Twenty-five years ago, few gadgets were on as many Christmas lists as Nintendo’s Game Boy Colour.
The iconic handheld, released in November 1998 and home to classics like Pokemon, Super Mario Land, and Tetris, was wrapped up under the tree in living rooms up and down the country.
With almost 120 million units sold, the Game Boy is one of the most successful games consoles ever made.
It still inspires new products to this day, with the retro Super Pocket – loaded with 90s classics like Street Fighter and Ghouls ‘n Ghosts – among the stocking-fillers vying for attention this festive season.
Not so long ago, though, portable gaming devices looked to be yesterday’s news.
The rise of the smartphone and games like Candy Crush usurped the once popular Nintendo DS and PlayStation Portable for many, while dedicated fans gravitated towards the power of consoles and PCs.
But as Christmas beckons again, the handheld market has arguably never been healthier.
Nintendo’s trend-setter
Despite being almost seven years since it launched, Nintendo’s Switch keeps selling.
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It sailed past 130 million units sold last month, helped by being the exclusive home of two of 2023’s most critically acclaimed games in Legend Of Zelda: Tears Of The Kingdom and Super Mario Wonder.
Its hybrid nature, one which allows players to use it as a portable or hook it up to their TV, was novel in 2017 but has become trendy. Its success inspired Valve, which runs the industry’s most popular store for buying PC games, to release the Steam Deck last year.
Like the Switch, games once reserved for consoles or computers can now be taken on the go. The Deck means the year’s most critically acclaimed title, Baldur’s Gate 3, can be a portable game.
With Christmas shopping under way, the company released a fresh model. Starting at £469, the Deck OLED has a better screen, battery life and lighter build.
That couldn’t be further from the truth now. The modern handheld craze goes beyond the Switch and Deck, encompassing rivals like the Asus ROG Ally (£499) and Lenovo Legion Go (£699).
Admittedly, they do all rather stretch the definition of “handheld”. With its beefy dimensions and 7.4-inch display, the Deck OLED dwarfs the Switch – let alone the Game Boys of yesteryear, when portable meant pocketable.
But Yang thinks we’re at the “start of a new gaming handheld category”, blurring the line between those that stay in your living room and ones that come with you.
Just as bigger phones got people comfortable watching films on the train, the Deck could normalise playing blockbusters on a flight.
Removing the compromises
Games industry expert John Ozimek says devices like the Deck have “removed the compromises” people came to associate with portable and phone games, like simple graphics or being stuffed with adverts.
Canadian developer Nine Dots is in the process of bringing its hit adventure game Outward to the Switch, meeting players’ growing desire to play any game they want on the go.
Creative director Guillaume Boucher-Vidal believes in as little “friction” as possible to meet their needs.
He was an early backer of Google’s dead Stadia gaming service, a Netflix-style service that streamed games over the internet, and still thinks there’s a “bright future” for cloud gaming.
Great expectations
Console makers Sony and Microsoft are certainly taking notice.
Like Valve, Sony has a new gadget on shelves for Christmas with the £200 PlayStation Portal. It lets PS5 players stream their games from the console to the handheld.
Microsoft’s Xbox Game Pass, the closest thing gaming really has to Netflix, is more accessible than ever. It lets subscribers stream a growing library of games on phones, tablets, and consoles.
Steve Cottam runs a similar service, but for classic games. Dubbed Antstream, it makes more than 1,400 retro titles available across iOS, Android, PC, Mac, and Xbox.
“People expect that accessibility with movies, music,” he says. “The idea we treat games differently is a fallacy.
“If I’m at the airport and can keep playing the games I’ve been playing at home, that’s hugely appealing.”
There are no such trips in my immediate future, but the convenience does appeal.
I’m not saying I would play Baldur’s Gate 3 on the loo, but it’s pretty cool that I can.
Potential suitors have again begun circling ITV, Britain’s biggest terrestrial commercial broadcaster, after a prolonged period of share price weakness and renewed questions about its long-term strategic destiny.
Sky News has learnt that a number of possible bidders for parts or all of the company, whose biggest shows include Love Island, have in recent weeks held early-stage discussions about teaming up to pursue a potential transaction.
TV industry sources said this weekend that CVC Capital Partners and a major European broadcaster – thought to be France’s Groupe TF1 – were among those which had been starting to study the merits of a potential offer.
The sources added that RedBird Capital-owned All3Media and Mediawan, which is backed by the private equity giant KKR, were also on the list of potential suitors for the ITV Studios production arm.
One cautioned this weekend that none of the work on potential bids was at a sufficiently advanced stage to require disclosure under the UK’s stock market disclosure rules, and suggested that ITV’s board – chaired by Andrew Cosslett – had not received any recent unsolicited approaches.
That meant that the prospects of any formal approach materialising was highly uncertain.
The person added, however, that Dame Carolyn McCall, ITV’s long-serving chief executive, had been discussing with the company’s financial advisers the merits of a demerger or other form of separation of its two main business units.
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Its main banking advisers are Goldman Sachs, Morgan Stanley and Robey Warshaw.
ITV’s shares are languishing at just 65.5p, giving the whole company a market capitalisation of £2.51bn.
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The stock rose more than 5% on Friday amid vague market chatter about a possible takeover bid.
Bankers and analysts believe that ITV Studios, which made Disney+’s hit show, Rivals, would be worth more than the entire company’s market capitalisation in a break-up of ITV.
People close to the situation said that under one possible plan being studied, CVC could be interested in acquiring ITV Studios, with a European broadcast partner taking over its broadcasting arm, including the ITVX streaming platform.
“At the right price, it would make sense if CVC wanted the undervalued production business, with TF1 wanting an English language streaming service in ITVX, along with the cashflows of the declining channels,” one broadcasting industry veteran said this weekend.
“They would only get the assets, though, in a deal worth double the current share price.”
Takeover speculation about ITV, which competes with Sky News’ parent company, has been a recurring theme since the company was created from the merger of Carlton and Granada more than 20 years ago.
ITV said this month that it would seek additional cost savings of £20m this year as it continued to deal with the fallout from last year’s strikes by Hollywood writers and actors.
It added that revenues at the Studios arm would decline over the current financial year, with advertising revenues sharply lower in the fourth quarter than in the same period a year earlier because of the tough comparison with 2023’s Rugby World Cup.
Allies of Dame Carolyn, who has run ITV since 2018, argue that she has transformed ITV, diversifying further into production and overhauling its digital capabilities.
The majority of ITV’s revenue now comes from profitable and growing areas, including ITVX and the Studios arm, they said.
By 2026, those areas are expected to account for more than two-thirds of the group’s sales.
This year, its production arm was responsible for the most-viewed drama of the year on any channel or platform, Mr Bates versus The Post Office.
In its third-quarter update earlier this month, Dame Carolyn said the company’s “good strategic progress has continued in the first nine months of 2024 driven by strong execution and industry-leading creativity”.
“ITV Studios is performing well despite the expected impact of both the writer’s strike and a softer market from free-to-air broadcasters.”
She said the unit would achieve record profits this year.
ITV and CVC declined to comment, while TF1, RedBird and Mediawan did not respond to requests for comment.
The family which has owned Ann Summers, the lingerie and sex toy retailer, for more than half a century is to explore options for the business which could include a partial or majority sale.
Sky News has learnt that the Gold family is close to hiring Interpath, the corporate advisory firm, to work on a strategic review which could lead to the disposal of a big stake in the chain.
Retail industry sources said this weekend that Ann Summers had been in talks with Interpath for several weeks, although it has yet to be formally instructed.
The chain, which was founded in 1971 and acquired by David and Ralph Gold when it fell into liquidation the following year, trades from 83 stores and employs over 1,000 people.
The family continues to own 100% of the equity in the company.
Sources said that some dilution of the Golds’ interest was probable, although it was far from certain that they would sell a controlling stake.
In a statement issued in response to an enquiry from Sky News, Vanessa Gold, Ann Summers’ chair, commented: “We, like many other retailers, are dealing with the unhelpful backdrop to business of the decisions announced by the government at the Budget and the rising cost to retail.
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“As a family-owned business, we are in a fortunate position and have committed investment for over 50 years.
“This has created a robust and resilient business.
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“We are exploring a number of options to further grow the brand into 2025 and beyond.”
Ms Gold is among many senior retail figures to publicly criticise the tax changes announced in the Budget unveiled by Rachel Reeves, the chancellor, last month.
The British Retail Consortium published a letter last weeks signed by scores of its members in which they warned of price rises and job losses.
Private equity firms and other retail groups are expected to express an interest in a takeover of Ann Summers.
One possible contender could be the Frasers billionaire Mike Ashley, who already owns upmarket rival Agent Provocateur.
Any formal process is unlikely to yield a result until next year, with the key Christmas trading period the principal focus for the shareholders and management during the next month.
Ann Summers is one of Britain’s best-known retailers, with a profile belying its relatively modest size.
In the early 1980s, Jacqueline Gold, the then executive chairman who died last year, conceived the idea of holding Ann Summers parties – a key milestone in the company’s growth.
At its largest, the chain traded from nearly twice the number of shops it has today, but like many retailers was forced to seek rent cuts from landlords after weak trading during the COVID-19 pandemic.
This week, The Daily Telegraph reported that the Gold family had stepped in to provide several million pounds of additional funding to Ann Summers in the form of a loan.
Vanessa Gold – Jacqueline’s sister – also asked bankers to explore the sale of part of the family’s stake in West Ham United Football Club last year.
That process, run by Rothschild, has yet to result in a deal.
Bosch will cut up to 5,500 jobs as it struggles with slow electric vehicle sales and competition from Chinese imports.
It is the latest blow to the European car industry after Volkswagen and Ford announced thousands of job cuts in the last month.
Cheaper Chinese-made electric cars have made it trickier for European manufacturers to remain competitive while demand has weakened for the driver assistance and automated driving solutions made by Bosch.
The company said a slower-than-expected transition to electric, software-controlled vehicles was partly behind the cuts, which are being made in the car parts division.
Demand for new cars has fallen overall in Germany as the economy has slowed, with recession only narrowly avoided in recent years.
The final number of job cuts has yet to be agreed with employee representatives. Bosch said they would be carried out in a “socially responsible” way.
About half the job reductions would be at locations in Germany.
Bosch, the world’s biggest car parts supplier, has already committed to not making layoffs in Germany until 2027 for many employees, and until 2029 for a subsection of its workforce. It said this pact would remain in place.
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The job cuts would be made over approximately the next eight years.
The Gerlingen site near Stuttgart will lose some 3,500 jobs by the end of 2027, reducing the workforce developing car software, advanced driver assistance and automated driving technology.
Other losses will be at the Hildesheim site near Hanover, where 750 jobs will go by end the of 2032, and the plant in Schwaebisch Gmund, which will lose about 1,300 roles between 2027 and 2030.
Its remaining German plants are also set to be downsized.
While Germany has been hit hard by cuts, it is not bearing the brunt alone.
Earlier this week, Ford announced plans to cut 4,000 jobs across Europe – including 800 in the UK – as the industry fretted over weak electric vehicle (EV) sales that could see firms fined more for missing government targets.