Gary Lineker appears to have got himself into a spot of bother again – after posting photos of Defence Secretary Grant Shapps along with different names he has been accused of using in the past.
He later returned to the presenting role after the row prompted a boycott by his fellow football pundits and commentators, hitting TV and radio coverage across the BBC.
He wrote: “There is no huge influx. We take far fewer refugees than other major European countries.
“This is just an immeasurably cruel policy directed at the most vulnerable people in language that is not dissimilar to that used by Germany in the ’30s.”
At the time, a BBC source told Sky News that Lineker’s position as a freelance broadcaster, and a presenter who does not front news or politics programmes, means he was clear of the corporation’s rules on impartiality.
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Gary Lineker says he doesn’t regret tweet criticising new bill
As well voicing as his Brexit opinions, he bemoaned “the absolute state of our politics”, saying “imagine how hopeless you’d have to be to still be behind the Tory party in the polls”.
BBC cricket correspondent Jonathan Agnew hit back, criticising Lineker for speaking out on politics.
He tweeted: “Gary. You are the face of BBC Sport. Please observe BBC editorial guidelines and keep your political views, whatever they are and whatever the subject, to yourself. I’d be sacked if I followed your example. Thanks.”
Lineker made a barbed reply: “Jonathan, I’m the face of my own Twitter account. I’ll continue to tweet what I like and if folk disagree with me then so be it.”
Russian donors
In February 2022, Lineker tweeted about the Conservative Party taking money from “Russian donors”.
Retweeting a story about the then foreign secretary Liz Truss urging football teams to boycott the Champions League final in Russia, he added: “And her party will hand back their donations from Russian donors?”
The BBC’s Executive Complaints Unit (ECU) upheld a complaint and said Lineker’s post “did not meet the BBC’s editorial standards on impartiality”.
The ECU said Lineker was “one of the BBC’s highest profile stars” and said while not being required to uphold the same high standards of impartiality as its journalists, he had an “additional responsibility” because of his profile.
“We expect these individuals to avoid taking sides on party political issues or political controversies and to take care when addressing public policy matters,” the ruling said.
A senior BBC journalist questioned Lineker’s commitment to the BBC’s impartiality rules after Lineker tweeted about sewage.
He wrote on Twitter: “As a politician how could you ever, under any circumstances, bring yourself to vote for pumping sewage into our seas? Unfathomable!”
BBC journalist Neil Henderson asked Lineker whether he had a contract allowing him to breach BBC impartiality, writing, “The BBC lives or dies by its impartiality. If you can’t abide it, get off it.”
He subsequently apologised to the former footballer and deleted the tweets. Under the BBC’s social media rules, criticising colleagues is off-limits.
Qatar World Cup
Lineker opened the BBC’s coverage of the Qatar World Cup with a scathing critique of the host country’s record on human rights and treatment of migrant workers.
The segment analysed the decision to award the tournament to Qatar amid corruption allegations and brought in pundits to discuss workers’ rights and discrimination against LGBT people.
Former BBC journalist Emily Maitlis – who was once found to have breached impartiality guidelines – compared that incident to the response to his recent tweets.
She quote-tweeted him, adding: “Curious that Gary Lineker was free to raise questions about Qatar’s human rights record – with the blessing of the BBC – over the World Cup, but cannot raise questions of human rights in this country if it involves criticism of government policy…”
There were calls for Russia to be stripped of the World Cup or boycotted in 2014 after it annexed Crimea and was blamed by the West for supplying arms to pro-Russian separatists suspected of shooting down Malaysia Airlines flight MH17 over eastern Ukraine.
“I think we were all going how great it was, and this and that and the other, and that’s how sportwashing works,” he said.
“We’ve seen what Putin’s done subsequently, but he’d done it before.
“I think looking back now in hindsight, I think we should probably have spoken out more.”
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The latest regulations say high-profile BBC presenters should be able to express their views on political issues as long as they stop short of campaigning.
The BBC did not clarify what would constitute political campaigning for the big-name presenters.
The guidelines also stress the importance of “high standards of civility in public discourse”, which includes treating others with respect, even in the face of abuse and not using offensive or aggressive language.
The BBC has not clarified what would constitute political campaigning for the big-name presenters.
The policy only applies to presenters outside of its news coverage. News presenters will still be subject to stricter impartiality guidelines.
The rules for news and current affairs journalists are very strict, with their personal accounts treated as if they are part of the BBC’s output.
Coach tickets to Glastonbury 2025 were sold out in half an hour, organisers have said, as they roll out a new booking system for festivalgoers.
They were the first group of tickets to be sold for the world-famous festival in Somerset, which is set to take place between 25 and 29 June.
This year, fans navigated a new system to buy the tickets as they were “randomly assigned a place in a queue” instead of having to refresh the holding page once they went live.
The organisers said in a post on X: “The Glastonbury 2025 tickets + coach travel which were on sale this evening have now all been sold.
“Our thanks to everyone who bought one.”
They added that National Express services would be available to bring festivalgoers from across the country to Glastonbury.
Standard tickets will go on sale on Sunday at 9am. Last year they were sold out within an hour.
See Tickets said in a post on X that “confirmation emails are going out now to everyone who got @Glastonbury coach tickets this evening”.
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Tickets for the annual event at Worthy Farm in Somerset cost £373.50 plus a £5 booking fee, and are sold exclusively through the See Tickets website, with no third-party sellers involved.
The new ticket system has changed the way people join the booking system.
Organisers previously warnedhopefuls to log in “at least a few minutes” before the sale opened today and to avoid refreshing the page.
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Festivalgoers were also told not to attempt to game the system by using multiple devices.
The sale follows chaos earlier this year when tickets for the Oasis reunion went on sale, seeing a multitude of disappointed fans as well as those who felt cheated after being charged hundreds of pounds more for their tickets than was originally advertised.
Anyone wishing to buy tickets for Glastonbury must have registered by 11 November, a rule in place to avoid touting.
With just under six weeks to go to Christmas Day, the countdown has officially begun, with all the big brands rolling out their seasonal adverts.
Becoming something of an institution over recent years, many see the festive ads as the starting pistol for their Christmas preparation/panic, despite us only being halfway through November.
And with an estimated £10.5bn spent on this year’s Xmas ads, it’s not just about inducing a fuzzy warm feeling in viewers, but also about encouraging them to put their hand in their pocket.
As we brace ourselves for festive fun, we take a swift look at this year’s bevvy of commercial offerings, as the annual battle of the Christmas adverts begins.
John Lewis
A girl called Sally falls into a clothes rack reminiscent of CS Lewis’s The Lion, The Witch And The Wardrobe, but instead of finding Narnia, she ends up in John Lewis.
Through family flashbacks we lean how much she loves her older sister, whose gift she has carelessly left it to the last minute to buy. Spoiler alert – as one would expect in an advert for a retailer, she finds a pressie.
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With the retailer famous for its use of cover versions in their Christmas ads, this one is the origin story for a new cover, with a concurrent competition on TikTok to find an aspiring artist to rerecord a version, which will be featured on the Christmas Day airing and released by record label BMG too.
Waitrose
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Marketed as a whodunnit – this big-budget production has a host of celebrity cameos, an intricate storyline and not one but two parts.
Comedian Joe Wilkinson, Fleabag star Sian Clifford and Succession’s Matthew Macfadyen all have a role in the ensemble, revolving around hunting down the thief of a “chilled desert”.
Being Christmas, when tensions are traditionally high, everyone has reason to have scoffed it. The culprit won’t be revealed until the second part of the ad is released, but in the meantime, activity at Kings Cross Station, in stores and on social media is set to keep the investigation very much alive.
Sainsbury’s
Sainsbury’s goes big for its advert, calling on a beloved Roald Dahl character – the BFG, or Big Friendly Giant – to travel the country with a supermarket worker called Sophie (who pleasingly is a real store employee) in the search for the perfect festive treats.
A CGI BFG procures salmon, sprouts and cheese before a bit of magic helps him whip it all up into a feast, which he then gifts to an unsuspecting family through the window.
The first ones to release their ad earlier this month, the dulcet tones of national treasure Stephen Fry wrap the action, with a call to arms to stock up in readiness for Christmas.
M&S
Another national treasure – Dawn French – is back for this one, playing both herself and a festive fairy, who gives both French and her home a make-over ready for a Christmas soiree.
French, whose multi-Christmas-dinner eating antics on The Vicar Of Dibley put her into the Xmas annals, is transformed into “the quintessential hostess” with a bit of help from her little friend.
Banking on the idea that you can never have enough of a good thing, there are six instalments of the advert running between now and the New Year. Who doesn’t like a second – or sixth – helping.
Lidl
This one pulls on the heartstrings, with a little girl inspired to give a gift to a boy who appears not to have any, after an old lady gives her some magic bells.
Directed by Oscar-winning filmmaker Tom Hooper (he directed The King’s Speech), a CGI racoon and giant gingerbread man add a little action to events around the dinner table.
But the take home message is to think about giving as well as receiving, with the return of the retailer’s toy banks scheme set up at supermarkets with the aim of donating over 100,000 toys, to ensure no child experiences a giftless Christmas.
Aldi
Kevin the Carrot is back for a ninth year running, this time trying to save the Christmas spirit from a bunch of hard-boiled humbug villains.
With the ad narrated by actor Jim Broadbent, our plucky hero braves an oven, a Mission Impossible-inspired ventilation system and Bond-esque snow jet-ski dash across the mountains, all to save Christmas.
Helped by his wife Katie, he of course pulls it off. A fan favourite, soft toys of the root vegetable are sold in stores, and this year cuddly humbugs are on sale too.
Morrisons
It’s a song and dance number from Morrisons, courtesy of their singing oven gloves performing Bugsy Malone’s You Give A Little Love.
A choir of 26 Morrisons employees gave voice to the gloves, recording their rendition of the song at the iconic Abbey Road Studios in London.
Like Lidl, the retailer pulled out the directing big guns, hiring The Greatest Showman director Michael Gracey to oversee proceedings.
Asda
Bagging the prize for the most gnome puns in one advert, Asda sees a flash mob of gnomes preparing the store for Christmas.
The resulting advert isn’t as irritating as it sounds on paper, thanks to nice performances by the two human characters in the ad – Maggie and Bill.
And as we know, Christmas is all about the merchandise, so the supermarkets are of course selling special Xmas versions of their garden gnomes to accompany their already 50-strong gnome range. Who knew?
Tesco
Tesco reminds us of those members of the family who are no longer here to join us on the big day, with a man carrying on his late grandmother’s festive tradition of baking gingerbread.
He becomes obsessed with the spicy treat, as it infiltrates every part of his day from his haircut to a trip to see the Christmas lights.
He eventually gets together with his grandad to bake a gingerbread house, revealing it to the family at lunch, thus keeping the tradition alive.
Greggs
And in the most unlikely festive cameo of the year, Greggs has enlisted Nigella Lawson to star in its first Christmas ad.
Rapturously endorsing their festive bakes, Lawson has her hands full of pasties, and her table full of take-away coffees, as she promotes the bakery’s festive-themed fare.
Whether or not you believe the 64-year-old TV chef really tucks into their sausage rolls in real life – the attention-grabbing collaboration looks like a wise move for the chain, whose sales have jumped in recent weeks as it continues its UK expansion.
Gladiator II star Paul Mescal has said bringing Sir Ridley Scott’s legacy sequel to the big screen has been a “wildly… overwhelming” experience.
The star was speaking to Sky News on the red carpet at the film’s royal premiere which was attended by His Majesty the King, who had earlier hosted members of the film and TV industry at a Buckingham Palace reception.
When asked about making the move from indie films, like All Of Us Strangers and Aftersun, into one of the most eagerly anticipated films this year, Mescal said: “I’m excited to play with what the audience is expecting of me.”
“The royal audience is one thing… I think we’ve seen how an audience responded to the film, royal or not, and I think we’re excited for people to see it.”
A whole 24 years after Sir Ridley Scott’s Roman blockbuster starring Russell Crowe, Mescal plays Lucius who, much like the original, finds himself trying to win back his freedom after powerful emperors of Rome conquer his home.
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With an actual-scale model of the Colosseum built for the production, the film comes with high costs and a lot of hype.
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“I’m struggling with words at the moment,” Mescal admitted, taking in the occasion, having come from the champagne reception at Buckingham Palace.
“This has been an absolutely, wildly – I keep using the word overwhelming – but I think if this isn’t slightly overwhelming then I don’t know what the hell is. I’m having a great time.”
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Sir Ridley explained his reason for casting Mescal was that he saw aspects of “a young Albert Finney” in him.
While the pressure is on for the sequel to do well at the box office, the director said he’s learnt how to deal with the weight of expectations over the years.
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“Any film of [this] scale, it doesn’t matter how we play it down, it’s colossally stressful. You better embrace stress or don’t do the job.”
Before heading to the premiere, the King welcomed directors, actors, TV presenters, stunt performers and costume designers at the palace to mark the centenary of the Film and TV Charity, of which Charles has become patron.
Sir Ridley, actor Joseph Fiennes, actress India Amarteifio from the hit Netflix show Queen Charlotte, and TV presenter Claudia Winkleman were among the celebrities who attended the event.