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She was the first woman to play one of British TV’s most iconic roles, but as Dr Who returns without her this weekend, Jodie Whittaker is back on our screens in new Australian drama One Night.

The series follows three female friends whose lives have been shaped by the traumatic events of one night when they were teenagers.

Now as grown women, they are reunited and the truth of what really happened is revealed throughout the show.

One Night promotional poster
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One Night promotional poster

With each episode told from a different character’s perspective the programme examines the complexities of friendships and memories, as well as dealing with sexual assault.

Whittaker told Sky News’ Backstage podcast that the way it was written allowed her to do something she felt hadn’t been done before.

“Sexual assault has been portrayed in many TV shows and dramas but this point of view of it for me was completely unique,” she said.

OneNight_Ep3_Tess (Jodie Whittaker) and Vicky (Kat Stewart)_credit Lisa Tomasetti_13
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Jodie Whittaker and Kat Stewart on One Night Pic: Lisa Tomasetti

“Very often, we’re with the detectives, the people it most affects are the people being talked about, not listened to, and [with] this it was as if Emily [Ballou – the show’s writer], went into everybody’s brain that this really affected and gave them a voice.

“But also it showed the challenging thing of ownership of memory, what a thing to be the main thread throughout – that it’s about ownership of who has the right to tell a story.

“I found that fascinating because within this story that, on paper, is a narrative that we’ve seen before, it isn’t done like this.”

While it’s clear from the first episode that something terrible happened on the night in question, Whittaker’s character Tess has memory loss.

The actress says she read real impact statements to prepare for the role.

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“There is a lot that you can find that is particular to someone who has no memory of the assault and that was very helpful,” Whittaker said.

“But also it was really important as well for myself that I was playing someone who didn’t know, so therefore I didn’t read episode six and no one was allowed to talk about episode six around me.

“I’m not method and I don’t stay in character, but there’s certain things you can do to help yourself, and sometimes actors have knowledge of things but their characters don’t, so I tried to separate that completely and keep it there – if my character didn’t know, I didn’t know, and that really helped.”

OneNight Jodie Whittaker as Tess_ Nicole da Silva as Simone and Yael Stone as Hat_ credit Joel Pratley_123
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Jodie Whittaker as Tess, Nicole da Silva as Simone and Yael Stone as Hat in One Night Pic: Joel Pratley

One Night has come out soon after the release of Time – the second series of the prison drama which saw Whittaker playing a woman serving time for not paying for her electricity.

Both shows look at real-world issues that affect many women in the UK, but Whittaker says it wasn’t necessarily a conscious choice to do something so different to the time-travelling sci-fi she had previously been working on.

“Doing Doctor Who I’ve been unavailable for however many years and it was just such a joy to have had a year off and then go do [Time],” she explained.

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“Sydney [where she filmed One Night] was a kind of beautiful gift of a place because I was there when I got sent Time, and at the time it overlapped… So then I missed the first two weeks of filming [Time] and I got back in a completely different time zone and ran into it.

“But it was very method because I was totally out of my depth, but [so was her Time character] Orla in every scene, so that’s fine.”

As for the much-anticipated return of Doctor Who – which will celebrate its 60th anniversary with three specials starring David Tennant and Catherine Tate before a full series return with Ncuti Gatwa taking on the role of the Time Lord – Whittaker says she, like the fans, can’t wait.

“I’m absolutely desperate to see it, it’s the first time since I’ve been a part of the universe of Doctor Who that I don’t know what’s about to happen,” she said.

Whittaker will do one more series before leaving the show. Pic: BBC Studios/James Pardon
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Whittaker alongside John Bishop and Mandip Gill in Doctor Who Pic: BBC Studios/James Pardon

“So I don’t know anything, I have zero spoilers – I’m definitely not in it and there’s no way of me giving anything away, there’s no pressure, I can’t ruin it.

“I am so excited and I’m just immensely jealous.”

One Night is streaming on Paramount Plus – to hear more on the show and the return of Doctor Who listen to the latest series of Backstage, the film and TV podcast from Sky News.

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PM’s rap battle with Sky’s Beth Rigby goes viral – and one of the AI satirists behind it explains why

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PM's rap battle with Sky's Beth Rigby goes viral - and one of the AI satirists behind it explains why

Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.

A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.

On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.

He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.

“So we are the new and improved Spitting Image, the much better Have I Got News For You?”

He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.

Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.

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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.

“Crewkerne Man” says providing satire for younger people is important as Labour is lowering the voting age.

Asked why he is trying to be anonymous, the man said the project is not about one person – or even the whole group – but rather their output.

He also claimed the UK is “increasingly seeing arrests – especially with comedians”, pointing to the Graham Linehan case.

“So we just never know where the Labour Party is going to drive the policy next, in regards to free speech,” he said.

“So for me, certainly it’s a matter of safety.”

Watch Beth Rigby’s actual interview with Sir Keir Starmer below.

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The prime minister defends the budget

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Tilly Norwood: Creator of AI actress insists she’s not designed to steal jobs

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Tilly Norwood: Creator of AI actress insists she's not designed to steal jobs

The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.

AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.

Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.

AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”

“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”

Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”

Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.

“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”

Eline Van der Velden said she wanted the character to 'have her own creative path'
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Eline Van der Velden said she wanted the character to ‘have her own creative path’

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Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.

“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.

The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.

The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.

Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.

In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.

Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.

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Why was Palestine Action proscribed?

She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”

Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.

“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.

Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.

She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”

Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.

“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.

The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.

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