The Crown dealt with one of most sensitive eras of the Royal Family – and I found it harrowing

Published

11 months ago

December 17, 2023

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Love it or hate it, Netflix has given viewers an early Christmas present this weekend.

For fans there are six more new episodes of The Crown to binge-watch, featuring all your favourite characters: Charles, Philip, Wills, Anne, Diana, Margaret, The Queen and more.

Those who denounce the series as a deplorable and inaccurate intrusion into the private lives of the British Royal Family can celebrate that this is the finale. After six series and a total of 60 episodes beginning in November 2016, it’s over.

It seemed appropriate that this cheeky exercise in lese majeste made its first appearance shortly after the Brexit referendum which overturned so many establishment norms, allegedly shared by the nation’s elite.

The seeds which germinated into The Crown were actually planted earlier in 1997, with two events which also transformed Britain’s view of itself and the world’s view of us, both of which also drive the narrative of series six: the election of Tony Blair’s New Labour government and the death of Princess Diana.

The Crown has been one of the major television events of the past decade.

The quality of its scripts, acting and production have made it superbly entertaining, while perhaps a guilty pleasure for British audiences, His or Her Majesty’s subjects.

Inevitably The Crown is remoulding how the public views the monarchy, to the fury of its critics who insist that it is made-up fiction even though it is about real people and actual events, all within the lived experience of many of its viewers.

Stephen Frears, probably Britain’s greatest living director, takes the credit or blame for kicking off the trend in reality drama.

Peter Morgan, The Crown’s creator, wrote the script for The Deal, Frears’ 2003 TV movie about the so-called Granita pact between Tony Blair and Gordon Brown over the Labour leadership.

Morgan and Frears then made the film, The Queen, about the aftermath of Diana’s death, with Helen Mirren winning an Oscar in the title role and Michael Sheen continuing as Blair. One of the challenges for Morgan, who initially expressed doubts about going ahead with the current series six, has been going over the same events concerning Dodi Fayed and Diana for a second time.

Morgan specialises in making drama out of the challenges faced by real people of influence including David Frost, President Nixon, Bill Clinton, Freddie Mercury and the anti-porn campaigner Lord Longford.

After The Queen, his successful stage play The Audience, was effectively a dry run for The Crown, imagining Elizabeth II’s weekly private encounters with numerous prime ministers during her long reign.

Reviewing the Crown finale, The Guardian’s critic Jack Seale identified “the overriding theme… that has underpinned Peter Morgan’s scripts all along: a life of public service, we are told, is a burden that demands great personal sacrifice, with the main loss being one’s happiness”.

This certainly colours the portrayal of the main male members of the Royal Family.

Charles, the late Duke of Edinburgh, and William are treated with more sympathy and understanding of their dilemmas than is commonplace in commentary about them.

“You do sort of fight for your guy,” Dominic West who plays Charles told Kate McCann and I on Times Radio, adding: “You give your character the benefit of the doubt”.

Sir Jonathan Pryce, who takes the role of Prince Philip, agreed: “I talked to the carriage driving people I trained with and they all absolutely loved him.”

As a viewer I found the interactions between the three men in the months after William’s loss of his mother, depicted in episode five, harrowing to watch. One of Dominic West’s sons played the role of William in the last series but, he told us: “I was glad my son wasn’t playing in this season just because of the very heavy nature.”

There has already been much comment about Morgan’s decision to bring back Diana and Dodi Fayed from the dead to speak briefly to other characters as ghosts in the early episodes of this final series.

In my opinion this was done tastefully and helped with the exposition of the narrative. Perhaps I am being indulgent because of my own small part in what The Guardian identifies as “the riskiest moment in the new episodes, a dream sequence in which the Queen imagines her reign being ended by the new king, Tony Blair”.

At the coronation, choristers sing an eerie a cappella version of Things Can Only Get Better.

Her Majesty’s nightmare is shown as a news bulletin item – voiced by me.

Other broadcasters are heard in the series often reporting events which really happened. My few lines in The Crown are fantasy to a purpose. I have also played versions of my broadcast persona on Spooks and in several other TV series and on screen in a touring theatrical production.

Of my old colleagues, Bob Friend played a newscaster in Mission Impossible and Jeremy Thompson reported in Volcano and Shaun Of The Dead. I also seem to remember Andrew Marr popping up outside Downing Street in an episode of Doctor Who.

In each appearance we were lending what credibility we have as real-life journalists to make a fiction seem more realistic. This is of a piece with the criticisms of The Crown for turning the real Royal Family into TV drama.

Such moonlighting is fun but worth thinking about before you commit to doing it. For me, it all depends on the quality of the show. I admire The Crown and Peter Morgan’s work for its insight into issues of the day.

The series has also had very high production values throughout. I defy anyone not to be impressed by the magnificence and the wit of the Blair coronation scenes. I’m glad I lent my voice to them.

Through the six series the royals have been played by a succession of actors, not always to the taste of some Royalists.

When Olivia Coleman took over from Claire Foy as the Queen, Baron Charles Moore of Etchingham famously took to the pages of The Spectator to complain that she had a “left-wing face”.

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The surviving members of the real Royal Family have stuck to protocol wisely and not commented about the way The Crown has depicted them. Their fictional avatars have been shown characters sensitively in the round and have probably increased public understanding of them.

At a preview screening of some episodes, one member of the audience leant over to Sir Jonathan Pryce commenting: “That’s the Royal Family saved for another 50 years then.”

Having played Prince Philip – “a wonderful father and grandfather, apart from Charles” – Pryce is more measured: “If we are going to have a Royal Family, I think this one with Charles and William is a good one to have.”

Entertainment

Paul Mescal says being the star of Gladiator II as it premieres in London is ‘absolutely, wildly overwhelming’

Published

9 hours ago

November 13, 2024

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Paul Mescal says being the star of Gladiator II as it premieres in London is 'absolutely, wildly overwhelming'

Gladiator II star Paul Mescal has said bringing Sir Ridley Scott’s legacy sequel to the big screen has been a “wildly… overwhelming” experience.

The star was speaking to Sky News on the red carpet at the film’s royal premiere which was attended by His Majesty the King, who had earlier hosted members of the film and TV industry at a Buckingham Palace reception.

When asked about making the move from indie films, like All Of Us Strangers and Aftersun, into one of the most eagerly anticipated films this year, Mescal said: “I’m excited to play with what the audience is expecting of me.”

“The royal audience is one thing… I think we’ve seen how an audience responded to the film, royal or not, and I think we’re excited for people to see it.”

A whole 24 years after Sir Ridley Scott’s Roman blockbuster starring Russell Crowe, Mescal plays Lucius who, much like the original, finds himself trying to win back his freedom after powerful emperors of Rome conquer his home.

With an actual-scale model of the Colosseum built for the production, the film comes with high costs and a lot of hype.

“I’m struggling with words at the moment,” Mescal admitted, taking in the occasion, having come from the champagne reception at Buckingham Palace.

“This has been an absolutely, wildly – I keep using the word overwhelming – but I think if this isn’t slightly overwhelming then I don’t know what the hell is. I’m having a great time.”

Sir Ridley explained his reason for casting Mescal was that he saw aspects of “a young Albert Finney” in him.

While the pressure is on for the sequel to do well at the box office, the director said he’s learnt how to deal with the weight of expectations over the years.

“Any film of [this] scale, it doesn’t matter how we play it down, it’s colossally stressful. You better embrace stress or don’t do the job.”

Before heading to the premiere, the King welcomed directors, actors, TV presenters, stunt performers and costume designers at the palace to mark the centenary of the Film and TV Charity, of which Charles has become patron.

Sir Ridley, actor Joseph Fiennes, actress India Amarteifio from the hit Netflix show Queen Charlotte, and TV presenter Claudia Winkleman were among the celebrities who attended the event.

Gladiator II is in cinemas on 15 November.

Entertainment

Actor Timothy West has died, aged 90

Published

20 hours ago

November 13, 2024

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Actor Timothy West has died peacefully in his sleep aged 90, “with his friends and family at the end”.

He was known for many roles in television and the theatre, including popular soaps Coronation Street and EastEnders.

Husband to 92-year-old Prunella Scales – who played Sybil Fawlty in Fawlty Towers – the pair travelled together on UK and overseas canals in the Channel 4 series Great Canal Journeys.

His children Juliet, Samuel and Joseph West, said in a statement issued by his agent: “After a long and extraordinary life on and off the stage, our darling father Timothy West died peacefully in his sleep yesterday evening. He was 90 years old.

“Tim was with friends and family at the end. He leaves his wife Prunella Scales, to whom he was married for 61 years, a sister, a daughter, two sons, seven grandchildren and four great-grandchildren. All of us will miss him terribly.

“We would like to thank the incredible NHS staff at St George’s Hospital, Tooting and at Avery Wandsworth for their loving care during his last days.”

He was the winner of an RTS television award for his lead role in Churchill And The Generals, released in 1979, according to imdb.com.

In his career, he played Winston Churchill three times, including in The Last Bastion (1984) and in Hiroshima (1995).

West was also nominated for best actor in the 1976 BAFTAs for his part as Edward VII in the historical drama.

Four years later, he was nominated in the same category for a number of roles, including as best actor in Crime And Punishment.

After a small part as Eric Babbage in Coronation Street in 2013, West appeared in 2014 for the first time as Stan Carter in EastEnders.

He also held other popular TV roles, such as in BBC comedy-drama Last Tango In Halifax.

In the long-running BBC comedy, Not Going Out, he played Geoffrey, the father of Lucy Adams, played by Sally Bretton.

In comedy-drama Brass, he was the ruthless self-made businessman Bradley Hardacre, playing the role from 1982 to 1984 before returning for a third series in 1990.

In 2019, the Bradford-born actor played Private Godfrey in Dad’s Army: The Lost Episodes, a recreation of three missing episodes of the BBC comedy Dad’s Army.

He was also a regular performer of Shakespeare, playing Lear in 2016 and 2002.

Entertainment

Band Aid’s Do They Know It’s Christmas? – 40th anniversary track revealed

Published

23 hours ago

November 13, 2024

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Band Aid's Do They Know It's Christmas? - 40th anniversary track revealed

An “ultimate” version of Band Aid’s famous festive hit Do They Know It’s Christmas? is set to be released to mark the song’s 40th anniversary, featuring the voices of original singers as well as younger artists.

The track will feature voices from Band Aid 1984 including George Michael, Sting and Boy George, alongside the likes of Harry Styles, Chris Martin, the Sugababes, and Ed Sheeran, who appeared on the Band Aid 20 and Band Aid 30 versions in 2004 and 2014.

It will also feature the vocals of a young Bono, who recorded the song’s famous line – “Well tonight thank God it’s them, instead of you” – singing with his older self.

The singers will be backed by the Band Aid house band of Sir Paul McCartney, Sting, Duran Duran’s John Taylor, Phil Collins, Queen’s Roger Taylor, Supergrass’s Danny Goffey, Radiohead’s Thom Yorke and Johnny Greenwood, Paul Weller, Damon Albarn, Midge Ure, Gary Kemp and Justin Hawkins.

Other voices to feature on the 40th anniversary remix include Sam Smith, Elbow’s Guy Garvey, Rita Ora, Bananarama, Seal, Sinead O’Connor, Robbie Williams, Kool And The Gang and Underworld, with proceeds going to the Band Aid Trust.

And in a new video, the late David Bowie will introduce the song’s stars, with newsreader Michael Buerk’s BBC report on the song also featuring.

The history of Band Aid

Led by Boomtown Rats frontman Bob Geldof and Ultravox’s Ure, the original Band Aid single saw artists join forces in 1984 to help charities working with starving children in Ethiopia.

The song went straight to the top of the charts that year and at the time held the record as the fastest-selling single of all time in the UK, selling a million copies in the first week alone.

It remained at number one for five weeks and went on to sell more than three million copies.

The movement led to the famous Live Aid concerts around the world the following year, with artists including Queen, Bowie and Sir Elton John performing at Wembley in the UK.

Do They Know It’s Christmas? was released again with different generations of stars over the decades, to raise money for other causes.

In 1989, Stock Aitken and Waterman produced Band Aid II, featuring just two of the artists from the song’s first iteration – Sara Dallin and Keren Woodward of Bananarama.

Band Aid 20 raised funds for Sudan’s Darfur region, while the 30th anniversary supported those helping throughout the 2014 Ebola crisis.

In celebration of this monumental “instrument of change”, producer Trevor Horn has taken the recordings and blended all the voices “into one seamless whole”, organisers said.

The Do They Know It’s Christmas – 2024 Ultimate Mix will premiere on UK breakfast radio and streaming on 25 November, the 40th anniversary of the day artists went into the recording studio to create the original song. It will also be released physically on CD and vinyl on 29 November.

It will feature on a compilation also including the other recordings, plus the Live Aid Wembley 1985 version.

Artist Sir Peter Blake, 93, who designed the original sleeve – featuring a collage of Christmas card images alongside a hungry child – has returned to create the new cover.