King Tony Blair, Kate’s sheer dress and the Queen’s abdication: The Crown’s seven most controversial moments from the final instalment
The final episodes of Netflix spectacle The Crown were released this morning – with more bizarre moments than ever.
After six seasons chronicling the life and times of the Royal Family, the final instalment spans the period from the late 90s to 2005 – covering the deaths of the Queen Mother and Princess Margaret, Charles and Camilla‘s wedding, and William and Harry reaching adulthood.
Here, Sky News details the seven most controversial moments from the second instalment of the final season.
Warning, spoilers ahead.
King Tony Blair?
The Labour Party as the new Royal Family, Things Can Only Get Better as the national anthem… and Tony Blair as King?
Alas no, it was just Queen Elizabeth‘s dream.
But a bizarre series of events sees the Queen consulting the then-prime minister for advice on how to modernise the monarchy.
Peter Morgan’s show also depicts the Queen being intimidated by Blair’s impressive poll ratings. She commissions research using focus groups on public opinion about the monarchy.
“Historically, I’ve not worried too much about prime ministers’ popularity. It tends to come and go very quickly,” she tells aides in the show.
“But I’ve a feeling that could be different with Mr Blair. People really do seem to love him and see him as a true son of England, and a unifying national symbol in a way they used to see, well, me.”
Tony Blair depicted in The Crown Pic: Justin Downing/Netflix
But when Mr Blair presents his proposed reforms, the Queen is quick to rebuff them. The show depicts his popularity falling shortly afterward.
Princess Margaret’s death
The decline of the Queen’s sister’s health is chronicled in the seventh episode of this season.
It alternates between the present day and the sisters’ joyful celebrations on VE Day in 1945 – including an early morning walk home to Buckingham Palace from a music club after a night of kissing and dancing.
Lesley Manville as Princess Margaret Pic: Daniel Escale/Netflix
As both sisters grapple with their childhood memories, and declining health, the importance of their relationship is highlighted – with the Queen seen reading stories to Margaret and kissing her affectionately.
Margaret faces her demise as she suffers several strokes. She tells her older sister: “I’m not thrilled about [death]. In fact, I’m furious. I’m not ready to leave this particular party.”
And as Margaret’s death is imminent, she promises a young Queen: “I will always be by your side – no matter what.”
Kate Middleton in that dress
After years of scheming by Carole Middleton, and one see-through dress, The Crown shows Kate becoming the object of William’s affections.
Kate Middleton depicted in The Crown Pic: Justin Downing/Netflix
Before this is several months in which she and William become friends – then the young prince pines after the spoken for-Kate.
A break-up and a risque fashion show later, the pair confess their feelings towards each other.
“I’ve always been interested. Bordering on obsessed. To the point where I thought if I couldn’t be with you, I’d sooner not be here at all,” William says.
The pair share a kiss – only to be interrupted by his security guard informing him of the death of the Queen Mother.
Meg Bellamy and Ed McVey as Kate Middleton and Prince William in The Crown Pic: Netflix
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Imelda Staunton portrays Queen Elizabeth II in the hit drama The Crown.
As the relationship progresses, the pair move in together, along with two friends, to a house in St Andrews.
The ghost of Queens past
Both Claire Foy and Olivia Colman return in the final episodes to offer sage, and contradictory, words of wisdom to the older version of the Queen.
Colman – the middle-aged Queen – calls Imelda Staunton’s Queen a “coward” for not telling her husband how she was feeling about planning her funeral.
She urges the older Queen to consider making way for Charles after more than 50 years on the throne.
“Stepping down is the right thing to do. Both as Queen and as a mother,” Colman’s Queen says.
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Four moments from the first instalment of The Crown’s last season
Later, Foy’s Queen implores the older Queen to consider the oath she made at 21.
“I declare before you all that my whole life, whether it be long or short, shall be devoted to your service,” Foy’s Queen reminds her.
“If you step down, you will be symbolising instability and impermanence. You’ll also be indicating the luxury of choice, which is the one thing we cannot have if we claim the Crown is our birthright.”
The aftermath of Diana’s death
As William and Harry struggle with the grief of their mother’s passing, the young heir takes his anger out on his father.
After a months-long stand-off between Charles and William, frustrations reach a boiling point with the teenager blaming his father for Diana‘s death.
Elizabeth Debicki as Princess Diana in the sixth and final series of The Crown. Pic: Netflix
He shouted: “She should never have been anywhere near the Fayeds. She should have been safe with us. The fact that she wasn’t is your fault.
“You didn’t actually drive the car but you drove her into the arms of those who did. By making her so unhappy, by loving someone else.
He added: “She still loved you and only wanted to be in the South of France so she would not to be there when you threw a birthday party for the other one.”
Later on, we see the young princes struggle to cope with the police investigation into the Paris car crash which was sparked by Mohamed al Fayed’s conspiratorial claims in the British press.
Harry vs William
The early signs of the current frosty relationship between Princes William and Harry are depicted in the season’s second instalment.
From bickering over the death of their mother, to the acceptance of Charles and Camilla’s relationship – the tensions between the heir and the spare emerge early on.
Prince Harry and Prince William in The Crown Pic: Justin Downing/Netflix
But it culminates in the Queen asking Prince William to look out for Harry – after a photograph of him wearing a swastika to a fancy dress party makes the front pages of the newspapers.
“Be kind to him,” the Queen says to William. “In many ways, it’s harder being number two than number one. The system protects number one. Number two tends to…”
“Go mad,” William interrupts.
“I was going to say, ‘need extra care and attention’,” the Queen replies.
The Queen abdicating… and the end of the monarchy?
As both the Queen and Prince Philip are forced to plan out their funeral, their minds wander towards the future.
Imelda Staunton and Jonathan Pryce and the Queen and Prince Philip in The Crown Pic: Netflix
The Queen appears to contemplate abdicating the throne, with speculation mounting over a top-secret speech she is due to deliver at Charles and Camilla’s wedding.
Instead, she appears to skip several cards on which her speech is written at the reception and decides to stay on.
But that doesn’t stop Prince Philip from predicting the end of the monarchy.
In the final scene of the series, he tells Elizabeth: “The system makes no sense anymore to those outside it, nor to those of us inside it.
“We’re a dying breed, you and I. Oh, I’m sure everyone will carry on, pretending all is well. But the party’s over.”
Video footage has shown the moment singer and actress Ariana Grande was accosted by a fan at a film premiere.
Ms Grande was in Singapore for the debut of Wicked: For Good when the incident unfolded on Thursday.
The video captured the moment the fan scaled the barricade and pushed past photographers towards Ms Grande.
Pic: tacotrvck_vb/X/via REUTERS
He then threw his arms around her, before co-star Cynthia Erivo intervened and security swoops in to stop him.
The man, now identified as Johnson Wen, 26, is reportedly a notorious red carpet crasher.
Wen, who has since been charged with being a public nuisance, goes by the nickname Pyjama Man, and gloated as he shared footage of the intrusion online.
“Dear Ariana Grande, Thank You for letting me Jump on the Yellow Carpet with You,” he wrote on Instagram.
Pic: tacotrvck_vb/X/via REUTERS
In video stories posted to the site beforehand, he was seen at the Universal Studios venue, revealing his intentions.
In one, he said: “I feel like I’m in a dream, that’s my best friend, Ariana Grande, and I’m gonna meet her. I’ve been dreaming about that.”
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The Australian has ambushed several performers on stage, according to reports, including Katy Perry and The Chainsmokers at concerts in Sydney, and The Weeknd in Melbourne.
It has been reported that Wen intends to plead guilty and that he could face a fine of more than £1,000.
Ariana Grande and Cynthia Erivo at the London premiere for Wicked: For Good
Ms Grande took a moment to gather herself in the aftermath of the intrusion, visibly shocked by the incident.
She didn’t address the incident on her own Instagram, but shared some photos with the caption “thank you, Singapore”, adding “we love you”.
The singer battled post-traumatic stress disorder after her 2017 concert in Manchester was bombed, leaving 22 people dead.
She told Vogue in 2018: “It’s hard to talk about because so many people have suffered such severe, tremendous loss. But, yeah, it’s a real thing.
“I know those families and my fans, and everyone there experienced a tremendous amount of it as well. Time is the biggest thing.
“I feel like I shouldn’t even be talking about my own experience – like I shouldn’t even say anything. I don’t think I’ll ever know how to talk about it and not cry.”
In the same interview she also addressed her own anxiety, saying she has “always” had it.
Ms Grande plays Galinda Upland in Wicked: For Good, the character who becomes Glinda the Good Witch. Ms Erivo plays Elphaba, the character who becomes the Wicked Witch of the West.
The film is released in UK cinemas on 21 November.
Entertainment
A third of daily music uploads are AI-generated and 97% of people can’t tell the difference, says report
Do you care if the music you’re listening to is artificially generated?
That question – once the realm of science fiction – is becoming increasingly urgent.
An AI-generated country track, Walk My Walk, is currently sitting at number one on the US Billboard chart of digital sales and a new report by streaming platform Deezer has revealed the sheer scale of AI production in the music industry.
Deezer’s AI-detection system found that around 50,000 fully AI-generated tracks are now uploaded every day, accounting for 34% of all daily uploads.
File pic: iStock
The true number is most likely higher, as Deezer’s AI-detection system does not catch every AI-generated track. Nor does this figure include partially AI-generated tracks.
In January 2025, Deezer’s system identified 10% of uploaded tracks as fully AI-generated.
Since then, the proportion of AI tracks – made using written prompts such as “country, 1990s style, male singer” – has more than tripled, leading the platform’s chief executive, Alexis Lanternier, to say that AI music is “flooding music streaming”.
‘Siphoning money from royalty pool’
What’s more, when Deezer surveyed 9,000 people in eight countries – the US, Canada, Brazil, UK, France, Netherlands, Germany and Japan – and asked them to detect whether three tracks were real or AI, 97% could not tell the difference.
That’s despite the fact that the motivation behind the surge of AI music is not in the least bit creative, according to Deezer. The company says that roughly 70% of fully AI-generated tracks are what it calls “fraudulent” – that is, designed purely to make money.
“The common denominator is the ambition to boost streams on specific tracks in order to siphon money from the royalty pool,” a Deezer spokesperson told Sky News.
“With AI-generated content, you can easily create massive amounts of tracks that can be used for this purpose.”
File pic: Reuters
The tracks themselves are not actually fraudulent, Deezer says, but the behaviour around them is. Someone will upload an AI track then use an automated system – a bot – to listen to a song over and over again to make royalties from it.
Even though the total number of streams for each individual track is very low – Deezer estimates that together they account for 0.5% of all streams – the work needed to make an AI track is so tiny that the rewards justify the effort.
Are fully-AI tracks being removed?
Deezer is investing in AI-detection software and has filed two patents for systems that spot AI music. But it is not taking down the tracks it marks as fully-AI.
Instead it removes them from algorithmic recommendations and editorial playlists, a measure designed to stop the tracks getting streams and therefore generating royalties, and marks the tracks as “AI-generated content”.
“If people want to listen to an AI-generated track however, they can and we are not stopping them from doing so – we just want to make sure they are making a conscious decision,” the Deezer spokesperson says.
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Concerns about artists’ livelihoods
Deezer’s survey found that more than half (52%) of respondents felt uncomfortable with not being able to tell the difference between AI and human-made music.
“The survey results clearly show that people care about music and want to know if they’re listening to AI or human-made tracks or not,” said the company’s boss Alexis Lanternier.
“There’s also no doubt that there are concerns about how AI-generated music will affect the livelihood of artists.”
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Musicians protests AI copyright plans
Earlier this year, more than 1,000 musicians – including Annie Lennox, Damon Albarn and Kate Bush – released a silent album to protest plans by the UK government to let artificial intelligence companies use copyright-protected work without permission.
A recent study commissioned by the International Confederation of Societies of Authors and Composers suggested that generative AI music could be worth £146bn a year in 2028 and account for around 60% of music libraries’ revenues.
By this metric, the authors concluded, 25% of creators’ revenues are at risk by 2028, a sum of £3.5bn.
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