Gary Lineker appears to have got himself into a spot of bother again – after posting photos of Defence Secretary Grant Shapps along with different names he has been accused of using in the past.
He later returned to the presenting role after the row prompted a boycott by his fellow football pundits and commentators, hitting TV and radio coverage across the BBC.
He wrote: “There is no huge influx. We take far fewer refugees than other major European countries.
“This is just an immeasurably cruel policy directed at the most vulnerable people in language that is not dissimilar to that used by Germany in the ’30s.”
At the time, a BBC source told Sky News that Lineker’s position as a freelance broadcaster, and a presenter who does not front news or politics programmes, means he was clear of the corporation’s rules on impartiality.
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Gary Lineker says he doesn’t regret tweet criticising new bill
As well voicing as his Brexit opinions, he bemoaned “the absolute state of our politics”, saying “imagine how hopeless you’d have to be to still be behind the Tory party in the polls”.
BBC cricket correspondent Jonathan Agnew hit back, criticising Lineker for speaking out on politics.
He tweeted: “Gary. You are the face of BBC Sport. Please observe BBC editorial guidelines and keep your political views, whatever they are and whatever the subject, to yourself. I’d be sacked if I followed your example. Thanks.”
Lineker made a barbed reply: “Jonathan, I’m the face of my own Twitter account. I’ll continue to tweet what I like and if folk disagree with me then so be it.”
Russian donors
In February 2022, Lineker tweeted about the Conservative Party taking money from “Russian donors”.
Retweeting a story about the then foreign secretary Liz Truss urging football teams to boycott the Champions League final in Russia, he added: “And her party will hand back their donations from Russian donors?”
The BBC’s Executive Complaints Unit (ECU) upheld a complaint and said Lineker’s post “did not meet the BBC’s editorial standards on impartiality”.
The ECU said Lineker was “one of the BBC’s highest profile stars” and said while not being required to uphold the same high standards of impartiality as its journalists, he had an “additional responsibility” because of his profile.
“We expect these individuals to avoid taking sides on party political issues or political controversies and to take care when addressing public policy matters,” the ruling said.
A senior BBC journalist questioned Lineker’s commitment to the BBC’s impartiality rules after Lineker tweeted about sewage.
He wrote on Twitter: “As a politician how could you ever, under any circumstances, bring yourself to vote for pumping sewage into our seas? Unfathomable!”
BBC journalist Neil Henderson asked Lineker whether he had a contract allowing him to breach BBC impartiality, writing, “The BBC lives or dies by its impartiality. If you can’t abide it, get off it.”
He subsequently apologised to the former footballer and deleted the tweets. Under the BBC’s social media rules, criticising colleagues is off-limits.
Qatar World Cup
Lineker opened the BBC’s coverage of the Qatar World Cup with a scathing critique of the host country’s record on human rights and treatment of migrant workers.
The segment analysed the decision to award the tournament to Qatar amid corruption allegations and brought in pundits to discuss workers’ rights and discrimination against LGBT people.
Former BBC journalist Emily Maitlis – who was once found to have breached impartiality guidelines – compared that incident to the response to his recent tweets.
She quote-tweeted him, adding: “Curious that Gary Lineker was free to raise questions about Qatar’s human rights record – with the blessing of the BBC – over the World Cup, but cannot raise questions of human rights in this country if it involves criticism of government policy…”
There were calls for Russia to be stripped of the World Cup or boycotted in 2014 after it annexed Crimea and was blamed by the West for supplying arms to pro-Russian separatists suspected of shooting down Malaysia Airlines flight MH17 over eastern Ukraine.
“I think we were all going how great it was, and this and that and the other, and that’s how sportwashing works,” he said.
“We’ve seen what Putin’s done subsequently, but he’d done it before.
“I think looking back now in hindsight, I think we should probably have spoken out more.”
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The latest regulations say high-profile BBC presenters should be able to express their views on political issues as long as they stop short of campaigning.
The BBC did not clarify what would constitute political campaigning for the big-name presenters.
The guidelines also stress the importance of “high standards of civility in public discourse”, which includes treating others with respect, even in the face of abuse and not using offensive or aggressive language.
The BBC has not clarified what would constitute political campaigning for the big-name presenters.
The policy only applies to presenters outside of its news coverage. News presenters will still be subject to stricter impartiality guidelines.
The rules for news and current affairs journalists are very strict, with their personal accounts treated as if they are part of the BBC’s output.
He is the man behind the biggest-selling electronica record of all time, but the success of Moby’s album Play came with some unwanted side effects.
His fifth record, the album charted at 33 upon its release in the UK in May 1999, and fell out of the Top 40 after just a week. But despite the lacklustre initial response, Play started to pick up steam, slowly climbing the chart until it reached number one in April 2000.
It stayed there for five weeks and remained in the Top 40 until March 2001, re-entering the Top 100 several times over the next few years.
While Moby had experienced success with Go, the breakthrough 1991 single from his self-titled debut album, Play was next level. Even if you don’t know the album, you’ll know at least some of the songs – Porcelain, Why Does My Heart Feel So Bad?, Honey, and Natural Blues. The record was ubiquitous and fame hard to escape.
Image: Pic: Adam Warzawa/EPA/Shutterstock
“I think fame and fortune are, probably, empirically two of the most destructive forces on the planet,” he says, speaking from his home in Los Angeles. “I mean, if fame and fortune fixed things, Kurt Cobain and Amy Winehouse would still be making records.
“I guess it’s a very easy system to buy into, especially in a place like… in New York, in Los Angeles, in these big cities that are driven by ostentation and consumption and the need for external validation. It’s hard to resist those temptations. But then… you look at the consequences of that.
“I’d rather try and live a rational life and not necessarily let other people’s concerns dictate what my concerns should be.”
Now sober and with a few years between him and those heady days of peak fame, in recent years Moby has been doing something few established stars in his position would do – giving his compositions away for free.
“I have a house, I have a car, I have some hoodies, I have food in the fridge, I don’t really need anything more,” he insists. “To live and work in a way where I’m not driven by money, why not use that as an opportunity?”
Selfless selfishness or selfish selflessness
Image: Pic: Wael Hamzeh/EPA/Shutterstock
Over a decade ago, the musician came up with the quietly radical idea of making a free music licensing platform, MobyGratis. The idea was simple and rather exciting, he admits – to allow anyone unrestricted access to hundreds of his compositions to use them however they wish. From film scores to remixes, whatever.
“It’s either selfless selfishness or selfish selflessness, meaning I’m giving these things away but the benefit to me is I get to see what people do with it,” he says.
“There are a lot of things about the current digital media climate that are terrifying and baffling and confusing, but one of the things I love is the egalitarian nature of it.”
The idea of giving his music away for free runs somewhat contrary to the AI copyright battle many artists are currently speaking out over, with the likes of Ed Sheeran and Damon Albarn calling for greater protections in law to prevent artificial intelligence software from scraping their work to learn from it.
Remix culture and creative processes
“I completely appreciate and respect the concerns that other people have,” says Moby. “I think they’re incredibly valid… but for me personally, I don’t know. Maybe it’s naive and stupid of me, but I kind of just ignore it.
“I put this music out there and you sort of hope for the best, which probably is completely dim-witted of me. Part of remix culture is seeing how people reinterpret your work; sometimes it’s mediocre, sometimes it is bad, but sometimes it is so inspired, and I can actually learn a lot from other creative processes.”
The dance artist also takes issue with how the act of giving and compassion more generally has come to be seen, and references Elon Musk‘s comments on Joe Rogan’s podcast in April, when the billionaire said: “We’ve got civilizational suicidal empathy going on.”
Moby says that while “we live in this world of fear, selfishness, desperation and viciousness”, he supports “anything that is a rejection of the manosphere… anything that rejects Elon and the idea that empathy is a weakness and reminds people that life can be simple and decent.”
He jokes: “I’m definitely becoming like the weird old guy that you’ll see in the mountains, sort of like not making eye contact and mumbling about chemtrails or something.”
This is a man who is aware his approach to fame, fortune and giving stuff away is somewhat out-of-keeping with the times we’re living in – but the thing is, Moby doesn’t seem to care.
A lawyer representing Sean “Diddy” Combs has told a court there was “mutual” domestic violence between him and his ex-girlfriend Casandra ‘Cassie’ Ventura.
Marc Agnifilo made the claim as he outlined some of the music star’s defence case ahead of the full opening of his trial next week.
Combs has pleaded not guilty to one count of racketeering conspiracy, two counts of sex trafficking and two counts of transportation for prostitution. If convicted, he faces up to life in prison.
Ms Ventura is expected to testify as a star witness for the prosecution during the trial in New York. The final stage of jury selection is due to be held on Monday morning.
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Why is Sean Combs on trial?
Mr Agnifilo told the court on Friday that the defence would “take the position that there was mutual violence” during the pair’s relationship and called on the judge to allow evidence related to this.
The lawyer said Combs‘s legal team intended to argue that “there was hitting on both sides, behaviour on both sides” that constituted violence.
He added: “It is relevant in terms of the coercive aspects, we are admitting domestic violence.”
Image: A court sketch showing Sean ‘Diddy’ Combs (right) as he listens to his lawyer Marc Agnifilo addressing the court. Pic: Reuters
Ms Ventura’s lawyers declined to comment on the allegations.
US District Judge Arun Subramanian said he would rule on whether to allow the evidence on Monday.
Combs, 55, was present in the court on Friday.
He has been held in custody in Brooklyn since his arrest last September.
Prosecutors allege that Combs used his business empire for two decades to lure women with promises of romantic relationships or financial support, then violently coerced them to take part in days-long, drug-fuelled sexual performances known as “Freak Offs”.
Combs’s lawyers say prosecutors are improperly seeking to criminalise his “swinger lifestyle”. They have suggested they will attack the credibility of alleged victims in the case by claiming their allegations are financially motivated.
An ex-model has tearfully told a court that being sexually assaulted by Harvey Weinstein when she was 16 was the most “horrifying thing I ever experienced” to that point.
Warning: This article contains references to sexual assault
Kaja Sokola told the film producer’s retrial that he ordered her to remove her blouse, put his hand in her underwear, and made her touch his genitals.
She said he’d stared at her in the mirror with “black and scary” eyes and told her to stay quiet about the alleged assault in a Manhattan hotel in 2002.
Ms Sokola told the New York court that Weinstein had dropped names such as Penelope Cruz and Gwyneth Paltrow, and said he could help fulfil her Hollywood dream.
“I’d never been in a situation like this,” said Polish-born Ms Sokola. “I felt stupid and ashamed and like it’s my fault for putting myself in this position.”
Weinstein denies sexually assaulting anyone and is back in court for a retrial after his conviction was overturned last year.
Image: Weinstein denies the allegations. Pic: Reuters
The 73-year-old is not charged over the alleged sexual assault because it happened too long ago to bring criminal charges.
However, he is facing charges over an incident four years later when he’s said to have forced Ms Sokola to perform oral sex on him.
Prosecutors claim it happened after Weinstein arranged for her to be an extra in a film.
“My soul was removed from me,” she told the court of the alleged 2006 assault, describing how she tried to push Weinstein away but that he held her down.
Ms Sokola – who’s waived her right to anonymity – is the second of three women to testify and the only one who wasn’t part of the first trial in 2020.
Image: Miriam Haley testified previously in the retrial. Pic: AP
Miriam Haley last week told the court that Weinstein forced oral sex on her in 2006. The other accuser, Jessica Mann, is yet to appear.
Claims against the film mogul were a major driver for the #MeToo movement against sexual harassment and abuse in 2017.
Weinstein’s lawyers allege the women consented to sexual activity in the hope of getting film and TV work and that they stayed in contact with him for a while afterwards.