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The final episodes of Netflix spectacle The Crown were released this morning – with more bizarre moments than ever.

After six seasons chronicling the life and times of the Royal Family, the final instalment spans the period from the late 90s to 2005 – covering the deaths of the Queen Mother and Princess Margaret, Charles and Camilla‘s wedding, and William and Harry reaching adulthood.

Here, Sky News details the seven most controversial moments from the second instalment of the final season.

Warning, spoilers ahead.

King Tony Blair?

The Labour Party as the new Royal Family, Things Can Only Get Better as the national anthem… and Tony Blair as King?

Alas no, it was just Queen Elizabeth‘s dream.

But a bizarre series of events sees the Queen consulting the then-prime minister for advice on how to modernise the monarchy.

Peter Morgan’s show also depicts the Queen being intimidated by Blair’s impressive poll ratings. She commissions research using focus groups on public opinion about the monarchy.

“Historically, I’ve not worried too much about prime ministers’ popularity. It tends to come and go very quickly,” she tells aides in the show.

“But I’ve a feeling that could be different with Mr Blair. People really do seem to love him and see him as a true son of England, and a unifying national symbol in a way they used to see, well, me.”

Tony Blair depicted in The Crown Pic: Justin Downing/Netflix
Image:
Tony Blair depicted in The Crown Pic: Justin Downing/Netflix

But when Mr Blair presents his proposed reforms, the Queen is quick to rebuff them. The show depicts his popularity falling shortly afterward.

Princess Margaret’s death

The decline of the Queen’s sister’s health is chronicled in the seventh episode of this season.

It alternates between the present day and the sisters’ joyful celebrations on VE Day in 1945 – including an early morning walk home to Buckingham Palace from a music club after a night of kissing and dancing.

Princess Margaret Pic: Daniel Escale/Netflix
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Lesley Manville as Princess Margaret Pic: Daniel Escale/Netflix

As both sisters grapple with their childhood memories, and declining health, the importance of their relationship is highlighted – with the Queen seen reading stories to Margaret and kissing her affectionately.

Margaret faces her demise as she suffers several strokes. She tells her older sister: “I’m not thrilled about [death]. In fact, I’m furious. I’m not ready to leave this particular party.”

And as Margaret’s death is imminent, she promises a young Queen: “I will always be by your side – no matter what.”

Kate Middleton in that dress

After years of scheming by Carole Middleton, and one see-through dress, The Crown shows Kate becoming the object of William’s affections.

Kate Middleton in The Crown Pic: Justin Downing/Netflix
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Kate Middleton depicted in The Crown Pic: Justin Downing/Netflix

Before this is several months in which she and William become friends – then the young prince pines after the spoken for-Kate.

A break-up and a risque fashion show later, the pair confess their feelings towards each other.

“I’ve always been interested. Bordering on obsessed. To the point where I thought if I couldn’t be with you, I’d sooner not be here at all,” William says.

The pair share a kiss – only to be interrupted by his security guard informing him of the death of the Queen Mother.

Meg Bellamy and Ed McVey as Kate Middleton and Prince William in The Crown Pic: Netflix
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Meg Bellamy and Ed McVey as Kate Middleton and Prince William in The Crown Pic: Netflix

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Imelda Staunton portrays Queen Elizabeth II in the hit drama The Crown.

As the relationship progresses, the pair move in together, along with two friends, to a house in St Andrews.

The ghost of Queens past

Both Claire Foy and Olivia Colman return in the final episodes to offer sage, and contradictory, words of wisdom to the older version of the Queen.

Colman – the middle-aged Queen – calls Imelda Staunton’s Queen a “coward” for not telling her husband how she was feeling about planning her funeral.

She urges the older Queen to consider making way for Charles after more than 50 years on the throne.

“Stepping down is the right thing to do. Both as Queen and as a mother,” Colman’s Queen says.

Read more:
Will the King always be living in the shadow of Diana?

Four moments from the first instalment of The Crown’s last season

Later, Foy’s Queen implores the older Queen to consider the oath she made at 21.

“I declare before you all that my whole life, whether it be long or short, shall be devoted to your service,” Foy’s Queen reminds her.

“If you step down, you will be symbolising instability and impermanence. You’ll also be indicating the luxury of choice, which is the one thing we cannot have if we claim the Crown is our birthright.”

The aftermath of Diana’s death

As William and Harry struggle with the grief of their mother’s passing, the young heir takes his anger out on his father.

After a months-long stand-off between Charles and William, frustrations reach a boiling point with the teenager blaming his father for Diana‘s death.

Elizabeth Debicki as Princess Diana in the sixth and final series of The Crown. Pic: Netflix
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Elizabeth Debicki as Princess Diana in the sixth and final series of The Crown. Pic: Netflix

He shouted: “She should never have been anywhere near the Fayeds. She should have been safe with us. The fact that she wasn’t is your fault.

“You didn’t actually drive the car but you drove her into the arms of those who did. By making her so unhappy, by loving someone else.

He added: “She still loved you and only wanted to be in the South of France so she would not to be there when you threw a birthday party for the other one.”

Later on, we see the young princes struggle to cope with the police investigation into the Paris car crash which was sparked by Mohamed al Fayed’s conspiratorial claims in the British press.

Harry vs William

The early signs of the current frosty relationship between Princes William and Harry are depicted in the season’s second instalment.

From bickering over the death of their mother, to the acceptance of Charles and Camilla’s relationship – the tensions between the heir and the spare emerge early on.

Prince Harry and Prince William in The Crown Pic: Justin Downing/Netflix
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Prince Harry and Prince William in The Crown Pic: Justin Downing/Netflix

But it culminates in the Queen asking Prince William to look out for Harry – after a photograph of him wearing a swastika to a fancy dress party makes the front pages of the newspapers.

“Be kind to him,” the Queen says to William. “In many ways, it’s harder being number two than number one. The system protects number one. Number two tends to…”

“Go mad,” William interrupts.

“I was going to say, ‘need extra care and attention’,” the Queen replies.

The Queen abdicating… and the end of the monarchy?

As both the Queen and Prince Philip are forced to plan out their funeral, their minds wander towards the future.

Imelda Staunton and Jonathan Pryce and the Queen and Prince Philip in The Crown Pic: Netflix
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Imelda Staunton and Jonathan Pryce and the Queen and Prince Philip in The Crown Pic: Netflix


The Queen appears to contemplate abdicating the throne, with speculation mounting over a top-secret speech she is due to deliver at Charles and Camilla’s wedding.

Instead, she appears to skip several cards on which her speech is written at the reception and decides to stay on.

But that doesn’t stop Prince Philip from predicting the end of the monarchy.

In the final scene of the series, he tells Elizabeth: “The system makes no sense anymore to those outside it, nor to those of us inside it.

“We’re a dying breed, you and I. Oh, I’m sure everyone will carry on, pretending all is well. But the party’s over.”

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Reservoir Dogs actor Michael Madsen died from heart failure, says cardiologist

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Reservoir Dogs actor Michael Madsen died from heart failure, says cardiologist

Actor Michael Madsen, who starred in Reservoir Dogs and Thelma & Louise, died from heart failure, his cardiologist has said.

The 67-year-old was found unresponsive in his home in Malibu, California, last Thursday and pronounced dead.

His doctor said heart disease and alcoholism will be listed as factors which contributed to the star’s death, reported NBC Los Angeles.

With no suspicious circumstances and the death listed as being from natural causes, the Los Angeles Sheriff’s Department considers the case closed.

In a career spanning more than 40 years, Madsen’s film credits include Free Willy, Donnie Brasco and Sin City.

He was also known for his collaborations with director Quentin Tarantino, including in Kill Bill: Vol. 2, The Hateful Eight and Once Upon A Time In Hollywood.

The Chicago-born actor also linked up with Tarantino when he played Mr Blonde in 1992’s Reservoir Dogs.

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Michael Madsen played Mr Blonde in Reservoir Dogs. Pic: THA/Shutterstock
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Madsen played numerous roles, including Mr Blonde in Reservoir Dogs. Pic: THA/Shutterstock

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His sister, Oscar-nominated actress Virginia Madsen, paid tribute to her brother in a statement to Variety.

She wrote: “My brother Michael has left the stage.

“He was thunder and velvet. Mischief wrapped in tenderness. A poet disguised as an outlaw. A father, a son, a brother – etched in contradiction, tempered by love that left its mark.”

Madsen was preparing to release a new book called Tears For My Father: Outlaw Thoughts And Poems.

A statement by managers Susan Ferris and Smith, and publicist Liz Rodriguez, said the book by “one of Hollywood’s most iconic actors” was currently being edited.

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Fantasy v reality: Lena Dunham’s Too Much is a new spin on the London romcom

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Fantasy v reality: Lena Dunham's Too Much is a new spin on the London romcom

Horse-drawn carriages, picturesque gardens and endless cups of tea are just some of the stereotypical tropes that have shaped America’s romanticised image of England before even stepping foot on the island.

Thanks to classical literature and a steady stream of period dramas, Lena Dunham was no exception.

“I had so many fantasies,” she tells Sky News about growing up slightly obsessed with British culture.

“I loved Jane Austen, I loved Charlotte Bronte, I love British film, I was one of those little Anglophile kids.”

The writer and director believed it would be that area of classically depicted England that would fill her time when she first moved to “jolly old London” as a teenager with her mother for a brief time.

Instead, her attention was taken by another, and possibly equally influential group of artists.

“There was a pop show about S Club 7 and all I did was just sit in the hotel and obsessively watch things relating to [the group],” she said.

“So, I didn’t go home with all this cultural British knowledge. I went home with a deep abiding love of S Club 7 and came back to school when everyone was obsessed with the Backstreet Boys and NSYNC.

“For me, I was literally like, ‘Guys, you got to hear this hot track right off the presses, it’s called Reach For The Stars’.”

Lena Dunham in a clip from Netflix series Too Much. Pic: Netflix
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Pic: Netflix

It wasn’t until her 30s, when the actress moved again to the city, that reality took hold and she quickly learned the difference between the imagined London and the real city.

Some stereotypes hold true, like the universal love for Paddington. Still, TV tropes like renting a flat on a single income in the city does not necessarily mean you’ll be treated to lavish rooms and a picturesque garden.

She says it was social cues she found most challenging to adjust to, as well as the different dictionaries used when speaking, technically, the same language.

“You come to a new country and even though you speak the same language, you’re totally absent from those tools,” she says.

“And I found that really striking as an adult in my 30s, trying to make friends, trying to date. I found it confusing enough to be a person in my own city of origin, so this was extra confounding.”

Too Much, her new Netflix series, is loosely inspired by her own London chapter and follows a workaholic New Yorker in her 30s who is sent across the Atlantic to work on a new project.

The 10-episode show is produced by Working Title – the company behind Bridget Jones, Notting Hill, About A Boy and Love Actually – and stars Hacks breakout actress Megan Stalter and The White Lotus actor Will Sharpe.

Megan Stalter stars as Jessica in Lena Dunham's new Netflix comedy Too Much. Pic: Netflix
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Pic: Netflix

Dunham says she always wanted to write about her time in the UK, but it was a conversation with Irish actor Andrew Scott that got the ball rolling.

“Actually, he’s the reason that I came to know Meg as an actor because he loved her on Hacks and he loved her videos, and he said: ‘Have you watched this woman’s work? I feel like there’s a real connection between you two’, and I started watching because of him and built a show around her.”

In a full circle moment, Scott appears in the series briefly as an arrogantly odd man who crosses paths with Megan Stalter’s character Jessica.

Andrew Scott in Lena Dunham 's new Netflix comedy series Too Much. Pic: Netflix
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Pic: Netflix

The Ridley actor isn’t the only famous face joining the cast in a cameo role. Dunham put a call out to most of Hollywood, and luckily lots were on board.

To name just a few, guest stars include Jessica Alba, Stephen Fry, Adwoa Aboah, Kit Harington, Rita Wilson, Rita Ora, Richard E Grant, Emily Ratajkowski, Andrew Scott, Prasanna Puwanarajah and Jennifer Saunders.

“It was one of those situations where you just reach for the stars, literally, and then you can’t believe when they appear,” says Dunham.

“It was just a non-stop parade of people that I was fascinated by, wanted to be around, completely enamoured of.”

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Lena Dunham speaks to Sky's entertainment reporter Debbie Ridgard
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A whole host of high-profile cameos feature in Lena Dunham’s Too Much

She adds: “I remember asking Naomi Watson, thinking, there’s absolutely no way that you’re going to want to come play this slightly demented woman. And she’s so playful and she’s so joyful and she just wanted to come and engage.

“Also, Jennifer Saunders has meant so much to me for so long, I had the AbFab box set as a kid, and I just think Patsy and Edina are the ultimate kind of messy women.

“She really showed me what comedy could be and… the space that women could occupy in comedy, and so having her come and join the show was really incredible.

“That was an episode that someone else was directing, Alicia McDonald, an amazing director, so I just got to sit and watch at the monitor like I was watching a movie, and it was very surreal for me.”

Too Much is out on Netflix now.

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‘I will not go quietly,’ Gregg Wallace says amid reports he’s been sacked by the BBC

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'I will not go quietly,' Gregg Wallace says amid reports he's been sacked by the BBC

Former MasterChef host Gregg Wallace has vowed he will “not go quietly”, amid reports that he has been sacked by the BBC.

It comes after the TV host faced an investigation, commissioned by MasterChef’s production company Banijay UK, into alleged inappropriate behaviour while working for the BBC.

In November, the 60-year-old stepped back from presenting the cooking show after accusations that he made sexual comments towards staff and celebrity guests on a range of programmes over 17 years.

Gregg Wallace receives his MBE for services to food and charity. Pic: PA
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Gregg Wallace received an MBE for services to food and charity in 2023. Pic: PA

Broadcaster Kirsty Wark, author and actor Emma Kennedy, and presenter Kirstie Allsopp, were among the high-profile figures who made claims of inappropriate behaviour against Wallace.

In a statement, released ahead of the publication of the summary of a report into the claims, the 60-year-old said he had been “cleared of the most serious and sensational accusations” made against him.

However, he said the report, carried out by independent law firm Lewis Silkin, had found him “primarily guilty of inappropriate language between 2005 and 2018”.

Wallace’s statement, published on Instagram, came hours before the BBC News reported that 50 more people had made claims to the corporation against the presenter, including allegations he groped one MasterChef worker and pulled his trousers down in front of another.

In his statement, Wallace labelled BBC News’s claims as “uncorroborated tittle-tattle”.

Wallace wrote: “I have taken the decision to speak out ahead of the publication of the Silkin’s report – a decision I do not take lightly.

“But after 21 years of loyal service to the BBC, I cannot sit in silence while my reputation is further damaged to protect others.

“I have now been cleared by the Silkin’s report of the most serious and sensational accusations made against me.

“The most damaging claims (including from public figures which have not been upheld) were found to be baseless after a full and forensic six-month investigation.

“To be clear, the Silkin’s report exonerates me of all the serious allegations which made headlines last year and finds me primarily guilty of inappropriate language between 2005 and 2018.”

Gregg Wallace on MasterChef. Pic: BBC/ Shine TV 2024
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Gregg Wallace on MasterChef. Pic: BBC/ Shine TV 2024

‘I was hired as the cheeky greengrocer – now that’s a problem’

Wallace said he recognised that “some of my humour and language” was at times “inappropriate” and, for that, he apologised “without reservation”.

“But I was never the caricature now being sold for clicks,” Wallace, who also referred to his recent diagnosis of autism, added.

“I was hired by the BBC and MasterChef as the cheeky greengrocer. A real person with warmth, character, rough edges, and all.

“For over two decades, that authenticity was part of the brand. Now, in a sanitised world, that same personality is seen as a problem.”

Wallace and Anne-Marie Sterpini in 2014
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Wallace and his partner Anna Wallace, pictured in 2014

Wallace: Complaints from ‘middle-class women of a certain age’

Shortly after the allegations first emerged, Wallace recorded a video where he dismissed his accusers as “middle-class women of a certain age”.

His remarks were met with huge criticism – including from Downing Street, where a spokesperson for the prime minister described them as “completely inappropriate and misogynistic”.

Wallace responded by posting a follow-up clip where he apologised and said he “wasn’t in a good space” when he posted the comments.

Wallace was replaced in the 20th season of MasterChef, which aired this spring, by restaurant critic and former I‘m A Celebrity contestant Grace Dent. Several Christmas episodes of the show were also pulled from the BBC’s 2024 festive schedule.

In April, Wallace spoke to the Daily Mail, denying all accusations against him and saying he had contemplated suicide following the allegations.

Wallace’s lawyers have previously called allegations that he engages in behaviour of a sexually harassing nature “entirely false”.

A spokesperson for the BBC said: “Banijay UK instructed the law firm Lewis Silkin to run an investigation into allegations against Gregg Wallace. We are not going to comment until the investigation is complete and the findings are published.”

A Banijay spokesperson told Sky News: “We won’t be commenting until our report is published.” They have signalled the report will be published later this week or next.

Banijay previously said Wallace is “committed to fully co-operating” with the external review.

Alongside MasterChef, Wallace presented Inside The Factory for BBC Two from 2015 to 2023.

He also featured on various BBC shows over the years, including Saturday Kitchen, Eat Well For Less, Supermarket Secrets, Celebrity MasterChef and MasterChef: The Professionals, as well as being a Strictly Come Dancing contestant in 2014.

More recently, Wallace has been promoting his health and lifestyle website, offering one-to-one coaching from both himself and a team of experts, which includes nutritionists and doctors, and his wife Anna in the role of recipe curator.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.

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