Mark Wilson — the artist known as diewiththemostlikes — has a truly unique style to his art and a presence that could be described as grotesque, performative, thought-provoking and hilarious all in one packet of rolled-up ground beef.
In a digital art market where supply can be infinite, the Indiana-based artist really stands out from the crowd with his ability to garner attention by often ridiculing the NFT space and eliciting both humor and sadness within his work.
An author of five books, diewiththemostlikes has a passion for not only visual art but also scribing his streams of consciousness. He originally minted his first NFT on March 26, 2021, on Foundation after a random account on X reached out because Wilson had made a joke campaign poster for comedian Eric Andre that went viral.
“This dude reached out and just said, ‘Hey, I have a Foundation invite. Would you want to mint a piece on there?’ I said I don’t know what minting is. I don’t know what Foundation is. I have no clue what any of this shit is,” Diewiththemostlikes explains.
“He said, ‘It could be a good avenue for your digital art,’ so I said, ‘Well, fuck it, man. It’s not like I’m not doing anything with it now. It’s getting two likes on Instagram from fucking porn bots. So, whatever, I’ll mint something, and maybe I can sell something finally as an artist — that would be nice.’”
It was a relatively slow start, but consistency and persistence positioned him well, and he’s often received praise from other well-known artists such as OSF.
Now knocking on the door of digital art stardom, diewiththemostlikes still hasn’t come to grips with the position he finds himself in.
“I still honestly can’t really wrap my head around this shit that’s going on. I just assumed I was gonna die alone doing something I hated. To be part of this kind of movement with all these other really insane artists who are on this crazy trajectory and who are constantly leveling up is really cool. It’s pretty wild,” he says.
Origin of catchy and cumbersome name
How did the name diewiththemostlikes come about? Well, in classic “die” fashion, there’s humor and an underlying meaning.
“I’ve got the most common name to ever exist, Mark Wilson. When I was applying for apartments, people would think it was a scammer name because Mark Wilson is a super common name here in the States. They would do a background check and think I was a fake person.”
“I’m cool with my name… But diewiththemostlikes kind of came in, and it’s funny because it’s actually a really cumbersome name to say. A lot of people during interviews will ask what they even call me. It’s a really long and kind of an unenjoyable name to say, but I suppose that I find comfort in that. Discomfort, if you will, or the inability to kind of determine what I should be called is awesome.”
The name pokes fun at a world where we seek likes on social media for dopamine hits, which Wilson points out is a transactional existence.
“It’s a really interesting distillation of our transactional existence as a whole and kind of how fucking sad and depressing it can be in many ways. But also the beauty of it, obviously, none of us would be here; we wouldn’t be talking here without Twitter. Certainly, my art wouldn’t be doing what it was doing, or I wouldn’t be able to impact anybody without a platform.”
Finding a story in peculiar places
Observing society and its idiosyncrasies is a big inspiration, and his work often carries open or sometimes subliminal messages that make collectors really stop and think.
Of course, always the prankster with a dry sense of humor, diewiththemostlikes is quick to tie a bow around it with some over-the-top window dressing.
“I would say there’s stories in the most peculiar places. There’s a story in every sagging ass of anyone walking around the fucking dregs of this country,” he says. “Within those kinds of nuanced little wrinkles, scabs and wounds is where I thrive and where I love to exist.”
“This lens on life and humanity is often exaggerated… If you look a little deeper on my pieces, they’re definitely documentarian but certainly grotesque at a very surface level.”
Good meat! Sublime satire
The tsunami of crypto X accounts posting “gm” led to a series of meat art.
“Good meat originally arose out of a place of complete ridicule, which is where a lot of my art I feel like comes from. It’s satire; it’s ridicule; it’s hilarity. I was really annoyed with the transactional state of everybody just saying ‘gm,’ with nothing else to say. It was gm with a fucking coffee mug, and that was it. Then you just see gm, gm, gm, gm. It was just like, ‘What the fuck are we all doing here? This is insane, dude,’” says Wilson.
“So, then I kind of came up with good meat as a way to ridicule that, and I was posting art with the pieces originally, and then it kind of transitioned into now. I’m just gonna post meat pictures now because that fits the kind of dull exchange. The dull morning exchange that we all participate in.”
“It’s just like here’s a big heaving pile of rotting meat. Enjoy it or don’t enjoy it. It’s all good. But it’s funny because now people will say good meat back, or they’ll have their own good meat-inspired post, and it’s fucking super cool. I love that meat is infecting the space in some capacity.”
“I don’t have a ton, honestly, and most of that is just because I don’t have any art background. I would actually say, growing up, most of my influence was actually in the books I was reading. People like Irvine Welsh, Haruki Murakami, Michel Houellebecq, and, of course, Hunter S. Thompson. All those kinds of absurdists are where I love to dwell.”
“I should obviously mention Ralph Steadman, who is a fucking incredible illustrator. When I got into this space, somebody said, ‘Your stuff reminds me of Ralph Steadman,’ and I think that’s incredible.”
“I think one word I would use is ‘relentless.’ The style itself it’s funny; I never took an art class in high school and was described as adequate. That’s really the extent of my art history. I didn’t study art. It’s more or less I bludgeoned my way into making these things. It’s been like 20,000 hours on the iPad and in my basement making canvases and acrylic.”
“It’s just bludgeoning stuff out that I feel like has to come out or else it’ll rob me from the inside, so ‘relentless’ and ‘unflinching,’ I guess, are the two words that I would use. There’s almost a psychotic pursuit and an urgency to what I want to tell people.”
Which hot NFT artists should we be paying attention to?
Xer0x — “I feel like he’s massively slept on, like horrifically slept on in many ways. That’s a guy who’s obsessed with his craft, and he makes super deep, very personal pieces that are true artistic achievements.”
Alien Queen — “Alien Queen is the shit, but she’s probably not even up-and-coming anymore.”
James Bloom — “He’s a true blockchain artist. The dude is making these super technical and really fucking rad pieces that evolve and change based on interactions.”
“Omega” by Xer0x. (SuperRare)
Notable collector
“I have to give a massive shout-out to SuperRare Zach. He’s been so nice and cool, and he onboarded me after this crazy absurdist tweet campaign to get on SuperRare. To get accepted to SuperRare, it was essentially a tweet that I sent that said I just submitted my application video.”
“It is me doing DMT and performing How Stella Got Her Groove Back while dressed like Hellboy or something. It was just like an insane tweet, and he just said, ‘This is nuts. You’re on.’ I’d already been putting in work and stuff, but I would say Zach is awesome.”
Favorite NFT in your wallet
“Oh, man, I would have to say Pindar Van Arman made this dope ass quantum portrait of me that’s super special. It’s really goddamn rad. That’s probably my favorite piece that I own. It’s a dope-ass piece, and he was so nice to do it. He didn’t ask; he just made it.”
Quantum portrait of Diewiththemostlikes by Pindar Van Arman. (OpenSea)
What do you listen to when creating art?
“I love music. I mean, the absurd part of me would say that I create to Nickelback and Creed and fucking all those other dumb bands. But really, I listen to a shit ton of doom metal and death metal. Bands like Bongripper, Gate Creeper and Withered. Anything that’s just slow, grimy and brutal is the only way that you can kind of describe it.”
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Greg Oakford
Greg Oakford is the co-founder of NFT Fest Australia. A former marketing and communications specialist in the sports world, Greg now focuses his time on running events, creating content and consulting in web3. He is an avid NFT collector and hosts a weekly podcast covering all things NFTs.
Climate change, the crisis in the Middle East, the continuing war in Ukraine, combating global poverty.
All of these are critical issues for Britain and beyond; all of them up for discussions at the G20 summit in Rio de Janeiro this week, and all of them very much in limbo as the world awaits the arrival of president-elect Donald Trump to the White House.
Because while US President Joe Biden used Nato, the G7 and the G20, as forums to try to find consensus on some of the most pressing issues facing the West, his successor is likely to take a rather different approach. And that begs the question going into Rio 2024 about what can really be achieved in Mr Biden’s final act before the new show rolls into town.
On the flight over to Rio de Janeiro, our prime minister acted as a leader all too aware of it as he implored fellow leaders to “shore up support for Ukraine” even as the consensus around standing united against Vladimir Putin appears to be fracturing and the Russian president looks emboldened.
“We need to double down on shoring up our support for Ukraine and that’s top of my agenda for the G20,” he told us in the huddle on the plane. “There’s got to be full support for as long as it takes.”
But the election of Mr Trump to the White House is already shifting that narrative, with the incoming president clear he’s going to end the war. His new secretary of state previously voted against pouring more military aid into the embattled country.
Mr Trump has yet to say how he intends to end this war, but allies are already blinking. In recent days, German Chancellor Olaf Scholz has spoken with Mr Putin for the first time in two years to the dismay of the Ukrainian president Volodymyr Zelenskyy, who described the call as “opening Pandora’s Box”.
More on G20
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0:53
Ukraine anger over Putin-Scholz call
Sir Keir for his part says he has “no plans’ to speak to Putin as the 1,000th day of this conflict comes into view. But as unity amongst allies in isolating Mr Putin appears to be fracturing, the Russian leader is emboldened: on Saturday night Moscow launched one of the largest air attacks on Ukraine yet.
All of this is a reminder of the massive implications, be it on trade or global conflicts, that a Trump White House will have, and the world will be watching to see how much ‘Trump proofing’ allies look to embark upon in the coming days in Rio, be that trying to strike up economic ties with countries such as China or offering more practical help for Ukraine.
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Both Sir Keir Starmer and French President Emmanuel Macron want to use this summit to persuade Mr Biden to allow Mr Zelenskyy to fire Storm Shadow missiles deep into Russian territory, having failed to win this argument with the president during their meeting at the White House in mid-September. Starmer has previously said it should be up to Ukraine how it uses weapons supplied by allies, as long as it remains within international law and for the purposes of defence.
“I am going to make shoring up support for Ukraine top of my agenda as we go into the G20,” said Sir Keir when asked about pressing for the use of such weaponry.
“I think it’s important we double down and give Ukraine the support that it needs for as long as it needs it. Obviously, I’m not going to get into discussing capabilities. You wouldn’t expect me to do that.”
But even as allies try to persuade the outgoing president on one issue where consensus is breaking down, the prospect of the newcomer is creating other waves on climate change and taxation too. Argentine President Javier Milei, a close ally of Trump, is threatening to block a joint communique set to be endorsed by G20 leaders over opposition to the taxation of the super-rich, while consensus on climate finance is also struggling to find common ground, according to the Financial Times.
Image: Russia’s President Vladimir Putin and US President Donald Trump are seen during the G20 summit in 2018. Pic: Reuters
Where the prime minister has found common ground with Mr Trump is on their respective domestic priorities: economic growth and border control.
So you will be hearing a lot from the prime minister over the next couple of days about tie-ups and talks with big economic partners – be that China, Brazil or Indonesia – as Starmer pursues his growth agenda, and tackling small boats, with the government drawing up plans for a series of “Italian-style” deals with several countries in an attempt to stop 1000s of illegal migrants from making the journey to the UK.
Italy’s Prime Minister Giorgia Meloni has struck financial deals with Tunisia and Libya to get them to do more to stop small-boat crossings, with some success and now the UK is in talks with Kurdistan, semi-autonomous region in Iraq, Turkey and Vietnam over “cooperation and security deals” which No 10 hope to sign next year.
The prime minister refused on Sunday to comment on specific deals as he stressed that tackling the small boats crisis would come from a combination of going after the smuggling gangs, trying to “stop people leaving in the first place” and returning illegal migrants where possible.
“I don’t think this is an area where we should just do one thing. We have got to do everything that we can,” he said, stressing that the government had returned 9,400 people since coming into office.
But with the British economy’s rebound from recession slowing down sharply in the third quarter of the year, and small boat crossings already at a record 32,947, the Prime Minister has a hugely difficult task.
Add the incoming Trump presidency into the mix and his challenges are likely to be greater still when it comes to crucial issues from Ukraine to climate change, and global trade. But what Trump has given him at least is greater clarity on what he needs to do to try to buck the political headwinds from the US to the continent, and win another term as a centre left incumbent.
The government has said the £3 cap would stay in place for another year, until December 2025.
But speaking on Sunday morning with Trevor Phillips, Transport Secretary Louise Haugh indicated the government was considering abolishing the cap beyond that point to explore alternative methods of funding.
She said: “We’ve stepped in with funding to protect it at £3 until 31 December next year. And in that period, we’ll look to establish more targeted approaches.
“We’ve, through evaluation of the £2 cap, found that the best approach is to target it at young people.
“So we want to look at ways in order to ensure more targeted ways, just like we do with the concessionary fare for older people, we think we can develop more targeted ways that will better encourage people onto buses.”
Pressed again on whether that meant the single £3 cap would be removed after December 2025, and that other bus reliefs could be put in place, she replied: “That’s what we’re considering at the moment as we go through this year, as we have that time whilst the £3 cap is in place – because the evaluation that we had showed, it hadn’t represented good value for money, the previous cap.”
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It comes after Ms Haigh also confirmed that HS2 would not run to Crewe.
There had been reports that Labour could instead build an “HS2-light” railway between Birmingham and Crewe.
But Ms Haigh said that while HS2 would be built from Birmingham to Euston, the government was “not resurrecting the plans for HS2”.
“HS2 Limited isn’t getting any further work beyond what’s been commissioned to Euston,” she added.
Last month the prime minster confirmed the £2 bus fare cap would rise to £3 – branded the “bus tax” by critics – saying that the previous government had not planned for the funding to continue past the end of 2024.
He said that although the cap would increase to £3, it would stay at that price until the end of 2025 “because I know how important it is”.
Manchester mayor to keep £2 cap
The cap rise has been unpopular with some in Labour, with Greater Manchester mayor Andy Burnham opting to keep the £2 cap in place for the whole of 2025, despite the maximum that can be charged across England rising to £3.
The region’s mayor said he was able to cap single fares at £2 because of steps he took to regulate the system and bring buses back into public ownership from last year.
He also confirmed plans to introduce a contactless payment system, with a daily and weekly cap on prices, as Greater Manchester moves towards a London-style system for public transport pricing.
Under devolution, local authorities and metro mayors can fund their own schemes to keep fares down, as has been the case in Greater Manchester, London and West Yorkshire.
Shelves will not be left empty this winter if farmers go on strike over tax changes, a cabinet minister has said.
Louise Haigh, the transport secretary, said the government would be setting out contingency plans to ensure food security is not compromised if farmers decide to protest.
Farmers across England and Wales have expressed anger that farms will no longer get 100% relief on inheritance tax, as laid out in Rachel Reeves’s budget last month.
Welsh campaign group Enough is Enough has called for a national strike among British farmers to stop producing food until the decision to impose inheritance tax on farms is reversed, while others also contemplate industrial action.
Asked by Trevor Phillips if she was concerned at the prospect that shelves could be empty of food this winter, Ms Haigh replied: “No, we think we put forward food security really as a priority, and we’ll work with farmers and the supply chain in order to ensure that.
“The Department for Environment, Food and Rural Affairs will be setting out plans for the winter and setting out – as business as usual – contingency plans and ensuring that food security is treated as the priority it deserves to be.”
From April 2026, farms worth more than £1m will face an inheritance tax rate of 20%, rather than the standard 40% applied to other land and property.
However, farmers – who previously did not have to pay any inheritance tax – argue the change will mean higher food prices, lower food production and having to sell off land to pay.
Image: Transport Secretary Louise Haigh
Tom Bradshaw, the president of the National Farmers Union, said he had “never seen the united sense of anger that there is in this industry today”.
“I don’t for one moment condone that anyone will stop supplying the supermarkets,” he said.
“We saw during the COVID crisis that those unable to get their food were often either the very most vulnerable, or those that have been working long hours in hospitals and nurses – that is something we do not want to see again.”
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7:06
Farmers ‘betrayed’ over tax change
Explaining why the tax changes were so unpopular, he said food production margins were “so low”, and “any liquid cash that’s been available has been reinvested in farm businesses” for the future.
“One of the immediate changes is that farms are going to have to start putting money into their pensions, which many haven’t previously done,” he said.
“They’re going to have to have life insurance policies in case of a sudden death. And unfortunately, that was cash that would previously have been invested in producing the country’s food for the future.”
Sir Keir has staunchly defended the measure, saying it will not affect small farms and is aimed at targeting wealthy landowners who buy up farmland to avoid paying inheritance tax.
However, the Conservatives have argued the changes amount to a “war on farmers” and have begun a campaign targeting the prime minister as a “farmer harmer”.
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1:19
‘Farmers’ livelihoods are threatened’
Speaking to Sunday Morning With Trevor Phillips, shadow home secretary Chris Philp said he was happy with farmers protesting against the budget – as long as their methods and tactics were “lawful”.
“What the Labour government has done to farmers is absolutely shocking,” he said.
“These are farmers that, you know, they’re not well off particularly, they’re often actually struggling to make ends meet because farming is not very profitable these days. And of course, we rely on farmers for our food security.
Addressing the possible protests, Mr Philp said: “I think people have a right to protest, and obviously we respect the right to protest within the law, and it’s up to parliament to set where the law sits.
“So I think providing they’re behaving lawfully, legally, then they do have a right to protest.”