The Crown: The secrets behind multi-million pound Netflix production

Published

10 months ago

December 1, 2023

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The second instalment of the sixth series of The Crown is set for release on 14 December.

Seven years on from its initial release, the programme has been a smash hit for Netflix and has seen some of the UK’s greatest acting talent – including the three queens Claire Foy, Olivia Colman and Imelda Staunton – take on the challenge of portraying some of the most recognisable people in the world.

Behind the glitzy multimillion-pound production is a vast production team working on the finest of details to capture each decade of the Royal Family precisely.

Martin Childs, a production designer, and Alison Harvey, a set decorator, have worked on all six seasons of the show and produced almost 2,500 sets in that time.

The pair say the “luxury of time and money and people” that the Netflix production affords allows the detailed and spectacular sets we see on our screens.

“We did go through the schedule quite quickly,” Harvey said.

“We did have people devoted to certain things like drapes. [I’m] on a job at the moment – we’ve got no people and no money and no time. So we’re very lucky to have those facilities available to us on such a great well-received project.”

The abundance of resources allows Childs and Harvey to capture not just the familiar castles and regal settings – they were excited to capture the royals’ private interiors as well.

“It’s a kind of a slightly imagined film version,” Harvey said.

“We research and research and research until the research runs out,” Childs said.

“I think it might be Peter Morgan who coined this phrase ‘informed imagination’ – and it’s one I like very much because it helps describe what we finish up having to do,” he added.

The first four episodes of the sixth season were released on 16 November and captured the last eight weeks of Princess Diana’s life.

While many of the scenes from the 1997 crash and its aftermath are seared into the public’s imagination, Childs was averse to recreating many of them.

“My consideration [for] all the scenes that led up to [the crash] was not to have any prior knowledge of it, because the audience does. So I didn’t want to load it with 20-20 hindsight.

“People know what happened. People are familiar with the footage so we didn’t really want to recreate much of that.”

Portraying Diana faithfully was also a major consideration for hair and makeup artists Cate Hall and Emilie Yong. It took around 30 hours to transform Elizabeth Debicki into the late princess.

“It starts with this very archaic wrapping of their head in clingfilm and sellotape and marking the headline with a sharpie. The wig maker we work with is very, very detailed in terms of hairlines, crowns,” Hall said.

“The hair is all knotted hair by hair, we will go through thousands of different colours to find the four or five colours we’re going to use in a wig. Then once the wig is made, we start cutting.

“Then the wig comes off the head and is set and dried, put back on again, cut, highlighted, roots shaded in. And then the makeup fittings start.”

Like the production designers, the pair said they “live and die by” getting the details right.

“Otherwise what you get is something that feels sort of generally in the region of [the decade] but not necessarily robust.

“The whole point when you’re recreating period television is trying to create this world that the viewer can watch and really immerse themselves in. The last thing you want to do is bring them out of that.

“So for me, if I’m watching a TV show and the textures are really modern and chemically sophisticated and illuminated, things like that immediately take me out of the show. So it’s those kinds of details.

“One way of saying we’re in the 1960s [is] about the textures and what was available to the people at the time. Glitter was not. We have every foundation colour under the sun now. But in 1960 you were probably dealing with four different shades if you’re lucky. It’s about sophistication that helps you tell the story,” Hall said.

So the actors have undergone their transformations into their characters and the stage is set but something’s missing.

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Alongside a historical research team, the actors spend a significant amount of time preparing with movement coach Polly Bennett to prepare for filming.

“When you meet new actors playing the characters, it becomes about actually trying to throw all of that information [from past seasons] away and starting again.

“The best thing about working with the team this time around was that we’d already done season five, so they kind of lived in their bodies,” she said.

“I think the biggest thing physically that I had to consider was that they had been around being famous. Being famous was a new idea.

“The sort of thing that Diana was experiencing is a very particular physical change in her body. So that was the major preoccupation I had.”

A huge body of research, like the production designers and hair and make-up artists, informs Bennetts’s work.

She describes working with 21-year-old Meg Bellamy who is playing a young Kate Middleton as she attends university with Prince William.

“A lot of our first sessions were just providing the space to go – who is this person? What has she been around? What has she grown up around? What clothes is she regularly wearing? What food does she eat? What are her relationships? Who has she seen growing up?

“We look at footage that we have, we look at photographs, and put it together in the kind of private investigator type way,” Bennett said.

“And suddenly when you start looking at different pictures, you notice little things that Kate does in her life, like she wears a handbag always on the same side of her body and she clutches it. Now, that’s something that then became an inpoint for Meg.

“The idea that they’ve got something very practical, but they’re keeping it close to them and then you can take that feeling into their whole life. Whether or not that’s actually what Kate Middleton is doing, that becomes gold dust as a practical idea for an actor to play.”

Entertainment

Huw Edwards: Former BBC presenter given suspended sentence over indecent images of children

Published

1 hour ago

September 16, 2024

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Huw Edwards: Former BBC presenter given suspended sentence over indecent images of children

Huw Edwards has been given a six-month jail sentence suspended for two years for accessing indecent images of children as young as seven.

The former BBC presenter had pleaded guilty to three counts of “making” indecent images of children.

Westminster Magistrates’ Court in London heard how Edwards paid up to £1,500 to a paedophile who sent him 41 illegal images between December 2020 and August 2021, seven of which were of the most serious type.

Live updates from court as Huw Edwards is sentenced

Of those images, the estimated age of most of the children was between 13 and 15, but one was aged between seven and nine.

Prosecutor Ian Hope told the court Edwards had been assessed as posing a “medium risk of causing serious harm to children”.

Sentencing him, chief magistrate Paul Goldspring told Edwards his “reputation is now in tatters”.

The disgraced broadcaster was sent the illegal images by convicted paedophile Alex Williams over WhatsApp.

Williams was charged in relation to his WhatsApp chat with Edwards and was convicted of seven offences following an investigation by South Wales Police – receiving a 12-month suspended sentence.

The final indecent image was sent in August 2021, a category A film featuring a young boy, with Williams telling Edwards the child was “quite young looking” and that he had more images which were illegal.

The relevant images range from the most serious category, known as category A, to the least serious, known as category C.

They include seven category A images, 12 category B images, and 22 category C images.

During his four decades at the BBC, Edwards was among the broadcasting teams covering historic events including the late Queen’s funeral in 2022 and the coronation of the King in May 2023.

Edwards also announced the late Queen’s death on the BBC in September 2022.

Last week, BBC chairman Samir Shah admitted the 63-year-old had “damaged” the reputation of the corporation.

The BBC is attempting to recover an estimated £200,000 in pay from Edwards, who continued to be paid a salary for around five months after the corporation discovered he had been arrested in November 2023.

Edwards resigned from the BBC in April citing medical advice.

According to the Crown Prosecution Service, “making” an indecent image has been broadly interpreted by the courts.

It can range from opening an attachment to an email containing an image, to accessing pornographic websites in which indecent photographs of children appear by way of an automatic “pop-up” mechanism.

In the case of Edwards, he received the illegal images as part of a WhatsApp conversation.

Edwards’ barrister Philip Evans KC said his client had not “created” the images “in the traditional sense of the word”.

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Entertainment

Baby Reindeer stars among big winners at Emmys – as Shogun makes history

Published

7 hours ago

September 16, 2024

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Baby Reindeer stars among big winners at Emmys - as Shogun makes history

Hit British series Baby Reindeer was among the big winners at this year’s Emmy Awards – as Shogun made history and there were also big wins for The Bear and Hacks.

Richard Gadd, who created and starred in the popular but controversial drama Baby Reindeer, collected awards for writing and starring in the limited series category, while co-star Jessica Gunning was named best supporting actress.

Japanese historical drama Shogun became the first non-English language show to be named best drama, and also set a record for the most single-season Emmy wins – taking home four prizes on the night to make it 18 in total, following previous gongs at the creative arts event handed out earlier this month.

The Bear picked up four awards in the comedy categories, including wins for stars Jeremy Allen White, Ebon Moss-Bachrach and Liza Colon-Zayas, while Hacks took the overall win for best comedy series.

Meanwhile, Elizabeth Debicki also won her first Emmy for her portrayal of Diana, Princess of Wales, in fictionalised royal drama The Crown.

On stage, Gadd, 35, said it was “stuff of dreams” as he accepted awards for outstanding limited or anthology series, best writing, and lead actor for Baby Reindeer, which is said to be inspired by his real-life experiences.

In pictures: Red carpet style at the Emmys

The show sees his character Donny Dunn stalked by a woman called Martha. After becoming a viral hit earlier this year, the programme made international headlines after a woman claiming to be the inspiration behind Martha filed a lawsuit against Netflix, alleging the story is inaccurate.

In his acceptance speech for the writing award, Gadd said: “Ten years ago, I was down and out. I never ever thought I’d get my life together… then here I am, just over a decade later, picking up one of the biggest writing awards in television.

“I don’t mean that to sound arrogant. I mean it as encouragement for anyone who’s going through a difficult time right now to persevere… if you’re struggling, keep going – keep going and I promise you things will be okay.”

Accepting her supporting actress prize, Gunning said she was “incredibly proud” to be part of the show. “Thank you for trusting me to be your Martha,” she said to Gadd. “I will never, ever forget her or you or this.”

This year’s Emmys ceremony, held at the Peacock Theatre in Los Angeles, was also a huge success for Shogun. The show launched in February and is based on James Clavell’s best-selling novel, set during the 1600s.

Stars Hiroyuki Sanada and Anna Sawai became the first Japanese actors to win Emmys in the dramatic acting categories.

Sanada, who received a standing ovation, told the audience he was “beyond honoured”, and added: “Shogun taught me that when people work together, we can make miracles. We can create a better future together.”

A tearful Sawai, a first-time nominee, said: “I was crying before my name was announced. I’m a mess today. This to all the women who expect nothing and continue to be an example for everyone.”

Baby Reindeer and Shogun were not the only shows to receive multiple prizes, with hit series The Bear also a big winner.

In their opening monologue, father-son hosting duo Eugene and Dan Levy joked that the show, which depicts the stresses of life working in a professional kitchen and stars Jeremy Allen White as a chef running the family business after the death of his brother – would be better off categorised as a drama.

Allen White described himself as “so, so, so lucky” after picking up the Emmy for lead actor in a comedy series for his role as Carmen “Carmy” Berzatto.

“This show has changed my life, it has instilled a faith that change is possible, that change is possible if you are able to reach out, you are really truly not actually alone,” he said in his acceptance speech.

His co-stars Ebon Moss-Bachrach and Liza Colon-Zayas also picked up the awards for best supporting actor and actress in a comedy.

This is the second Emmys ceremony this year, after the September 2023 event was postponed to January 2024 due to the US writers’ and actors’ strikes.

The Bear was also among the big winners then, along with Succession and Beef.

This breaking news story is being updated and more details will be published shortly.

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Entertainment

Emmys red carpet fashion 2024: All the best looks from the stars and nominees

Published

7 hours ago

September 16, 2024

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Emmys red carpet fashion 2024: All the best looks from the stars and nominees

Nominees and celebrity guests hit the red carpet in style ahead of this year’s Emmy Awards.

British shows The Crown, with 18 nominations, and Baby Reindeer, with 11, were among this year’s biggest contenders, rubbing shoulders with The Bear, Shogun, Only Murders In The Building, and True Detective: Night Country.

This is the second Emmy Awards ceremony of the year, after the 2023 event was delayed to January because of the Hollywood writers’ strike.

Here are some of the looks from the red carpet.