Reality TV has undergone plenty of changes in the last decade – from the end of stalwart Noughties shows, the much-needed emphasis on duty of care towards participants, and the genre’s pipeline to social media influencing.
Now Squid Game: The Challenge has landed on our screens and turned trusted formats upside down again.
Some 456 contestants from across the globe compete in children’s games based on Netflix‘s smash-hit South Korean thriller for a $4.56m jackpot (£3.64m) – thought to be the largest single cash prize ever in a television show.
Image: Netflix’s Squid Game: The Challenge Pic: Netflix
From the start, the show proved controversial after three contestants received medical treatment after the game Red Light, Green Light was filmed in Bedfordshire during a cold snap in January.
Executive producer Tim Harcourt, creative director at Studio Lambert, said the team had taken “all the appropriate measures” before filming.
“Some people anonymously were disgruntled and annoyed that they had spent a lot of time playing that game in the cold and then were eliminated. And that’s understandable.”
But he says the challenging conditions were to be expected with such a massive jackpot.
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“It is $4.56 million and Netflix is never just going to give that away easily.”
And with such a massive prize comes massive responsibility for the producers.
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John Hay, chief executive of The Garden production company, said the team was “absolutely scrupulous – doubly so, given the size of the prize, about judging who moved and who hadn’t [in the Red Light, Green Light game].
“We had a whole team of adjudicators behind the scenes,” he said.
Image: The Red Light, Green Light game Pic: Netflix
“These were people independent of us from a different company, trained lawyers, who would check those movements and we had those people with us all the way through the entire series.”
Hay said the jackpot prize was one of the most significant decisions that Netflix made about the show because “it just flips the whole thing”.
“Instead of being driven by the fear of death, it’s driven by the sort of scale of this opportunity.
“It turns out that’s just as powerful a motor for stories as in the drama. The people who went into that set lived in these six soundstages. The ones who made it to the finals were there for 16 days.
“They were chasing this huge prize. It felt like the stakes felt suitably high. And I think that drove some of the reactions to it in the course of the game,” Hay said.
Image: The contestants’ dorm Pic: Netflix
And those reactions were sometimes powerful. The show feels more extreme and more challenging than any recent reality show game. One contestant appeared to be close to vomiting from the pressure of making a decision that would ultimately lead to his elimination.
“We had to accept that that immersion [in the game] would put people under quite a lot of pressure and it could be stressful. And that’s something that we would talk about [with contestants],” Harcourt said.
“We really take care as they exit the game to chat to them and allow them to process everything that they felt and to realise that it’s all fine now and that was a game and they were playing under pressure.
“Those are conversations that continue with the contributors not just straight after the game, but six months after,” Harcourt said, adding that the show’s welfare team is in touch with the contestants now as the show is airing.
Image: A scene from Squid Game: The Challenge Pic: Netflix
Squid Game remains the most popular Netflix series of all time and was streamed by 111 million users in the first 28 days after its release in September 2021.
Hay, whose company The Garden has created shows such as 24 Hours in A&E and Emergency, said Squid Game’s success was both a blessing and a burden.
“Starting from a drama as brilliant and as successful as Squid Game is a huge head start in that there’s already a huge number of people interested and it’s very unusual in being a drama that’s based around a game.
“It’s an ingeniously designed game. There’s a real singularity and originality of the vision in the drama. There’s a world [with] a very distinctive sort of tone and visual style.
“But in another sense, it sets the bar unbelievably high. We knew that we had to match the world. We had to play in the spirit of the game.”
The number of contestants was also a huge logistical challenge. More than 80,000 people applied to be on the show with Hay saying it was a “mammoth task” to whittle it down to just 456 contestants.
“Of course, without a script, we had to find ways of creating the conditions in which some of those dynamics [of the drama] could play out without being able to actually know who our heroes were from the start and then write their storylines,” Hay said.
Image: Netflix’s Squid Game: The Challenge Pic: Netflix
Harcourt, who has produced other reality shows including The Traitors, The Circle and Naked Attraction, said filming the 456 contestants was “the biggest creative challenge” of the show.
Another challenge was how to eliminate people from the game. In the drama, contestants are immediately killed which led to some creative discussions as to how to adapt it for the reality TV show.
“Quite early on we came upon the idea of the dye pack, which is something that every contestant wore underneath their white t-shirt,” Harcourt said.
“We arrived at black ink. There was a taste issue with blood.”
“We went through a lot of testing to get the dye colour right, the type of dye right. Even the nozzle that sprays the ink out through their T-shirt had to have such a force that it would actually show on that T-shirt and also that they would actually feel it go off so that everybody knew that they were out of the game.”
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So is this new kind of supersized reality TV show with massive stakes the future? Maybe, Harcourt and Hay said.
“I definitely think there will be these big reality shows that broadcasters or streamers will undertake,” Harcourt said.
“Unscripted television is still cheaper to make than some dramas and it can call in just as big an audience when it’s done brilliantly and it’s successful and the audience love it.
“So I don’t think we’re about to see a spate of 100 of these shows being made. But I think that some of these shows that feel bigger in execution and maybe bigger in concept will become a trend.”
Squid Game: The Challenge is on Netflix from today
One of Harper Lee’s surviving relatives says it’s possible there could be major unpublished works by the author still to be discovered, following the release of eight of her previously unseen short stories.
Describing the mystery around a manuscript titled The Long Goodbye, which Lee wrote before To Kill A Mockingbird, Lee’s nephew, Dr Edwin Conner, told Sky News: “Even the family doesn’t know everything that remains in her papers. So, it could be there waiting to be published.”
Dr Conner says Lee submitted a 111-page manuscript, titled The Long Goodbye, after writing Go Set A Watchman in 1957.
The retired English professor explains: “It’s not clear to me or to others in the family, to what extent [The Long Goodbye] might have been integrated into To Kill a Mockingbird, which she wrote immediately after, or to what extent it was a freestanding manuscript that is altogether different and that might stand to be published in the future.”
Image: Lee researched Reverend Maxwell’s death, but no book was ever published. Pic: AP
A second mystery exists in the form of a true crime novel, The Reverend, which Lee was known to have begun researching in the late 1970s, about Alabama preacher Reverend Willie Maxwell who was accused of five murders before being murdered himself.
Dr Conner said: “The manuscript of a nonfiction piece, that according to some people doesn’t exist, according to others who claim to have seen it, does [is also a mystery]. We don’t know where it is, or whether it is, really.
“That could be a surprise that has yet to be revealed if we discover it and it’s published, which is a real possibility.”
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He believes much of the manuscript was written in his family home and says his mother, Louise, who was Lee’s older sister, saw a “finished version of it” on the dining room table.
Dr Conner says there are “others who just as fiercely say no, it was never completed”.
Image: A C Lee (L) – the inspiration for Atticus Finch with his grandchildren, including Edwin Conner (C), in 1953
‘She did want to publish these stories’
There has long been debate over why Lee published just two books in her lifetime.
To Kill a Mockingbird came out in 1960. Selling more than 46 million copies worldwide, translated into more than 40 languages and winning a Pulitzer Prize, it’s arguably the most influential American book of the 20th century.
Fifty-five years later, Lee published a sequel, Go Set A Watchman, written ahead of Mockingbird, but set at a later date.
Then aged 88, and with failing health, there were questions over how much influence Lee had over the decision to publish.
Asked how happy she’d be to see some of her earliest work, containing early outlines for Mockingbird’s narrator Jean Louise Finch and the story’s hero Atticus Finch, now hitting the shelves, Dr Conner says: “I think she’d be delighted.”
Image: A previously unseen image of one of Lee’s short story transcripts. Pic: Harper Lee Estate
He says Lee had presented them to her first agent, Maurice Crane, at their first meeting in 1956, “precisely because she did want to publish these stories”.
And while dubbing them “apprentice stories,” which he admits “don’t represent her at her best as a writer,” he says they show “literary genius of a kind”.
Notoriously private, he says the stories – which were discovered neatly typed out in one of Lee’s New York apartments after her death – offer “deeply enthralling new glimpses into her as a person”.
Never marrying or having children, he says Lee maintained a degree of privacy even with her family: “You never saw her complete personality… We thought we knew her, we thought we’d seen everything, but no, we hadn’t.”
Image: George W Bush awards Lee with the Presidential Medal of Freedom in 2007. Pic: Reuters
‘That’s it, I’m not giving any more interviews’
While describing her as a “complicated woman,” he insists Lee was far from the recluse she’s frequently painted as.
He says: “In company, she was most of the time delightful. She was a lively personality, she was funny, witty, and you would think she was very outgoing.”
But Lee was known to have struggled with her success.
Dr Conner explains: “She never ever wanted fame or celebrity because she suspected, or knew, that would involve the kind of uncomfortable situations in public situations that she found just no satisfaction or pleasure in”.
He says while in the early years of Mockingbird Lee gave interviews, the wild success of the book soon rendered such promotion unnecessary, leading her to decide: “That’s it, I’m not giving any more interviews”.
While he admits she was subsequently much happier, he goes on: “Not that she was a recluse, as some people thought. She wasn’t at all a recluse, but she didn’t enjoy public appearances and interviews particularly. She wanted the work to speak for itself.”
Image: Truman Capote and Harper Lee in April 1963. Pic: AP/The Broadmoor Historic Collection
‘Deeply hurt’ by Truman Capote
Famously close to Truman Capote, one of the pieces in Lee’s newly released collection is a profile of her fellow author.
Dr Conner says that piece – a love-letter of sorts, describing Capote’s literary achievements – is all the more remarkable because at the point Lee wrote it in 1966, when she and Capote “were not even on speaking terms”.
He says Lee “probably knew [Capote] better than any other person alive when that was written”, adding, “she did love him as a friend very much, even when he was not speaking to her”.
Friends since childhood – and the prototype for the character of Dill in Mockingbird – Capote later hired Lee to help him research his 1965 true crime novel In Cold Blood.
Despite his book’s relative success, Dr Conner believes Capote was “bitter” over the fact Mockingbird far eclipsed it in accolades and recognition.
“He had been writing for much longer. He felt that he was at least as good as she was, and he was very envious of her success”.
Dr Conner says Lee was “deeply hurt” at Capote’s rejection of her, never speaking about him in later life.
Recalling his own meeting with Capote many years later, Dr Conner says he “got a personal sense of how [Capote] could charm the socks off of anybody, male or female”.
He says it was noteworthy that while Capote asked about his mother, who he had been fond of, he “never once mentioned” Harper.
Sky News has contacted Lee’s lawyer and the executor of her estate, Tonya Carter, for comment.
The Land of Sweet Forever: Stories and Essays, by Harper Lee is on sale from Tuesday
Metropolitan Police is to stop investigating “non-crime hate incidents” to “reduce ambiguity” after prosecutors dropped a case against Graham Linehan.
Linehan, 57, will face no further action after being arrested over his social media posts about transgender people.
The Father Ted and IT Crowd creator said his lawyers had been told the case wouldn’t proceed. The Crown Prosecution Service confirmed the move.
Linehan, 57, was arrestedon suspicion of inciting violence when he landed at Heathrow from his home in the US on 1 September.
The incident drew criticism of the police and government from some politicians and free-speech campaigners.
Met Policesaid today it would stop investigating “non-crime hate incidents” to “reduce ambiguity” and “provide clearer direction for officers”.
Posting on X, Linehan announced : “After a successful hearing to get my bail conditions lifted (one which the police officer in charge of the case didn’t even bother to attend) the Crown Prosecution Service has dropped the case.
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“With the aid of the Free Speech Union, I still aim to hold the police accountable for what is only the latest attempt to silence and suppress gender critical voices on behalf of dangerous and disturbed men.”
The union said it had hired a “top flight team of lawyers to sue the Met for wrongful arrest, among other things”.
“The police need to be taught a lesson that they cannot allow themselves to be continually manipulated by woke activists,” it added.
A Crown Prosecution Service spokesperson confirmed it had reviewed the case file and decided “no further action” would be taken.
Image: Linehan said he had to be taken to hospital on the day of his arrest. Pic: PA
In one of his posts, Linehan wrote: “If a trans-identified male is in a female-only space, he is committing a violent, abusive act. Make a scene, call the cops and if all else fails, punch him in the balls.”
Another was a photo of a trans-rights protest, with the comment “a photo you can smell”, and a follow-up post saying: “I hate them. Misogynists and homophobes. F*** em.”
A Met Police statement after the case was dropped acknowledged “concern” around Linehan’s arrest.
It added: “The commissioner has been clear he doesn’t believe officers should be policing toxic culture war debates, with current laws and rules on inciting violence online leaving them in an impossible position.
“As a result, the Met will no longer investigate non-crime hate incidents.
“We believe this will provide clearer direction for officers, reduce ambiguity and enable them to focus on matters that meet the threshold for criminal investigations.”
Linehan said on his blog that his was arrested by five armed officers and had to go to A&E after his blood pressure reached “stroke territory” during his interrogation.
Police said the officers’ guns were never drawn and were only present as Linehan was detained by the aviation unit, which routinely carries firearms.
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JK Rowling, who’s regularly shared her views on women’s rights in relation to transgender rights, was among those who had criticised the arrest, calling it “utterly deplorable”.
Reform’s Nigel Farage, shadow justice secretary Robert Jenrick, and ex-foreign secretary Sir James Cleverly also hit out at the treatment of Linehan.
One of Harper Lee’s surviving relatives says it’s possible there could be major unpublished works by the author still to be discovered, following the release of eight of her previously unseen short stories.
Describing the mystery around a manuscript titled The Long Goodbye, which Lee wrote before To Kill A Mockingbird, Lee’s nephew, Dr Edwin Conner, told Sky News: “Even the family doesn’t know everything that remains in her papers. So, it could be there waiting to be published.”
Dr Conner says Lee submitted a 111-page manuscript, titled The Long Goodbye, after writing Go Set A Watchman in 1957.
The retired English professor explains: “It’s not clear to me or to others in the family, to what extent [The Long Goodbye] might have been integrated into To Kill a Mockingbird, which she wrote immediately after, or to what extent it was a freestanding manuscript that is altogether different and that might stand to be published in the future.”
Image: Lee researched Reverend Maxwell’s death, but no book was ever published. Pic: AP
A second mystery exists in the form of a true crime novel, The Reverend, which Lee was known to have begun researching in the late 1970s, about Alabama preacher Reverend Willie Maxwell who was accused of five murders before being murdered himself.
Dr Conner said: “The manuscript of a nonfiction piece, that according to some people doesn’t exist, according to others who claim to have seen it, does [is also a mystery]. We don’t know where it is, or whether it is, really.
“That could be a surprise that has yet to be revealed if we discover it and it’s published, which is a real possibility.”
More on Literature
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He believes much of the manuscript was written in his family home and says his mother, Louise, who was Lee’s older sister, saw a “finished version of it” on the dining room table.
Dr Conner says there are “others who just as fiercely say no, it was never completed”.
Image: A C Lee (L) – the inspiration for Atticus Finch with his grandchildren, including Edwin Conner (C), in 1953
‘She did want to publish these stories’
There has long been debate over why Lee published just two books in her lifetime.
To Kill a Mockingbird came out in 1960. Selling more than 46 million copies worldwide, translated into more than 40 languages and winning a Pulitzer Prize, it’s arguably the most influential American book of the 20th century.
Fifty-five years later, Lee published a sequel, Go Set A Watchman, written ahead of Mockingbird, but set at a later date.
Then aged 88, and with failing health, there were questions over how much influence Lee had over the decision to publish.
Asked how happy she’d be to see some of her earliest work, containing early outlines for Mockingbird’s narrator Jean Louise Finch and the story’s hero Atticus Finch, now hitting the shelves, Dr Conner says: “I think she’d be delighted.”
Image: A previously unseen image of one of Lee’s short story transcripts. Pic: Harper Lee Estate
He says Lee had presented them to her first agent, Maurice Crane, at their first meeting in 1956, “precisely because she did want to publish these stories”.
And while dubbing them “apprentice stories,” which he admits “don’t represent her at her best as a writer,” he says they show “literary genius of a kind”.
Notoriously private, he says the stories – which were discovered neatly typed out in one of Lee’s New York apartments after her death – offer “deeply enthralling new glimpses into her as a person”.
Never marrying or having children, he says Lee maintained a degree of privacy even with her family: “You never saw her complete personality… We thought we knew her, we thought we’d seen everything, but no, we hadn’t.”
Image: George W Bush awards Lee with the Presidential Medal of Freedom in 2007. Pic: Reuters
‘That’s it, I’m not giving any more interviews’
While describing her as a “complicated woman,” he insists Lee was far from the recluse she’s frequently painted as.
He says: “In company, she was most of the time delightful. She was a lively personality, she was funny, witty, and you would think she was very outgoing.”
But Lee was known to have struggled with her success.
Dr Conner explains: “She never ever wanted fame or celebrity because she suspected, or knew, that would involve the kind of uncomfortable situations in public situations that she found just no satisfaction or pleasure in”.
He says while in the early years of Mockingbird Lee gave interviews, the wild success of the book soon rendered such promotion unnecessary, leading her to decide: “That’s it, I’m not giving any more interviews”.
While he admits she was subsequently much happier, he goes on: “Not that she was a recluse, as some people thought. She wasn’t at all a recluse, but she didn’t enjoy public appearances and interviews particularly. She wanted the work to speak for itself.”
Image: Truman Capote and Harper Lee in April 1963. Pic: AP/The Broadmoor Historic Collection
‘Deeply hurt’ by Truman Capote
Famously close to Truman Capote, one of the pieces in Lee’s newly released collection is a profile of her fellow author.
Dr Conner says that piece – a love-letter of sorts, describing Capote’s literary achievements – is all the more remarkable because at the point Lee wrote it in 1966, when she and Capote “were not even on speaking terms”.
He says Lee “probably knew [Capote] better than any other person alive when that was written”, adding, “she did love him as a friend very much, even when he was not speaking to her”.
Friends since childhood – and the prototype for the character of Dill in Mockingbird – Capote later hired Lee to help him research his 1965 true crime novel In Cold Blood.
Despite his book’s relative success, Dr Conner believes Capote was “bitter” over the fact Mockingbird far eclipsed it in accolades and recognition.
“He had been writing for much longer. He felt that he was at least as good as she was, and he was very envious of her success”.
Dr Conner says Lee was “deeply hurt” at Capote’s rejection of her, never speaking about him in later life.
Recalling his own meeting with Capote many years later, Dr Conner says he “got a personal sense of how [Capote] could charm the socks off of anybody, male or female”.
He says it was noteworthy that while Capote asked about his mother, who he had been fond of, he “never once mentioned” Harper.
Sky News has contacted Lee’s lawyer and the executor of her estate, Tonya Carter, for comment.
The Land of Sweet Forever: Stories and Essays, by Harper Lee is on sale from Tuesday