Danny Boyle dismisses conspiracy theorist ‘rabbit holes’ in adaption of The Matrix
Danny Boyle said he dismissed the “rabbit holes” conspiracy theorists like Andrew Tate have fallen down when adapting the 1999 film The Matrix for the stage.
The 67-year-old director said his latest project, titled Free Your Mind, focused on the “adventurous” issues the film raised – including climate change and artificial intelligence.
“It was as courageous as a mainstream Hollywood film could ever be on many different points – the gender issue, the digital issues, the AI issue – and that word really didn’t have the currency it has now,” he said.
Joe Pantoliano, Laurence Fishburne, Keanu Reeves, Carrie-Anne Moss in 1999 film The Matrix
“It had a multicultural cast, which was almost unheard of in mainstream Hollywood films, and [the film addressed] climate change.
“All these issues are in this film with a huge and sometimes baffling philosophical network behind it that you’re challenged to find out [about].”
“It’s that that inspired us to see how we could reflect on that, given how everything has moved on since then. And we remain in its searchlight,” he added.
“We concentrated on that rather than actually some of the distortions that [the film] has been used for, some of those rabbit holes that people have gone down.”
The film’s terminology has been adopted by controversial figures such as Elon Musk and Tate with the term “the matrix” often used to describe a malicious layer of society including media, politicians and corporations who allegedly want to silence people.
But choreographer Kenrick Sandy said these types of influencers can engage in “misinformation”.
The show’s creative team (left to right) Kenrick ‘H2O’ Sandy, Es Devlin, Michael ‘Mikey J’ Asante and Danny Boyle inside Aviva Studios
“In coming into the show, it was more about the light and the awareness as opposed to the conspiracy because sometimes you go down that hole, you’re not coming back,” Sandy said.
“For me, it wasn’t that. It was not about the conspiracy, it’s about an awareness, it’s about enlightenment. We don’t want to feel like we are trying to [say], ‘you must think like this’ – that’s not the way, especially in the world today.
A scene from the show. Pic: Tristram Kenton/Factory International
“There’s too many people trying to say ‘this is the way it is’. Sometimes it’s misinformation, it’s an opinion, it’s not a fact.”
Boyle created the live dance adaption with Sandy, composer Michael Asante, set designer Es Devlin and writer Sabrina Mahfouz. It opened in Manchester‘s Aviva Studios last week – marking the official launch of the £240m project.
An artist’s impression of Aviva Studios, the new cultural venue which opened this month
The director was born and raised in nearby Radcliffe, around seven miles north of Manchester, and said he hopes the new venue will “nurture younger, challenging artists who will come forth and use the profile of the building to present their ideas”.
Choreographer Sandy first worked with Boyle in the 2012 Olympics, when Boyle directed the opening ceremony.
But this is the first project both have worked on from the beginning, with Boyle saying that working within the art form of dance was “extraordinary”.
“You don’t expect this late in life to get a complete education in language values – dance obviously brings a completely different perspective to something.
“There’s so much about The Matrix, not just the manifestations of it in film, there’s The Animatrix and the conspiracy theories and all that kind of stuff, so to bring the language of dance to it feels like a wonderfully refreshing way of renewing our interest in some of its brilliant, dazzling ideas,” Boyle said.
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The film, directed by the Wachowski sisters, sees hacker Thomas Anderson, played by Keanu Reeves, being told that AI has conquered humanity and our lives are part of a computer simulation.
He switches identities to become hero Neo – something co-director Lilly Wachowski said was a metaphor for the experience of the transgender community.
Boyle is best known for directing films including Trainspotting, Slumdog Millionaire and 28 Days Later.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
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In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
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The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”
Tom Cruise has paid tribute to Val Kilmer, wishing his Top Gun co-star “well on the next journey”.
Cruise, speaking at the CinemaCon film event in Las Vegas on Thursday, asked for a moment’s silence to reflect on the “wonderful” times shared with the star, whom he called a “dear friend”.
Kilmer, who died of pneumonia on Tuesday aged 65, rocketed to fame starring alongside Cruise in the 1986 blockbuster Top Gun, playing Tom ‘Iceman’ Kazansky, a rival fighter pilot to Cruise’s character Maverick.
Tom Cruise said ‘I wish you well on the next journey’. Pic: AP
Val Kilmer in 2017. Pic: AP
His last part was a cameo role in the 2022 blockbuster sequel Top Gun: Maverick.
Cruise, on stage at Caesars Palace on Thursday, said: “I’d like to honour a dear friend of mine, Val Kilmer. I can’t tell you how much I admire his work, how grateful and honoured I was when he joined Top Gun and came back later for Top Gun: Maverick.
“I think it would be really nice if we could have a moment together because he loved movies and he gave a lot to all of us. Just kind of think about all the wonderful times that we had with him.
“I wish you well on the next journey.”
The moment of silence followed a string of tributes from Hollywood figures including Cher, Francis Ford Coppola, Antonio Banderas and Michelle Monaghan.
Kilmer’s daughter Mercedes told the New York Times on Wednesday that the actor had died from pneumonia.
Tom Cruise at Caesars Palace on Thursday. Pic: AP
Diagnosed with throat cancer in 2014, Kilmer discussed his illness and recovery in his 2020 memoir Your Huckleberry and Amazon Prime documentary Val.
He underwent radiation and chemotherapy treatments for the disease and also had a tracheostomy which damaged his vocal cords and permanently gave him a raspy speaking voice.
Kilmer played Batman in the 1995 film Batman Forever and received critical acclaim for his portrayal of rock singer Jim Morrison in the 1991 movie The Doors.
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He also starred in True Romance and Kiss Kiss Bang Bang, as well as playing criminal Chris Shiherlis in Michael Mann’s 1995 movie Heat and Doc Holliday in the 1993 film Tombstone.
In 1988 he married British actress Joanne Whalley, whom he met while working on fantasy adventure Willow.
The couple had two children before divorcing in 1996.
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