Patrick Amadon combines a passion for art and activism, and is articulate about how he intends for his work to have impact.
Self-described as a “digital disobedient,” the Los Angeles-based glitch artist has been no stranger to controversy, having made international headlines for his “No Rioters” digital billboard displayed at the Hong Kong Art Week in March that was eventually taken down for its political undertones.
He also made headlines when he pulled out of Sotheby’s first glitch show, taking a stance against a lineup of artists that featured no women or non-binary people.
(For the uninitiated, glitch art purposefully includes digital or analog errors.)
Like many other artists, Beeple’s historic $69 million NFT sale in March 2021 caught Amadon’s attention. He had been making digital art for over a decade prior but had no way to attribute value to it.
“When I saw all the press from the Beeple sale, I kind of brushed past the $69 million figure, that wasn’t that interesting to me, but I do remember thinking, ‘wait, somebody sold digital art, how does that work’,” says Amadon.
“I’ve been doing it for a decade but I got stuck in kind of no man’s land. I would make physical work but I liked making digital work more. My audience liked the digital work a lot more but there really wasn’t anything you could do with it in the art world.”
Digital disobedience
Amadon is a deep thinker and puts an incredible amount of effort into making his art purposeful. He also embraces much of the crypto ethos and believes those who are along for the ride are all in some way a little digital disobedient.
“I mean, if you’re in crypto, it’s because you’ve rejected something. You’ve rejected something in the financial world, you’re embracing sovereignty, you embrace self custody, self reliance. There’s some social element that you rejected, that got you here to begin with.”
“I think we’re really disrupting a lot of these existing structures. We’re causing hell for a lot of gatekeepers. We’re opening up the doors for a lot of artists. None of us here are obeying what we’re supposed to be doing.”
“I feel like all of us really have embraced disobedience in a lot of ways because nobody in traditional finance wants you to think that crypto is valid. Nobody in the art world wants you to think crypto is valid. By virtue of us being here, we’re all disobedient if you look at what society has deemed normal and acceptable.”
WAGMI by Patrick Amadon (SuperRare)
Art is a medium that Amadon values as a way to voice his passion for activism and for its ability to point out societal issues he cares about. He puts an incredible amount of effort into making his art have a purpose.
“I like doing something that has a purpose for doing it. Often, I like using art as an outlet to comment on some socio-economic or political situation. Or cultural nuance or just something to needle the space a little bit,” Amadon says.
“I think that the story of the narrative is the art and I think that the aesthetic is really just the voice that you tell it with. That’s why I think concept is kind of the most critical element of an art piece. It has to be saying something a lot of us can say the same thing. I mean, the aesthetic kind of becomes the voice of it again.”
‘No Rioters’ at Hong Kong Art Week
Embracing his digital disobedience and desire to use art for more than aesthetics, Amadon brazenly had his piece “No Rioters” displayed on a giant digital billboard above the Sogo Causeway Bay store during Hong Kong Art Week.
The glitch art is centered around a surveillance camera oscillating side to side but the primary provocation was showcasing the names and prion terms of activists in the pro-democracy movement from 2019.
“It was a billboard the size of the city block in the middle of Hong Kong Art Week which is sponsored by the government. I thought, let’s be a little disobedient. I’d followed the Hong Kong protest in 2019 pretty closely. I’ve been a news hawk since the dawn of the internet so I wanted to put up something to honor the protesters,” says Amadon.
“I put a giant security camera up there and then every 10th frame or so just flash protesters names, their sentences, and instances of the government beating up protesters, throwing them in jail. It’s all illegal under the Hong Kong national security law to put that in public and I had it on the biggest billboard in Hong Kong during Art Week for three straight days which was great.”
With the names being subtle and difficult to see flashing up in real-time throughout the artwork, the billboard stayed up for 72 hours before Art Innovation Gallery — the gallery that Amadon had worked with to display the piece — informed him that the owners of Sogo were concerned about the hidden political content behind the work.
“The free Hong Kong press found out about it so they wrote an article about it and then the next day it was the BBC and the Global Press covering it, and the Chinese press counterprogramming it, saying I’m pro-rioter — which I love because I am definitely pro-rioter.”
“So it got taken down by the government and I joined the list with Winnie the Pooh in terms of free speech expression being ripped down.”
Gatekeepers get out
Amadon believes that the Web3/crypto space has a long way to go, but he’s equally optimistic about the potential of the technology to democratize the art industry, for both artists and collectors.
“From a collecting standpoint, from an experiencing art standpoint, from a creation of art standpoint, it’s massive. You no longer need a brother, sister or cousin to be working at the Gagosian to get a shot at selling physical and be sitting at the main table of the art world,” Amadon says.
“It’s really tough to participate in the art world if you’re coming from a marginalized community or from a third-world country. What we’ve done with the technology is we really have flattened the space tremendously and we’ve allowed people like Osinachi and Ix Shells to participate meaningfully in the art world that would have been very difficult to access before. We are very accessible and very inclusive.”
In May this year, Amadon launched something unique with his Doppelganger drop in conjunction with Transient Labs. As an artist who is fascinated by the convergence of art and technology, Doppelganger explores what it’s like to link a nonfungible token to an array of art rather than point to a single image.
“Because we’re just beginning to scratch the surface on what’s possible in digital art and what’s possible in digital art when it’s paired with smart contracts on the blockchain, I reached out to Transient Labs and had them build a token that points to an array instead of a token that points to a single link. Doppelganger was built on that.”
Doppelganger by Patrick Amadon (OpenSea)
The contract is artist-owned and essentially can include multiple images into one NFT. Users can pick which artwork to point to with the artist having the ability to add new pieces of art but can never subtract.
“Essentially consider them frozen metadata. They will never change and only the collector has control over what it points to. As the collector you get to select what art you’d like to be displayed. I think we’re up to around 12-13 different pieces right now. I’m going to add another very shortly. I’m just going to keep expanding it because I can keep adding to it, but I can never subtract from it,” he says.
Doppelgänger now has 13 artworks you can select from. Plan to keep growing this for years. ?
Amadon’s first Ethereum mint was ZoFo and his inaugural mint on Tezos was RGB Glitch 2013.
Notable sales include:
BRAIN.WASH by Patrick Amadon: Sold for 8.69 ETH ($26,300 equivalent on date of sale) April 15, 2022. (SuperRare)Unknown and a Train: Sold for 10 ETH ($15,637 equivalent on date of sale) Oct. 18, 2023 to Sartoshi. (SuperRare)Rodeo Drive: Sold for 8.469 ETH ($24,900 equivalent on date of sale) March 3, 2022. (SuperRare)
Rapid-fire Q&A
Influences
“I really like Edward Snowden and Banksy. Aesthetically, I grew up with all the abstract artists so that’s how I first got into making art. I really like texture and abstract art. People like Richter [Gerhard].”
“From within the [Web3] space there’s a number of people like XCOPY, Max Capacity and Kidmograph. There was a community on Tumblr that was making glitch work that’s all still here so it’s cool to see. I have known Pak since back in 2013 because the Twitter art community transitioned over to NFTs in a lot of interesting ways.”
Grifter #098 by XCOPY (OpenSea)
Personal style of art
“Glitches. But my background is in street art. I photograph it, I contribute to it. I’ve always liked graffiti. Glitch blended with graffiti.”
“Banksy was always the artist that I’ve most looked up to in terms of how they approach the art world and how they approach messaging from their art.”
Notable collector
“I have to say Anonymoux. Anonymoux has become like family throughout this process. He picked up a number of my 1 of 1s. The relationship between collector and artist can be really strong. The amount of support that you get from them really makes it possible to do this on a greater level. Just the amount of support that I’ve received from Anonymoux over the past couple of years has honestly been life-changing.”
Which hot NFT artist should we be paying attention to?
“I would say one of the biggest initiatives I’m working on right now is the404 catalogue. It’s a quarterly exhibition, anyone can enter one piece per artist. It’s an opportunity for artists to strip away any change, strip away platform. I just wanted to be completely agnostic, social media and presence does not matter, just art and giving artists the opportunity to be seen just for their art.”
“I work completely in silence. If there’s any noise I’ll put headphones on noise cancellation mode. If there’s anything that’s distracting, I’ll be distracted.”
“That being said, in terms of music in the space that I like, I would mention Mariana Makwaia, I think she is an incredible musician but also doing some really interesting tech things in the space. She used a Doppelganger contract to build her album. Each track has its own metadata all on the same token which I think is a fantastic use of the technology.”
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Greg Oakford
Greg Oakford is the co-founder of NFT Fest Australia. A former marketing and communications specialist in the sports world, Greg now focuses his time on running events, creating content and consulting in web3. He is an avid NFT collector and hosts a weekly podcast covering all things NFTs.
It is “shameful” that black boys growing up in London are “far more likely” to die than white boys, Metropolitan Police chief Sir Mark Rowley has told Sky News.
In a wide-ranging interview with Sunday Morning with Trevor Phillips, the commissioner saidthat relations with minority communities are “difficult for us”, while also speaking about the state of the justice system and the size of the police force.
Sir Mark, who came out of retirement to become head of the UK’s largest police force in 2022, said: “We can’t pretend otherwise that we’ve got a history between policing and black communities where policing has got a lot wrong.
“And we get a lot more right today, but we do still make mistakes. That’s not in doubt. I’m being as relentless in that as it can be.”
He said the “vast majority” of the force are “good people”.
However, he added: “But that legacy, combined with the tragedy that some of this crime falls most heavily in black communities, that creates a real problem because the legacy creates concern.”
Sir Mark, who also leads the UK’s counter-terrorism policing, said black boys growing up in London “are far more likely to be dead by the time they’re 18” than white boys.
“That’s, I think, shameful for the city,” he admitted.
“The challenge for us is, as we reach in to tackle those issues, that confrontation that comes from that reaching in, whether it’s stop and search on the streets or the sort of operations you seek.
“The danger is that’s landing in an environment with less trust.
“And that makes it even harder. But the people who win out of that [are] all of the criminals.”
Image: Met Police Commissioner Sir Mark Rowley
The commissioner added: “I’m so determined to find a way to get past this because if policing in black communities can find a way to confront these issues, together we can give black boys growing up in London equal life chances to white boys, which is not what we’re seeing at the moment.
“And it’s not simply about policing, is it?”
Sir Mark said: “I think black boys are several times more likely to be excluded from school, for example, than white boys.
“And there are multiple issues layered on top of each other that feed into disproportionality.”
‘We’re stretched, but there’s hope and determination’
Sir Mark said the Met is a “stretched service” but people who call 999 can expect an officer to attend.
“If you are in the middle of the crisis and something awful is happening and you dial 999, officers will get there really quickly,” Sir Mark said.
“I don’t pretend we’re not a stretched service.
“We are smaller than I think we ought to be, but I don’t want to give a sort of message of a lack of hope or a lack of determination.”
“I’ve seen the mayor and the home secretary fighting hard for police resourcing,” he added.
“It’s not what I’d want it to be, but it’s better than it might be without their efforts.”
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How police tracked and chased suspected phone thief
‘Close to broken’ justice system ‘frustrating’ and ‘stressed’
Sir Mark said the criminal justice system was “close to broken” and can be “frustrating” for others.
“The thing that is frustrating is that the system – and no system can be perfect – but when the system hasn’t managed to turn that person’s life around and get them on the straight and narrow, and it just becomes a revolving door,” he said.
“When that happens, of course that’s frustrating for officers.
“So the more successful prisons and probation can be in terms of getting people onto a law-abiding life from the path they’re on, the better.
“But that is a real challenge. I mean, we’re talking just after Sir Brian Leveson put his report out about the close-to-broken criminal justice system.
“And it’s absolutely vital that those repairs and reforms that he’s talking about happen really quickly, because the system is now so stressed.”
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She pinned the primary blame for the Met’s culture on its past leadership and found stop and search and the use of force against black people was excessive.
At the time, Sir Mark, who had been commissioner for six months when the report was published, said he would not use the labels of institutionally racist, institutionally misogynistic and institutionally homophobic, which Baroness Casey insisted the Met deserved.
However, London Mayor Sadiq Khan, who helped hire Sir Mark – and could fire him – made it clear the commissioner agreed with Baroness Casey’s verdict.
A few months after the report, Sir Mark launched a two-year £366m plan to overhaul the Met, including increased emphasis on neighbourhood policing to rebuild public trust and plans to recruit 500 more community support officers and an extra 565 people to work with teams investigating domestic violence, sexual offences and child sexual abuse and exploitation.
Watch the full interview on Sunday Morning with Trevor Phillips from 8.30am on Sunday.
Labour’s largest union donor, Unite, has voted to suspend Deputy Prime Minister Angela Rayner over her role in the Birmingham bin strike row.
Members of the trade union, one of the UK’s largest, also “overwhelmingly” voted to “re-examine its relationship” with Labour over the issue.
They said Ms Rayner, who is also housing, communities and local government secretary, Birmingham Council’s leader, John Cotton, and other Labour councillors had been suspended for “bringing the union into disrepute”.
There was confusion over Ms Rayner’s membership of Unite, with her office having said she was no longer a member and resigned months ago and therefore could not be suspended.
But Unite said she was registered as a member. Parliament’s latest register of interests had her down as a member in May.
The union said an emergency motion was put to members at its policy conference in Brighton on Friday.
More on Angela Rayner
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Unite is one of the Labour Party’s largest union donors, donating £414,610 in the first quarter of 2025 – the highest amount in that period by a union, company or individual.
The union condemned Birmingham’s Labour council and the government for “attacking the bin workers”.
Mountains of rubbish have been piling up in the city since January after workers first went on strike over changes to their pay, with all-out strike action starting in March. An agreement has still not been made.
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Rat catcher tackling Birmingham’s bins problem
Ms Rayner and the councillors had their membership suspended for “effectively firing and rehiring the workers, who are striking over pay cuts of up to £8,000”, the union added.
‘Missing in action’
General secretary Sharon Graham told Sky News on Saturday morning: “Angela Rayner, who has the power to solve this dispute, has been missing in action, has not been involved, is refusing to come to the table.”
She had earlier said: “Unite is crystal clear, it will call out bad employers regardless of the colour of their rosette.
“Angela Rayner has had every opportunity to intervene and resolve this dispute but has instead backed a rogue council that has peddled lies and smeared its workers fighting huge pay cuts.
“The disgraceful actions of the government and a so-called Labour council, is essentially fire and rehire and makes a joke of the Employment Relations Act promises.
“People up and down the country are asking whose side is the Labour government on and coming up with the answer not workers.”
Image: Piles of rubbish built up around Birmingham because of the strike over pay
Sir Keir Starmer’s spokesman said the government’s “priority is and always has been the residents of Birmingham”.
He said the decision by Unite workers to go on strike had “caused disruption” to the city.
“We’ve worked to clean up streets and remain in close contact with the council […] as we support its recovery,” he added.
A total of 800 Unite delegates voted on the motion.
Nearly 60 Labour MPs have called on David Lammy and the Foreign Office to immediately recognise Palestine as a state.
A mix of centrist and left-wing MPs, including some committee chairs, wrote to the foreign secretary this week to say “by not recognising [Palestine] as a state, we undermine our own policy of a two-state solution and set an expectation that the status quo can continue and see the effective erasure and annexation of Palestinian territory”.
The 59 MPs suggest the government pursue five different measures to prevent the Israeli government from carrying out its Rafah plan, adding that they believed Gaza was being “ethnically cleansed” – a claim vehemently denied by Israel.
The letter was organised by Labour Friends of Palestine and the Middle East group.
Image: Palestinians ask for food from a charity kitchen in Gaza on 7 July. Pic: Reuters
It states that the Israeli plan, which would see the “population transfer to the southern tip of Gaza in preparation for deportation outside the strip”, is an accurate description, but that they believe a clearer way to describe it is the “ethnic cleansing of Gaza”.
Israeli officials have said they want to separate the civilian population from Hamas, which still controls parts of Gaza and holds dozens of hostages abducted in the October 7 attack that triggered the war 21 months ago.
Emmanuel Macron discussed recognising Palestine as a state at a joint news conference with Sir Keir Starmer on Thursday – the same day the letter was signed.
The French president said: “Today, working together in order to recognise the state of Palestine and to initiate this political momentum is the only path to peace.”
While France has not yet recognised a Palestinian state yet, Norway, Ireland and Spain coordinated their recognition last year.
The letter demands ministers take five different measures to:
• Recognise the state of Palestine • Continue support for the UN Agency for Palestinian Refugees (UNRWA) • Secure the release of hostages • Press for the full and unhindered resumption of humanitarian aid • Fully review and place restrictions on trade with and financial support of illegal Israeli settlements in the West Bank
The government says it is already providing funding for the UNRWA and working to secure the release of hostages held by Hamas, but immediate recognition of Palestinian statehood will be a much more controversial move.
Sky News understands this is the second time MPs have formally called on the government to immediately recognise the state of Palestine, with previous letters signed by some parliamentary aides and even junior ministers.
Ministers have indicated their plan to recognise Palestine would be “at a time that is most conducive to the peace process” without further clarity of when that might be.
They have also indicated that it would not be suitable to speculate about future sanctions, as this could reduce their impact.
A Foreign Office spokesperson said: “Since day one, this government has been clear that we need to see an immediate ceasefire, the release of all hostages cruelly detained by Hamas, better protection of civilians, much-needed food aid, medicines, shelter and other supplies immediately being allowed to enter Gaza, and a path to long-term peace and stability.
“The situation on the ground in Gaza is horrendous – for the hostages and for Palestinians – and we urgently want to see a deal done, to end the suffering on all sides.
“We are committed to recognising a Palestinian state and to doing so when will have most impact in support of a peace process. We continue to provide lifesaving aid to supporting Palestinians in Gaza and the West Bank, and to work closely in support of the Palestinian Authority.”