The Enfield Poltergeist: How director of Apple TV’s new docudrama used the Hodgson sisters and 200 hours of tapes
More than 200 hours of audio tapes provide the best “evidence” for the Enfield poltergeist there is.
Screams and bangs; interviews with those who said they had just experienced the supernatural; the voice of a 72-year-old man purportedly coming out of an 11-year-old girl called Janet.
They form the basis of a four-part docuseries exploring a phenomenon that gripped the north London suburb of Enfield – and the rest of the country – in the 1970s.
Not that director Jerry Rothwell is setting out to prove or disprove any theories with The Enfield Poltergeist. He wants to keep audiences in the space between knowing and not knowing, he told Sky News.
“It’s about how do we know what’s real and what might be beyond our perceptions, beyond our senses?”
Janet, played by Olivia Booth-Ford, appeared to be the focus of the poltergeist. Pic: Apple TV+
Set in a reconstruction of the semi-detached council house where the Hodgson family was seemingly plagued by the paranormal for 18 months, the series weaves together audio recordings with contemporary interviews and photos from the time.
Paranormal investigator Maurice Grosse from the Society for Psychical Research was sent to investigate, spending months at the family home between 1977 and 1979. The audio he recorded there is central to the series. As well as interviewing people, he would leave the tape running for long periods.
“What you get out is a sense of the context of family life that’s going on. Sometimes you’ll hear a noise, a scream, a bang or a rap and people’s response to it,” Rothwell said.
But the origin of those noises is “incredibly ambiguous”.
“I don’t think there’s many incidents where we see the paranormal cause of something, what we see is the effects of this on people.
“If we see a kettle fall over, we catch it in the last inches of its flight rather than see how it started – which I think is consistent with people’s experience of the paranormal.”
Grosse (played by Ettridge) was sent to investigate the paranormal activities at the council house in Enfield. Pic: Apple TV+
Witnessing the unexplainable
Former Daily Mirror photographer Graham Morris was one of the first people at the Enfield home after the Hodgsons’ neighbours called the newspaper about the strange events.
“Up to 18 months I spent on and off in that house and saw so, so much happen, from the first night being hit by that Lego brick,” he told Sky News.
He said as soon as 11-year-old Janet entered the house, loose objects such as marbles and Lego pieces started to “whiz around the room” – with one of them hitting him above the eye and leaving a lump that lasted days.
From his vantage point through the camera lens, he could see nobody had thrown it, he said.
It was “unexplainable” he said – but he knew it was “true”.
“So, so much happened. It would have been impossible for the girls or any member of the family to have done it. It’s just too much. It was constant, it was relentless.”
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One of Mr Morris’s photos was used by the paranormal investigators as evidence of the supernatural; they said it showed Janet levitating.
The image of Janet “flying across the room” was taken in the dark, with Mr Morris operating the camera remotely from downstairs, primed to press the button at any noise.
“They [the paranormal investigators] are the experts. If they want to say she’s levitating, fine.
“I was there as a photographer. I’m not there to say what’s happening – I’ve got my own theories – but as a pure layman, I just left it to the experts.”
So as one of the few witnesses still alive, what is Mr Morris’ theory?
“I don’t believe in ghosts, I don’t believe that’s what it was.
“I believe that there was something that as yet we don’t know about, some sort of force that was centered on Janet.”
Janet was trying to relate to her family, who “for various reasons, weren’t that communicative”, he said.
“She must have found it so, so frustrating that for some reason this energy is being let off and things are happening – kinetic energy, so things are moving.”
Janet and Margaret’s bedroom was the centre of much of the paranormal activity. Pic: Apple TV+
Interviewing the Hodgson sisters
In the new Apple TV documentary, merging recreation with reality went as far as the set, which featured items from the Hodgson family home including pots and pans, a stack of Jackie magazines – and even some Lego.
They were provided by the Hodgson sisters, Janet and Margaret, who were 11 and 13 when the strange happenings started.
Both are interviewed in the series. Rothwell said he wanted to put them back at the heart of the story.
“For me, it is primarily their story and it was absolutely crucial to involve them in that because I think otherwise… you are making them public property without much control.
“These events at the time were very traumatic and have in many ways shaped the direction of their lives.
“Firstly, because of the events themselves, but also because of people’s fascination with those events and the ways in which that fascination, you know, fixes who they are.”
Christopher Ettridge as paranormal investigator Maurice Grosse. Pic: Apple TV+
Marrying past and present
Actors in the series also lip sync the recordings from the audio tapes – a skill that was easier for the younger TikTok generation to master than the older cast members, Rothwell said.
“You’re taking away one of the tools that an actor has in their armoury, which is how they deliver a line.”
A lot of the actors said the key was “finding the way the person breathed – and as soon as you got that, you could lip sync”.
The tapes also became something of a director in their own right, Rothwell said.
“The more we listened to the tapes, the more you’d realise about what it was telling you about things that were going on in the room.
“We’d be shooting a scene and we suddenly realised there’s no way that person can be in that position, they have to be over there.”
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The Enfield poltergeist has sometimes taken on something of a life of its own. It was front-page news in the 1970s – not always portrayed in ways the Hodgson family agreed with – and has spawned multiple documentaries as well as inspiring The Conjuring 2.
What is sometimes forgotten in retellings – and what Rothwell wanted to get back to – is that this is a real family, and their story.
“It was important to honour people’s experience,” he said. “You know, people are absolutely saying they have had these experiences, they’ve seen this, they’ve heard this – and I wasn’t there, so who am I to argue with it?
“This is essentially a working-class family with few resources who are beset by middle-class ghost hunters or physicists or academics, and whose house sort of came out of their control.”
The Enfield Poltergeist is available on Apple TV+ from 27 October.
Entertainment
Sir Rod Stewart ‘devastated’ after cancelling more US concerts as he recovers from flu
Sir Rod Stewart says he is devastated to have to cancel a series of US concerts, blaming lingering flu for the decision.
It affects four shows in Nevada, along with a further two in California, which he plans to reschedule.
They were due to take place over the next eight days.
“So sorry my friends. I’m devastated and sincerely apologise for any inconvenience to my fans. I’ll be back on stage and will see you soon,” he wrote in a message on Instagram.
Sir Rod, 80, has been struggling to recover from flu and this week had already cancelled two concerts at Caesars Palace, Las Vegas.
On Wednesday, he disclosed that his doctor had “ordered” him to take “a bit more rest”.
The star is in the midst of his epic One Last Time Tour.
Sir Rod, who was recently put on vocal rest, is due to play the legends slot at Glastonbury later this month.
In May, he was presented with a lifetime achievement award at the American Music Awards (AMAs).
Sir Rod performing at the 2025 American Music Awards in Las Vegas. Pic: Reuters
In a sign of how seriously the singer takes his health, last month he was also spotted in Italy attempting to avoid conversations to preserve his voice.
He wore a message attached to a lanyard which read: “Sorry. Cannot talk. Having vocal rest.”
In 2024, he promised he would not retire but confirmed his 2025 European and North American shows would bring an end to his “large-scale world tours”.
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The performer, best known for songs including Da Ya Think I’m Sexy?, Every Beat Of My Heart, and Maggie May, said he plans to focus on more intimate venues instead.
Sir Rod has faced other health challenges in the past.
In May 2000, he was diagnosed with thyroid cancer and had surgery. In 2017, he underwent successful treatment for prostate cancer.
More often than not, the inclusion of women in an action film is shaped by the male gaze, the tropes, the stereotypical backstory and/or the unnecessary physique-revealing scenes connected to it.
“That’s a pet peeve of mine,” director Len Wiseman tells Sky News in an interview for his new John Wick spin-off starring Ana de Armas.
“I think a lot of times you see it’s overly sexualized or there’s not a realism to it, and it is important to me that [this was] approached from a female [perspective] that can be labelled: ‘A woman is strong to begin with’. I think there can be some kind of pandering in certain ways that I think is too far.”
Wiseman started his career with the female-led action film franchise Underworld starring his former partner Kate Beckinsale before directing Die Hard 4.0, Total Recall and Sleepy Hollow.
From The World Of John Wick: Ballerina serves as a spin-off to the John Wick films and is set between the events of the third and fourth movies.
It follows a young trainee assassin who looks to be the next world-renowned assassin in the film universe.
“We never wanted to go as far as Eve looking like we were doing a female John Wick. Eve is Eve and is a woman… and it’s a woman in a man’s world,” says de Armas.
“That phrase ‘fight like a girl’, we wanted that to come across as something really empowering and really pull from there. That is a motivation for her. That has been said before in a derogatory way or as something diminishing.”
De Armas insists she didn’t want to be a ‘female John Wick’. Pic: Murray Close/Lionsgate
Wiseman and de Armas both say that while they wanted Eve to be strong, they also wanted her to feel every moment of the battle. If there are choreographed fight scenes or flashy action moves, she feels them.
“I wanted her to struggle,” explains de Armas, detailing how she consistently asked for her to look more dishevelled as the film progresses.
“It didn’t come from a place of I need to prove myself, I don’t need to prove myself to anybody, but I wanted to do that from the moment we started talking about the script, we even brought on board a female writer, because it was important for me to have that.”
De Armas, similar to her soon-to-be co-star Tom Cruise, relished in undertaking the more difficult stunts and wore the bruises and marks from them like badges of honour.
Playing Eve involved stunts and even some bruises. Pic: Larry D Horricks/Lionsgate
The actress would even send photos of the markings the following day to Wiseman proudly as she jokes: “I just wanted to keep him posted, you know, on how my body was at the end of the day.”
The film was shot practically, with the explosions and countless action surprises for film fans happening on set repeatedly.
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When asked about her toughest stunt to execute, without hesitation, she mentions a scene which included prop grenades.
“All the debris and everything that was flying with those grenades were real, so most of the dust and the little things flying were getting in my eyes, and I just could not open my eyes during the scene. So in between takes, the medics were like just rinsing my eyes with some water.”
With a film set around changing the meaning of ‘fight like a girl’, de Armas says she has a clear definition of it now: “Be yourself and make people gravitate around you and your rules. You make your own rules.”
From The World Of John Wick: Ballerina is in cinemas now.
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