christopher Ettridge as paranormal investigator Maurice Grosse. Pic: Apple TV+
Marrying past and present
Actors in the series also lip sync the recordings from the audio tapes – a skill that was easier for the younger TikTok generation to master than the older cast members, Rothwell said.
“You’re taking away one of the tools that an actor has in their armoury, which is how they deliver a line.”
A lot of the actors said the key was “finding the way the person breathed – and as soon as you got that, you could lip sync”.
The tapes also became something of a director in their own right, Rothwell said.
“The more we listened to the tapes, the more you’d realise about what it was telling you about things that were going on in the room.
“We’d be shooting a scene and we suddenly realised there’s no way that person can be in that position, they have to be over there.”
The Enfield poltergeist has sometimes taken on something of a life of its own. It was front-page news in the 1970s – not always portrayed in ways the Hodgson family agreed with – and has spawned multiple documentaries as well as inspiring The Conjuring 2.
What is sometimes forgotten in retellings – and what Rothwell wanted to get back to – is that this is a real family, and their story.
“It was important to honour people’s experience,” he said. “You know, people are absolutely saying they have had these experiences, they’ve seen this, they’ve heard this – and I wasn’t there, so who am I to argue with it?
“This is essentially a working-class family with few resources who are beset by middle-class ghost hunters or physicists or academics, and whose house sort of came out of their control.”
The Enfield Poltergeist is available on Apple TV+ from 27 October.
Crystal was 18 when bone cancer changed her face. On top of chemotherapy and operations, she had to deal with other painful realities too.
She told Sky News: “Pre-cancer, and everything that happened I wasn’t aware how people who had facial differences were villainised or victimised.
Image: Crystal before her diagnosis
“Experiencing that, seeing the trauma, I’ve been so affected by people staring at me in the street, and hate comments about my appearance.”
She believes part of the problem is the screen portrayal of visibly different characters: “There’s a narrative in Hollywood, especially that’s been going on for years, that people are not addressing and seeing that these are real people.”
Refusing to let her differences keep her from pursuing her dreams, Crystal studied acting at LAMDA, one of the UK’s top drama schools.
Now a professional actress, she knows her appearance will always be judged.
“[My visible difference] is on my face. I can’t really hide anything. Every time I talk or enter a room, it’s not like anyone’s fault, I just know that people have that first perception or viewpoint of me.”
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With aspirations to one day appear in a Marvel movie, she hopes her drive to perform will help others in the future.
“I didn’t have anyone who looked like me as a role model… It would have just been so much better if I’d had that one person to look up to, to be inspired by.”
Image: Crystal graduated from LAMDA in 2024
Lack of representation is not the only problem. When visible difference does make it onto the screen, misrepresentations and negative overtones often reinforce stigma.
Nearly one in five people in the UK self-identifying as having a visible difference, such as a mark, scar or condition, according to charity Changing Faces.
New research they conducted into the way disfigurement is portrayed on screen found that people with visible differences were over twice as likely to be shown as a victim or a villain than as a love interest.
Film and television have used scars, burns and birthmarks as a shorthand for villainy across the genres for years. From Bond to Batman and Star Wars, to more family-friendly productions such as The Lion King.
Image: Heath Ledger as the infamous Joker. Pic: Rex Features
Image: Rami Malek as Safin in No Time To Die, complete with scars. Pic: Universal
And while visibly different characters aren’t common on screen, a woman with a physical difference in film or TV is even rarer.
Author and entertainment journalist Kristen Lopez says it’s because women’s value on screen is so tied up with their sexuality.
The author of Popcorn Disabilities: The Highs and Lows of Disabled Representation in the Movies has even come up with a term to describe the industry’s attempt to keep their leading ladies “sexy and beautiful”.
“You often see what I call ‘pretty disabilities’. It’s a disability that is not going to affect the physical perfection of the actress. And it will also allow for an A-list, usually non-disabled actress, to continue to play the character.”
Lopez says for that reason, films are more comfortable with portraying blind or visually impaired women, deaf women, or non-verbal women, because their disability “doesn’t mar the face”.
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Speaking from her own experience of growing up with brittle bone disease, she says: “I worry about the next generation of disabled girls – what are they seeing? Do they feel represented?
“How do you navigate adolescence if you don’t see anybody that looks like you doing the things that every other young person is doing?”
Romeo Olukotun was just one year old when an accident left him with second and third-degree burns on his torso, chest and neck.
With his accident not spoken about at home, he admits, “I just kind of had to deal with that on my own”.
He did find some flashes of inspiration, including from singer Seal.
Image: Romeo was just one when an accident left him with burns on his chest, neck and stomach
“I loved how even though he had a visible difference and scarring on his face, he wasn’t looked down because of that. He was seen for his talent.”
With his confidence taking a hit due to his scars while at secondary school and university, he rebuilt his self-esteem as an adult through cheerleading.
Later spotted at a music video shoot he’d gone along to with a friend, he’s now an actor and model. But his visible differences have, at times, affected his casting.
Image: Pic: Changing Faces
Romeo told Sky News: “Because my scar on my neck looks like I’ve been stabbed, I would often be asked to ‘Try this [performance] like a thug or someone who’s on the streets’. And I didn’t like being labelled as that. I’m someone who is much more than my scars.”
He’s now a man on a mission: “I want to be someone who shows other people with a visible difference that they can be anything. They can play the romantic lead, they can play a villain if they want to. They can be a hero, not just be labelled as someone sinister and evil, Machiavellian.”
Image: Pic: Changing Faces
While the film and TV industries might be slow to change, LAMDA vice principal Dr Philippa Strandberg-Long is hopeful for the future.
“We have to make our students aware of the industry that they are going into and not, I guess, create a utopia where they’re not aware of the industry they’re going into. However, we can change it from how we educate our students that come out.
“Things won’t change overnight, but it will change over time. So, we have to put in the work at the grassroots, which is here.”
Changing Faces is the UK’s leading charity for anyone with a visible difference. They have a confidential support and information line for anyone dealing with the impact of visible difference.
Conservationists in Ibiza are warning the island’s native bright blue and green lizards are coming ever closer to extinction due to the mounting threats of invasive snakes and tourists’ litter.
The Ibizawall lizard is endemic to Ibiza and neighbouring Formentera and is vital to the ecosystem of the islands, experts say, for pollinating plants and controlling pests.
Since the 2000s, the small, colourful reptiles, which are harmless to humans, have become endangered due to the proliferation of invasive snakes that first arrived in imported trees.
Image: Conservationists say Ibiza lizards are endangered. Pic: Dean Gallagher
Conservation foundation IbizaPreservation says snakes are now present on up to 90% of the island, while the lizard population has decreased massively, believed to have disappeared from about 70%.
But there is also another issue affecting the species – litter left mainly by tourists at beauty spots.
Dean Gallagher, a snake catcher on the island, says he is constantly finding the bodies of dead lizards stuck inside discarded bottles and cans at Es Savinar, a southerly viewpoint where people often gather for sunset.
“I’m finding these lizards trapped in cans and bottles,” he tells Sky News. “Once they get inside their feet get wet from the drink inside, the beer or the Red Bull, and they can’t get out. Sun comes up, heats up the bottle, the can, and just fries a lizard inside. It’s absolutely devastating.”
Image: Dean Gallagher has lived in Ibiza for more than 20 years
Tourism accounts for about 84% of Ibiza’s economy and is vital for the island, with tourist spending reaching 4.3bn euros in 2024, according to the Balearic Institute of Statistics (IBESTAT) – an increase of 62% since 2016. The number of tourists reached a record high of more than 3.7m for Ibiza and neighbouring Formentera in 2023 – an increase of almost 25% since 2016.
The land Dean looks after at Es Savinar is private, he says, but people ignore signs and fences which were replaced at the beginning of the summer.
“We do rubbish collections probably once or twice a week,” he says. “We clear the whole area of bottles and cans then the next time, we go back and there’s even more.
“Bottles can cause bush fires. The forests are really dry at the moment, just one spark can set this place alight. And [litter] is also killing our lizards. They’re marvellous, beautiful creatures, they’re not aggressive and they keep the bugs away. The ecological value is really important.”
Image: Signs have been put up around the private land. Pic: Dean Gallagher
Dean lives near Santa Eulalia, where he says numbers are scarce. “Lots of parts of the north of the island now, they’ve completely diminished and it’s very sad,” he adds.
“And the very southwest corner of the island where this viewpoint is, this is the last place where they are in stable numbers. But the excessive rubbish, tourism, snakes, are gonna wipe them out completely.”
Image: Gallagher says he is constantly finding the reptiles trapped in glass bottles and cans
Visual surveys of areas of Ses Salines Natural Park by environmental association GEN-GOB have found the population there has decreased by between 70% and 90% since 2023.
GEN-GOB, Friends Of The Earth Ibiza and IbizaPreservation are among several organisations that have been working to save the species in recent years.
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Ibiza’s shanty towns – the side of the island most do not see
Jordi Serapio, coordinator of Protegim Ses Sargantanes, IbizaPreservation’s lizard protection project, says abandoned bottles and cans are “deadly traps” for the animals.
And snake numbers continue to grow and expand toward territories where lizards still remain, he adds. The most common snake on the island – and the biggest danger to lizards – is the horseshoe whip snake, but other types have been spotted.
“It has followed a northeast to southwest expansion,” he says. “The highest snake densities are observed in what they have called the ‘invasion front’ – this is known precisely thanks to trapping.
“In contrast, in areas where lizards have already become extinct, there appears to be a much lower density of snakes.”
So the more food available for the snakes, the higher the numbers.
“This is something common in most biological invasions, which end up regulating themselves naturally,” Jordi says. “The unknown in this case is whether some lizard populations will manage to survive and adapt. Although everything seems to indicate that they won’t.”
He also highlights another problem – predation by both feral and domestic cats – which he says is a growing threat.
“In the current context of the species’ extinction, any additional pressure worsens the situation.”
Former London’s Burning actor John Alford has been found guilty of sexually assaulting girls aged 14 and 15 at a friend’s home.
Jurors heard the 53-year-old, who rose to fame in BBC show Grange Hill, sexually assaulted the girls while they were drunk following a night out at the pub.
St Albans Crown Court was told he bought £250 worth of food, alcohol and cigarettes from a nearby petrol station in the early hours of the morning, including a bottle of vodka which the victims subsequently drank.
Alford then had sexual intercourse with the 14-year-old girl in the garden of the home and later in a downstairs toilet, and inappropriately touched the 15-year-old girl as she lay half asleep on the living room sofa.
He denied four counts of sexual activity with the younger girl and charges of sexual assault and assault by penetration relating to the second teenager at a property in Hertfordshire on April 9 2022.
But, after 13 hours of deliberations, he was found guilty.
Image: As a firefighter in one of his most famous roles. File pic: PA
Alford, of Holloway, north London, who was charged under his real name John Shannon, had previously told the court the allegations were a “set-up”.
He put his head in his hand and shouted “Wrong, I didn’t do this” from the dock as the verdicts were read out in court.
‘I didn’t want sex with an old man’
During the week-long trial, Alford, who cried while giving evidence, told jurors “I never touched either of them girls”, adding there was “no DNA” evidence and that he would stand by his denial “until the day I die”.
However, the 15-year-old girl said: “We were all just like dozing off. That was when John started to touch me.”
Asked how she felt after the assault, the girl said: “Sick. I felt absolutely sick. I wasn’t going to tell anyone.”
In a video of her police interview played to the court, the 14-year-old girl said she had never had sex before the night of the alleged incidents.
“I told him to stop because I didn’t want to have sex with an old man,” she said.