“Our disc jockeys are husband substitutes,” Annie Nightingale was told when she knocked on Radio 1’s door following it’s launch in 1967. So why on Earth, they said, would a woman would want to join the airwaves?
“They were bewildered,” Nightingale told Desert Island Disc’s presenter Lauren Laverne, during her appearance on the much-loved radio show in 2020.
The male bosses were bewildered, but Nightingale was determined. Not only was she the first woman to join the station, in 1970 – remaining the only female host until Janice Long’s arrival 12 years later – she was also its longest-serving broadcaster, male or female, still on air until late last year with Annie Nightingale presents…
Image: Nightingale paved the way for the likes of Jo Whiley (left)
She was a friend of The Beatles and David Bowie, but more importantly supported waves of popular music genres including prog rock, German electronica, punk, acid house and grime. Now highlighted following her death at 83, her influence on the world of British music culture cannot be overstated.
Even into her 80s, she was a champion of new music. Look at her Desert Island Discs choices and you see a mix including John Lennon and Bowie, yes, but also Billie Eilish and Beyonce, interspersed with Ethel Merman and Sid Vicious.
While most of us turn to the music of our formative years and early adulthood when we think of the songs that have defined our lives, Nightingale was constantly soaking up the new, always with an ear for those artists who might become stars. “You want to hear something you’ve never heard before,” she told Laverne, quoting the late John Peel. “Something that surprises you.”
Nightingale was born in Osterley, now part of outer west London but then part of Middlesex, on 1 April 1940. She started her career as a journalist in Brighton and first broadcast on the BBC in 1963 as a panellist on the TV show Juke Box Jury.
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Image: Nightingale was friends with Paul McCartney and The Beatles
It was in Brighton where she first interviewed The Beatles, and she went on to become a frequent guest at the band’s Apple Studios in London during the 1960s – a front-row seat to one of the most creative periods in British popular music.
She knew about John Lennon and Yoko Ono’s relationship before it was made public, but did not report what she knew would be a headline-making story as she did not want to break her bond of trust with the band.
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And Paul McCartney even proposed to her on one occasion, according to the BBC. “Well, sort of yes,” she said when asked about it in an interview. “But I don’t think he was serious!”
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Nightingale said she had not really experienced sexism until she was “rebuffed” by Radio 1.
But in 1969, a new controller arrived who wanted a female DJ, and asked The Beatles’ publicist for a recommendation. Her first show was a disaster technically, she said, but it was the start of an incredible career.
As a DJ she travelled the world, telling The Independent in 2009 that she had been “mugged in Cuba, drugged in Baghdad and bugged in Russia”.
She was also the first woman to present music show The Old Grey Whistle Test, from 1978, which featured live performance from artists as diverse as Bob Marley, Siouxsie And The Banshees, Roxy Music and Randy Newman.
She would say in interviews how she had no plans to slow down. “I hate the ‘R’ word: retire,” she told This Is Money just six months ago. “I don’t want to watch daytime TV.”
Nightingale received an MBE in 2002 and a CBE for services to radio in 2020, which she described as the “coolest big-up ever”.
Her memoir Hey Hi Hello was released in 2020 and offered a look back at her five decades at the forefront of popular music culture in Britain, coming after previous autobiographical books Chase The Fade: Music Memoirs And Memorabilia in 1981, and Wicked Speed in 1999.
A ‘trailblazer’ and ‘legend’
In 2021, a scholarship for female and non-binary music DJs was launched by Radio 1 and named after Nightingale, aiming to “celebrate and elevate talented women and non-binary people in the electronic music scene”.
She kept going, a role model who rallied against not just sexism but ageism, too, a much-loved favourite and authoritative voice on music into her 80s, on a station whose target audience is 15-29 year olds.
“She kept going, her very existence as an older woman playing underground music on Radio 1 was subversive,” said Annie Mac in her tribute.
For Mac and the other female presenters who followed in Nightingale’s footsteps – the likes of Zoe Ball, Jo Whiley, Sara Cox, Fearne Cotton and Clara Amfo – she was a “trailblazer”, a “legend”, “the coolest woman who ever graced the airwaves”; a woman who broke down doors during a time when the industry was pervaded by sexism, and held them open to break the misogyny down, little by little, over more than 50 years.
“Thank you, Annie,” said Laverne, sharing a photo of her conversation with Nightingale. “For opening the door and for showing us all what to do when we got through it.”
The Salt Path author Raynor Winn’s fourth book has been delayed by her publisher.
It comes amid claims that the author lied about her story in her hit first book. Winn previously described the claims as “highly misleading” and called suggestions that her husband had Moth made up his illness “utterly vile”.
In a statement, Penguin Michael Joseph, said it had delayed the publication of Winn’s latest book On Winter Hill – which had been set for release 23 October.
The publisher said the decision had been made in light of “recent events, in particular intrusive conjecture around Moth’s health”, which it said had caused “considerable distress” to the author and her family.
“It is our priority to support the author at this time,” the publisher said.
“With this in mind, Penguin Michael Joseph, together with the author, has made the decision to delay the publication of On Winter Hill from this October.”
A new release date will be announced in due course, the publisher added.
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Winn’s first book, released in 2018, detailed the journey she and husband took along the South West Coast Path – familiarly known as The Salt Path – after they lost their family farm and Moth received a terminal health diagnosis of Corticobasal Degeneration (CBD).
But a report in The Observer disputed key aspects of the 2018 “true” story – which was recently turned into a film starring Jason Isaacs and Gillian Anderson.
Image: Raynor and husband Moth (centre) with actors Jason Isaacs (L) and Gillian Anderson (R). Pic: Steve Tanner/Black Bear
Experts ‘sceptical of health claims’
As part of the article, published last weekend, The Observer claimed to have spoken to experts who were “sceptical” about elements of Moth’s terminal diagnosis, such as a “lack of acute symptoms and his apparent ability to reverse them”.
In the ensuing controversy, PSPA, a charity that supports people with CBD, cut ties with the couple.
The Observer article also claimed the portrayal of a failed investment in a friend’s business wasn’t true, but said the couple – whose names are Sally and Tim Walker – lost their home after Raynor Winn embezzled money from her employer and had to borrow to pay it back and avoid police action.
Image: Anderson played Winn in a movie about the couple’s journey. Pic: Steve Tanner/Black Bear
It also said that, rather than being homeless, the couple had owned a house in France since 2007.
Winn’s statement said the dispute with her employer wasn’t the reason the couple lost their home – but admitted she may have made “mistakes” while in the job.
“For me it was a pressured time,” she wrote. “It was also a time when mistakes were being made in the business. Any mistakes I made during the years in that office, I deeply regret, and I am truly sorry.”
She admitted being questioned by police but said she wasn’t charged.
The author also said accusations that Moth lied about having CBD/CBS were false and had “emotionally devastated” him.
“I have charted Moth’s condition with such a level of honesty, that this is the most unbearable of the allegations,” Winn wrote on her website.
Heaton Park, just north of Manchester City centre, is tonight hosting 80,000 fans who’ve come to see the Gallaghers’ homecoming.
“I would honestly say it’s a real cultural moment of the 21st century,” says Sam, who’s from Manchester and has come here with a group of friends – including one who has travelled from Australia for the gig.
Image: Oasis fans wear band T-shirts with the almost obligatory bucket hats. Pic: Reuters
This will be the fourth time Sam has seen Oasis play, although obviously not for many years, and he says he can’t wait for the moment the band comes on to the stage.
“The reaction from the fans, that’s going to be really special,” he says. “This band means so much to the North West.”
Like many people attending tonight’s concert, Sam is wearing a bucket hat.
Liam Gallagher’s iconic headgear has become a part of the band’s cultural legacy and they are certainly on display here, with street vendors popping up all around the park’s perimeter.
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Another fan, Dean, tells me he feels incredibly lucky to have got a ticket at all.
“I had seven devices out when the tickets were released and I didn’t get one,” he says. “And then about three days ago, a friend of mine messaged to say she couldn’t make it.
“So I made it. £120 with coach travel there and back – perfect.”
Image: Dom has flown from half a world away to be in Manchester tonight
Dom is another fan who has come from Australia for the gig.
“We’re frothing to be here, like so stoked,” he says, “The atmosphere is going to be electric.”
R&B singer Chris Brown has denied further charges following an alleged bottle attack in a London nightclub.
The 36-year-old pleaded not guilty to assault occasioning actual bodily harm (ABH) to music producer Abraham Diaw, during a hearing at Southwark Crown Court on Friday.
Brown also denied one count of having an offensive weapon – a bottle – in a public place.
Image: Chris Brown arriving at Southwark Crown Court on Friday. Pic: PA
The Grammy-winning US musician last month pleaded not guilty to a more serious charge of attempting to cause grievous bodily harm (GBH) with intent to Mr Diaw.
The attack allegedly happened at the Tape venue, a private members’ club in Hanover Square, Mayfair, on 19 February 2023.
The plea hearing is part of preparations for his five to seven-day trial, which is due to take place from 26 October 2026.
Brown’s co-defendant, US national Omololu Akinlolu, 39, on Friday pleaded not guilty to a charge of assaulting Mr Diaw occasioning him actual bodily harm.
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Akinlolu, a rapper who goes by the name Hoody Baby, has previously pleaded not guilty to attempting to cause grievous bodily harm.
Image: Brown’s co-defendant Omololu Akinlolu arrives at court. Pic: Reuters
The defendants sat side-by-side in the dock, looking straight ahead during the hearing in London.
Around 20 fans sat in the public gallery behind the dock for Friday’s hearing, with several gasping as Brown walked into the courtroom.
The Go Crazy singer was able to continue with his scheduled international tour after he was freed on conditional bail in May.
He had to pay a £5m security fee to the court as part of the bail agreement, which is a financial guarantee to ensure a defendant returns to court and may be forfeited if they breach bail conditions.
Mr Diaw was standing at the bar of the Tape nightclub when he was struck several times with a bottle, and then pursued to a separate area of the venue where he was punched and kicked repeatedly, Manchester Magistrates’ Court previously heard.
Brown was arrested at Manchester’s Lowry Hotel at 2am on 15 May by detectives from the Metropolitan Police.
He is said to have flown into Manchester Airport on a private jet in preparation for the UK tour dates.
Brown was released from HMP Forest Bank in Salford, Greater Manchester, on 21 May.
The singer, who rose to stardom as a teenager in 2005, won his first Grammy award for best R&B album in 2011 for F.A.M.E..
He earned his second in the same category for 11:11 (Deluxe) earlier this year.