Bridgerton star Phoebe Dynevor has told Sky News that being in the running for a BAFTA “means the world” after the nominations for its Rising Star award were announced.
“With social media, there’s a very curated kind of idea of what it is to be an actress,” she said. “And actually, it’s a lot of rejection and a lot of getting back on the horse and days like today make it feel really worth it.”
She was speaking at the announcement of the nominees for this year’s EE BAFTA Rising Star award.
Saltburn’s Jacob Elordi, The Bear actress Ayo Edebiri, and stars of the films How To Have Sex and Talk To Me – Mia McKenna-Bruce and Sophie Wilde – are also among the nominees.
It is the only BAFTA award voted for by the public.
Dynevor, 28, has been nominated for her work in the film Fair Play – a role she admits she practically begged director Chloe Domont for.
Dynevor said: “I read the script and it was a female director, it’s a female story and it’s kind of roles that I dreamed about doing when I was a kid. So to be recognised for this film in particular is… very gratifying.”
She is best known for Netflix‘s Bridgerton, in which she plays Daphne, who has a romance with Rege-Jean Page’s character the Duke of Hastings in the first season.
Advertisement
Please use Chrome browser for a more accessible video player
0:36
‘Being an actress means a lot of rejection’
Australian-born actor Elordi has recently starred in Saltburn, a thriller about high society, and as Elvis Presley in Sofia Coppola’s biographical drama about the famous musician’s ex-wife, Priscilla.
The 26-year-old, also known for HBO’s Euphoria and Netflix romance trilogy The Kissing Booth, said he is “deeply honoured” to be recognised.
Meanwhile, Edebiri, 28, who is in 2023 teen comedy Bottoms about a fight club started to find romance, said it is “wonderful and humbling to receive this nomination”.
She is in the running for the BAFTA after winning the award for best television actress (musical or comedy) at the Golden Globes.
That win was for her work on the hit Hulu series The Bear, for which the American comedian, writer and producer starred as young chef Sydney Adamu opposite Jeremy Allen White. She has been nominated for an Emmy for the same role.
McKenna-Bruce, who plays a teenager under pressure to lose her virginity in coming-of-age drama How To Have Sex, told Sky News she’s also grateful to be recognised for this particular piece of work.
“I think the fact that all of this is coming off the back of How To Have Sex is really incredible because it’s such a special film. And even when we were making it, it was so important to every single person on that set,” the 26-year-old said.
“So for it to just continue is incredible. It is bittersweet as well because it obviously resonates with so many people, which is a heartbreaking reality.
“But then hopefully it means that we can start to bring about some kind of change for people as well.”
Image: Mia McKenna-Bruce, Sophie Wilde and Phoebe Dynevor at the BAFTA EE Rising Star Award 2023 nominees announcement
Last year may have seen Hollywood shut down after strikes by writers and actors but it also saw the box office ignited thanks to Barbenheimer and other cinema successes.
Nominated for her role in horror Talk To Me, 26-year-old Sophie Wilde told Sky News she’s looking forward to seeing last year’s releases recognised during awards season.
She said: “Last year was such a fantastic year for cinema, like such a breath of fresh air, so many incredible filmmakers and films and showcases of actors.
“So I think it’s a really exciting time and it feels like a particularly exciting awards season.”
Netflix and Sesame Street have agreed a deal that will bring the children’s show to the streaming platform’s wider audience after President Trump cut federal funding for the free-to-air TV network Public Broadcasting Service (PBS).
Later this year, new episodes will be shown on Netflix as well as PBS and the PBS Kids app on the same day.
Select past episodes will be available on Netflix worldwide. No specific start date has been announced.
It comes after Warner Bros Discovery decided last year not to renew its deal for new episodes on HBO and Max, though episodes will remain on there until 2027.
That was followed by Donald Trump issuing an executive order earlier this month to block federal funding to PBS and the National Public Radio (NPR) network, because he believes their coverage is biased.
For the show’s 56th season, the episodes will revolve around one 11-minute story, Netflix said.
It will feature more exploration of the Sesame Street neighbourhood and also give a look inside 123 Sesame Street, which houses Elmo, Bert and Ernie, and others.
Sesame Street said on X: “We are excited to announce that all new Sesame Street episodes are coming to @netflix worldwide along with library episodes, and new episodes will also release the same day on @PBS Stations and @PBSKIDS platforms in the US, preserving a 50+ year relationship.
“The support of Netflix, PBS, and the Corporation for Public Broadcasting serve as a unique public-private partnership to enable Sesame Street to continue to help children everywhere grow smarter, stronger, and kinder.”
X
This content is provided by X, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable X cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to X cookies.
To view this content you can use the button below to allow X cookies for this session only.
Sesame Workshop said in a statement: “This unique public-private partnership will enable us to bring our research-based curriculum to young children around the world with Netflix’s global reach, while ensuring children in communities across the US continue to have free access on public television to the Sesame Street they love.”
Follow the World
Listen to The World with Richard Engel and Yalda Hakim every Wednesday
In a statement on Monday, Lineker said: “Football has been at the heart of my life for as long as I can remember – both on the pitch and in the studio.
“I care deeply about the game, and about the work I’ve done with the BBC over many years. As I’ve said, I would never consciously repost anything antisemitic – it goes against everything I stand for.
“However, I recognise the error and upset that I caused, and reiterate how sorry I am. Stepping back now feels like the responsible course of action.”
Image: Lineker made no comment as he got into his car on Monday. Pic: PA
Lineker said he deleted the post when he learned about the rat’s symbolism, adding he would “never knowingly share anything antisemitic”.
In a separate video posted to Instagram, the pundit added: “I’ve stood up for minorities and humanitarian issues and against all forms of racism all of my life, including, of course, antisemitism, which I absolutely abhor.
“There’s no place for it and never should be.”
He went on to thank the “brilliant, talented” people he has worked with and described his relationship with the BBC as “long and wonderful”.
He added: “But it’s the right time for the organisation and myself to go our separate ways.”
Lineker’s last appearance on the BBC will be on Sunday 25 May, the final day of the season.
What are the BBC guidelines on impartiality?
Gary Lineker signed a five-year deal with the BBC in 2020, under which he agreed to adhere to their impartiality rules.
The rules were then updated after his return to Match Of The Day in 2023.
The latest regulations say high-profile BBC presenters should be able to express their views on political issues as long as they stop short of campaigning.
It does not clarify what would constitute political campaigning for the big-name presenters.
The guidelines also stress the importance of “high standards of civility in public discourse”, which includes treating others with respect, even in the face of abuse and not using offensive or aggressive language.
The policy only applies to presenters outside of its news coverage. News presenters are still subject to stricter impartiality guidelines.
‘A defining voice in football coverage’
Also confirming Lineker’s exit, BBC director general Tim Davie said: “Gary has acknowledged the mistake he made. Accordingly, we have agreed he will step back from further presenting after this season.
“Gary has been a defining voice in football coverage for the BBC for over two decades. His passion and knowledge have shaped our sports journalism and earned him the respect of sports fans across the UK and beyond.
“We want to thank him for the contribution he has made.”
Image: Kelly Cates, Mark Chapman and Gabby Logan will share the role of presenting Match Of The Day. Pic BBC/PA
Alex Kay-Jelski, the BBC’s director of sport, said in an email sent to staff that it had been a “difficult” and “emotional” week.
He went on to say: “It is sad to be saying goodbye to such a brilliant broadcaster and I also want to thank Gary for his years of service. As ever, if you have questions, you know where I am.
“Let’s finish the season strongly with Gary’s final show, enjoy an incredible summer of sport and look forward with excitement to what lies ahead.”
Lineker announced in November he would step down from Match Of The Day this year, but was set to return to front the World Cup in 2026, as well as FA Cup coverage.
The former England star was temporarily suspended from the BBC in March 2023 after an impartiality row over comments he made criticising the then Conservative government’s asylum policy.
He will be replaced on Match Of The Day by Gabby Logan, Kelly Cates and Mark Chapman, who will share the presenting role from the next Premier League season.
He joined the programme having started as a BBC Radio Five Live presenter, also working on the broadcaster’s former flagship sports show Grandstand during his early years in broadcasting.
The Leicester-born presenter is also the co-founder of podcast producing company Goalhanger, which makes the popular The Rest Is History series and its spin-offs about politics, football, entertainment and money.
His parting ways with the BBC also includes the licensing deal for Goalhanger podcast titles on BBC Sounds, which ends this year, the PA news agency reported.
Did having a social conscience force Gary Lineker off the BBC? Or was becoming increasingly vocal politically just too problematic?
The former England captain was given an exemption, as a freelancer working outside of news and current affairs, from impartiality rules the BBC’s staff have to abide by – despite being the broadcaster’s highest earner at £1.35m.
That meant he was even handed BBC primetime coverage recently, in which he critiqued the BBC’s coverage of the Middle East conflict, disputing the news side’s decision-making.
Silence on Gaza, he claimed, equates to complicity.
And Lineker has sought to show empathy with those suffering in Gaza and the mounting Palestinian death toll from IDF strikes, which Israel says are targeted at Hamas.
He has, however, faced accusations of inconsistency by being silent on other conflicts in Sudan and Yemen.
And also for showing little public concern for hostages taken by Hamas during the terror of 7 October – including Emily Damari, a fan of one of his former clubs, Tottenham Hotspur.
Please use Chrome browser for a more accessible video player
1:44
Watch: Lineker confirms BBC exit
Highly-selective commentaries have been shared, often from fringe groups.
And then came last week’s rat emoji, which appeared on an anti-Zionist post shared on Instagram, which Lineker reposted and said he later deleted when he learned about the rat’s symbolism.
Images of rats have in the past been used to represent Jewish people in antisemitic propaganda, including in Nazi Germany.
The incident produced an unprecedented apology from the ex-footballer, who said he was unaware of connotations offensive to Jewish people.
Image: Match of the Day presenter Gary Lineker outside his home in London. Pic: PA
As BBC Director General Tim Davie said: “The BBC’s reputation is held by everyone, and when someone makes a mistake, it costs us.”
The lack of public response from the BBC to Lineker’s apology made his future seem increasingly untenable.
Now, three decades broadcasting on the BBC will end under a cloud of controversy rather than celebration.
Lineker is even freer to give opinions – particularly through his podcast empire – and many do want to listen to him and welcome his status being used to highlight the plight of the besieged.
But the BBC can breathe easier knowing the fallout from social media posts won’t land at the corporation’s door.