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The annual mad scramble for Glastonbury tickets is almost upon us.

The first of the festival’s roughly 135,000 spots are finally set go on sale today after the initial early November sale dates were pushed back due to some confusion over the registration process.

Tickets to the iconic event at Worthy Farm in Somerset, which will take place from 26 to 30 June next year, are only available online and millions already registered to apply.

When the time comes, here’s everything you need to know before trying to get tickets:

If you haven’t registered yet, you’re out of the running for now

Glastonbury’s date changes meant you could still register for buying tickets up until 5pm on Monday.

Unfortunately if you missed that deadline, you won’t be able to apply for tickets.

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However, you will still be in with a chance if you register before April 2024, when Glastonbury will have a number of resale dates, selling tickets that have been cancelled (dates yet to be confirmed).

You can apply for that by clicking here.

Where can I get tickets?

Tickets can be bought exclusively at glastonbury.seetickets.com once they become available.

No other site or agency will be allocated tickets, so if you see anyone else claiming to have Glastonbury tickets available for purchase, it’s most likely a scam.

What types of tickets are available and when?

Tickets including coach travel become available from 6pm today.

General admission tickets go on sale at 9am on Sunday 19 November.

There will be another opportunity to get tickets during the resale dates in April 2024.

If you take the ticket plus coach option, getting the coach that you select is mandatory and you will only receive your ticket once you are on that coach.

This means that you can’t pay extra for the ticket and coach option just to secure a ticket early and then not use the transport.

You can also only book ticket and travel options from one destination – meaning if you are buying more than one ticket on 16 November, everyone that you are buying for in your transaction needs to get the same coach to Glastonbury.

Children aged 12 and under when the festival takes place are admitted free of charge and do not need a ticket, nor do they need to register.

You will need to reserve additional coach seats for the children if booking a ticket plus coach travel package, though.

Why does Glastonbury make people register in advance?

It’s to avoid ticket touting, Glastonbury says.

All tickets are personalised with a photo of the ticket holder and cannot be transferred to another recipient.

This makes it far more difficult to resell them at a higher price, which is often a major problem seen at other festivals and concerts.

How many tickets can I buy?

You can buy up to six tickets at a time, but all of the people you’re buying the tickets for need to be registered with Glastonbury.

You will need their registration numbers and postcodes as well as your own.

How does the booking process work?

Once tickets go up for sale, all potential buyers are sent to a holding page.

Glastonbury says users are held at the holding page until there is space on the booking page. The holding page refreshes every 20 seconds to look for a space on the booking page.

You may see a reduced, bare-looking version of the booking page once you gain entry.

The organisers say this is intentional in order to cope with high traffic and does not mean the site has crashed, so be sure not to refresh or leave the page.

Once you reach the first page of the booking site, you will need to enter the registration number and registered postcode for yourself and the other people you are attempting to book tickets for.

When you proceed, the details you have provided will be displayed on the next page.

Once you have double checked all of your information is correct, click ‘confirm’ to enter the payment page, where you will need to check/amend your billing address, confirm your payment information, accept the terms and conditions, and complete the check out within the allocated time.

Giving yourself the best chance

Those who are registered and raring to go should remember to get the basics right.

Here are the must-haves if you want to stand any chance of getting a ticket:

Good internet connection. You won’t stand a chance without solid broadband.
Timekeeping. Make sure you are on the tickets page at exactly 6pm on 16 November or 9am on 19 November – even if it means setting an unwelcome alarm on Sunday.
No distractions. There are time limits during the booking process. If you reach the stage where you have been assigned tickets, you will still need to check/amend your billing address, confirm your payment information, accept the terms and conditions, and complete the check out within the allocated timeframe.
Be ready to approve your payment. There is a chance – especially if you are paying for multiple tickets – that you will have to pass additional security questions from your card issuer. Have a device on hand to ensure you are ready to do this swiftly.
Don’t give up. Until you see the ominous ‘SOLD OUT’ display on the site, there is still a chance. Shortly before that point, there will be a message saying ‘all available tickets have now been allocated,’ which users often think means their chances are up. What it actually means is that orders are being processed for all the tickets that are available. But if somebody whose order is being processed doesn’t take our previous advice and runs out of time, their loss could be your gain.

Does using multiple devices actually help?

You may have seen photos shared on social media of individuals sitting in front of multiple phones, laptops and iPads that are all on the tickets loading page.

Glastonbury’s website advises that running multiple devices simultaneously is “a waste of valuable resources, and doesn’t reflect the ethos of the festival”.

“Please stick to one device and one tab,” it adds, “so that you can focus on entering your details without confusing your browser and help us make the ticket sale as quick and stress free as possible for all.”

In case your priorities aren’t the festival’s ethos or making the ticketing process easy for everyone, it is worth noting that you would need to be very confident in your broadband’s capabilities to use multiple devices.

For your own sake, you may be better off using one device with concentrated connection rather than several using it in weaker doses.

What about multiple tabs on one device?

It was alluded to in the previous section, but Glastonbury definitively says using multiple tabs will not increase your chances of success.

In fact, it could do the opposite.

Glastonbury’s website reads: “Attempting to book tickets online using multiple browser tabs can confuse the ticket sales process and cause your transaction to fail.

“We strongly advise that you use just one browser tab when trying to book tickets, in order to avoid possible problems with your transaction.”

How much do tickets cost and do I pay up front?

Tickets for Glastonbury 2024 will cost £355, plus a £5 booking fee.

If you are buying tickets on 16 November, you will still need to pay a £75 deposit and the £5 booking fee along with your coach fare.

When purchasing general admission tickets on Sunday 5 November, you will just have to pay a £75 deposit and £5 booking fee.

Keep in mind, this is the cost per ticket, so if you are buying six tickets, you will need to pay the deposit and booking fee for each one.

You will then need to pay the remaining cost of your ticket(s) in the first week of April 2024. That’s £280 per ticket.

How many people will be trying to get tickets?

More than 2.5 million people tried to get their hands on the 135,000 tickets on offer last year, according to National Broadband.

The ticketing service which deals with Glastonbury, See Tickets, experienced technical problems last year during the sale window on 6 November, later apologising to people who had “issues trying to book”.

They didn’t specify whether this was due to the amount of website traffic.

Glastonbury co-organiser Emily Eavis apologised afterwards to the “huge number” of people who missed out because “demand far outstripped supply”.

We know from Ms Eavis that some 2.4 million people were registered for Glastonbury tickets at the end of 2019, too, so this level of demand is not an anomaly.

When will I receive my ticket?

General admission tickets will be sent out in late-May or June 2024 to those in the UK and the EU.

People who bought a ticket plus coach package will have to wait until they are on their coach to be handed their tickets.

If you live outside of the UK and EU and buy a ticket, it will be available for box office collection unless specified otherwise.

What if I get tickets but can’t make it to Glastonbury?

Don’t panic; that’s what the resale window is for.

If you realise after buying tickets that you cannot attend, simply don’t pay the remaining £280 that you owe per ticket before the deadline: 11.59pm on 7 April 2024.

Your deposit will automatically be refunded to you, minus a £25 administration charge.

There’s an extra £15 coach cancellation fee on ticket and coach bookings.

Your ticket will then be resold to someone else during the next window.

You can also request a refund any time before Friday 3 May 2024 via See Tickets’ Customer Service Page.

From 3 May onwards, tickets are non-refundable.

Do not attempt to sell tickets on yourself. As stated previously, all tickets are personalised and cannot be transferred to another recipient.

What is included with a ticket?

Here is a list of everything Glastonbury says is included with a ticket:

• Entry to the festival, with over 3,000 performances across more than 100 stages
• Five nights camping (with no early entry fees)
• Free programme
• Free mobile phone charging
• Free on-site newspaper
• Free mobile app
• Free firewood
• Kidzfield, where all entertainment, rides and activities are free of charge
• Support for Oxfam, Greenpeace, WaterAid and “hundreds of other worthy causes”
• Funds to improve the festival’s infrastructure and environmental impact

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Dance artist Moby on the destructive force of fame – and why he’s content being that ‘weird old guy’

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Dance artist Moby on the destructive force of fame - and why he's content being that 'weird old guy'

He is the man behind the biggest-selling electronica record of all time, but the success of Moby’s album Play came with some unwanted side effects.

His fifth record, the album charted at 33 upon its release in the UK in May 1999, and fell out of the Top 40 after just a week. But despite the lacklustre initial response, Play started to pick up steam, slowly climbing the chart until it reached number one in April 2000.

It stayed there for five weeks and remained in the Top 40 until March 2001, re-entering the Top 100 several times over the next few years.

While Moby had experienced success with Go, the breakthrough 1991 single from his self-titled debut album, Play was next level. Even if you don’t know the album, you’ll know at least some of the songs – Porcelain, Why Does My Heart Feel So Bad?, Honey, and Natural Blues. The record was ubiquitous and fame hard to escape.

Adam Warzawa/EPA/Shutterstock
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Pic: Adam Warzawa/EPA/Shutterstock

“I think fame and fortune are, probably, empirically two of the most destructive forces on the planet,” he says, speaking from his home in Los Angeles. “I mean, if fame and fortune fixed things, Kurt Cobain and Amy Winehouse would still be making records.

“I guess it’s a very easy system to buy into, especially in a place like… in New York, in Los Angeles, in these big cities that are driven by ostentation and consumption and the need for external validation. It’s hard to resist those temptations. But then… you look at the consequences of that.

“I’d rather try and live a rational life and not necessarily let other people’s concerns dictate what my concerns should be.”

Now sober and with a few years between him and those heady days of peak fame, in recent years Moby has been doing something few established stars in his position would do – giving his compositions away for free.

“I have a house, I have a car, I have some hoodies, I have food in the fridge, I don’t really need anything more,” he insists. “To live and work in a way where I’m not driven by money, why not use that as an opportunity?”

Selfless selfishness or selfish selflessness

Pic: Wael Hamzeh/EPA/Shutterstock
Image:
Pic: Wael Hamzeh/EPA/Shutterstock

Over a decade ago, the musician came up with the quietly radical idea of making a free music licensing platform, MobyGratis. The idea was simple and rather exciting, he admits – to allow anyone unrestricted access to hundreds of his compositions to use them however they wish. From film scores to remixes, whatever.

“It’s either selfless selfishness or selfish selflessness, meaning I’m giving these things away but the benefit to me is I get to see what people do with it,” he says.

“There are a lot of things about the current digital media climate that are terrifying and baffling and confusing, but one of the things I love is the egalitarian nature of it.”

The idea of giving his music away for free runs somewhat contrary to the AI copyright battle many artists are currently speaking out over, with the likes of Ed Sheeran and Damon Albarn calling for greater protections in law to prevent artificial intelligence software from scraping their work to learn from it.

Remix culture and creative processes

“I completely appreciate and respect the concerns that other people have,” says Moby. “I think they’re incredibly valid… but for me personally, I don’t know. Maybe it’s naive and stupid of me, but I kind of just ignore it.

“I put this music out there and you sort of hope for the best, which probably is completely dim-witted of me. Part of remix culture is seeing how people reinterpret your work; sometimes it’s mediocre, sometimes it is bad, but sometimes it is so inspired, and I can actually learn a lot from other creative processes.”

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The dance artist also takes issue with how the act of giving and compassion more generally has come to be seen, and references Elon Musk‘s comments on Joe Rogan’s podcast in April, when the billionaire said: “We’ve got civilizational suicidal empathy going on.”

Moby says that while “we live in this world of fear, selfishness, desperation and viciousness”, he supports “anything that is a rejection of the manosphere… anything that rejects Elon and the idea that empathy is a weakness and reminds people that life can be simple and decent.”

He jokes: “I’m definitely becoming like the weird old guy that you’ll see in the mountains, sort of like not making eye contact and mumbling about chemtrails or something.”

This is a man who is aware his approach to fame, fortune and giving stuff away is somewhat out-of-keeping with the times we’re living in – but the thing is, Moby doesn’t seem to care.

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Lawyer for Sean ‘Diddy’ Combs claims there was ‘mutual violence’ between him and ex-girlfriend

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Lawyer for Sean 'Diddy' Combs claims there was 'mutual violence' between him and ex-girlfriend

A lawyer representing Sean “Diddy” Combs has told a court there was “mutual” domestic violence between him and his ex-girlfriend Casandra ‘Cassie’ Ventura.

Marc Agnifilo made the claim as he outlined some of the music star’s defence case ahead of the full opening of his trial next week.

Combs has pleaded not guilty to one count of racketeering conspiracy, two counts of sex trafficking and two counts of
transportation for prostitution. If convicted, he faces up to life in prison.

Ms Ventura is expected to testify as a star witness for the prosecution during the trial in New York. The final stage of jury selection is due to be held on Monday morning.

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Why is Sean Combs on trial?

Mr Agnifilo told the court on Friday that the defence would “take the position that there was mutual violence” during the pair’s relationship and called on the judge to allow evidence related to this.

The lawyer said Combs‘s legal team intended to argue that “there was hitting on both sides, behaviour on both sides” that constituted violence.

He added: “It is relevant in terms of the coercive aspects, we are admitting domestic violence.”

U.S. Marshalls sit behind Sean "Diddy" Combs as he sits at the defense table alongside lawyer Marc Agnifilo in the courtroom during his sex trafficking trial in New York City, New York, U.S., May 9, 2025 in this courtroom sketch. REUTERS/Jane Rosenberg
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A court sketch showing Sean ‘Diddy’ Combs (right) as he listens to his lawyer Marc Agnifilo addressing the court. Pic: Reuters

Ms Ventura’s lawyers declined to comment on the allegations.

US District Judge Arun Subramanian said he would rule on whether to allow the evidence on Monday.

Combs, 55, was present in the court on Friday.

He has been held in custody in Brooklyn since his arrest last September.

Prosecutors allege that Combs used his business empire for two decades to lure women with promises of romantic relationships or financial support, then violently coerced them to take part in days-long, drug-fuelled sexual performances known as “Freak Offs”.

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Diddy on trial: Everything you need to know
Sean Combs: A timeline of allegations

Combs’s lawyers say prosecutors are improperly seeking to criminalise his “swinger lifestyle”. They have suggested they will attack the credibility of alleged victims in the case by claiming their allegations are financially motivated.

The trial is expected to last around eight weeks.

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Harvey Weinstein accuser says film mogul ‘took her soul’ during alleged sexual assault

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Harvey Weinstein accuser says film mogul 'took her soul' during alleged sexual assault

An ex-model has tearfully told a court that being sexually assaulted by Harvey Weinstein when she was 16 was the most “horrifying thing I ever experienced” to that point.

Warning: This article contains references to sexual assault

Kaja Sokola told the film producer’s retrial that he ordered her to remove her blouse, put his hand in her underwear, and made her touch his genitals.

She said he’d stared at her in the mirror with “black and scary” eyes and told her to stay quiet about the alleged assault in a Manhattan hotel in 2002.

Ms Sokola told the New York court that Weinstein had dropped names such as Penelope Cruz and Gwyneth Paltrow, and said he could help fulfil her Hollywood dream.

“I’d never been in a situation like this,” said Polish-born Ms Sokola. “I felt stupid and ashamed and like it’s my fault for putting myself in this position.”

Weinstein denies sexually assaulting anyone and is back in court for a retrial after his conviction was overturned last year.

More on Harvey Weinstein

Read more: Weinstein is back in court – but what has happened to the #MeToo movement since 2017?

Harvey Weinstein appears in Manhattan Criminal Court during his rape and sexual assault re-trial in New York.
Pic Reuters
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Weinstein denies the allegations. Pic: Reuters

The 73-year-old is not charged over the alleged sexual assault because it happened too long ago to bring criminal charges.

However, he is facing charges over an incident four years later when he’s said to have forced Ms Sokola to perform oral sex on him.

Prosecutors claim it happened after Weinstein arranged for her to be an extra in a film.

“My soul was removed from me,” she told the court of the alleged 2006 assault, describing how she tried to push Weinstein away but that he held her down.

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Ms Sokola – who’s waived her right to anonymity – is the second of three women to testify and the only one who wasn’t part of the first trial in 2020.

Miriam Haley, an accuser testifying at Harvey Weinstein's rape trial, arrives to the courtroom after a break in New York, Tuesday, April 29, 2025. (AP Photo/Seth Wenig)
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Miriam Haley testified previously in the retrial. Pic: AP

Miriam Haley last week told the court that Weinstein forced oral sex on her in 2006. The other accuser, Jessica Mann, is yet to appear.

Claims against the film mogul were a major driver for the #MeToo movement against sexual harassment and abuse in 2017.

Weinstein’s lawyers allege the women consented to sexual activity in the hope of getting film and TV work and that they stayed in contact with him for a while afterwards.

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