An Ozzy Osbourne documentary has disappeared from the BBC’s schedule without explanation.

The film was billed by producers as “a moving and inspirational account” of the last chapter of the metal legend’s life.

It was meant to air at 9pm on Monday on BBC One – as well as be available on iPlayer – but an episode of Fake Or Fortune? has replaced it.

Sky News has contacted the BBC for comment on why the programme, called Ozzy Osbourne: Coming Home, has been pulled.

The project was filmed over three years as Ozzy and his family returned to the UK, and was initially conceived as a series entitled Home to Roost.

However, as the singer’s health got worse it morphed into a one-off.

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The BBC reported the show would reveal the “extraordinary rollercoaster” of the Osbournes’ lives as Ozzy tries “heroically” to get fit enough to perform again.

It’s said to feature “unique and intimate access” to the family, including Ozzy’s children, Jack and Kelly, who appeared in the reality series that made them household names in the early 2000s.

The Black Sabbath frontman, who had Parkinson’s disease, died last month – just a few weeks after his final all-star gig at Birmingham’s Villa Park.

Fans packed the city centre and chanted his name when his hearse passed through on 30 July.

His wife, Sharon, was in tears as she got out to see the mass of flowers left for him at “Sabbath Bridge”.

The New York Times said his death certificate gave the cause as cardiac arrest, but the family hasn’t commented.

British actor Terence Stamp – who famously played General Zod in Superman and Superman II – has died at the age of 87.

The Oscar-nominated actor, who was born in London’s East End, also starred in hits such as Theorem, A Season in Hell, and The Adventures of Priscilla, Queen of the Desert.

He formed one of Britain’s most glamorous couples with Julie Christie, with whom he starred in “Far From the Madding Crowd” in 1967.

In a statement, his family said: “He leaves behind an extraordinary body of work, both as an actor and as a writer that will continue to touch and inspire people for years to come.”

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Fashion brand Topshop celebrated its relaunch with its first catwalk in seven years.

The company’s website promised everyone was invited as models strutted down a runway on Trafalgar Square in front of noughties fashion icons Cara Delevingne and Adwoa Aboah and the London Mayor Sir Sadiq Khan.

The label has been operating on the online fashion platform ASOS after ceasing to operate as a standalone business in 2020.

Its previous owner, Sir Philip Green’s Arcadia group, collapsed into administration and all of Topshop’s physical stores – including the Oxford Circus flagship in London’s West End – closed soon after.

Delevingne told Sky News she was “totally blown away” by the relaunch event.

“It was like nostalgia mixed with something eclectic but also something brand new,” she said.

“For me, it really brings back a time of exploration of my own fashion sense because I think for me at Topshop I got to discover so much.”

The model, who is working on a capsule collection for next year, has already unveiled a choice edit in this year’s show and said her relationship with Topshop precedes her fame.

She said: “I would go in and my friends would be like ‘you would look good in that’ and I would go ‘no, that’s not really me’, and then you’d try it on and be like ‘oh maybe I can explore more’.

“They really have everything for everyone, and I feel like they brought that back.”

The runway showcased highlights from its Autumn-Winter 2025 collection, as well as an early preview of pieces set to drop later this season, including showstopper gowns, the classic white tee, and an aloe vera-coloured faux fur coat that surely should not have been on display – to prevent just about everyone rushing to buy it.

Reclaiming the high street

But sharp tailoring and statement outerwear suggest the brand is ready to reclaim the high street.

Must-have denim pieces completed the womenswear line-up while the Topman collection screamed modern utility by blending refined formal wear with sharp new silhouettes.

Casual pieces are grounded by authentic denim in deep indigos, which stood out on Trafalgar Square’s magnificent stone steps.

Topshop’s relaunch comes as the high street continues to struggle and as the UK operation of Chinese fashion giant Shein announced pre-tax profits of £38.3m for the year, up some £14m from 2023.

‘Top end of the market’

Moses Rashid, global marketing director at Topshop/Topman said they are competing in a different space.

“We’re at the top end of the market. We’re about elevation. We pride ourselves on the quality of the product,” he said.

Those products are being designed in north London, and managing director Michelle Wilson said the aim is to stay that way.

“We are a British brand, we want to be a positive force for fashion. We want to bring London to the world. It’s fundamental to who we are as a brand, our style is very much London-driven.”

The majority Danish-owned company has suggested it will slow fashion down by opening physical stores where customers can touch the products, browse collections and try things on, though the flagship on Oxford Circus is unlikely to return because a Swedish fast furniture brand has since occupied the space.

Designer Wayne Hemingway has previously collaborated with Topshop and said the relaunch must be more than nostalgia.

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“They can’t rely on their old customers because their old customers have now got kids of their own to spend their money on, and they’ve got mortgages and all of those things of what being an adult means.

“They’ve got to have designers, marketeers, people who understand – who are on the pulse – who understood, number one, what was a success back then, and also a young generation of people who are there saying, ‘this is what our generation needs’, and who are bright and can help deliver that. They can’t rely on the past.”