Taxis to school are ‘lifeline’ for children with special needs but councils face ‘unsustainable’ transport costs
England’s largest councils have told Sky News they’re facing a “simply unsustainable” funding crisis due to the soaring cost of transporting children with special needs to school.
More money is now being spent on taxis and minibuses for SEND (Special Educational Needs or Disability) pupils by county councils than on family, youth and sure start services combined.
School transport budgets are being described by the County Councils Network as “increasingly out of control”.
Some even face future bankruptcy if expenditure on special needs school transport stays the same, without intervention, it said.
It is also warning some “discretionary services”, such as libraries and recycling centres, may have to be cut.
A report by the Isos Partnership, released early to Sky News, predicts the cost of sending children with educational needs to school will top £1.1bn in the next five years.
That figure would mean costs tripling over a decade from £397m in 2018/19 to £1.1bn in 2027/28.
The number of pupils eligible for free school transport has increased by 120% in the same period from 58,000 to 129,000.
The increase in cost is driven by the “explosion” in the number of children receiving Education, Health and Care Plans (ECHPs), which set out support needed including transport.
ECHPs are legal documents that all councils must adhere to.
The number of children on these plans has doubled in eight years from 105,000 to 230,000 this year.
The same number of SEND students are also now using cars and taxis as they are minibuses to get to school.
Councillor Tim Oliver, chair of the County Councils Network, describes the rising costs of transport as the “single biggest pressure” facing councils.
He told Sky News the current situation is “simply not sustainable”.
“The consequences are that if we can’t balance the budgets, then we will have to stop other services,” he said.
“It’s as simple as that… the discretionary services, so technically that will be the libraries, some councils may have to close their libraries or shorten their hours.
“We will have to look at the cost of the recycling centres.
“The statutory responsibilities are to look after vulnerable people and vulnerable children, social care responsibilities, everything else broadly are discretionary services so all of those potentially will be at risk.”
The County Councils Network is warning of a £4bn funding deficit over the next three years.
One in 10 councils say they are at risk of insolvency this year, rising to four in 10 in 2024/25 and six in 10 by 2025/26.
Council leaders are calling on the government to step in and provide an “emergency injection of resources” in next week’s autumn statement mini-budget.
Lyndsay Critchlow says the money to get her two sons to school is a ‘lifeline’
Lyndsay Critchlow’s two sons have been diagnosed with Autism and Pathological Demand Avoidance (PDA).
Both Harvey, eight, and William, 10, attend a special school around a 40-minute drive away from home.
Their parents can’t drive, and so the boys are transported to classes using a private taxi and personal assistant paid for by the council.
It costs around £17,000 a year.
“It is a lot of money,” Lyndsay says, “but there was nowhere around here that we could find that could meet their needs”.
“Their anxiety is the lowest I’ve ever seen… it’s a lifeline”.
Harvey Critchlow’s brother, William, also attends a special school
Eight-year-old Harvey says he really enjoys going to school now “because they understand me more”.
The boys’ father, Philip Critchlow, also describes the difference in his sons: “Two years ago they were completely different children than what you see today.
“Quite literally, they were quiet and inattentive, maybe saying the odd thing.
“And it was heartbreaking to see. Now they get to be children again.
“And that’s worth more than anything.”
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A government spokesperson said: “Every child should have access to a high-quality education, including those with special educational needs.
“Councils are responsible for providing the right support for children in their areas, including school transport.
“Our published SEND and AP improvement plan sets out how we will make sure all children with special needs and disabilities receive the support they need.
“We are also putting significant investment into the high needs budget, which is increasing by a further £440m for 2024-25, bringing total funding to £10.5bn – an increase of over 60% since 2019-20.”
Comedy writer Bill Dare, – who worked on shows including Spitting Image and Dead Ringers – has died after an accident overseas, his agent said.
Described as a “super producer” by his peers, Dare, 64, worked on eight series of hugely popular satire puppet show Spitting Image.
Airing on ITV during the 1980s and 1990s, the show delighted in lampooning public figures including politicians, celebrities and royalty, winning BAFTAs and Emmys. It was rebooted in 2020.
Dare also created Dead Ringers, a comedy impressions show broadcast on BBC Radio 4.
He also produced The Now Show, a satirical take on the news which ran on Radio 4 from 1998 to 2024.
Dare worked on a wide range of comedy shows during his career, including the radio production of The Mary Whitehouse Experience in the late 1980s and early 1990s. He had also written several novels.
In a statement released on Monday, his agent JFL Agency confirmed he died at the weekend.
A spokesperson said: “We are shocked and greatly saddened to have to announce the death of our brilliant client Bill Dare, who died at the weekend following an accident overseas.
“Our thoughts are with his wife Lucy, daughter Rebecca, and with all of Bill’s family and friends who will be devastated by his loss.
“Bill was a truly legendary producer and writer, and his comedy instincts were second to none.”
Oasis depicted on Spitting Image in 1996. Pic: ITV/Shutterstock
Colleagues were quick to pay tribute and reflect on his talent.
Impressionist Jon Culshaw wrote on X: “It’s impossible to express the unreal sense of loss at the passing of the incredible Bill Dare. The wisest comedy alchemist and the dearest, dearest friend. Much love to Lucy and all Bill’s family and friends. We shall all miss him more than we can say.”
David Baddiel posted on the social media platform: “Just heard that the original producer of The Mary Whitehouse Experience on radio, Bill Dare, has died. Bill was an amazing creative force. I owe him much. RIP.”
Former EastEnders actress Tracy-Ann Oberman said she was “devastated” and that her “entire comedy career was down to Bill”.
She wrote: “When I was on the BBC Radio 4 rep company early on in career – I ran into Bill in the corridors – He asked if I was good at accents. I said yes.
“He cast me in a sketch show. I had to do about 15 different accents. We recorded in front of a live audience at Broadcasting House – afterwards Bill said ‘Why have I never met you – you’re going to have a big career’.
“He was incredibly loyal and supportive and really opened a path for me into the R4 comedy world and then TV having come out of the RSC and theatre it was all new. I will always be grateful. Fly high Bill.”
Comedian and writer Mark Steel wrote: “This is so grim. Bill was a compassionate hearty soul with the ability to be beautifully grumpy, a marvellously thoughtful comic mind.
“He’d argue but always listen and you’d always laugh, he made a million shows and wanted them all to matter and would have made a million more.”
Have I Got News for You writer Pete Sinclair said: “I am utterly devastated by Bill’s death. I still can’t believe it. He was a comedy genius. A hugely talented writer as well as a brilliant producer. A close friend and co-writer. I cannot begin to say how much I’ll miss him.”
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Julia McKenzie, comedy commissioner for Radio 4, said: “I am so terribly sorry to hear this tragic news and my thoughts are with Bill’s wife, family and friends.
“Bill has been a huge part of Radio 4 comedy for decades, as a writer and producer, and listeners will have heard his legendary name at the end of many of their favourite shows.
“Bill was a comedy obsessive, and very instinctive about making the funniest choices when it came to writing, directing and editing.
“He cared so much about his work that in the production booth during Dead Ringers you’d see him crouched over the script, utterly focused on the show.
“He was funny and very dry in person, amusingly cynical when he needed to be and always pushed to keep the comedy he made, and particularly satire, spiky.
“I’ve known and worked with him for 18 years and like many I can’t believe he has gone, he will leave a big hole in the comedy world and in our hearts.”
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