Modern Warfare III: Call Of Duty is back – and childhood fans are now the ones making it
Whether it’s a cup of tea on a rainy day, re-watching your favourite sitcom, or pulling on those old pyjamas you really should’ve replaced by now, we all have our own homely comforts.
But for a generation of children of the 1990s and 2000s, nothing says “this is living” like unloading assault rifles and lobbing grenades during online bouts of Call Of Duty (COD).
“It’s like putting on a cosy old jumper,” says long-time fan Sam Jones, who started playing in 2007, aged 11.
“And as I grew older, it became a comfort. You’ve less time, people drop off, find different interests, but I’ve still got a core group of four or five mates who’ve been playing for 15 years.”
Shelby Carlton holds a similar fondness for the franchise, which just celebrated its 20th anniversary.
“I started playing COD, actually the original Modern Warfare, when I was a kid,” she recalls, with a belated apology to her parents for ignoring the game’s age rating.
“I’d have friends over and I have really fond memories of playing those games and making those friendships.”
The original Modern Warfare was released in 2007. Pic: Activision Blizzard
Sixteen years later and she’s the narrative director on Modern Warfare III, which releases on 10 November.
Yes, COD has been around so long that childhood fans are now the ones making it.
This one’s the latest instalment in COD’s Modern Warfare subseries, which returned after a long absence in 2019.
Modern Warfare first ran from 2007 to 2011, ending with its own Modern Warfare III. While the rebooted entries have been unconnected plot-wise, they offer plenty of nods, winks, and references to veteran players.
It makes the new game a fitting way to mark the franchise’s anniversary and show how far the series has come.
The first Modern Warfare III in 2011…
…and the new version for 2023. Pics: Activision Blizzard
Ever-increasing scope
“It feels like it just gets bigger,” says creative director Dave Swenson, who’s worked on COD for north of a decade.
“The army of artists, audio people and designers that come together to make the games is pretty amazing and it’s a huge undertaking over several years to create one.”
Despite the annual release cadence, each COD is a multi-year project for the people who make it.
The franchise calls on three main development studios: Infinity Ward, the original creators of the franchise; Treyarch, which birthed the popular Black Ops subseries; and Modern Warfare III’s team Sledgehammer.
There has been a new mainline entry every year since 2005, while free-to-play COD Mobile on smartphones and Fortnite-like Warzone have also taken on lives of their own.
Call Of Duty debuted in 2003….
…and has released every year since the first sequel in 2005. Pics: Activision Blizzard
‘I met my grooms men on Call Of Duty!’
Tom Lynch is one fan who will always hold Warzone in particularly high regard.
He made such firm friends on the virtual battlefield while stuck at home during the lockdowns of 2020 and 2021 that they wound up being far more than just squad mates.
“Because we didn’t have anywhere to go, COD became a great social setting to hang out with mates,” he says.
“And it put me in touch with friends I hadn’t seen in a while – and then also met people through the game who ultimately became the groomsmen at my wedding!”
Tom Lynch made friends on COD during the pandemic…
…friends who would become his grooms men. Pic: Julie King Photography
Record revenues
Between the mainline series, Warzone, and the mobile game, it’s no surprise that at last count, there were more than 3,000 people working on the franchise.
Sledgehammer alone has teams spanning the US, Canada, Australia, and the UK.
The scale is matched by the revenues, with 2022’s game raking in a record $1bn in its first 10 days on sale.
Johanna Fairies, who manages the franchise at publisher Activision Blizzard, believes the teams have “continued to raise the bar on what ambition looks like”.
“The gaming industry is only getting more competitive,” she says.
“But the annualised cycle has been quite unique to us – to be able to sustain that is a feat unto itself.
“It brings even more meaning to the 20th anniversary.”
COD’s multiplayer has become an e-sports phenomenon
‘An interesting challenge’
Directors Swenson and Carlton are confident they’re on to another winner with Modern Warfare III, which boasts a story-driven campaign and a raft of online multiplayer modes.
The online experience is notable this year for letting players carry over progress from the previous game, while the campaign strives to freshen things up despite an inevitable sense of familiarity.
Swenson is excited by the campaign’s new “open combat missions”, with are far less linear than fans are used to, instead encouraging them to approach objectives as they see fit.
But serving as a direct sequel to 2022’s Modern Warfare II, and also a sort-of remake of 2011’s game, Carlton admits she knew there were specific story beats she had to hit.
Advanced Warfare in 2014 was the first Call Of Duty led by Sledgehammer. Pic: Activision Blizzard
“It’s an interesting challenge,” Carlton says of writing a blockbuster game like this, which begins with an almighty brainstorm session featuring enough whiteboards and post-it notes to fill a terminal.
“You start with the end in mind, work backwards, sometimes you work forwards, sometimes you’re in the middle!”
One nailed-on narrative decision was the return of fan-favourite villain Vladimir Makarov, an ultranationalist Russian terrorist with his mind set on sparking World War III.
Trailers suggest his return coincides with a reimagining of one of the franchise’s most infamous levels, “No Russian”, which tasked players with participating in a mass shooting at a Russian airport in a bid to gain Makarov’s trust.
Swenson and Carlton are keeping their lips sealed on how it plays out this time.
The new game brings back popular multiplayer maps from 2009’s Modern Warfare II. Pic: Activision Blizzard
Real modern warfare
Of course, depressingly, the idea of a new world war erupting from eastern Europe or elsewhere doesn’t feel as innocently escapist as the developers may have thought when Modern Warfare debuted in 2007.
Forget Second World War archive footage, today’s COD writers need only turn on the news to see marching armies, rolling tanks, and toppled buildings that would look right at home in the games.
Creative director Swenson admits his team “can’t help but be inspired by the world around us”, but insists this franchise remains solely concerned with being entertainment.
“There’s real conflict happening in the world today and it’s really heartbreaking,” he says.
“[But] this game is a work of fiction and a story that’s been in the making and we’ve been working on for years.
“As a company, we don’t use this game to make any political commentary or anything like that.”
Read more:
The Ukrainian studio bringing horrors of war to gamers’ attention
COD has found a regular home in WWII, including in 2008…
…and 2021. Pics: Activision Blizzard
Regardless of what the real world has in store over the next year, few things are as assured as COD’s usual October/November release date.
It remains to be seen whether Microsoft’s record takeover of Activision will change the series’ trajectory, but the money involved would suggest a reluctance to stop milking this epic cash cow any time soon.
Whether 2024 sees another Modern Warfare, a return to a prior conflict, or something entirely new, the developers themselves seem to guarantee one thing.
“Bigger” is the only way to go.
Entertainment
Christmas adverts – the 10 most-anticipated ads as the festive battle for customers commences
With just under six weeks to go to Christmas Day, the countdown has officially begun, with all the big brands rolling out their seasonal adverts.
Becoming something of an institution over recent years, many see the festive ads as the starting pistol for their Christmas preparation/panic, despite us only being halfway through November.
And with an estimated £10.5bn spent on this year’s Xmas ads, it’s not just about inducing a fuzzy warm feeling in viewers, but also about encouraging them to put their hand in their pocket.
As we brace ourselves for festive fun, we take a swift look at this year’s bevvy of commercial offerings, as the annual battle of the Christmas adverts begins.
John Lewis
A girl called Sally falls into a clothes rack reminiscent of CS Lewis’s The Lion, The Witch And The Wardrobe, but instead of finding Narnia, she ends up in John Lewis.
Pic: PA
Through family flashbacks we lean how much she loves her older sister, whose gift she has carelessly left it to the last minute to buy. Spoiler alert – as one would expect in an advert for a retailer, she finds a pressie.
With the retailer famous for its use of cover versions in their Christmas ads, this one is the origin story for a new cover, with a concurrent competition on TikTok to find an aspiring artist to rerecord a version, which will be featured on the Christmas Day airing and released by record label BMG too.
Waitrose
Marketed as a whodunnit – this big-budget production has a host of celebrity cameos, an intricate storyline and not one but two parts.
Pic: Waitrose
Comedian Joe Wilkinson, Fleabag star Sian Clifford and Succession’s Matthew Macfadyen all have a role in the ensemble, revolving around hunting down the thief of a “chilled desert”.
Being Christmas, when tensions are traditionally high, everyone has reason to have scoffed it. The culprit won’t be revealed until the second part of the ad is released, but in the meantime, activity at Kings Cross Station, in stores and on social media is set to keep the investigation very much alive.
Sainsbury’s
Sainsbury’s goes big for its advert, calling on a beloved Roald Dahl character – the BFG, or Big Friendly Giant – to travel the country with a supermarket worker called Sophie (who pleasingly is a real store employee) in the search for the perfect festive treats.
Pic: Sainsbury’s
A CGI BFG procures salmon, sprouts and cheese before a bit of magic helps him whip it all up into a feast, which he then gifts to an unsuspecting family through the window.
The first ones to release their ad earlier this month, the dulcet tones of national treasure Stephen Fry wrap the action, with a call to arms to stock up in readiness for Christmas.
M&S
Another national treasure – Dawn French – is back for this one, playing both herself and a festive fairy, who gives both French and her home a make-over ready for a Christmas soiree.
Pic: PA
French, whose multi-Christmas-dinner eating antics on The Vicar Of Dibley put her into the Xmas annals, is transformed into “the quintessential hostess” with a bit of help from her little friend.
Banking on the idea that you can never have enough of a good thing, there are six instalments of the advert running between now and the New Year. Who doesn’t like a second – or sixth – helping.
Lidl
This one pulls on the heartstrings, with a little girl inspired to give a gift to a boy who appears not to have any, after an old lady gives her some magic bells.
Pic: Lidl
Directed by Oscar-winning filmmaker Tom Hooper (he directed The King’s Speech), a CGI racoon and giant gingerbread man add a little action to events around the dinner table.
But the take home message is to think about giving as well as receiving, with the return of the retailer’s toy banks scheme set up at supermarkets with the aim of donating over 100,000 toys, to ensure no child experiences a giftless Christmas.
Aldi
Kevin the Carrot is back for a ninth year running, this time trying to save the Christmas spirit from a bunch of hard-boiled humbug villains.
Pic: Aldi
With the ad narrated by actor Jim Broadbent, our plucky hero braves an oven, a Mission Impossible-inspired ventilation system and Bond-esque snow jet-ski dash across the mountains, all to save Christmas.
Helped by his wife Katie, he of course pulls it off. A fan favourite, soft toys of the root vegetable are sold in stores, and this year cuddly humbugs are on sale too.
Morrisons
It’s a song and dance number from Morrisons, courtesy of their singing oven gloves performing Bugsy Malone’s You Give A Little Love.
Pic: Morrisons
A choir of 26 Morrisons employees gave voice to the gloves, recording their rendition of the song at the iconic Abbey Road Studios in London.
Like Lidl, the retailer pulled out the directing big guns, hiring The Greatest Showman director Michael Gracey to oversee proceedings.
Asda
Bagging the prize for the most gnome puns in one advert, Asda sees a flash mob of gnomes preparing the store for Christmas.
Pic: Asda
The resulting advert isn’t as irritating as it sounds on paper, thanks to nice performances by the two human characters in the ad – Maggie and Bill.
And as we know, Christmas is all about the merchandise, so the supermarkets are of course selling special Xmas versions of their garden gnomes to accompany their already 50-strong gnome range. Who knew?
Tesco
Tesco reminds us of those members of the family who are no longer here to join us on the big day, with a man carrying on his late grandmother’s festive tradition of baking gingerbread.
Pic: Tesco
He becomes obsessed with the spicy treat, as it infiltrates every part of his day from his haircut to a trip to see the Christmas lights.
He eventually gets together with his grandad to bake a gingerbread house, revealing it to the family at lunch, thus keeping the tradition alive.
Greggs
And in the most unlikely festive cameo of the year, Greggs has enlisted Nigella Lawson to star in its first Christmas ad.
Pic: PA
Rapturously endorsing their festive bakes, Lawson has her hands full of pasties, and her table full of take-away coffees, as she promotes the bakery’s festive-themed fare.
Whether or not you believe the 64-year-old TV chef really tucks into their sausage rolls in real life – the attention-grabbing collaboration looks like a wise move for the chain, whose sales have jumped in recent weeks as it continues its UK expansion.
Entertainment
Paul Mescal says being the star of Gladiator II as it premieres in London is ‘absolutely, wildly overwhelming’
Gladiator II star Paul Mescal has said bringing Sir Ridley Scott’s legacy sequel to the big screen has been a “wildly… overwhelming” experience.
The star was speaking to Sky News on the red carpet at the film’s royal premiere which was attended by His Majesty the King, who had earlier hosted members of the film and TV industry at a Buckingham Palace reception.
When asked about making the move from indie films, like All Of Us Strangers and Aftersun, into one of the most eagerly anticipated films this year, Mescal said: “I’m excited to play with what the audience is expecting of me.”
“The royal audience is one thing… I think we’ve seen how an audience responded to the film, royal or not, and I think we’re excited for people to see it.”
A whole 24 years after Sir Ridley Scott’s Roman blockbuster starring Russell Crowe, Mescal plays Lucius who, much like the original, finds himself trying to win back his freedom after powerful emperors of Rome conquer his home.
Please use Chrome browser for a more accessible video player
The King greets stars at film and TV event
Read more from Sky News:
Actor Timothy West has died, aged 90
Huw Edwards to keep BAFTA awards
With an actual-scale model of the Colosseum built for the production, the film comes with high costs and a lot of hype.
“I’m struggling with words at the moment,” Mescal admitted, taking in the occasion, having come from the champagne reception at Buckingham Palace.
“This has been an absolutely, wildly – I keep using the word overwhelming – but I think if this isn’t slightly overwhelming then I don’t know what the hell is. I’m having a great time.”
Sir Ridley explained his reason for casting Mescal was that he saw aspects of “a young Albert Finney” in him.
While the pressure is on for the sequel to do well at the box office, the director said he’s learnt how to deal with the weight of expectations over the years.
Keep up with all the latest news from the UK and around the world by following Sky News
“Any film of [this] scale, it doesn’t matter how we play it down, it’s colossally stressful. You better embrace stress or don’t do the job.”
Before heading to the premiere, the King welcomed directors, actors, TV presenters, stunt performers and costume designers at the palace to mark the centenary of the Film and TV Charity, of which Charles has become patron.
Sir Ridley, actor Joseph Fiennes, actress India Amarteifio from the hit Netflix show Queen Charlotte, and TV presenter Claudia Winkleman were among the celebrities who attended the event.
Gladiator II is in cinemas on 15 November.
Actor Timothy West has died peacefully in his sleep aged 90, “with his friends and family at the end”.
He was known for many roles in television and the theatre, including popular soaps Coronation Street and EastEnders.
Husband to 92-year-old Prunella Scales – who played Sybil Fawlty in Fawlty Towers – the pair travelled together on UK and overseas canals in the Channel 4 series Great Canal Journeys.
His children Juliet, Samuel and Joseph West, said in a statement issued by his agent: “After a long and extraordinary life on and off the stage, our darling father Timothy West died peacefully in his sleep yesterday evening. He was 90 years old.
“Tim was with friends and family at the end. He leaves his wife Prunella Scales, to whom he was married for 61 years, a sister, a daughter, two sons, seven grandchildren and four great-grandchildren. All of us will miss him terribly.
“We would like to thank the incredible NHS staff at St George’s Hospital, Tooting and at Avery Wandsworth for their loving care during his last days.”
West with his wife, Prunella Scales. Pic: Geoff Pugh/Shutterstock
He was the winner of an RTS television award for his lead role in Churchill And The Generals, released in 1979, according to imdb.com.
In his career, he played Winston Churchill three times, including in The Last Bastion (1984) and in Hiroshima (1995).
West was also nominated for best actor in the 1976 BAFTAs for his part as Edward VII in the historical drama.
Four years later, he was nominated in the same category for a number of roles, including as best actor in Crime And Punishment.
West (right) in BBC drama, Last Tango In Halifax. Pic: PA
After a small part as Eric Babbage in Coronation Street in 2013, West appeared in 2014 for the first time as Stan Carter in EastEnders.
He also held other popular TV roles, such as in BBC comedy-drama Last Tango In Halifax.
West as King Lear during a 2003 English Touring Theatre production of William Shakespeare’s tragedy. Pic: PA
In the long-running BBC comedy, Not Going Out, he played Geoffrey, the father of Lucy Adams, played by Sally Bretton.
In comedy-drama Brass, he was the ruthless self-made businessman Bradley Hardacre, playing the role from 1982 to 1984 before returning for a third series in 1990.
In 2019, the Bradford-born actor played Private Godfrey in Dad’s Army: The Lost Episodes, a recreation of three missing episodes of the BBC comedy Dad’s Army.
He was also a regular performer of Shakespeare, playing Lear in 2016 and 2002.
-
Sports2 years ago‘Storybook stuff’: Inside the night Bryce Harper sent the Phillies to the World Series
-
Sports7 months agoStory injured on diving stop, exits Red Sox game
-
Sports2 years agoMLB Rank 2023: Ranking baseball’s top 100 players
-
Sports1 year agoGame 1 of WS least-watched in recorded history
-
Environment1 year agoJapan and South Korea have a lot at stake in a free and open South China Sea
-
Sports3 years ago
Team Europe easily wins 4th straight Laver Cup
-
Environment2 years agoGame-changing Lectric XPedition launched as affordable electric cargo bike
-
Business2 years agoBank of England’s extraordinary response to government policy is almost unthinkable | Ed Conway