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The annual mad scramble for Glastonbury tickets is almost upon us.

The first of the festival’s roughly 135,000 spots are finally set go on sale today after the initial early November sale dates were pushed back due to some confusion over the registration process.

Tickets to the iconic event at Worthy Farm in Somerset, which will take place from 26 to 30 June next year, are only available online and millions already registered to apply.

When the time comes, here’s everything you need to know before trying to get tickets:

If you haven’t registered yet, you’re out of the running for now

Glastonbury’s date changes meant you could still register for buying tickets up until 5pm on Monday.

Unfortunately if you missed that deadline, you won’t be able to apply for tickets.

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However, you will still be in with a chance if you register before April 2024, when Glastonbury will have a number of resale dates, selling tickets that have been cancelled (dates yet to be confirmed).

You can apply for that by clicking here.

Where can I get tickets?

Tickets can be bought exclusively at glastonbury.seetickets.com once they become available.

No other site or agency will be allocated tickets, so if you see anyone else claiming to have Glastonbury tickets available for purchase, it’s most likely a scam.

What types of tickets are available and when?

Tickets including coach travel become available from 6pm today.

General admission tickets go on sale at 9am on Sunday 19 November.

There will be another opportunity to get tickets during the resale dates in April 2024.

If you take the ticket plus coach option, getting the coach that you select is mandatory and you will only receive your ticket once you are on that coach.

This means that you can’t pay extra for the ticket and coach option just to secure a ticket early and then not use the transport.

You can also only book ticket and travel options from one destination – meaning if you are buying more than one ticket on 16 November, everyone that you are buying for in your transaction needs to get the same coach to Glastonbury.

Children aged 12 and under when the festival takes place are admitted free of charge and do not need a ticket, nor do they need to register.

You will need to reserve additional coach seats for the children if booking a ticket plus coach travel package, though.

Why does Glastonbury make people register in advance?

It’s to avoid ticket touting, Glastonbury says.

All tickets are personalised with a photo of the ticket holder and cannot be transferred to another recipient.

This makes it far more difficult to resell them at a higher price, which is often a major problem seen at other festivals and concerts.

How many tickets can I buy?

You can buy up to six tickets at a time, but all of the people you’re buying the tickets for need to be registered with Glastonbury.

You will need their registration numbers and postcodes as well as your own.

How does the booking process work?

Once tickets go up for sale, all potential buyers are sent to a holding page.

Glastonbury says users are held at the holding page until there is space on the booking page. The holding page refreshes every 20 seconds to look for a space on the booking page.

You may see a reduced, bare-looking version of the booking page once you gain entry.

The organisers say this is intentional in order to cope with high traffic and does not mean the site has crashed, so be sure not to refresh or leave the page.

Once you reach the first page of the booking site, you will need to enter the registration number and registered postcode for yourself and the other people you are attempting to book tickets for.

When you proceed, the details you have provided will be displayed on the next page.

Once you have double checked all of your information is correct, click ‘confirm’ to enter the payment page, where you will need to check/amend your billing address, confirm your payment information, accept the terms and conditions, and complete the check out within the allocated time.

Giving yourself the best chance

Those who are registered and raring to go should remember to get the basics right.

Here are the must-haves if you want to stand any chance of getting a ticket:

Good internet connection. You won’t stand a chance without solid broadband.
Timekeeping. Make sure you are on the tickets page at exactly 6pm on 16 November or 9am on 19 November – even if it means setting an unwelcome alarm on Sunday.
No distractions. There are time limits during the booking process. If you reach the stage where you have been assigned tickets, you will still need to check/amend your billing address, confirm your payment information, accept the terms and conditions, and complete the check out within the allocated timeframe.
Be ready to approve your payment. There is a chance – especially if you are paying for multiple tickets – that you will have to pass additional security questions from your card issuer. Have a device on hand to ensure you are ready to do this swiftly.
Don’t give up. Until you see the ominous ‘SOLD OUT’ display on the site, there is still a chance. Shortly before that point, there will be a message saying ‘all available tickets have now been allocated,’ which users often think means their chances are up. What it actually means is that orders are being processed for all the tickets that are available. But if somebody whose order is being processed doesn’t take our previous advice and runs out of time, their loss could be your gain.

Does using multiple devices actually help?

You may have seen photos shared on social media of individuals sitting in front of multiple phones, laptops and iPads that are all on the tickets loading page.

Glastonbury’s website advises that running multiple devices simultaneously is “a waste of valuable resources, and doesn’t reflect the ethos of the festival”.

“Please stick to one device and one tab,” it adds, “so that you can focus on entering your details without confusing your browser and help us make the ticket sale as quick and stress free as possible for all.”

In case your priorities aren’t the festival’s ethos or making the ticketing process easy for everyone, it is worth noting that you would need to be very confident in your broadband’s capabilities to use multiple devices.

For your own sake, you may be better off using one device with concentrated connection rather than several using it in weaker doses.

What about multiple tabs on one device?

It was alluded to in the previous section, but Glastonbury definitively says using multiple tabs will not increase your chances of success.

In fact, it could do the opposite.

Glastonbury’s website reads: “Attempting to book tickets online using multiple browser tabs can confuse the ticket sales process and cause your transaction to fail.

“We strongly advise that you use just one browser tab when trying to book tickets, in order to avoid possible problems with your transaction.”

How much do tickets cost and do I pay up front?

Tickets for Glastonbury 2024 will cost £355, plus a £5 booking fee.

If you are buying tickets on 16 November, you will still need to pay a £75 deposit and the £5 booking fee along with your coach fare.

When purchasing general admission tickets on Sunday 5 November, you will just have to pay a £75 deposit and £5 booking fee.

Keep in mind, this is the cost per ticket, so if you are buying six tickets, you will need to pay the deposit and booking fee for each one.

You will then need to pay the remaining cost of your ticket(s) in the first week of April 2024. That’s £280 per ticket.

How many people will be trying to get tickets?

More than 2.5 million people tried to get their hands on the 135,000 tickets on offer last year, according to National Broadband.

The ticketing service which deals with Glastonbury, See Tickets, experienced technical problems last year during the sale window on 6 November, later apologising to people who had “issues trying to book”.

They didn’t specify whether this was due to the amount of website traffic.

Glastonbury co-organiser Emily Eavis apologised afterwards to the “huge number” of people who missed out because “demand far outstripped supply”.

We know from Ms Eavis that some 2.4 million people were registered for Glastonbury tickets at the end of 2019, too, so this level of demand is not an anomaly.

When will I receive my ticket?

General admission tickets will be sent out in late-May or June 2024 to those in the UK and the EU.

People who bought a ticket plus coach package will have to wait until they are on their coach to be handed their tickets.

If you live outside of the UK and EU and buy a ticket, it will be available for box office collection unless specified otherwise.

What if I get tickets but can’t make it to Glastonbury?

Don’t panic; that’s what the resale window is for.

If you realise after buying tickets that you cannot attend, simply don’t pay the remaining £280 that you owe per ticket before the deadline: 11.59pm on 7 April 2024.

Your deposit will automatically be refunded to you, minus a £25 administration charge.

There’s an extra £15 coach cancellation fee on ticket and coach bookings.

Your ticket will then be resold to someone else during the next window.

You can also request a refund any time before Friday 3 May 2024 via See Tickets’ Customer Service Page.

From 3 May onwards, tickets are non-refundable.

Do not attempt to sell tickets on yourself. As stated previously, all tickets are personalised and cannot be transferred to another recipient.

What is included with a ticket?

Here is a list of everything Glastonbury says is included with a ticket:

• Entry to the festival, with over 3,000 performances across more than 100 stages
• Five nights camping (with no early entry fees)
• Free programme
• Free mobile phone charging
• Free on-site newspaper
• Free mobile app
• Free firewood
• Kidzfield, where all entertainment, rides and activities are free of charge
• Support for Oxfam, Greenpeace, WaterAid and “hundreds of other worthy causes”
• Funds to improve the festival’s infrastructure and environmental impact

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Celebrity Traitors star reveals the double-bluff that fooled the faithful in final

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Celebrity Traitors star reveals the double-bluff that fooled the faithful in final

Celebrity Traitors star David Olusoga says there was one major flaw in the faithful’s gameplay, and that was having “too much fun”.

The first UK celebrity series of the popular reality show has been a ratings hit since its launch a month ago, wrapping up with a tense finale on Thursday night.

NB. This article contains spoilers related to the final episode

The faithfuls in Celebrity Traitors made one fatal error... Pic: BBC/Studio Lambert/Paul Chappells
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The faithfuls in Celebrity Traitors made one fatal error… Pic: BBC/Studio Lambert/Paul Chappells

Pic: BBC/Studio Lambert/Paul Chappells
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Pic: BBC/Studio Lambert/Paul Chappells

Speaking to Sky News’ Anna Jones and Kamali Melbourne on the new Mornings with Jones and Melbourne, Olusoga said: “We were brilliant at the tasks and every day we went out and did what were basically bonding exercises.

“We all really got to know each other, and then we were terrible at the round table because we just liked each other too much.”

The 55-year-old historian says it was a “devilishly difficult game,” admitting he would have been a “terrible” traitor because he “wasn’t very good as a faithful”.

Treacherous Alan Carr was crowned the winner of the show, after a nail-biting roundtable which saw fellow traitor Cat Burns banished, followed by faithful Joe Marler.

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The celebrities proved to be the worst in the show’s UK history at rooting out the traitors, a fact not lost on Olusoga: “For the most part, it was people sort of not being very good to pointing fingers at each other”.

Respected for his intellect and insight, Olusoga says the show has left him questioning his skill set: “I learned the limits of my kind of my approach to logic, which made a lot of sense to me but didn’t really get me very far.”

Despite many viewers feeling Carr let slip plenty of clues that he was a traitor, Olusoga says he never once suspected him.

Olusoga says: “It was like a double bluff. It was somebody who wasn’t trying to disguise that they were a traitor, therefore, it seemed logical that they weren’t a traitor…

“I think, of all the people, Alan probably got the fewest votes in the entire show. The other thing is, Alan is a national treasure. He’s innately likeable. I think none of us really wanted to believe Alan was a traitor because he had us laughing, we were in stitches the whole time.”

Pic: BBC/Studio Lambert/Euan Cherry
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Pic: BBC/Studio Lambert/Euan Cherry

Despite his lack of competitive success on the show, he says it’s an experience he relished.

“It’s very easy to get stuck in your own ruts as an adult, so to be plucked out of your world, to have your phone taken away from you, to be put in this entirely new environment – this amazing, surreal environment, with these amazing people – it was like the first week of university again. It was like starting a new school. That was wonderful.”

Previously a fan of the show, he says being a player was a completely different ballgame: “You really haven’t got a clue… you see patterns in the clouds”.

He also has no regrets about his decision to get involved: “I’ve been asked to do a lot of different shows. And I’ve always said no to all of them. But even before doing it, my view was, Traitors is special”.

Olusoga is currently working on a Remembrance project with Findmypast to archive pictures of fallen soldiers in the First World War.

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New film ‘proves beyond shadow of a doubt’ that Elgin Marbles were stolen, director claims

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New film 'proves beyond shadow of a doubt' that Elgin Marbles were stolen, director claims

A new documentary proves “beyond any shadow of a doubt” that the Elgin Marbles were stolen, according to its director.

David Wilkinson claims The Marbles settles one of the most divisive debates in cultural heritage: whether 19th-century diplomat Lord Elgin legally acquired the Parthenon Sculptures, better known as the Elgin Marbles.

The film revisits how the sculptures were removed from the Parthenon in Athens while Greece was under Ottoman rule – and ended up in London.

It argues that Lord Elgin did not legally acquire the artefacts – and instead, it amounts to “the greatest heist in art history”.

Reuters file pic
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Reuters file pic

Actor Brian Cox, historian Dominic Selwood and solicitor Mark Stephens are among those who appear in the documentary.

The British government bought the sculptures from Lord Elgin and installed them into the trusteeship of the British Museum, where they have remained for 200 years.

“He needed the money from the British government to pay for all the bribes he’d given to members of the Ottoman Empire,” Wilkinson says of the transaction.

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“Lord Elgin did sell them … but the question becomes, did Lord Elgin actually have the right to purchase them?”

PA file pic
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PA file pic

Classical archaeologist Mario Trabucco della Torretta dismisses Wilkinson’s claims.

“The allegation of bribery to obtain the Marbles is just wrong in historical terms,” he told Sky News.

Torretta was the key architect behind a joint letter that included former prime minister Liz Truss, historian Dr David Starkey and Sir John Redwood – alleging the British Museum is part of a “covert” and “accelerating campaign” to return the Elgin Marbles to Greece.

Responding to Wilkinson’s claims of bribery, he added: “The only reference to ‘presents’ comes years after the start of the removals … do people presume that they run a ‘bribe now, pay later’ scheme back then in Constantinople?”

One of the most contentious points in the debate is the legitimacy of an Ottoman permission document known as a “firman”, which is claimed to have authorised Lord Elgin removing the items from Greece.

There is only an Italian text referred to as a translation of this document.

David Wilkinson
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David Wilkinson

Wilkinson said: “It was normal practice at the time that a copy would be kept in what was then Constantinople, and another copy would have been sent off to Athens.

“There would be a record in Istanbul and the Turks have gone through it in great detail over many decades and they can find nothing.”

Speaking to Sky News in 2024, Dr Zeynep Boz – head of combatting illicit trafficking for Turkey’s culture ministry – said there is no proof of the firman in the Ottoman archive.

“Despite extensive archival research, no such firman has been found. It is even difficult to call this document a translation when the original is not available,” she said at the time.

Torretta offers an explanation: “Burning the Ottoman governor’s archive was one of the first acts of the Greek revolution.”

Reuters file pic
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Reuters file pic

While the arguments are not new, The Marbles also examines how other institutions have handled similar restitution cases.

In the film, Cox says if the marbles would have gone back to Athens already if they had found their way to Edinburgh and not London.

Back in 2023, the National Museum of Scotland returned The House Of Ni’isjoohl memorial pole to Canada.

Meanwhile, Glasgow’s Kevingrove Art Gallery Museum returned a shirt to the South Dakota Cultural Heritage Center in the US.

And when it comes to the Parthenon Sculptures – Germany’s Heidelberg University and The Vatican have both returned fragments to Greece.

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Dec 2024: Elgin Marbles ‘belong in the UK’

The British Museum Act 1963 prevents treasures being legally given away by the British Museum.

The government has repeatedly it has no plans to change existing policy on restitution, and that it is up to the trustees of the museum to decide.

A spokesperson for the British Museum repeated a statement given to Sky News in July: “Discussions with Greece about a Parthenon Partnership are ongoing and constructive.”

The documentary scrutinises the ethics of foreign national treasures that were taken and are now housed in Western museums, but as it stands the institutional and governmental answers don’t appear to be changing.

The Marbles is in UK and Irish cinemas from today.

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‘Iconic, wise’ Shirley Valentine actress Pauline Collins dies

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'Iconic, wise' Shirley Valentine actress Pauline Collins dies

Shirley Valentine actress Pauline Collins has died “peacefully”, aged 85, surrounded by her family.

The actress, who starred in the first series of sitcom The Liver Birds, and became a household name in Upstairs Downstairs, had Parkinson’s disease for several years.

Her later role in the 1989 film Shirley Valentine, playing the lead character of the bored Liverpudlian housewife, earned her an Oscar nomination.

‘Iconic, strong-willed’

Her family said in a statement: “Pauline was so many things to so many people, playing a variety of roles in her life. A bright, sparky, witty presence on stage and screen. Her illustrious career saw her play politicians, mothers and queens.

“She will always be remembered as the iconic, strong-willed, vivacious and wise Shirley Valentine – a role that she made all her own.

“We were familiar with all those parts of her because her magic was contained in each one of them.

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“More than anything, though, she was our loving mum, our wonderful grandma and great-grandma. Warm, funny, generous, thoughtful, wise, she was always there for us.

“And she was John (Alderton)’s life-long love. A partner, work collaborator, and wife of 56 years.

“We particularly want to thank her carers: angels who looked after her with dignity, compassion, and most of all love.

“She could not have had a more peaceful goodbye. We hope you will remember her at the height of her powers; so joyful and full of energy; and give us the space and privacy to contemplate a life without her.”

Receiving her OBE from Queen Elizabeth II at Buckingham Palace in 2001. Pic: PA
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Receiving her OBE from Queen Elizabeth II at Buckingham Palace in 2001. Pic: PA

She married fellow actor John Alderton in 1969.

‘Nation’s sweetheart’

He described her as aremarkable star”.

Collins with, from left, Sheridan Smith, Dame Maggie Smith, Dustin Hoffman, Tom Courtenay and Billy Connolly at the London Film Festival in 2012: Pic: PA
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Collins with, from left, Sheridan Smith, Dame Maggie Smith, Dustin Hoffman, Tom Courtenay and Billy Connolly at the London Film Festival in 2012: Pic: PA

He said he worked with her more than any other actor in TV series, films and West End stage shows, and had “watched her genius at close quarters”.

He added: “What I saw was not only her brilliant range of diverse characters but her magic of bringing out the best in all of the people she worked with. She wanted everyone to be special and she did this by never saying ‘Look at me’.

“It’s no wonder that she was voted the nation’s sweetheart in the 1970s.

“She will always be remembered for Shirley Valentine, not only for her Oscar nomination or the film itself, but for clean-sweeping all seven awards when she portrayed her on Broadway in the stage play, in which she played every character herself.

“But her greatest performance was as my wife and mother to our beautiful children.”

Read more:
Acting has been taken over by ‘posh boys’, says one of Britain’s most celebrated actors
Helen Garner’s ‘unsparing’ diary collection becomes first to win prestigious Baillie Gifford non-fiction prize

Born in Exmouth in 1940, Collins was raised near Liverpool and began her career as a teacher.

But after taking up acting part-time, she landed her first television role as a nurse in the series Emergency Ward 10.

Collins also won great acclaim for her role in 1997 film Paradise Road, which tells the story of a group of women in a Japanese prisoner of war camp who defy their captors by founding an orchestra.

The film also starred Glenn Close, Cate Blanchett and Frances McDormand.

In 2001, Collins was made an OBE for her services to drama.

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