‘Twas the week before Christmas, when all through the charts, several artists were stirring, to be in the number one spot.
Some festive classics are battling it out with more modern hits in the most competitive Christmas chart in years.
After LadBaby dropped out of the running after five years at the top at Christmas, it is all to play for.
Whoever is number one in the Official Singles Court on Friday will join some British musical icons who have previously secured the festive top spot, including The Beatles and the Spice Girls– as well asmore unlikely chart-toppers such as Mr Blobby and Bob the Builder.
Here, Sky News looks at this year’s contenders.
Wham! – Last Christmas
Image: Wham! in 1984
The 1984 hit was number one in last week’s chart – securing the top spot for the second week in a row.
George Michael and Andrew Ridgeley’s melancholy tale of a scorned lover is one of the favourites for the Christmas crown.
If it succeeds, it will be the first time it has been Christmas number one – it was famously kept off the top spot in 1984 by Band Aid’s Do They Know It’s Christmas?.
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Last Christmas has hit the top of the charts several times previously – but not as Christmas number one – in 2021, 2022 and January 2023.
Creator Universe – I Wish It Could Be Christmas Everyday
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Creator Universe – a collection of more than 30 TikTok stars – is in the race for Christmas number one with a cover of Wizzard’s 1973 track I Wish It Could Be Christmas Everyday.
The song was only released on 15 December, with profits from the single to be donated to The Trussell Trust, which runs around 1,200 food banks across the UK.
Some of the online influencers who recorded the cover at London’s Abbey Road Studios were Rosie McClelland, The Famileigh and Amy-Jo Simpson.
Mariah Carey – All I Want For Christmas
Image: Mariah Carey in 2014
The US superstar missed out on Christmas number one to East 17’s Stay Another Day when both songs were released in 1994.
But Careyis in with a shot this year, charting at number three in last week’s chart.
The song broke UK chart records when it hit number one in December 2020 – 26 years after its release.
It has been in the top 40 for the festive season every year since 2007.
MacGowan’s wife Victoria Mary Clarke said previously the song “should be the Christmas number one, it absolutely should. I’m very much in favour of that”.
She added: “I don’t think [getting to number one] was ever that important to him, because I think that he really appreciated the fact that so many people love it and it means so much to so many people, and being number one isn’t really all about being appreciated.”
MacGowan’s partner on the song, Kirsty MacColl, died in a boating accident in Mexico in December 2000.
Jack Harlow – Lovin On Me
Image: Jack Harlow at the 2023 Grammys
The first non-festive contender is US rapper Jack Harlow’s Lovin On Me.
It is the 25-year-old’s fourth top five single in the UK.
The song was previously in the number one spot for three consecutive weeks in November and December – making it Harlow’s first chart-topping song in the UK.
A snippet of the song went viral on TikTok before its release.
Noah Kahan – Stick Season
Image: Noah Kahan performing in 2019. Pic: AP
The US singer’s breakthrough UK hit climbed to the second place position on last week’s chart after 11 weeks in the chart.
The popularity of the 26-year-old’s song was boosted by a cover performed by pop star Olivia Rodrigo.
Kahan, from Vermont, first hit the charts in October, and has been in the second spot for two non-consecutive weeks.
Merry Christmas – Ed Sheeran and Sir Elton John
Image: Sir Elton John and Ed Sheeran in 2021 when they secured the number one spot on the charts
Ed Sheeran and Sir Elton John‘s 2021 offering was pipped in the Christmas charts that year by a remix of itself – LadBaby‘s Sausage Rolls For Everyone.
However, it was number one for three non-consecutive weeks that year, and reached a high of number three on last year’s Christmas charts.
An outside contender for 2023, it was in sixth position in last week’s chart.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”