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“Our disc jockeys are husband substitutes,” Annie Nightingale was told when she knocked on Radio 1’s door following it’s launch in 1967. So why on Earth, they said, would a woman would want to join the airwaves?

“They were bewildered,” Nightingale told Desert Island Disc’s presenter Lauren Laverne, during her appearance on the much-loved radio show in 2020.

The male bosses were bewildered, but Nightingale was determined. Not only was she the first woman to join the station, in 1970 – remaining the only female host until Janice Long’s arrival 12 years later – she was also its longest-serving broadcaster, male or female, still on air until late last year with Annie Nightingale presents…

Jo Whiley and Annie Nightingale
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Nightingale paved the way for the likes of Jo Whiley (left)

She was a friend of The Beatles and David Bowie, but more importantly supported waves of popular music genres including prog rock, German electronica, punk, acid house and grime. Now highlighted following her death at 83, her influence on the world of British music culture cannot be overstated.

Even into her 80s, she was a champion of new music. Look at her Desert Island Discs choices and you see a mix including John Lennon and Bowie, yes, but also Billie Eilish and Beyonce, interspersed with Ethel Merman and Sid Vicious.

While most of us turn to the music of our formative years and early adulthood when we think of the songs that have defined our lives, Nightingale was constantly soaking up the new, always with an ear for those artists who might become stars. “You want to hear something you’ve never heard before,” she told Laverne, quoting the late John Peel. “Something that surprises you.”

Nightingale was born in Osterley, now part of outer west London but then part of Middlesex, on 1 April 1940. She started her career as a journalist in Brighton and first broadcast on the BBC in 1963 as a panellist on the TV show Juke Box Jury.

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Annie Nightingale pictured with Paul McCartney
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Nightingale was friends with Paul McCartney and The Beatles

It was in Brighton where she first interviewed The Beatles, and she went on to become a frequent guest at the band’s Apple Studios in London during the 1960s – a front-row seat to one of the most creative periods in British popular music.

She knew about John Lennon and Yoko Ono’s relationship before it was made public, but did not report what she knew would be a headline-making story as she did not want to break her bond of trust with the band.

And Paul McCartney even proposed to her on one occasion, according to the BBC. “Well, sort of yes,” she said when asked about it in an interview. “But I don’t think he was serious!”

‘I hate the R word’

Nightingale said she had not really experienced sexism until she was “rebuffed” by Radio 1.

But in 1969, a new controller arrived who wanted a female DJ, and asked The Beatles’ publicist for a recommendation. Her first show was a disaster technically, she said, but it was the start of an incredible career.

As a DJ she travelled the world, telling The Independent in 2009 that she had been “mugged in Cuba, drugged in Baghdad and bugged in Russia”.

She was also the first woman to present music show The Old Grey Whistle Test, from 1978, which featured live performance from artists as diverse as Bob Marley, Siouxsie And The Banshees, Roxy Music and Randy Newman.

She would say in interviews how she had no plans to slow down. “I hate the ‘R’ word: retire,” she told This Is Money just six months ago. “I don’t want to watch daytime TV.”

Nightingale received an MBE in 2002 and a CBE for services to radio in 2020, which she described as the “coolest big-up ever”.

Her memoir Hey Hi Hello was released in 2020 and offered a look back at her five decades at the forefront of popular music culture in Britain, coming after previous autobiographical books Chase The Fade: Music Memoirs And Memorabilia in 1981, and Wicked Speed in 1999.

A ‘trailblazer’ and ‘legend’

In 2021, a scholarship for female and non-binary music DJs was launched by Radio 1 and named after Nightingale, aiming to “celebrate and elevate talented women and non-binary people in the electronic music scene”.

She kept going, a role model who rallied against not just sexism but ageism, too, a much-loved favourite and authoritative voice on music into her 80s, on a station whose target audience is 15-29 year olds.

“She kept going, her very existence as an older woman playing underground music on Radio 1 was subversive,” said Annie Mac in her tribute.

For Mac and the other female presenters who followed in Nightingale’s footsteps – the likes of Zoe Ball, Jo Whiley, Sara Cox, Fearne Cotton and Clara Amfo – she was a “trailblazer”, a “legend”, “the coolest woman who ever graced the airwaves”; a woman who broke down doors during a time when the industry was pervaded by sexism, and held them open to break the misogyny down, little by little, over more than 50 years.

“Thank you, Annie,” said Laverne, sharing a photo of her conversation with Nightingale. “For opening the door and for showing us all what to do when we got through it.”

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Salt Path author Raynor Winn responds to claims she lied about ‘true’ story

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Salt Path author Raynor Winn responds to claims she lied about 'true' story

Salt Path author Raynor Winn has said claims she lied about her story are “highly misleading” and called suggestions her husband made up his illness “utterly vile”.

A report in The Observer disputed key aspects of the hit book, billed as an “inspiring and life-affirming true story” about a couple’s coastal trek.

Winn released a lengthy statement denying the paper’s claims and shared medical letters apparently sent to her husband, Moth, that appear to support a diagnosis for a rare neurological condition, Corticobasal Degeneration (CBD).

One letter mentions his prior “CBS [Corticobasal Syndrome] diagnosis”, while another concludes he has “an atypical form” of CBD.

The author said accusations he lied about having CBD/CBS are false and have “emotionally devastated” him.

Pic: Steve Tanner/Black Bear
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Raynor and husband Moth (centre) with actors Jason Isaacs (L) and Gillian Anderson (R). Pic: Steve Tanner/Black Bear

“I have charted Moth’s condition with such a level of honesty, that this is the most unbearable of the allegations,” Winn wrote on her website.

The Observer claimed to have spoken to experts who were “sceptical” about elements of his story, such as a “lack of acute symptoms and his apparent ability to reverse them”.

PSPA, a charity that supports people with CBD, ended their relationship with the family following The Observer’s claims.

Winn said she had never suggested walking was “some sort of miracle cure” and that there can be “symptoms for many years before they finally reach a diagnosis”.

“Even then, many sufferers’ symptoms present in an atypical way,” she wrote.

“They might not present with the same symptoms, occurring in the same order, or with the same severity.”

Pic: Steve Tanner/Black Bear
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The memoir was turned into a film, released. Pic: Steve Tanner/Black Bear

Winn also posted the letters on Instagram and said they are grateful Moth’s condition is slow-progressing.

She clarified it is now commonly referred to by specialists as CBS, “which describes the symptoms observed during life”.

The bestselling book was also recently released as a film, starring Jason Isaacs and Gillian Anderson, charting the couple’s 630-mile trek along the Cornish, Devon, and Dorset coast – a journey sparked by the devastation of losing their house.

The Observer claimed the portrayal of a failed investment in a friend’s business wasn’t true, rather they lost their home after Raynor Winn embezzled money from her employer, Martin Hemming, and had to borrow to pay it back and avoid police action.

Winn’s statement said the dispute with Mr Hemmings wasn’t the reason they lost their home – but admitted she may have made “mistakes” while in the job.

“For me it was a pressured time,” she wrote. “It was also a time when mistakes were being made in the business. Any mistakes I made during the years in that office, I deeply regret, and I am truly sorry.”

She admitted being questioned by police but said she wasn’t charged.

Winn added: “I reached a settlement with Martin Hemmings because I did not have the evidence required to support what happened. The terms of the settlement were willingly agreed by both parties.”

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The author reiterated the book’s version of events: that the loss of their home in Wales stemmed from an investment in a friend’s property portfolio that went sour.

Her statement goes into legal detail about how it transpired and admits – as The Observer suggested – that the couple at one point tried to raffle the house.

However, the author said they “quickly realised it was a mistake as it clearly wasn’t going to work. We cancelled it and refunded the few participants.”

The 63-year-old also denied having any outstanding debts and said it was “blatantly untrue” the couple were hiding behind pseudonyms after The Observer quoted people who said they knew them by the surname Walker.

“Winn is my maiden name and like most women who have married I’ve used both my maiden name, Winn, and married name, Walker,” said the statement.

She also explained she preferred the first name Raynor, rather than her birth name Sally Ann, so took that as her pen name; while Moth is an abbreviation of her husband’s name, Timothy.

“The legal names we use on our bank records, our utility bills etc. Our friends and neighbours use Sal and Tim interchangeably with Ray and Moth – there is nothing hiding in our names,” she said.

Sky News has contacted The Observer for a response to Winn’s statement.

Raynor Winn had been scheduled to make numerous appearances over the summer, performing with Saltlines, her collaboration with Gigspanner Big Band.

However, the band has since announced on social media that she will no longer be taking part in the tour.

She was also scheduled to take part in various Q&As, conversations, writing courses and festivals.

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Reservoir Dogs actor Michael Madsen died from heart failure, says cardiologist

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Reservoir Dogs actor Michael Madsen died from heart failure, says cardiologist

Actor Michael Madsen, who starred in Reservoir Dogs and Thelma & Louise, died from heart failure, his cardiologist has said.

The 67-year-old was found unresponsive in his home in Malibu, California, last Thursday and pronounced dead.

His doctor said heart disease and alcoholism will be listed as factors which contributed to the star’s death, reported NBC Los Angeles.

With no suspicious circumstances and the death listed as being from natural causes, the Los Angeles Sheriff’s Department considers the case closed.

In a career spanning more than 40 years, Madsen’s film credits include Free Willy, Donnie Brasco and Sin City.

He was also known for his collaborations with director Quentin Tarantino, including in Kill Bill: Vol. 2, The Hateful Eight and Once Upon A Time In Hollywood.

The Chicago-born actor also linked up with Tarantino when he played Mr Blonde in 1992’s Reservoir Dogs.

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Michael Madsen played Mr Blonde in Reservoir Dogs. Pic: THA/Shutterstock
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Madsen played numerous roles, including Mr Blonde in Reservoir Dogs. Pic: THA/Shutterstock

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His sister, Oscar-nominated actress Virginia Madsen, paid tribute to her brother in a statement to Variety.

She wrote: “My brother Michael has left the stage.

“He was thunder and velvet. Mischief wrapped in tenderness. A poet disguised as an outlaw. A father, a son, a brother – etched in contradiction, tempered by love that left its mark.”

Madsen was preparing to release a new book called Tears For My Father: Outlaw Thoughts And Poems.

A statement by managers Susan Ferris and Smith, and publicist Liz Rodriguez, said the book by “one of Hollywood’s most iconic actors” was currently being edited.

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Fantasy v reality: Lena Dunham’s Too Much is a new spin on the London romcom

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Fantasy v reality: Lena Dunham's Too Much is a new spin on the London romcom

Horse-drawn carriages, picturesque gardens and endless cups of tea are just some of the stereotypical tropes that have shaped America’s romanticised image of England before even stepping foot on the island.

Thanks to classical literature and a steady stream of period dramas, Lena Dunham was no exception.

“I had so many fantasies,” she tells Sky News about growing up slightly obsessed with British culture.

“I loved Jane Austen, I loved Charlotte Bronte, I love British film, I was one of those little Anglophile kids.”

The writer and director believed it would be that area of classically depicted England that would fill her time when she first moved to “jolly old London” as a teenager with her mother for a brief time.

Instead, her attention was taken by another, and possibly equally influential group of artists.

“There was a pop show about S Club 7 and all I did was just sit in the hotel and obsessively watch things relating to [the group],” she said.

“So, I didn’t go home with all this cultural British knowledge. I went home with a deep abiding love of S Club 7 and came back to school when everyone was obsessed with the Backstreet Boys and NSYNC.

“For me, I was literally like, ‘Guys, you got to hear this hot track right off the presses, it’s called Reach For The Stars’.”

Lena Dunham in a clip from Netflix series Too Much. Pic: Netflix
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Pic: Netflix

It wasn’t until her 30s, when the actress moved again to the city, that reality took hold and she quickly learned the difference between the imagined London and the real city.

Some stereotypes hold true, like the universal love for Paddington. Still, TV tropes like renting a flat on a single income in the city does not necessarily mean you’ll be treated to lavish rooms and a picturesque garden.

She says it was social cues she found most challenging to adjust to, as well as the different dictionaries used when speaking, technically, the same language.

“You come to a new country and even though you speak the same language, you’re totally absent from those tools,” she says.

“And I found that really striking as an adult in my 30s, trying to make friends, trying to date. I found it confusing enough to be a person in my own city of origin, so this was extra confounding.”

Too Much, her new Netflix series, is loosely inspired by her own London chapter and follows a workaholic New Yorker in her 30s who is sent across the Atlantic to work on a new project.

The 10-episode show is produced by Working Title – the company behind Bridget Jones, Notting Hill, About A Boy and Love Actually – and stars Hacks breakout actress Megan Stalter and The White Lotus actor Will Sharpe.

Megan Stalter stars as Jessica in Lena Dunham's new Netflix comedy Too Much. Pic: Netflix
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Pic: Netflix

Dunham says she always wanted to write about her time in the UK, but it was a conversation with Irish actor Andrew Scott that got the ball rolling.

“Actually, he’s the reason that I came to know Meg as an actor because he loved her on Hacks and he loved her videos, and he said: ‘Have you watched this woman’s work? I feel like there’s a real connection between you two’, and I started watching because of him and built a show around her.”

In a full circle moment, Scott appears in the series briefly as an arrogantly odd man who crosses paths with Megan Stalter’s character Jessica.

Andrew Scott in Lena Dunham 's new Netflix comedy series Too Much. Pic: Netflix
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Pic: Netflix

The Ridley actor isn’t the only famous face joining the cast in a cameo role. Dunham put a call out to most of Hollywood, and luckily lots were on board.

To name just a few, guest stars include Jessica Alba, Stephen Fry, Adwoa Aboah, Kit Harington, Rita Wilson, Rita Ora, Richard E Grant, Emily Ratajkowski, Andrew Scott, Prasanna Puwanarajah and Jennifer Saunders.

“It was one of those situations where you just reach for the stars, literally, and then you can’t believe when they appear,” says Dunham.

“It was just a non-stop parade of people that I was fascinated by, wanted to be around, completely enamoured of.”

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Lena Dunham speaks to Sky's entertainment reporter Debbie Ridgard
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A whole host of high-profile cameos feature in Lena Dunham’s Too Much

She adds: “I remember asking Naomi Watson, thinking, there’s absolutely no way that you’re going to want to come play this slightly demented woman. And she’s so playful and she’s so joyful and she just wanted to come and engage.

“Also, Jennifer Saunders has meant so much to me for so long, I had the AbFab box set as a kid, and I just think Patsy and Edina are the ultimate kind of messy women.

“She really showed me what comedy could be and… the space that women could occupy in comedy, and so having her come and join the show was really incredible.

“That was an episode that someone else was directing, Alicia McDonald, an amazing director, so I just got to sit and watch at the monitor like I was watching a movie, and it was very surreal for me.”

Too Much is out on Netflix now.

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