At East Forest’s ceremonial concerts, listeners are given the space to lie down on mats to take in the music. You could be looking at a yoga class; a dimly lit room filled with bodies sprawled savasana-style, aromatherapy oils wafting in the air.
It certainly doesn’t sound like a typical music gig.
The US electro-acoustic artist has long been pairing music with psychedelics, leading his first small magic mushroom ceremonies more than 15 years ago. While the use of drugs at his shows is not actively encouraged – in most places around the world this would be illegal – those who enjoy his work are aware they might experience the night differently should they choose to partake beforehand.
This fusion of music and psychedelics is not new, with scientific studies on the combined effects dating back to the 1950s and ’60s – and high-profile artists throughout time, from The Beatles to Miley Cyrus, having spoken about their use of mind-altering substances.
But the therapeutic benefits, rather than the hedonistic element, is something a growing number of artists and DJs have started exploring in recent years.
At the same time, more and more scientists –and even Prince Harry – are arguing the physical and mental health benefits, and laws in some countries are relaxing; Australia became the first country to legalise medical psychedelics earlier this year, Oregon and some US cities have done the same, and there are MPs in the UK also calling for reclassification.
For East Forest, whose real name is Trevor Oswalt, his shows and music are a chance to “give people more openings and options, to say, maybe you can be a little more vulnerable or you can go a little deeper”, whether they have taken anything beforehand or not.
Image: US artist East Forest. Pic: George Evan
“I want it to feel inclusive… It’s not like we’re pushing in one direction or another and whatever entry point you come into it, it should work for you. If you want it to just be a concert, you sit or stand like any concert – great. And if you want to go a little deeper, that doorway is there for you, too.”
He adds: “For many people we see, they don’t do that at all and they have their own equally powerful experience.”
Advertisement
Magic mushrooms are currently a Class A drug in the UK, with the maximum penalty for possession being up to seven years in prison, an unlimited fine, or both. The maximum penalty for supply or production is life in prison.
Some experts say more research is needed into the benefits of psilocybin, the psychoactive compound found in magic mushrooms. The NHS lists it among the drugs that can potentially trigger psychotic episodes, while anti-drug advisory service FRANK warns of the risks of losing “complete control” and that a “bad trip” can potentially make mental health problems worse.
Oswalt has just released his latest album, Music For The Deck Of The Titanic, which follows previous works including Music For Mushrooms, IN: A Soundtrack For The Psychedelic Practitioner Vol II, and a collaborative album with spiritual teacher, psychologist, and author Ram Dass. He is set to release a documentary, also titled Music For Mushrooms, in 2024.
He is not the only musician who believes in the power of psychedelics. Electronic star Jon Hopkins, who is also known for producing for acts including Coldplay and Brian Eno and has collaborated with East Forest, released the album Music For Psychedelic Therapy in 2021; his almost namesake the Johns Hopkins University has a centre dedicated to psychedelic and consciousness research in Baltimore, Maryland, and has put together one of several psychedelic therapy playlists on Spotify.
Oswalt says legalisation is “inevitable” and “should happen – because no one should be in jail for a non-violent crime that involves a substance, especially one that’s naturally growing – potentially in your backyard”.
Spreaker
This content is provided by Spreaker, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable Spreaker cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to Spreaker cookies.
To view this content you can use the button below to allow Spreaker cookies for this session only.
Now, more thought needs to be put into access, he says. “Some have a lot more support… anything from having the resources to go to another country or see therapists or [pay] thousands of dollars for [legal treatment] centres. What about the people who don’t?
“My interest is in people having positive, safe experiences and I really believe that music is one of the most effective ways to help and guide people and democratise that. Because I can put a five-hour album called Music For Mushrooms on Spotify and it’s out there and people are going to it, just because of a title, they might decide to use that on a journey.”
However, he is aware psychedelics may not work for everyone. “It can be traumatic. These substances are not a panacea to solve any problem. It’s a tool. And it can also cause harm. And so I’m sort of a harm-reduction approach by bringing a tool like music into that space.”
At his shows, his partner, Marisa Radha Weppner, a trained psychedelic therapist in the US, plays a part in the experience to make it “more four-dimensional and immersive”, spraying scents and adding to the soundscape with bells and shakers. But she is also there to offer support if needed. “And maybe we have people in the room who are kind of like sitters, like psychedelic air marshals,” says Oswalt. “They’re kind of quiet, not obvious, but they’re there.”
But problems are extremely rare, he says, and heavy drinking is more likely to lead to difficulties at music gigs.
Plus, he points out, people are taking drugs of all kinds at gigs, festivals and on nights out all the time. “It’s not like this is unusual, right? I think the difference is we’re giving more care and support.”
Pamela Anderson is one of the most recognisable faces in Hollywood.
Ever since she was spotted on the huge jumbotron screen at a baseball game aged 21, her physical traits have been the overriding subject the world has focused on.
Now 57, the actress and modelis claiming back her life, her story and forging a new path in her career.
“I feel so free,” she tells Sky News during a conversation in a London hotel about her latest film The Last Showgirl.
“I write a lot of emotional journals and there’s a lot that you can get out. You can go to therapy, or you can talk to your best friend, but there’s nothing like an art project to express yourself and heal parts of yourself.”
Image: Pamela Anderson in The Last Showgirl. Pic: Picturehouse Entertainment
The Last Showgirl follows a seasoned entertainer who has to plan for her future when her Las Vegas show abruptly ends after a 30-year run.
The role almost slipped from her fingers when her old agent passed on the script.
“I have a new agent now,” she says with a smile.
Image: Pic: Picturehouse Entertainment
It was her son Brandon who served as a catalyst in her career resurgence after stumbling upon the screenplay and showing it to his mother.
“My sons are so protective of me and their goal is just to say: ‘Mom, we just want you to be able to know that you focused on us as kids and we want you to have the opportunity to shine and to reach your potential as an actress’.”
She adds: “I do have a lot to give, so now I just feel so free. I couldn’t have done anything like this when I had kids because my focus was with them. Now that they’re grown and they’re doing well and they’re thriving, that gives me the opportunity to be able to play in this universe.”
The Canadian-American has been the victim of many harsh headlines over the years with her most challenging moments played out in front of the world.
One of the toughest moments, when her sex tape with her ex-husband Tommy Lee was leaked, ended up being made into its own TV series starring Oscar nominee Sebastian Stan and English actress Lily James.
Anderson had no input in the show and repeatedly called for it to be scrapped.
Image: Anderson as CJ Parker in Baywatch. Pic: Fremantle Media/Shutterstock
Anderson says that despite the adversity and misogyny she has faced being in the public eye, she feels ready to take on the spotlight again. This time on her terms.
“It was hard for me decades ago, and now I can look at it as a learning experience. And it was a different time. I think that looking at it through my kids’ eyes was interesting.
“Talking to my adult children about having a mom who was, you know, objectified in some way and how that felt [for them] and how that shaped them and their experience growing up, being teased in school.”
Her sons, Brandon and Dylan, are now both in their late 20s.
Image: A make-up free Anderson dazzles on the BAFTA red carpet
Drawing similarities to her character Shelly in The Last Showgirl, Anderson says the film serves as a reflection of the sacrifices, external expectations and realities connected to being a woman and a mother.
“We’re doing the best we can with the tools that we have and what we’ve seen growing up. And there’s no perfect way to be a parent, there really isn’t – and especially in this industry.
“When I did Playboy, when I was in Baywatch, I wasn’t thinking about how it was affecting my kids. I was thinking about just keeping the lights on and living this exciting life and getting through it myself.
“But, you know, it affects everybody around you – your parents, your friends, your kids – and so to kind of look at it from that way [in The Last Showgirl] and to have empathy for the character of Shelly dealing with that… I had some experience to draw from.”
Image: The Last Showgirl. Pic: Roadside Attractions
The film also stars Jamie Lee Curtis, Brenda Song and Kiernan Shipka as her close friends and co-workers in a fading corner of the Las Vegas strip.
Anderson adds of the film: “I think this can resonate with any working mom. We all carry this guilt and shame and wish we would have done this or that. And we have to be happy, too.”
The Last Showgirl is out in UK cinemas from Friday 28 February.
A man has been found guilty of attempted murder for attacking author Sir Salman Rushdie.
The 77-year-old British-American writer was stabbed multiple timesas he was preparing to give a speech in New York in 2022.
He was blinded in his right eye in the incident, suffered a severely damaged hand, and spent months recovering.
Following a trial in Chautauqua County Court, a jury convicted 27-year-old Hadi Matar of attempting to murder Sir Salman, after less than two hours of deliberations.
He was also found guilty of assault for wounding Henry Reese, who was on stage with Sir Salman at the time.
Matar gave no obvious reaction to the verdict, and quietly muttered “free Palestine” as he was led out of the courtroom in handcuffs.
Image: Hadi Matar was found guilty by a jury after less than two hours of deliberations. Pic: AP
The court heard Matar ran on to the stage at the Chautauqua Institution where the author was about to speak on 12 August 2022, and stabbed him in front of an audience.
The Indian-born writer, who spent most of the 1990s in hiding in the UK after receiving death threats over his 1988 novel The Satanic Verses, was stabbed about 15 times.
Sir Salman was attacked in the head, neck, torso, and left hand. He also suffered damage to his liver and intestines.
Please use Chrome browser for a more accessible video player
“I was aware of someone wearing black clothes, or dark clothes and a black face mask. I was very struck by his eyes, which were dark and seemed very ferocious to me.
“I thought he was hitting me with his fist but I saw a large quantity of blood pouring onto my clothes.
“He was hitting me repeatedly. Hitting and slashing.”
The writer then said he felt “a sense of great pain and shock,” and added: “It occurred to me that I was dying. That was my predominant thought.”
The court also heard that Mr Reese, the co-founder of Pittsburgh’s City of Asylum, had suffered a gash to his forehead in the attack.
‘Attack was unprovoked’
During closing arguments earlier on Friday, District Attorney Jason Schmidt showed the jury a video of the attack and said: “I want you to look at the unprovoked nature of this attack.
“I want you to look at the targeted nature of the attack. There were a lot of people around that day but there was only one person who was targeted.”
Matar’s defence team argued prosecutors did not prove he intended to kill the writer, with Andrew Brautigan telling the jury: “You will agree something bad happened to Mr Rushdie, but you don’t know what Mr Matar’s conscious objective was.”
Mr Schmidt said that while it was not possible to read Matar’s mind, “it’s foreseeable that if you’re going to stab someone 10 or 15 times about the face and neck, it’s going to result in a fatality”.
The judge set a sentencing date of 23 April, when Matar could be jailed for up to 25 years.
Matar faces a separate, federal indictment from prosecutors in the US attorney’s office in western New York alleging that he attempted to murder Sir Salman as an act of terrorism.
He is also accused of providing material support to the armed group Hezbollah in Lebanon, which the US has designated as a terrorist organisation.
Neighbours has been axed for a second time, just two years after Amazon threw the Australian soap a lifeline.
A statement on the programme’s social media accounts confirmed the final episode of the 40-year series would air in December 2025.
The show follows the lives of the residents of Erinsborough, a fictional suburb of Melbourne, with famous former alumni including Kylie Minogue, Jason Donovan and Margot Robbie.
Executive producer Jason Herbison said: “Audiences all around the world have loved and embraced Neighbours for four decades and we are very proud of the huge success over the last two years including often appearing as one of the Top 10 titles in the UK and the show’s first ever Daytime Emmy nomination for Outstanding Daytime Series in 2024.
“As this chapter closes, we appreciate and thank Amazon MGM Studios for all that they have done for Neighbours – bringing this iconic and much-loved series to new audiences globally.
“We value how much the fans love Neighbours and we believe there are more stories of the residents of Ramsay Street to tell in the future.”
Image: Kylie Minogue and Jason Donovan returned for the first series finale. Photo by Fremantle Media/Shutterstock
It is the second time the show has been cancelled, after it was first axed by Channel 5 in the UK after it failed to secure new funding.
But a few months after what was meant to be its final episode, the series was revivedby streaming giant Amazon Freeve and Freemantle.
The show is available online in the UK and on Channel 10 in Australia.
Channel 10 said on X: “They’ve been our neighbours for almost 40 years, we’re so sad to be saying goodbye. We’d like to thank everyone who has contributed to this remarkable Australian story over the years.”